All Four One

New York City, New York | Series

Comedy

Skip`skip Team

1 Campaigns | New York, United States

Green Light

This campaign raised $8,868 for production. Follow the filmmaker to receive future updates on this project.

32 supporters | followers

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Four best friends who take codependency to the extreme have one final chance to save their jobs. Between burning down houses, conjuring spirits, and offering armchair sex therapy, what will be the last straw?

About The Project

  • The Story
  • Wishlist
  • Updates
  • The Team
  • Community

Mission Statement

In One Four All we’ve taken the very common notion of the close knit twenty-something friend group to the codependent extreme. What does it look like when friends who live together, work together and sleep together (okay, it only happened once!) are faced with their own individuality?

The Story


All Four One is a comedy web series about four codependent friends trying their best to succeed in a world that might just be over their heads. The show is comprised of three, five minute episodes following Justin, Willa, Sasha, and Kaela through a pivotal assignment for the temp-agency at which they work. After a series of extraordinary failures (like that one time they burned down a house… or three), the group's boss, who is also Kaela’s father, gives the Four one last chance to prove themselves. The task is easy: help pack up an estate. But when they discover a problem pertaining to Justin’s…. manhood… staying on task isn’t as easy as expected. 


All Four One is a mix of other-worldly hijinx, absurdist logic, and palpable love. In writing the webseries, Justin, Willa, Sasha, and Kaela, channeling heightened shades of themselves, intended to provoke questions about the benefits and drawbacks of tight-knit friend groups, friendship in your 20s, and the challenge that is discerning the order of life’s priorities. They were inspired by shows like Broad City, Detroiters, It’s Always Sunny in Philadelphia, Girls, and Search Party.



Hi! We’re Skip Skip! We’re a Chicago-born, New York implanted improv and sketch team making our first foray into a longer narrative. The group features Kaela Rosenbaum, Justin Kuhn, Sasha Rechler, and Willa Barnett, who have left their mark at The PIT, Brooklyn Comedy Collective, iO, The Annoyance, The Comedy Clubhouse, and, most recently, opening for Taylor Swift on her Eras Tour. Don’t Google that last one, she’s really private about it.



Not only have we been performing comedy together for many years, we’ve also been best friends for almost seven years. We live together, work together, sleep together (okay, it only happened once!), and as we enter our mid-twenties, we’re grappling with balancing friendships, work, and life. 

With All Four One, we’ve taken the very common notion of the close knit twenty-something friend group to the codependent extreme. 


In addition to working on the short form digital sketches that we’ve been making for over two years, we’ve loved focusing on a longer narrative, and can’t wait to premier this larger-scale project. We currently have a residency performing our monthly show Skip Skip Visits Your Neighborhood at the PIT, and bi-weekly shows as a part of Brooklyn Comedy Collective’s Home Teams. We’d love to see you there!




Inspired by shows like Broad City, Detroiters, and It’s Always Sunny in Philadelphia, the series explores the benefits and drawbacks of tight-knit friend groups and friendship in your 20s through an absurdist lens. However we aim to have a more polished look, unlike your usual comedy, aiming for Wes Anderson style composition or Poor Things style shots.



Making movies is well... expensive... and we are filming 3 episodes, around 10 minutes each, all at once!


Biggest bulk of the budget goes to our various locations (Office, apartment, House, etc) followed by our Equipment, all of our camera / lenses and lightning to make sure that the image quality is highest possible! While All Four One is a comedy, we want to make it look as stylized and beautiful as possible!


Our third biggest expense is none other than Meals and crafty! Film sets are long hours and a lot of physical labor, so it is an utmost priority that our Cast and Crew are well fed and happy! This money goes to nutritious meals and substantial crafty and drinks.


Then we have our Production Design (we do have to set up a whole estate sale.... and burn a miniature house... and set up a pair of tentacles...) as well as our Transportation. With multiple locations throughout 4 to 5 days we need to secure transport for all equipment and goods!


And lastly we have our Misc category. Here goes the festival submissions, Insurance and petty cash. The things you don't really think about at first but then come and really add up...


We have secured enough funding to cover Payment for our Crew and for our Post Production so just need to make the rest of our tangible needs a reality!




  • MARCH - APRIL: crowdfund campaign
  • MARCH - EARLY MAY: Pre-Production
  • LATE MAY: Production!!!!!!!
  • JUNE-AUGUST: Post-Production
  • SEPTEMBER-MARCH: Festival Run!!!!


We will be shooting across 4 to 5 days this upcoming May of 2025. Then we have to give ourselves a couple of months to be very thorough in Post Production and deliver the best product possible!



Well the ABSOLUTELY BEST THING YOU COULD DO IS MAKE A PLEDGE!!!! You can make a contribution right on this page by making a pledge to a specific wishlist item or by selecting an incentive. You decide what fits your budget (but we would love 100,00 thousand dollars if possible...). But truly no pledge is too small in the world where time is money every single dollar makes our film possible. Hey one more minute can be a whole new take!


BUT,

We understand that not everyone can make a pledge, and to those of you I want to let you know, YOU CAN STILL SUPPORT!


WHaT? HoW?

Well my dear duckling, by spreading the word! by sharing the link to this page to anyone you think may be interested ~and has bottomless pockets ;) ~ as well as keeping updated with our process and following the team!


Follow SkipSkip's Instagram for more updates and TikTok for more content!


If you got this far, you truly are interested in this. So hope you signed up. Or pledged. Or spread the word. But on a serious note, thank you for getting this far.

Wishlist

Use the WishList to Pledge cash and Loan items - or - Make a pledge by selecting an Incentive directly.

Camera rental

Costs $1,500

Well… we kinda need something that will capture the series…

G&E

Costs $1,000

And we need something to light it and make it look pretty.

Locations

Costs $3,000

We need an office for the Temp Agency , their apartment where they live together and a Big old House for them to... well... watch and see :)

Sound Rental

Costs $350

Have you ever turned something off because you just couldn't keep watching it but you didn’t know why? It was probably bad sound.

Food

Costs $1,200

We kinda need to feed people. It’s kinda rules or whatever. (all jokes aside good meals and crafty are necessary for a happy crew)

Props

Costs $400

Let’s see... we need alien tentacles, kidnapping supplies, oh and a ouija board!

Special Effects

Costs $400

This script does call for a house fire... Which we can achieve through a sick miniature! Miniatures ain't cheap!!

Hair & Makeup

Costs $250

We do need an insanely dramatic singular hair coming out of a bald man's head so that he can insist he still isn't actually bald.

Transportation

Costs $1,200

Between our multiple locations, rental houses, etc, we need some good ol’ wheels to hold all of our weight and carry us through production!

Insurance + Festivals + Contingency

Costs $700

Boring boring producer talk. Need these items. Blah blah.

Cash Pledge

Costs $0

About This Team

The developing team is composed of SkipSkip, the four leads/writers, and producer Cami Olses with assistant producers Kate Kearns and Ruby Rechler.


Camila Olses

A Venezuelan filmmaker who attended NYU Film, Camila Olses works as a producer and Assistant Director, participating on both independent short form productions as well as episodic and features with companies such as A24 and Apple Studios. She also has experience as a Script Supervisor and Art/Camera Assistant, allowing her to fully understand the inner workings of making a film.


Ruby Rechler

Ruby Rechler is a Brooklyn-based producer and screenwriter with a passion for compelling storytelling and comedy. She earned a B.A. in Film Studies from Wesleyan University, where her filmmaking journey began. Her feature script won the prestigious Akiva Goldsman Prize for Best Full-Length Screenplay at Wesleyan, and her comedy pilot script was a semifinalist at the Austin Film Festival. Currently, she works as a Coordinator in the Media Rights and Development department at Aevitas Creative Management, helping bring stories from page to screen.

Current Team

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