No Strings Attached Film

New York City, New York | Film Short

Experimental

Heather Alexis

1 Campaigns | New York, United States

Green Light

This campaign raised $8,325 for production. Follow the filmmaker to receive future updates on this project.

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No Strings Attached is a raw retelling of the struggles of Mental Health. Through an indestructible string, a trip down balloon memory lane, and a therapy session with a black hole, we explore topics of; depression, chronic illness, anxiety, and coping.

About The Project

  • The Story
  • Wishlist
  • Updates
  • The Team
  • Community

Mission Statement

Cedar Swamp Productions and the work we create will bring to life stories that balance the raw reality of Mental Health with the fantastical worlds of fiction. We will do so in an informed and intentional way that elevates this conversation around breaking down the stigma of mental health in media.

The Story

No Strings Attached...

...is a raw retelling of the struggles of Mental Health. Through a comedic duo of a human and balloon, the film serves as a starting point for the discussion of mental health representation in film. The story follows Faith (the human) as she learns to cope with Bal (the balloon), a metaphorical representation of the baggage of her past. Through an indestructible string, a trip down balloon memory lane, and a therapy session with a black hole, we explore topics of; depression, chronic illness, anxiety, and coping. 

Logline: When the baggage of her past takes the form of an indestructible balloon, Faith must face her demons and learn to let it go, or risk living forever with a balloon attached to her wrist.

Genre: Coming of Age Experimental

Form: Short Film (Half Hour)

MEET THE CHARACTERS

Faith (The Human): Early 20s, stressed, depressed, and a hot mess. Emotionally unstable. Unable to let go of the past. Must learn to move forward to let Bal go.

Bal (The Balloon): Bal, like your pal. Your friendly metaphorical baggage of your past balloon. Represents the past and adjusts color as Faith completes the trials.

STORY BREAKDOWN

 Part One: Metaphorical Baggage

Faith sits on a cliff contemplating whether or not to jump. She decides not to, but proceeds to explain all the reasons why she understands the appeal. It is then revealed that she isn't alone. In fact, introducing Bal. Your friendly metaphorical baggage of the past balloon, who is conveniently, and permanently, attached to Faith.


You may be wondering about the balloon. Bal and Faith didn't used to be attached. At first he floated by. But the longer she spent with him the more attached he became. Until one day they became inseparable by an indestructible force: string. No matter what she does, Bal will not go away. Pretty soon Bal invites some friends into Faith's life. She tries to ignore it until one day she snaps.


 Part Two: Welcome to the Balloon Trials

Faith falls into the Balloon Trials, a manifestation of the thoughts plaguing her mind. Once in the trials she must confront each of the balloons waiting for her, think of it as overcoming a trauma. But she isn't ready for it. Alone and scared, she panics after her first attempt to solve the trial fails. She tries to escape but finds Bal in the middle of the abyss. Bal convinces her to try again and she reenters the Balloon Trials.


Faith reenters the Balloon Trials, once again alone, but this time willing to give closure a shot. She works her way through four trials: Blue/Family, Purple/Friendship, Orange/Health, and Green/Relationship. The last trial, Black/Self, forces her to confront everything at once. If she wants to leave the Balloon trials and get Bal back then she has to let go.

 Part Three: Chasing Sunsets

Faith is able to confront her past, transforming the balloon back into Bal. Upon reflection, shown through a montage, she comes to acknowledge the lessons and move forward. She escapes the balloon trials and reappears next to Bal on the cliff from the beginning. In this moment she is at peace. Chasing sunsets. Until the next day.

No Strings Attached is the culmination of all of my passions. It is an example of a film that discusses serious mental health issues through the fantastical world of colorful balloons. Representing these topics through an experimental story is just one example of the power of creativity. Using your imagination to explain the unexplainable is why we make art. This film is a personal journey for myself not only as a filmmaker but as a person. Life gets difficult, and there are days when it’s hard to remember why we keep going. But just like Faith at the end of this film, it is important to remember to keep chasing sunsets. Sunsets are reminders that even endings can be pretty.

Principle Photography will take place on Sundays in November here in New York City, and in our writer/director's hometown in Connecticut. We have a small team of dedicated and talented inviduals to help us through production and post. To see a sample of our rotoscope test (by our talented Animator, Atlas Lee-Reid), look at our social media page at the end of this campaign. The $6000 we are crowdfunding here will help us with many of our production costs. 

Please share our campaign on your social media! 

This helps just as much as a contribution.  Doing both will also really help us meet our goals!
Follow our story on instagram @Nostringsattachedfilm 

Thank you so much for all your help, and support in bringing this story to life! 


~Heather Alexis (Writer/Director) and the No Strings Attached Film Team! 

Wishlist

Use the WishList to Pledge cash and Loan items - or - Make a pledge by selecting an Incentive directly.

Dream FX Lens Filter

Costs $80

To create an other worldy effect in the balloon world.

Split Diopter FX Filter

Costs $80

To achieve the experimental aesthetic of the abyss world.

4 Sony NP-FZ100 Batteries

Costs $100

Camera Accessories for our Director of Photography.

2 Sandisk Extreme Pro 300mb/s SDXC V90 II 3 10 64 GB SD Cards

Costs $140

Camera Accessories for the Director of Photography.

2 Glyph 2TB Harddrive

Costs $300

To store our footage, audio, files etc. and to have a backup.

DJI RS-3 Gimbal

Costs $500

Camera Accessories for the Director of Photography.

Festival Submission Fees

Costs $100

To cover the fees for submitting both the script and the film to festivals.

Production Design

Costs $1,000

Props, costumes, and of course balloons to fill the frame.

Securing Locations

Costs $1,200

To secure key locations in the script.

Craft Services

Costs $500

Expenses to buy meals and snacks for the crew.

Transport for Cast and Crew

Costs $1,000

Expenses to pay for the cast and crew's transport to locations.

VFX and Colorist

Costs $1,000

To compensate the work of a VFX Artist and Colorist.

Cash Pledge

Costs $0

About This Team

 Director/Writer: Heather Alexis(she/her)

Is an emerging filmmaker based in NYC. Her passion lies in Post Production Editing and Screenwriting. Her goal as an artist is to create films that explore mental health representation in an informative mix of reality and fantasy. The representation of mental health in media needs to be reimagined by storytellers willing to put in the research and take on these important themes with a caring hand. Her previous Post Production editing and finishing work has been for Disney’s WABC-7, HBO, and independent Short Films. Her screenwriting, notably her trilogy Playback, has been featured as a finalist for New York’s Fusion Film Festival. She is currently pursuing her M.A in Psychology in Film at NYU Gallatin. She holds a BFA in Film and Television Production from NYU Tisch (Dec. 2020). Currently, she is a freelance Film Editor and Screenwriter, working at NYU Tisch School of the Arts as a Post Production Technician. More of her work can be found at www.heatheraalexis.com.

 Actor: Sylvie Tamar(she/they)

Is a NYC-based actor and choreographer, and a recent graduate of Fordham University's Theatre Program. They hope to use storytelling to question the norm while employing radical equity in their artistic process. With a background in dance, singing, circus arts, and more, they are drawn to collaborative and multidisciplinary work. Some of their favorite work has been playing #2 in Sarah DeLappe’s The Wolves (Fordham University) as well as choreographing a production of Clare Barron’s Dance Nation (Fordham University). Through their time studying acting, they’ve developed a passion for the unique intersection of psychology and acting, specifically in regard to protecting an actor’s mental health while playing emotionally turbulent and demanding characters. They are an advocate for safe acting practices and for further research into what those practices can be. More about them at sylvietamar.com

 Director of Photography: Alicia Baggieri(she/her)

Born and raised in Toronto, Ontario, Alicia Baggieri is an emerging cinematographer based in Bay Shore, New York. Her work has been featured on Thrasher Magazine, Super Geek Film Festival and FICSAM Interational Mental Health Film Festival. She is honoured to be a Companion Member in the Canadian Society of Cinematographers. She studied Film and Television Production at Humber College, specializing in cinematography. During that time, she had the chance to work on many projects, granting her the opportunity to absorb the tools and techniques to creating outstanding material. She has worked on a variety of short films and documentaries early on in her career. Capturing the emerging non-traditional skateboard scene in Pittsburgh, the mental health of unique individuals in Southern Ontario and experimental shorts with wild turn of events. In line with her core values, she volunteers her artistic abilities to help promote non-traditional skateboarders by taking photos, promoting events and contributing to the community.

 Producer: Amanda Yerby(she/her)

Is a producer and filmmaker based in Brooklyn, New York. She just started an M.A. program at NYU's Gallatin School of Individualized Study with a concentration in Accessible and Equitable Filmmaking. She is passionate about creating inclusive environments in filmmaking from the development through the presentations of each film. Amanda also works full-time in academia helping students with all the pre-production aspects of bringing their visions to life. When isn't studying, or working, she is at home cuddling with her two rescue cats, Indy and Jerry.

 Producer: Colette Poncet(she/her)

Born and raised in New York, Colette Poncet is an emerging filmmaker who aspires to make films that represent mental heatlh issues and complex relationship dynamics. She is currently a junior at NYU’s Gallatin School of Individualized Study, concentrating in screenwriting, producing, entertainment business, and developmental psychology. She has worked on several short films and is currently working on writing and developing her first feature screenplay. In her free time, she enjoys tap dancing, baking, and spending time with her service dog, Remi.

 Assitant Director: Patrick Godino(he/him)

Originally from Newtown, CT, Patrick Godino is a filmmaker based in NYC. He is a graduate of New York University, where he double-majored in Film & TV and Spanish. Currently, he is seeking to distribute his thesis film, "Every Other Kid," while developing a number of other projects. When not directing, Patrick works as a script supervisor or assistant director. In his free time, Patrick enjoys running, playing baseball and listening to music.

 Assitant Director: Jad Jacob(he/him)

Is a filmmaker, composer, and artist whose web series, shorts, and documentaries have won over thirty awards and premiered internationally in festivals, most recently at the TCL Chinese Theatre in Hollywood. He is a Finalist for the Michael Collyer Memorial Fellowship in Screenwriting, and his documentary, I Am Syria, has screened at fundraisers and lectures across the Northeast. He recently performed a Dueling Pianos show aboard the MSC Seashore for 5 months, and will soon begin a residency at the Green Fig. He is currently writing a rock musical called BEETHOVEN: Live In Concert. @bvnthemusical

 Art Director: Natalia Ferarra(she/her)

Is a Los-Angeles-raised & New-York-based filmmaker who’s been writing, directing, and production designing films for 10 years. With a focus on telling female-led stories, she hopes to both move audiences and create change while also using absurd settings, characters, and humor that make her films her own. As a designer, Natalia works closely with the script’s story to visually express the details that create the world and in-depth characters. As a 10-time winner of Best Film, 6-time winner of Best Director, 2-time winner of Best Production Design, and 3-time winner of various Rising Future Filmmaker awards, from numerous festivals including NFFTY, Los Angeles Film Festival, and Fusion Film Festival, Natalia soon aims to continue her career in feature-length form.

 Production Mixer & Sound Designer: Brandon Pavlicek(he/him)

Is an audio and video engineer based in Queens. He is extremely passionate about technology, often researching how equipment such as microphones, drum machines, and synthesizers are built while building his own. He holds a BFA in Film and Television Production from NYU Tisch School of the Arts (Dec. 2020), where he specialized in sound mixing, design, and music production. Blending creativity and technology, he is currently an R&D Engineer and Video Technician at Rockstar Games.

 Key Grip & Gaffer: Aly Hegazy(he/him)

Is an Egyptian Filmmaker based in New York City. Born and raised in Alexandria, Egypt, Aly grew up falling in love with all types of movies across all genres which inspired him to make his first short film at the ripe age of 6 years old. He carried his passion with him all the way to college in 2018 where he enrolled in New York University's Tisch School of the Arts Film & Television program, and graduated in 2021 with a B.F.A and a Minor in Business of Entertainment Media.

 Animation: Atlas A Lee-Reid(ze/they/he)

Is a non-binary, fat, white, queer visual artist and filmmaker based in Brooklyn, NY. Zir autobiographical zines are available in Bluestockings Cooperative in Manhattan and Wasted Ink Distro in Phoenix, AZ, and has been featured in festivals such as Sounds About Riso 2022 and Queer Arts Winterfest. Ze is also currently pursuing a Masters degree from NYU in queer and trans filmmaking and artistic self-expression by marginalized communities. While not pursuing opportunities in the visual arts, Atlas spends zir time performing with TRANScend Sings all-trans choir and volunteering as social media coordinator for Shapeless Press, an anti-capitalist queer and trans indie zine press.

 Composer: Michael J. Melnik(he/him)

Is a 2nd Year graduate student in the Media Scoring and Production program at the Frost School of Music. In his undergraduate studies he earned two B.M.s in Instrumental Performance and Music Composition at the University of Connecticut. There he studied percussion with Robert McEwan (Principal Percussionist of the U.S. Coast Guard band), and composition with recent GRAMMY® Award winner Kenneth Fuchs. In the past Michael was the Principal Percussionist of the UConn Symphony Orchestra and Co-Principal Percussionist of the UConn Wind Ensemble. He was a winner in the 2019 UConn Aria/Concerto Competition which awarded him the opportunity to perform the first movement of Emmanuel Sejourne’s Vibraphone Concerto with the UConn Symphony Orchestra. Currently Michael is studying Media Scoring with recent GRAMMY® Award winner Carlos Rafael Rivera (Queen's Gambit) and is working on various music tech related skills at Frost.

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