The Canary
California, United States | Film Short
History, Thriller
Orville Combs has come to California at the height of the Gold Rush, but he's come a little too late--"all the big easy gold has been got." Refusing to admit defeat, Orville buys a condemned mine, hoping to realize his dream of striking it rich. But soon discovers his dream is actually a nightmare.
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Orville Combs has come to California at the height of the Gold Rush, but he's come a little too late--"all the big easy gold has been got." Refusing to admit defeat, Orville buys a condemned mine, hoping to realize his dream of striking it rich. But soon discovers his dream is actually a nightmare.
- The Story
- Wishlist
- Updates
- The Team
- Community
The Story
I've always been fascinated with history. As the child of two teachers, my summer vacations and spring breaks weren't spent playing on a beach (much to my childhood chagrin) but instead making pilgrimmages to Gettysburg and Plymouth Rock, and Pearl Harbor. My imagination would run wild trying to recreate the scenes that made these hallowed places iconic: soldiers in their Union blues making the final charge; pilgrims struggling to survive in a foreign land; Japanese kamikazees dive-bombing into Naval destroyers.
As I got older, this fascination only grew stronger and took on new dimension: I wanted to understand the context of historical events; I wanted to know what everyday life was like for people in these times; I wondered what it would have been like to be one of them. And as I explored these ideas, I began to see history not as a series of big events but rather as one continuous narrative of life on planet earth.
When I started working in the entertainment industry, one of my goals was to use film to bring history to life; to show how history itself has been epic, and dramatic, and romantic, and terrifying. That history itself can be really exciting if told well. As a producer I am making several projects that seek to accomplish this goal, but The Canary is my first attempt at writing and directing the story myself.
I think most people have a nostalgic sort of feeling about The California Gold Rush. For me this nostalgia comes partly from the classic imagery: gold-panners plucking nuggets from the Sacramento River, catapulting common men from poverty to wealth. But I'm also interested in the harsh realities of life on the frontier, and what happened to those early Californians that didn't strike it rich.
Through Orville's story I'm going to capture both the nostalgic and the realistic, to show a glossy ideal of the Gold Rush before stripping it down to a bleak reality. The Canary is also going to be exciting; it's going to entertain. There's romance and suspense, comedic moments and truly horrifying ones. The Canary is going to be a fun ride, and I promise the final product will be one you're not only glad you saw, but supported.
So, Blow boys blow, for Californio
There's plenty of gold so I've been told
On the Banks of the Sacramento.
-Karl Herrmann (director/screenwriter)
Wishlist
Use the WishList to Pledge cash and Loan items - or - Make a pledge by selecting an Incentive directly.
Actor
Costs $1,975
Help us cast our hero, Orville, his wife, Emaline, and our wizened gold miner, Lemuel.
Producer
Costs $1,000
Help us get a badass line producer who will help us wrangle a terrific crew and hit our days!
First Assistant Director
Costs $500
A strong 1st A.D. is key to a smoothly run set. Help make our shoot a breeze.
First Camera Assistant
Costs $750
Help us build out our Cinematographer's team with a great 1st Assistant Camera.
Second Camera Assistant
Costs $625
Help us build out our Cinematographer's team with a great 2nd Assistant Camera.
HD - Arri Alexa
Costs $2,750
The Arri Alexa is THE camera we need to capture the low-lit tension of our mine. Help us get one!
Accessories - Tripods / Heads
Costs $1,700
Sweeping shots over gold creek would be so much cooler with a crane. Help us rent one!
Gaffer
Costs $750
Lights need electricity, and someone to work them. Help us light our set up!
Wardrobe Stylist
Costs $500
Orville's hat, Emaline's dresses -- we need a stylist with a great eye to outfit our cast!
Makeup Kit
Costs $100
From an everyday look to a gruesome finish, help us buy the makeup we need!
Make Up Artist
Costs $600
Help us hire a makeup artist to make Orville and Emaline pop on screen!
Production Sound Mixer
Costs $600
Capturing the sound of the Gold Rush is just as vital as the look. Help us pick up all of it!
Mixers - Sound Devices 302 3 Channel Mixer
Costs $800
Capturing the sound of the Gold Rush is just as vital as the look. Help us pick up all of it!
Editor
Costs $1,500
We need a great editor to help us weave Orville's tale together. Please help us get one!
Composer
Costs $1,000
Great movies have great music. Help us find a composer to make the Canary sing!
Colorist
Costs $1,000
Help us make our blue skies pop, our gold glow yellow, and our cave a rich pitch black!
Festival Fees
Costs $700
Help us submit to festivals such as Sundance, Slamdance, SXSW and more!
Production Designer
Costs $625
Making our sets authentically 1850 is no small feat. Help us hire a production designer to do it!
Hard Drive
Costs $500
Help us store all our great footage and sound! Say it with me, two terabytes...
Craft Services Food
Costs $850
A well fed crew is a happy crew, and a happy crew makes a great movie!
Location fees
Costs $200
Helps us film in a real Gold Rush town, an authentic Homesteader cabin, actual gold creek and mine!
Prop Package
Costs $625
Help us buy Gold Rush props: pickaxes, gold pans and a real life Canary!
Wardrobe package
Costs $750
Hats, dresses, suspenders and boots -- Help us put an authentic wardrobe together for our cast.
Catering
Costs $1,050
A well fed crew, is a happy crew, and a happy crew makes a great movie!
Sound Designer
Costs $1,250
Great sound is crucial to making the world of THE CANARY come alive!
Putt - Putt Es6500 Watt Honda Geny
Costs $750
Lights need electricity, and among other things, a generator. Help us light our set up!
Gas
Costs $500
We need gas to get our awesome crew and cast to to set and back! Please help us fill their tanks!
Cube Truck
Costs $600
Since we don't have sherpas, we need a cube truck to carry our gear. Help us schlep it all easily.
About This Team
Karl Herrmann - Director / Screenwriter
Karl Herrmann is an independent filmmaker, screenwriter and producer. He is a founding partner in Pioneer Pictures, which produces content for both film and television, among which is the biopic, Titan, an exciting look at the life of John D. Rockefeller Sr., directed by Lasse Hallström, and written by Craig Borten. In addition to his work as a producer, Karl has written numerous screenplays for film and television. The Canary marks his first time as a director. Karl began his career at Sony Pictures working in production on such films as Click, starring Adam Sandler, and Spiderman-3, starring Tobey Maguire. He graduate with honors in Political Science from the University of North Carolina at Chapel Hill and is a lifelong Ohio State Buckeye.
Noah Rosenthal - Cinematographer
As the son of a filmmaker, Los Angeles “native” Noah Rosenthal became fascinated with the art and craft of movies at a very young age. This early interest led him on an unconventional path to a career as a Cinematographer. Attending Middlebury College in Vermont, he took a double major in Film and Media Culture and American Literature (with a little Division III Football mixed in!), guided fly fishing trips on wild trout rivers of Wyoming, traveled the country taking photographs, studied acting at The Beverly Hills Playhouse before eventually receiving an MFA in Cinematography from The American Film Institute where he was the first second-generation graduate.
Noah prides himself on strong collaboration and the ability to work from the elements of a story to find the best look for a film. In finding and defining visual choices and structure, one can support a narrative visually in ways that help to elevate the story far beyond what is on the page. He has experience across the genres and looks forward to expanding it, fully expecting his passion for visual storytelling to be a life-long pursuit.
Noah's recent feature film work includes Cold Comes the Night, starring Bryan Cranston, Drones, starring Matt O'Leary, and Fat Kid Rules the World, starring Jacob Wysocki and directed by Matthew Lillard.
Bert Kern - Producer
Bert is a producer at Whitewater Films, an LA based indie film production company whose credits include the critically acclaimed feature “Mean Creek” as well as “Nearing Grace” and “Kabluey.” Whitewater has also executive-produced are the 2013 Sundance opening night film “May in the Summer” and dramatic competition selection “Afternoon Delight". Other Whitewater productions include "Fat Kid Rules the World" (SXSW Narrative Spotlight Audience Award 2012), “California Solo” (Sundance 2012), “Arcadia” (winner of the Crystal Bear at Berlin 2012) and “On the Ice” (Sundance 2011 and Berlin - Crystal Bear). Bert is an Associate Producer of “According to Greta” (2009), starring Hillary Duff and Ellen Burstyn, as well as “Fat Kid". Bert is co-producing Whitewater Films’ anticipated feature "7 Minutes", recently released film "Drones" and is an executive producer on "King Jack" and "Band of Robbers".
Ian Coyne - Producer
Ian Coyne has been making films since his teenage years. Working for highly reputable companies such as Echo Lake, Permut Presentations, Duly Noted, Fresh Produce Films, and Skybox Films, has given him extensive production and development experience. Most recently, Ian produced the first national TV spot for Tesla Motors and two highly acclaimed feature films. After nearly two decades of working in the industry he has established a reputation for being personable, professional, and innovative.
Robert Kravis - Producer
Prior to founding Pioneer Pictures with Karl Herrmann in 2013, Robert Kravis produced an adaptation of Hunter S. Thompson’s The Rum Diary, which starred Johnny Depp, Aaron Eckhart and Amber Heard. He worked closely with Academy Award nominated, and BAFTA award winning writer/director, Bruce Robinson to adapt Mr. Thompson’s novel for the screen, and was instrumental in bringing Johnny Depp aboard to star, and in securing financing for the picture through GK Films.
In 2006, Robert produced Lucky Number Slevin, which premiered at the Sundance Film Festival. The film starred Josh Hartnett, Bruce Willis, and Academy Award winners, Morgan Freeman and Sir Ben Kingsley. Following the film’s release, Mr. Kravis collaborated with Lucky Number Slevin producer Tyler Mitchell, and writer Jason Smilovic on the NBC TV Series My Own Worst Enemy, which starred Christian Slater.
He began his career at the independent film production company, The Shooting Gallery, where he served as Co-President of Production. While at The Shooting Gallery Mr. Kravis produced such films as Sling Blade, for which Billy Bob Thornton won the Academy Award for Best Screenplay and was nominated for Best Actor. Mr. Kravis also developed and produced You Can Count On Me, for which Laura Linney received an Academy Award nomination for Best Actress, Kenneth Lonergan received an Academy Award nomination for Best Screenplay, and for which actor Mark Ruffalo received critical acclaim.
Incentives
- The Story
- Wishlist
- Updates
- The Team
- Community
The Story
I've always been fascinated with history. As the child of two teachers, my summer vacations and spring breaks weren't spent playing on a beach (much to my childhood chagrin) but instead making pilgrimmages to Gettysburg and Plymouth Rock, and Pearl Harbor. My imagination would run wild trying to recreate the scenes that made these hallowed places iconic: soldiers in their Union blues making the final charge; pilgrims struggling to survive in a foreign land; Japanese kamikazees dive-bombing into Naval destroyers.
As I got older, this fascination only grew stronger and took on new dimension: I wanted to understand the context of historical events; I wanted to know what everyday life was like for people in these times; I wondered what it would have been like to be one of them. And as I explored these ideas, I began to see history not as a series of big events but rather as one continuous narrative of life on planet earth.
When I started working in the entertainment industry, one of my goals was to use film to bring history to life; to show how history itself has been epic, and dramatic, and romantic, and terrifying. That history itself can be really exciting if told well. As a producer I am making several projects that seek to accomplish this goal, but The Canary is my first attempt at writing and directing the story myself.
I think most people have a nostalgic sort of feeling about The California Gold Rush. For me this nostalgia comes partly from the classic imagery: gold-panners plucking nuggets from the Sacramento River, catapulting common men from poverty to wealth. But I'm also interested in the harsh realities of life on the frontier, and what happened to those early Californians that didn't strike it rich.
Through Orville's story I'm going to capture both the nostalgic and the realistic, to show a glossy ideal of the Gold Rush before stripping it down to a bleak reality. The Canary is also going to be exciting; it's going to entertain. There's romance and suspense, comedic moments and truly horrifying ones. The Canary is going to be a fun ride, and I promise the final product will be one you're not only glad you saw, but supported.
So, Blow boys blow, for Californio
There's plenty of gold so I've been told
On the Banks of the Sacramento.
-Karl Herrmann (director/screenwriter)
Wishlist
Use the WishList to Pledge cash and Loan items - or - Make a pledge by selecting an Incentive directly.
Actor
Costs $1,975
Help us cast our hero, Orville, his wife, Emaline, and our wizened gold miner, Lemuel.
Producer
Costs $1,000
Help us get a badass line producer who will help us wrangle a terrific crew and hit our days!
First Assistant Director
Costs $500
A strong 1st A.D. is key to a smoothly run set. Help make our shoot a breeze.
First Camera Assistant
Costs $750
Help us build out our Cinematographer's team with a great 1st Assistant Camera.
Second Camera Assistant
Costs $625
Help us build out our Cinematographer's team with a great 2nd Assistant Camera.
HD - Arri Alexa
Costs $2,750
The Arri Alexa is THE camera we need to capture the low-lit tension of our mine. Help us get one!
Accessories - Tripods / Heads
Costs $1,700
Sweeping shots over gold creek would be so much cooler with a crane. Help us rent one!
Gaffer
Costs $750
Lights need electricity, and someone to work them. Help us light our set up!
Wardrobe Stylist
Costs $500
Orville's hat, Emaline's dresses -- we need a stylist with a great eye to outfit our cast!
Makeup Kit
Costs $100
From an everyday look to a gruesome finish, help us buy the makeup we need!
Make Up Artist
Costs $600
Help us hire a makeup artist to make Orville and Emaline pop on screen!
Production Sound Mixer
Costs $600
Capturing the sound of the Gold Rush is just as vital as the look. Help us pick up all of it!
Mixers - Sound Devices 302 3 Channel Mixer
Costs $800
Capturing the sound of the Gold Rush is just as vital as the look. Help us pick up all of it!
Editor
Costs $1,500
We need a great editor to help us weave Orville's tale together. Please help us get one!
Composer
Costs $1,000
Great movies have great music. Help us find a composer to make the Canary sing!
Colorist
Costs $1,000
Help us make our blue skies pop, our gold glow yellow, and our cave a rich pitch black!
Festival Fees
Costs $700
Help us submit to festivals such as Sundance, Slamdance, SXSW and more!
Production Designer
Costs $625
Making our sets authentically 1850 is no small feat. Help us hire a production designer to do it!
Hard Drive
Costs $500
Help us store all our great footage and sound! Say it with me, two terabytes...
Craft Services Food
Costs $850
A well fed crew is a happy crew, and a happy crew makes a great movie!
Location fees
Costs $200
Helps us film in a real Gold Rush town, an authentic Homesteader cabin, actual gold creek and mine!
Prop Package
Costs $625
Help us buy Gold Rush props: pickaxes, gold pans and a real life Canary!
Wardrobe package
Costs $750
Hats, dresses, suspenders and boots -- Help us put an authentic wardrobe together for our cast.
Catering
Costs $1,050
A well fed crew, is a happy crew, and a happy crew makes a great movie!
Sound Designer
Costs $1,250
Great sound is crucial to making the world of THE CANARY come alive!
Putt - Putt Es6500 Watt Honda Geny
Costs $750
Lights need electricity, and among other things, a generator. Help us light our set up!
Gas
Costs $500
We need gas to get our awesome crew and cast to to set and back! Please help us fill their tanks!
Cube Truck
Costs $600
Since we don't have sherpas, we need a cube truck to carry our gear. Help us schlep it all easily.
About This Team
Karl Herrmann - Director / Screenwriter
Karl Herrmann is an independent filmmaker, screenwriter and producer. He is a founding partner in Pioneer Pictures, which produces content for both film and television, among which is the biopic, Titan, an exciting look at the life of John D. Rockefeller Sr., directed by Lasse Hallström, and written by Craig Borten. In addition to his work as a producer, Karl has written numerous screenplays for film and television. The Canary marks his first time as a director. Karl began his career at Sony Pictures working in production on such films as Click, starring Adam Sandler, and Spiderman-3, starring Tobey Maguire. He graduate with honors in Political Science from the University of North Carolina at Chapel Hill and is a lifelong Ohio State Buckeye.
Noah Rosenthal - Cinematographer
As the son of a filmmaker, Los Angeles “native” Noah Rosenthal became fascinated with the art and craft of movies at a very young age. This early interest led him on an unconventional path to a career as a Cinematographer. Attending Middlebury College in Vermont, he took a double major in Film and Media Culture and American Literature (with a little Division III Football mixed in!), guided fly fishing trips on wild trout rivers of Wyoming, traveled the country taking photographs, studied acting at The Beverly Hills Playhouse before eventually receiving an MFA in Cinematography from The American Film Institute where he was the first second-generation graduate.
Noah prides himself on strong collaboration and the ability to work from the elements of a story to find the best look for a film. In finding and defining visual choices and structure, one can support a narrative visually in ways that help to elevate the story far beyond what is on the page. He has experience across the genres and looks forward to expanding it, fully expecting his passion for visual storytelling to be a life-long pursuit.
Noah's recent feature film work includes Cold Comes the Night, starring Bryan Cranston, Drones, starring Matt O'Leary, and Fat Kid Rules the World, starring Jacob Wysocki and directed by Matthew Lillard.
Bert Kern - Producer
Bert is a producer at Whitewater Films, an LA based indie film production company whose credits include the critically acclaimed feature “Mean Creek” as well as “Nearing Grace” and “Kabluey.” Whitewater has also executive-produced are the 2013 Sundance opening night film “May in the Summer” and dramatic competition selection “Afternoon Delight". Other Whitewater productions include "Fat Kid Rules the World" (SXSW Narrative Spotlight Audience Award 2012), “California Solo” (Sundance 2012), “Arcadia” (winner of the Crystal Bear at Berlin 2012) and “On the Ice” (Sundance 2011 and Berlin - Crystal Bear). Bert is an Associate Producer of “According to Greta” (2009), starring Hillary Duff and Ellen Burstyn, as well as “Fat Kid". Bert is co-producing Whitewater Films’ anticipated feature "7 Minutes", recently released film "Drones" and is an executive producer on "King Jack" and "Band of Robbers".
Ian Coyne - Producer
Ian Coyne has been making films since his teenage years. Working for highly reputable companies such as Echo Lake, Permut Presentations, Duly Noted, Fresh Produce Films, and Skybox Films, has given him extensive production and development experience. Most recently, Ian produced the first national TV spot for Tesla Motors and two highly acclaimed feature films. After nearly two decades of working in the industry he has established a reputation for being personable, professional, and innovative.
Robert Kravis - Producer
Prior to founding Pioneer Pictures with Karl Herrmann in 2013, Robert Kravis produced an adaptation of Hunter S. Thompson’s The Rum Diary, which starred Johnny Depp, Aaron Eckhart and Amber Heard. He worked closely with Academy Award nominated, and BAFTA award winning writer/director, Bruce Robinson to adapt Mr. Thompson’s novel for the screen, and was instrumental in bringing Johnny Depp aboard to star, and in securing financing for the picture through GK Films.
In 2006, Robert produced Lucky Number Slevin, which premiered at the Sundance Film Festival. The film starred Josh Hartnett, Bruce Willis, and Academy Award winners, Morgan Freeman and Sir Ben Kingsley. Following the film’s release, Mr. Kravis collaborated with Lucky Number Slevin producer Tyler Mitchell, and writer Jason Smilovic on the NBC TV Series My Own Worst Enemy, which starred Christian Slater.
He began his career at the independent film production company, The Shooting Gallery, where he served as Co-President of Production. While at The Shooting Gallery Mr. Kravis produced such films as Sling Blade, for which Billy Bob Thornton won the Academy Award for Best Screenplay and was nominated for Best Actor. Mr. Kravis also developed and produced You Can Count On Me, for which Laura Linney received an Academy Award nomination for Best Actress, Kenneth Lonergan received an Academy Award nomination for Best Screenplay, and for which actor Mark Ruffalo received critical acclaim.