Charlie Cutter’s life has been turned upside down since he started having a recurring nightmare of a gas station robbery. As the young man struggles to navigate through everyday life at home, he finds himself on a journey to uncover the truth behind his nightmare with the help of friends.
Charlie Cutter’s life has been turned upside down since he started having a recurring nightmare of a gas station robbery. As the young man struggles to navigate through everyday life at home, he finds himself on a journey to uncover the truth behind his nightmare with the help of friends.
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Story
Mission Statement
Goldie's explores the story of a young man who seeks closure after years of confusion surrounding a loss. Our film examines themes of the broken family, addiction, compulsive behavior, and family secrets.About The Project
The Idea
Goldie's is a short film based on Charlie Cutter, a twenty-year-old college student whose life has become consumed by a recurring nightmare of a gas station robbery. As the young man stuggles to navigate his life, he finds himself on a journey with the help of friends to uncover the truth.
In 2020, Quinnipiac student Richie Tobin wrote a script titled "Enter Nightmare". This story was later adapted into what is now "Goldie's" but the premise remains the same. An important aspect to our film is creating a dreamlike, ethereal world as Charlie's main objective is to get to the bottom of what's causing his nightmares. After meeting a young spiritual woman, she introduces him to lucid dreaming; this becomes Charlie's main form of investigating his own recurring nightmare.
Inspirations
We are inspired by films that capture a dark, ominous tone while illustrating vibrant visuals through the use of cinematography, set design, audio and editing. Goldie's has influences of "Eternal Sunshine of the Spotless Mind" and "Drive".
Charlie's dream sequences will visually be inspired by "Nightcrawler" and "Bladerunner 2049". Using fluorescent, vivid lighting will immerse audiences in Charlie's world while transporting us back to the 1980s.
Throughout the film, Charlie alternates between reality and his dreams. The scenes that take place in the "present", or early 2000s, will be inspired by "Se7en" taking influence from the darker, more neutral color scheme.
Tone & Vision
Our goal is to create the world how Charlie sees it. Considering his nightmares have begun affecting his everyday life, Charlie finds himself in a limbo of angst now that the distinction between reality and fantasy is blurred. Charlie sees life as a nightmare, mainly depicted through dark, dreary themes.
It's when Charlie dreams that his world comes to light in ethereal, neon vibrant color. In order to create an immersive experience, here is our plan in achieving this:
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Cinematography- The use of color and lighting plays a huge factor in distinguishing between Charlie's nightmares and reality. Dutch angles and camera movements are key in creating an uncomfortableness for audiences.
Realism vs. Fantasy- Half of this film takes place as Charlie is in a dream-like world. We want to portray these scenes in stark contrast to the other nightmare that is his life.
Editing- Shots range from long takes to quick clips depending on the rhythm of each scene. Quick cuts will be used to emphasize chaoticness while slow, long takes build up the intensity of this slow-burn film.
Acting- In order to properly do the story of Goldie's justice, we want to hire professional actors as we plan for extensive rehearsal time. It's important for our script's emotion to be captured on screen.
Set Design- Goldie's takes place during two time periods; the early 2000's and 1980s. The use of props and wardrobe that corresponds to these eras will transport audiences back in time.
How we will use the money
Starting off, part of our budget is dedicated to safety. In alignment with CDC regulations, all cast and crew will be tested for Covid-19 and maintain social distancing on set. Part of these expenses includes masks, tests, and cleaning supplies.
The largest portion of our budget is dedicated to production costs. To create Goldie's, we need four different locations, transportation, equipment, lodging for our crew, and a multitude of other things like props and wardrobe. The money raised will be used to pay our actors for their time and behind-the-scenes necessities like food and travel.
Post-production costs like sound mixing and festival fees comprise what's left of our budget. When Goldie's has been shot, we want to add the finishing touches that make it professional. Furthermore, once it is complete, we want to submit our work to festivals throughout the country.
Final Thoughts
Thank you for taking the time to review our fundraising campaign, we hope you join our journey and support us along the way as we bring the story of Goldie's to life! Your support is sincerely appreciated as we look forward to what's ahead.
Please help us spread the word by following us on Facebook and Instagram @goldiesshortfilm!
Incentives
$10
Social Media Shoutout
Pledge $10 and you will receive a social media shoutout on Instagram and Facebook!
$20
Digital Movie Poster
Receive a digital movie poster to post on social media or share with friends!
$25
Personalized Employee Badge
Pledge $25 and receive your very own personalized employee badge as worn by Charlie Cutter!
$40
Digital Process Pack
Receive a PDF version of the script we used and a scene-by-scene story board!
$50
Goldie's T-shirt
Order your very own Goldie's graphic tee!
$100
Sneak Peak & BTS Documentary
Once the film is complete, you'll get early access along with a behind the scenes documentary of the making of Goldie's!
$250
Business Sponsorship
Give a shoutout to your company or business in the credits and get early access once the film is complete!
$500
Associate Producer
Become a producer for Goldie's! Earn an Associate Producer credit and private early screening with the crew.
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Wishlist
Use the WishList to pledge cash and loan items - or - Make a pledge by selecting an incentive directly.
$10
Social Media Shoutout
Pledge $10 and you will receive a social media shoutout on Instagram and Facebook!
$20
Digital Movie Poster
Receive a digital movie poster to post on social media or share with friends!
$25
Personalized Employee Badge
Pledge $25 and receive your very own personalized employee badge as worn by Charlie Cutter!
$40
Digital Process Pack
Receive a PDF version of the script we used and a scene-by-scene story board!
$50
Goldie's T-shirt
Order your very own Goldie's graphic tee!
$100
Sneak Peak & BTS Documentary
Once the film is complete, you'll get early access along with a behind the scenes documentary of the making of Goldie's!
$250
Business Sponsorship
Give a shoutout to your company or business in the credits and get early access once the film is complete!
$500
Associate Producer
Become a producer for Goldie's! Earn an Associate Producer credit and private early screening with the crew.
- Updates
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Current Team
About This Team
Owen Sindorf is the director of Goldie’s. He is a senior majoring in Film, Television, and Media, with a minor in Anthropology. After graduation, Owen plans to work on short, independent films. Eventually, he hopes to work on feature-length documentaries or thrillers. Owen is passionate about filmmaking and believes film is a powerful medium capable of educating and informing all people about critical issues facing our world today.
Andre Leo is the director of photography. He is a senior majoring in Film, Television, and Media with a minor in Biology. He currently works for NBCUniversal as a digital intern and plans to work in cinematography for nature documentaries.
Kristen Harrington is the producer of Goldie's. She is a senior majoring in Film, Television, and Media with a minor in Business. As producer, Kristen is responsible for budgeting and overall logistics of the filmmaking process. She plans to work as a PA for television and film while traveling with the hopes of creating her own production company one day.
Christopher Conte is a current Senior Film, Television, and Media Arts major in college from North Haven, Connecticut. As the dedicated audio designer for Goldie’s, Chris will be responsible for capturing high-quality audio during all recording sessions and will work to develop atmospheric noises that make the on-screen world seem both immersive and sensational. As part of the crew, Chris contributes to the passion of the team’s determination to make a strong film that will lay the patchwork for a bright future in the industry. Beyond graduation, Chris seeks to explore his options and put his best effort toward all projects that he will be a part of.
Nick Ferlito is the editor. Nick is a senior at Quinnipiac University majoring in Film, Television and Media Studies with a minor in Advertising. As the editor, Nick is responsible for assembling all the visual and sound elements of the short film. This process is what takes place inbetween the shooting and presentation of "Goldies". Nick would like to edit for film, television, and commercials in the future.
Belle Najjar is the assistant director. Isabel is a current Junior in Quinnipiac University’s 3 + 1 Film, Television, and Media Studies BFA program. Originally, from Brooklyn, New York. Isabel explains that as a film major, having an expansive view of the world is extremely important when discovering her inner creativity and incorporating it into her work. The short film, Goldies has given her the ability to demonstrate not only her experience within the film industry but also her creativity! Having the opportunity as the assistant director of Goldies, she considers being one of her greatest achievements! In the future, Isabel would like to work as an assistant director or editor on film and television. Her recent works include: We are New York (Creator), Behind the Apron (editor), and Kappa Delta’s - Video Promo Manager.
Erik Lazor is the production designer of Goldie's. Erik is A Film Television and Media Studies major with a minor in journalism originally from Madison, Connecticut. Being the Production Designer for the short film Goldies, Erik is responsible for props and wardrobe. But more importantly, Erik is in charge of bringing the director's visions to life by organizing the overall visual appearance and aesthetic style of the production. After graduation, Erik aspires to work for National Geographic as a wildlife photographer.
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