The Bus Boy
Austin, Texas | Series
Comedy, Action
While many individuals are willing to contribute their time and labor for free, it's crucial to recognize their value and provide proper compensation. Many of our collaborators have homes, families, and responsibilities, and meeting their needs is paramount to this project being equitable and fair.
The Bus Boy
Austin, Texas | Series
Comedy, Action
1 Campaigns | Texas, United States
Green Light
This campaign raised $20,175 for production. Follow the filmmaker to receive future updates on this project.
112 supporters | followers
Enter the amount you would like to pledge
While many individuals are willing to contribute their time and labor for free, it's crucial to recognize their value and provide proper compensation. Many of our collaborators have homes, families, and responsibilities, and meeting their needs is paramount to this project being equitable and fair.
About The Project
- The Story
- Wishlist
- Updates
- The Team
- Community
Mission Statement
The Story
In the gritty world of the restaurant industry, The Bus Boy introduces us to Brick Bùsse (portrayed by William Magnuson)—a young man trapped in the lowest rungs of the culinary ladder. Faced with long hours, meager wages, and dehumanizing treatment, Brick yearns for an escape from this bleak existence. His ambition centers on ascending to the revered rank of Sous-Chef—a formidable warrior class that commands admiration and terror, bound by an unwavering devotion to their executive chefs.
However, Brick's aspirations are suddenly derailed when he is unceremoniously fired from his job, thrusting him into a heart-pounding chain of events. Amidst the chaos, his only friend is tragically murdered, and a mysterious injection endows him with extraordinary martial arts powers. Yet, this newfound power proves fickle, forcing Brick to confront the question: What is true power, and where does it come from?
The Bus Boy serves up high-stakes action and introspection as Brick grapples with the true nature of strength and the quest for self-determination. With each electrifying twist and pulse-pounding fight, our unlikely hero embarks on a transformative journey, unmasking the essence of power and unlocking the keys to his own destiny.
Initially introduced as a formidable villain, he becomes the relentless pursuer of a coveted artifact held by an associate of Brick Bussé, making him the ultimate adversary. With an aura of darkness and an unwavering commitment to his mission, The Man In Black plays a crucial role in the wider narrative of this series. The Man In Black's presence looms large, hinting at a backstory yet to be explored.
Rooted in genuine passion and personal experience, The Bus Boy goes beyond the genre of action comedy that pays homage to classic martial arts and action films. Max Perkins and William Magnuson, with a shared background in martial arts—Max in Tae Kwon Do and William in Jeet Kune Do—found themselves slinging fried chicken in an Austin, Texas restaurant. Their shared love for cinema deepened their friendship, fueling their aspirations of breaking free from the restaurant industry and establishing their own film production company, Wrong Brother Productions.
Having produced a myriad of sketches, commercials, and short films, Max and William are now ready to embark on their most audacious venture yet—the rebirth of The Bus Boy. Drawing inspiration from their time in the restaurant industry, their immersion in the martial arts community, and the vibrant Austin film scene, this project is deeply personal. It's an exhilarating culmination of their dreams, fears, and aspirations.
The Bus Boy isn't just a lighthearted spoof; it's a heartfelt testament to their shared journey, filled with the highs and lows of pursuing their passions. With each scene, The Bus Boy is infused with their unwavering dedication and commitment, making it a true labor of love that resonates with audiences on multiple levels.
We're aiming high with a fundraising goal of $20,000. We know, it sounds like a hefty sum, but it's crucial to ensure a production that's safe, fair, and seamlessly brings our ambitious vision to fruition.
These funds will be allocated towards essential aspects like crew salaries, equipment rentals, location expenses, prop and costume acquisitions, as well as post-production necessities. After all, if we want to whip up an extraordinary cinematic omelet, we'll need to gather the ingredients, and $20k is the key ingredient for success!
If we are able to surpass our initial goal of 20k, the excess funds will be used to improve our gear selection and bump up rates for the hard working crew.
STAY CONNECTED: Join our campaign and stay in the loop with all the latest updates! It won't cost you a penny, as it's completely FREE. What's in it for you? Well, by following us, you help us grow our audience, and in return, Seed&Spark showers us with rewards. The more followers we gather, the more doors open for us, including exciting products, valuable services, and even waived festival fees!
Just follow us on INSTAGRAM + FACEBOOK + YOUTUBE to keep up with our progress on this project! You can also follow this page and keep up with our updates on the tab above!
SUPPORT & PLEDGE: Be a part of our film by contributing through pledging. To secure our funding, we need to reach 80% of our crowdfunding goal. You can select from various incentives or pledge a specific item from our wishlist. Whether you choose a modest or generous pledge, every contribution counts. No pledge is too small, as each dollar plays a vital role in bringing Brick Bussé to the screen!
Wishlist
Use the WishList to Pledge cash and Loan items - or - Make a pledge by selecting an Incentive directly.
THE A-TEAM
Costs $8,500
Getting people paid is paramount to create an efficient workflow and humane experience for everyone on set!
THE GRUB
Costs $1,400
Have you ever heard the expression: an army moves on its stomach? And no, pizza doesn't count.
MEDICAL / FIRST AID / INSURANCE
Costs $1,000
This ain't no canon event. We're playing it safe on this one.
WARDROBE + HMUA
Costs $500
The devil is in the details. Proper makeup and wardrobe supplies will add a sheen of professionalism to this project.
CAMERA PACKAGE
Costs $2,200
If you want to make an omelet, you're gonna have to rent a camera package.
ELECTRICAL EQUIPMENT
Costs $1,400
We have a very specific vision and proper lighting is key to bringing The Bus Boy to life.
POST
Costs $5,000
No, we're not fixing it in post. But we do need a budget for sound design, mixing, color grade, and special effects.
Share this update!
About This Team
Based in the heart of Austin, Texas, Wrong Brother Productions was born from the creative minds of Max Perkins and William Magnuson. With a passion for captivating visual storytelling and a desire to tap into the thriving independent film community, our journey has led us to discover the wealth of talented individuals in this city, each with their own unique and meaningful stories to share. Rather than viewing the film industry as a competitive race, we embrace the spirit of community, where the success of one is the success of all.
Max Perkins, a proud native of Austin, Texas, harbored a deep passion for the film industry from his high school days. What began as sketches and short films gradually evolved into a versatile career encompassing feature films, commercials, and various acclaimed projects. Fueled by the desire to explore writing and directing, Max embarks on an exciting journey in the world of film. In anticipation, he eagerly awaits the release of "Barbie" in theaters, ready to immerse himself in the magic of storytelling.
William Magnuson, a native of Austin, Texas, has been immersed in the world of acting and filmmaking since 2016. From a young age, he collaborated with his older brother, creating films that fueled his passion for the craft. Despite the challenging financial landscape, William finds genuine fulfillment in working within a creative field. His portfolio boasts noteworthy projects such as "Inbetween Girl" and "SKAM: Austin". William can't wait to die from radiation in a movie theater while watching Oppenheimer.
Drake "The Bake" Howard made a splash in the Austin independent film scene in 2015. With a passion for storytelling, he ventured into writing, producing, and directing films, swiftly becoming an integral part of the vibrant community. His creative portfolio includes notable projects like "Amphibians," "Space Case," and "Pretty Bad Shape." Now, alongside his own production team, Green Bean Productions, Drake is thrilled to take on the role of producer. His excitement for the upcoming project, "Oppenheimer," stems from its resonance with his own shadow self.
Matt S. Bell, a native of Louisiana, started his career as a photographer before venturing into motion pictures. With a BFA in Photography, he soon became a cinematographer and worked on numerous noteworthy network and independent feature projects. His impressive portfolio now includes over 25 films, such as "Santa Jaws" (Syfy), "A Day in the Life of America" (Paradox, Jared Leto), "The Requin" (Saban Entertainment), and many others.
Looking ahead, Matt has exciting plans to expand his growing career by venturing into directing. You can find out more about his work at MattSBell.com.
Dakota is an Austin-based Production Designer, Art Director, and Prop Master, known for collaborating with major names in film, television, and commercials throughout their career. With notable projects involving Hulu, Netflix, Dell, NBC, and various independent studios, Dakota's expertise spans across diverse genres, making them a go-to professional in the industry. Specializing in set design, fabrication, and prop making, Dakota brings their artistic vision and meticulous attention to detail to create immersive and captivating on-screen environments. Known for his distinct preferences, Dakota despises the color pink and intentionally steers clear of war films.
Current Team
Incentives
- The Story
- Wishlist
- Updates
- The Team
- Community
Mission Statement
The Story
In the gritty world of the restaurant industry, The Bus Boy introduces us to Brick Bùsse (portrayed by William Magnuson)—a young man trapped in the lowest rungs of the culinary ladder. Faced with long hours, meager wages, and dehumanizing treatment, Brick yearns for an escape from this bleak existence. His ambition centers on ascending to the revered rank of Sous-Chef—a formidable warrior class that commands admiration and terror, bound by an unwavering devotion to their executive chefs.
However, Brick's aspirations are suddenly derailed when he is unceremoniously fired from his job, thrusting him into a heart-pounding chain of events. Amidst the chaos, his only friend is tragically murdered, and a mysterious injection endows him with extraordinary martial arts powers. Yet, this newfound power proves fickle, forcing Brick to confront the question: What is true power, and where does it come from?
The Bus Boy serves up high-stakes action and introspection as Brick grapples with the true nature of strength and the quest for self-determination. With each electrifying twist and pulse-pounding fight, our unlikely hero embarks on a transformative journey, unmasking the essence of power and unlocking the keys to his own destiny.
Initially introduced as a formidable villain, he becomes the relentless pursuer of a coveted artifact held by an associate of Brick Bussé, making him the ultimate adversary. With an aura of darkness and an unwavering commitment to his mission, The Man In Black plays a crucial role in the wider narrative of this series. The Man In Black's presence looms large, hinting at a backstory yet to be explored.
Rooted in genuine passion and personal experience, The Bus Boy goes beyond the genre of action comedy that pays homage to classic martial arts and action films. Max Perkins and William Magnuson, with a shared background in martial arts—Max in Tae Kwon Do and William in Jeet Kune Do—found themselves slinging fried chicken in an Austin, Texas restaurant. Their shared love for cinema deepened their friendship, fueling their aspirations of breaking free from the restaurant industry and establishing their own film production company, Wrong Brother Productions.
Having produced a myriad of sketches, commercials, and short films, Max and William are now ready to embark on their most audacious venture yet—the rebirth of The Bus Boy. Drawing inspiration from their time in the restaurant industry, their immersion in the martial arts community, and the vibrant Austin film scene, this project is deeply personal. It's an exhilarating culmination of their dreams, fears, and aspirations.
The Bus Boy isn't just a lighthearted spoof; it's a heartfelt testament to their shared journey, filled with the highs and lows of pursuing their passions. With each scene, The Bus Boy is infused with their unwavering dedication and commitment, making it a true labor of love that resonates with audiences on multiple levels.
We're aiming high with a fundraising goal of $20,000. We know, it sounds like a hefty sum, but it's crucial to ensure a production that's safe, fair, and seamlessly brings our ambitious vision to fruition.
These funds will be allocated towards essential aspects like crew salaries, equipment rentals, location expenses, prop and costume acquisitions, as well as post-production necessities. After all, if we want to whip up an extraordinary cinematic omelet, we'll need to gather the ingredients, and $20k is the key ingredient for success!
If we are able to surpass our initial goal of 20k, the excess funds will be used to improve our gear selection and bump up rates for the hard working crew.
STAY CONNECTED: Join our campaign and stay in the loop with all the latest updates! It won't cost you a penny, as it's completely FREE. What's in it for you? Well, by following us, you help us grow our audience, and in return, Seed&Spark showers us with rewards. The more followers we gather, the more doors open for us, including exciting products, valuable services, and even waived festival fees!
Just follow us on INSTAGRAM + FACEBOOK + YOUTUBE to keep up with our progress on this project! You can also follow this page and keep up with our updates on the tab above!
SUPPORT & PLEDGE: Be a part of our film by contributing through pledging. To secure our funding, we need to reach 80% of our crowdfunding goal. You can select from various incentives or pledge a specific item from our wishlist. Whether you choose a modest or generous pledge, every contribution counts. No pledge is too small, as each dollar plays a vital role in bringing Brick Bussé to the screen!
Wishlist
Use the WishList to Pledge cash and Loan items - or - Make a pledge by selecting an Incentive directly.
THE A-TEAM
Costs $8,500
Getting people paid is paramount to create an efficient workflow and humane experience for everyone on set!
THE GRUB
Costs $1,400
Have you ever heard the expression: an army moves on its stomach? And no, pizza doesn't count.
MEDICAL / FIRST AID / INSURANCE
Costs $1,000
This ain't no canon event. We're playing it safe on this one.
WARDROBE + HMUA
Costs $500
The devil is in the details. Proper makeup and wardrobe supplies will add a sheen of professionalism to this project.
CAMERA PACKAGE
Costs $2,200
If you want to make an omelet, you're gonna have to rent a camera package.
ELECTRICAL EQUIPMENT
Costs $1,400
We have a very specific vision and proper lighting is key to bringing The Bus Boy to life.
POST
Costs $5,000
No, we're not fixing it in post. But we do need a budget for sound design, mixing, color grade, and special effects.
Share this update!
About This Team
Based in the heart of Austin, Texas, Wrong Brother Productions was born from the creative minds of Max Perkins and William Magnuson. With a passion for captivating visual storytelling and a desire to tap into the thriving independent film community, our journey has led us to discover the wealth of talented individuals in this city, each with their own unique and meaningful stories to share. Rather than viewing the film industry as a competitive race, we embrace the spirit of community, where the success of one is the success of all.
Max Perkins, a proud native of Austin, Texas, harbored a deep passion for the film industry from his high school days. What began as sketches and short films gradually evolved into a versatile career encompassing feature films, commercials, and various acclaimed projects. Fueled by the desire to explore writing and directing, Max embarks on an exciting journey in the world of film. In anticipation, he eagerly awaits the release of "Barbie" in theaters, ready to immerse himself in the magic of storytelling.
William Magnuson, a native of Austin, Texas, has been immersed in the world of acting and filmmaking since 2016. From a young age, he collaborated with his older brother, creating films that fueled his passion for the craft. Despite the challenging financial landscape, William finds genuine fulfillment in working within a creative field. His portfolio boasts noteworthy projects such as "Inbetween Girl" and "SKAM: Austin". William can't wait to die from radiation in a movie theater while watching Oppenheimer.
Drake "The Bake" Howard made a splash in the Austin independent film scene in 2015. With a passion for storytelling, he ventured into writing, producing, and directing films, swiftly becoming an integral part of the vibrant community. His creative portfolio includes notable projects like "Amphibians," "Space Case," and "Pretty Bad Shape." Now, alongside his own production team, Green Bean Productions, Drake is thrilled to take on the role of producer. His excitement for the upcoming project, "Oppenheimer," stems from its resonance with his own shadow self.
Matt S. Bell, a native of Louisiana, started his career as a photographer before venturing into motion pictures. With a BFA in Photography, he soon became a cinematographer and worked on numerous noteworthy network and independent feature projects. His impressive portfolio now includes over 25 films, such as "Santa Jaws" (Syfy), "A Day in the Life of America" (Paradox, Jared Leto), "The Requin" (Saban Entertainment), and many others.
Looking ahead, Matt has exciting plans to expand his growing career by venturing into directing. You can find out more about his work at MattSBell.com.
Dakota is an Austin-based Production Designer, Art Director, and Prop Master, known for collaborating with major names in film, television, and commercials throughout their career. With notable projects involving Hulu, Netflix, Dell, NBC, and various independent studios, Dakota's expertise spans across diverse genres, making them a go-to professional in the industry. Specializing in set design, fabrication, and prop making, Dakota brings their artistic vision and meticulous attention to detail to create immersive and captivating on-screen environments. Known for his distinct preferences, Dakota despises the color pink and intentionally steers clear of war films.