Ajnabiyeh
New York City, New York | Series
Comedy, Teen
In 1998, Australian-raised teenagers move back with their families to do their high school years in their ancestral homeland of Israeli-occupied Southern Lebanon. Mary Em Saab and her sisters, however, care less about politics and more about their personal, often petty, schemes and shenanigan.
Ajnabiyeh
New York City, New York | Series
Comedy, Teen
1 Campaigns | New York, United States
Green Light
This campaign raised $4,725 for production. Follow the filmmaker to receive future updates on this project.
33 supporters | followers
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In 1998, Australian-raised teenagers move back with their families to do their high school years in their ancestral homeland of Israeli-occupied Southern Lebanon. Mary Em Saab and her sisters, however, care less about politics and more about their personal, often petty, schemes and shenanigan.
- The Story
- Wishlist
- Updates
- The Team
- Community
Mission Statement
The Story


Play a game of word association with any rando American off the street and their response to “The Middle East” would vary anywhere from “Aladdin” to “The Iraq War.” Much has changed regarding representation in media for many groups of people, but still, popular imagination of the Middle East as the world’s most irrationally violent and oppressive sandbox persists. In this show, however, the scariest thing about the Middle East is their teenage girls.
My mother is from Lebanon, a small country in the Middle East which actually doesn’t even have a desert. She was born and raised in Australia, along with a whole generation of people whose parents fled Lebanon during the Six-Day War. These kids grew up with Julia Roberts, Beanie Babies, and Backstreet Boys, so to stay close to their Arab identity, it was tradition that they and their families moved back to Lebanon for a few years to learn the language and culture. After a year or two, they would go back to finish high school in Australia.
This 30-minute episodic period sitcom is about those 2 years. The show centers around a group of mischievous teenage girls in 1998 Lebanon whilst they explore the minutiae of daily life while living in a state of political conflict. “Ajnabiyeh” literally translates to foreigner, but in colloquial conversation, it is used by Arabs to refer to white people, and it is how the girls are teasingly referred to by their community.
Resentful and excluded from their community, often by choice, we watch them lash out and plot against those they feel have wronged them. The ensemble centers around Maryem/Mary Em (15), who added a space to her name as her form of controlled rebellion and has a real anger problem. And an authority problem... and an impulse control problem -- basically Mary Em has problems. She has her twin sister Layal (15), who is just as sinister, but she is quiet, smart, and very savvy and gets away with behaviors Mary Em cannot. Sumaya/Sue is Mary Em and Layal’s younger sister (13). She looks up to her older sisters but is at a crossroads in her life: she has a chance to fit in and be a part of her community – something bigger than herself – or fall into familial patterns of isolation and judgment of others. Their only friend who does not have a familial obligation to like them is self-proclaimed born-again Muslim, Nour (15). She took moving to Lebanon as an opportunity to rebrand herself after a history of troublemaking back at home, but is often dragged down to Mary Em and Layal’s level with their schemes.
We’re also dropped into a country that, from 1985 up til 2000, was occupied by Israeli soldiers in the south of Lebanon. The characters in the show are, however, accustomed to the constant surveillance and spurs of violence. The intense background is used to highlight just how shallow and one-track-minded the girls can be.
They are so in their own worlds that anything not in English that they hear around them comes out in Charlie Brown-like adult sound effects. They are mad that they moved from Australia and that the gossip in such a small village is insidious, and, you know what? They are just really upset that they can't find a single copy of Jagged Little Pill at their local music shop. The only way they can get a TV connection is by piggybacking on the Israeli channels and when they do get a connection, they air episodes of Neighbours from five years ago. Anyone would care less about the political state of their country with problems like these.

Wishlist
Use the WishList to Pledge cash and Loan items - or - Make a pledge by selecting an Incentive directly.
90s Wardrobe & Styling
Costs $800
To nail the retro teen vibe — from scrunchies to baggy jeans, every outfit sells the world of Ajnabiyeh
Set Design: 90s Arab Home
Costs $1,500
To recreate every detail (lace doilies, satellite dishes, plastic-covered couches) a true 90s Arab home.
Camera & Lens Rental
Costs $3,500
Fun(?) fact: film festivals aren’t free! Submission costs money, and your support lets Ajnabiyeh be seen by audiences nation and worldwide
Cash Pledge
Costs $0
About This Team
Batoul Mourad
Batoul is an Arab-American screenwriter from New York City and a graduate of NYU where she studied history education. She was supposed to be a history teacher, but decided to disappoint her parents instead by turning her heritage into a joke — literally, she wrote a sitcom about it. Batoul has been a fellow in the Yes... And Laughter Lab, Moonshot Pilot Accelerator, the Sesame Writer’s Workshop, and the WeScreenplay Diverse Voice Lab where she’s grew her network, honed her craft, and practiced the art of pitching. Batoul is particularly interested in exploring the intersection between history and comedy and loves more than anything finding the funny in the seemingly not so funny.
She is currently writes in kids media and developing Ajnabiyeh. In a free time she enjoys watching too much TV, playing tennis, and writing about herself in the 3rd person.
Rose Gendelman
Rose is a writer, director and producer who presently works as a Production Coordinator at Saturday Night Live. She produces live comedy shows throughout NYC, made her directorial debut with her film "Revere Street" and has produced multiple Independent film projects.
Harold Williams
Harold Williams is a Creative Producer and Writer who is passionate about telling diverse stories of people of the African Diaspora. Williams proudly hails from Philadelphia where he first discovered soul and art. Currently he works on projects in New York and Los Angeles. In New York he serves as the Training Coordinator for the Mayor’s Office of Media and Entertainment, training local New York residents to work on film sets as Production Assistants.
His tv and film experience includes physical production and creative development in unscripted, narrative and documentary. He’s worked on producing teams for several network productions such as Food Network, A&E, TruTv and Warner Media.
Williams has also produced several independent projects. In 2018, he won the American Black Film Festival’s Comedy Writing and Best Web Series awards for “Keloid”, in which he served as Executive Producer of the project. That same year he landed a development deal with TruTv and worked with the network to create original shows. In 2020 he earned a spot among the prestigious Producers Guild of America Diversity program with his original unscripted project “Unpacking Black”. In 2023 he produced a short film in Disney’s Launchpad program. Currently he is working on the producing team for Friday Night Vibes on TBS.
Incentives
- The Story
- Wishlist
- Updates
- The Team
- Community
Mission Statement
The Story


Play a game of word association with any rando American off the street and their response to “The Middle East” would vary anywhere from “Aladdin” to “The Iraq War.” Much has changed regarding representation in media for many groups of people, but still, popular imagination of the Middle East as the world’s most irrationally violent and oppressive sandbox persists. In this show, however, the scariest thing about the Middle East is their teenage girls.
My mother is from Lebanon, a small country in the Middle East which actually doesn’t even have a desert. She was born and raised in Australia, along with a whole generation of people whose parents fled Lebanon during the Six-Day War. These kids grew up with Julia Roberts, Beanie Babies, and Backstreet Boys, so to stay close to their Arab identity, it was tradition that they and their families moved back to Lebanon for a few years to learn the language and culture. After a year or two, they would go back to finish high school in Australia.
This 30-minute episodic period sitcom is about those 2 years. The show centers around a group of mischievous teenage girls in 1998 Lebanon whilst they explore the minutiae of daily life while living in a state of political conflict. “Ajnabiyeh” literally translates to foreigner, but in colloquial conversation, it is used by Arabs to refer to white people, and it is how the girls are teasingly referred to by their community.
Resentful and excluded from their community, often by choice, we watch them lash out and plot against those they feel have wronged them. The ensemble centers around Maryem/Mary Em (15), who added a space to her name as her form of controlled rebellion and has a real anger problem. And an authority problem... and an impulse control problem -- basically Mary Em has problems. She has her twin sister Layal (15), who is just as sinister, but she is quiet, smart, and very savvy and gets away with behaviors Mary Em cannot. Sumaya/Sue is Mary Em and Layal’s younger sister (13). She looks up to her older sisters but is at a crossroads in her life: she has a chance to fit in and be a part of her community – something bigger than herself – or fall into familial patterns of isolation and judgment of others. Their only friend who does not have a familial obligation to like them is self-proclaimed born-again Muslim, Nour (15). She took moving to Lebanon as an opportunity to rebrand herself after a history of troublemaking back at home, but is often dragged down to Mary Em and Layal’s level with their schemes.
We’re also dropped into a country that, from 1985 up til 2000, was occupied by Israeli soldiers in the south of Lebanon. The characters in the show are, however, accustomed to the constant surveillance and spurs of violence. The intense background is used to highlight just how shallow and one-track-minded the girls can be.
They are so in their own worlds that anything not in English that they hear around them comes out in Charlie Brown-like adult sound effects. They are mad that they moved from Australia and that the gossip in such a small village is insidious, and, you know what? They are just really upset that they can't find a single copy of Jagged Little Pill at their local music shop. The only way they can get a TV connection is by piggybacking on the Israeli channels and when they do get a connection, they air episodes of Neighbours from five years ago. Anyone would care less about the political state of their country with problems like these.

Wishlist
Use the WishList to Pledge cash and Loan items - or - Make a pledge by selecting an Incentive directly.
90s Wardrobe & Styling
Costs $800
To nail the retro teen vibe — from scrunchies to baggy jeans, every outfit sells the world of Ajnabiyeh
Set Design: 90s Arab Home
Costs $1,500
To recreate every detail (lace doilies, satellite dishes, plastic-covered couches) a true 90s Arab home.
Camera & Lens Rental
Costs $3,500
Fun(?) fact: film festivals aren’t free! Submission costs money, and your support lets Ajnabiyeh be seen by audiences nation and worldwide
Cash Pledge
Costs $0
About This Team
Batoul Mourad
Batoul is an Arab-American screenwriter from New York City and a graduate of NYU where she studied history education. She was supposed to be a history teacher, but decided to disappoint her parents instead by turning her heritage into a joke — literally, she wrote a sitcom about it. Batoul has been a fellow in the Yes... And Laughter Lab, Moonshot Pilot Accelerator, the Sesame Writer’s Workshop, and the WeScreenplay Diverse Voice Lab where she’s grew her network, honed her craft, and practiced the art of pitching. Batoul is particularly interested in exploring the intersection between history and comedy and loves more than anything finding the funny in the seemingly not so funny.
She is currently writes in kids media and developing Ajnabiyeh. In a free time she enjoys watching too much TV, playing tennis, and writing about herself in the 3rd person.
Rose Gendelman
Rose is a writer, director and producer who presently works as a Production Coordinator at Saturday Night Live. She produces live comedy shows throughout NYC, made her directorial debut with her film "Revere Street" and has produced multiple Independent film projects.
Harold Williams
Harold Williams is a Creative Producer and Writer who is passionate about telling diverse stories of people of the African Diaspora. Williams proudly hails from Philadelphia where he first discovered soul and art. Currently he works on projects in New York and Los Angeles. In New York he serves as the Training Coordinator for the Mayor’s Office of Media and Entertainment, training local New York residents to work on film sets as Production Assistants.
His tv and film experience includes physical production and creative development in unscripted, narrative and documentary. He’s worked on producing teams for several network productions such as Food Network, A&E, TruTv and Warner Media.
Williams has also produced several independent projects. In 2018, he won the American Black Film Festival’s Comedy Writing and Best Web Series awards for “Keloid”, in which he served as Executive Producer of the project. That same year he landed a development deal with TruTv and worked with the network to create original shows. In 2020 he earned a spot among the prestigious Producers Guild of America Diversity program with his original unscripted project “Unpacking Black”. In 2023 he produced a short film in Disney’s Launchpad program. Currently he is working on the producing team for Friday Night Vibes on TBS.