10 Days (for now)
Los Angeles, California | Film Feature
Comedy
Staying together is hard. Staying separated is even harder. After some time apart, Ellie and Estlin can't enjoy the holidays without getting in touch with each other. However in the hopes of avoiding the endless cycle, they decide this will be their last chance.
10 Days (for now)
Los Angeles, California | Film Feature
Comedy
2 Campaigns | California, United States
Green Light
This campaign raised $4,130 for post-production. Follow the filmmaker to receive future updates on this project.
33 supporters | followers
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Staying together is hard. Staying separated is even harder. After some time apart, Ellie and Estlin can't enjoy the holidays without getting in touch with each other. However in the hopes of avoiding the endless cycle, they decide this will be their last chance.
- The Story
- Wishlist
- Updates
- The Team
- Community
The Story
The second feature film from director and AFI graduate Nathaniel Katzman (I Don't Want To Kill Myself), 10 Days (for now) follows Estlin and Ellie, who reconnect on Christmas Eve after nine months of separation. However, they are both wary of jumping right back into a relationship and therefore propose a challenge: they must spend 10 days with each other before a decision can be made. The film is about relationships, the holidays and being young in New York. There's plenty to laugh, cry, and pull your hair out about.
Wishlist
Use the WishList to Pledge cash and Loan items - or - Make a pledge by selecting an Incentive directly.
Color Correction
Costs $750
The film was shot with the intention of Post-Production bringing to life the most cinematic tonal quality possible with color correction.
Sound Correction
Costs $1,500
A high quality sound mix is the most important insurance to a successful festival run.
Music
Costs $500
Licensed and Composed music add huge production value and are crucial storytelling tools.
Graphic Designer
Costs $300
From posters to DVDs to the website design, a graphic designer will ensure a fully packaged film.
Festivals
Costs $950
Festivals expose the film to new audiences all around the world and can lead to distribution.
Cash Pledge
Costs $0
About This Team
Since the completion of principal photography, we've added a bunch of talent to the team: producer Carine Kim Nguyen (AFI), editor Brian Merrick (AFI), additional photography from cinematographer Todd Sheridan (AFI) and more! With the strength of the picture and team, we need aditional funding to complete post production and get this movie out to festivals and distribution.
Incentives
- The Story
- Wishlist
- Updates
- The Team
- Community
The Story
The second feature film from director and AFI graduate Nathaniel Katzman (I Don't Want To Kill Myself), 10 Days (for now) follows Estlin and Ellie, who reconnect on Christmas Eve after nine months of separation. However, they are both wary of jumping right back into a relationship and therefore propose a challenge: they must spend 10 days with each other before a decision can be made. The film is about relationships, the holidays and being young in New York. There's plenty to laugh, cry, and pull your hair out about.
Wishlist
Use the WishList to Pledge cash and Loan items - or - Make a pledge by selecting an Incentive directly.
Color Correction
Costs $750
The film was shot with the intention of Post-Production bringing to life the most cinematic tonal quality possible with color correction.
Sound Correction
Costs $1,500
A high quality sound mix is the most important insurance to a successful festival run.
Music
Costs $500
Licensed and Composed music add huge production value and are crucial storytelling tools.
Graphic Designer
Costs $300
From posters to DVDs to the website design, a graphic designer will ensure a fully packaged film.
Festivals
Costs $950
Festivals expose the film to new audiences all around the world and can lead to distribution.
Cash Pledge
Costs $0
About This Team
Since the completion of principal photography, we've added a bunch of talent to the team: producer Carine Kim Nguyen (AFI), editor Brian Merrick (AFI), additional photography from cinematographer Todd Sheridan (AFI) and more! With the strength of the picture and team, we need aditional funding to complete post production and get this movie out to festivals and distribution.