Trace Amounts is a crime, mystery, suspense, thriller about a woman named Jace Atherton, who works at an up and coming tech firm in the city of Durham, North Carolina. Business is cut-throat, artificial intelligence programming leads the cutting edge and ambition rules the corporate ladder. Getting off work late one night Jace confronts her boss about toxic business practices only to have something unexpected occur on the way to her car. Jace finds herself waking up on her couch in her apartment the next morning. Unsure of what happened and how she got there, Jace begins a search for clues. When evidence is required to report a crime, Jace must confront a series of situations, each challenging the validity of her claims, ulitimately leading to the question of, was there a crime if you can't prove it?

Jace is a character like a lot of young professionals today, someone trying to find a place for themselves in the workforce. Like a lot of women, she's trying to find her place in a traditionally male dominated field, technology. Jace has put in her dues and works hard, and through a series of fortunate circumstances has found herself in a management track position. Current management though wants to weed out the old guard of employees, many of whom helped get Jace where she is today. Out of this comes a crime story about what happens when the frustration of knowing that systems don't change reaches a threshold.

The result is a mystery about a crime and the implications of being able to prove that crime occurred. What does that mean for other crimes? What are the bigger issues at stake when you commit a crime no one knows occurred? Are there repercussions or does one get away with it? These are the questions that helped create this story about a woman who is up against institutions that have been fashioned to not listen to or believe her. If a crime can happen to her that no one believes, who else can that crime happen to as well?

To help tell this story as a movie a specific visual style accompanied by a driving, hypnotic and atmospheric score is being employed. As a filmmaker I believe heavily in an atmospheric aesthetic being a part of the movie. I'm a big fan of crime movies that take place at night. There's something both limitless and capsuled about the darkness and quiet of night. It's a contradicting space to set a story that's both serious and absurd in its premise. Which is what we're going for with Trace Amounts. As a fan of mystery and suspense our goal is to fashion a movie that unfolds in a way that utilizes both while setting the story against a backdrop of social commentary.

I see a lot of crime stories still being told from the persepctive of men. And when women are the focus of a crime movie they're often substituting men's positions and the stories aren't unique to women's place in crime. With this movie I think I found a story that addresses that while also presenting a beginning to a bigger story that approaches the issues presented here in further detail. I think it's a compelling, mysterious story and I'm looking forward to bringing it to life.