We meet Ashton, a 16-year-old teenager navigating his life, talking to his high school counselor about typical teenage issues, which he quickly dismisses. Later, we see that Ashton doesn’t have the best high school life, which leads to constant bullying. He goes home and talks to his father on the phone, who tells him he’s getting out of the mental hospital soon, but won’t be returning to the family home. Muddled, Ashton confers with his mother, who already seems on the rocks about the whole thing and brushes off the topic. However, she insists Ashton to go meet with a new neighbor, seeing how they have a boy his age named Levi.

Ashton and Levi hit it off quickly, sparking a new friendship between the two, and a quick one at that for Ashton, who/s known to be more reserved. He finally spends some time with his father, who he’s keen about, but soon realizes that something might still be a bit off. Meanwhile, Ashton’s relationship with his mother becomes more rocky as he presses her about why his father can’t stay home. She’s dismissive of him, leading Ashton into a mental block. Who really cares about him anymore? His new friend Levi perhaps, but Ashton toes the line later in terms of what that friendship might turn into…

What unfolds is a self-identity crisis for Ashton involving the few close people in his life. Where will he turn to? Who can he trust? Why does this all matter so much? Ashton’s story in terms of finding himself and his plan in the world is stimulating, as he seems to dig himself into a deeper hole, we wonder if he’ll ever get out of.

Director's Note:

When I read All Good for the first time, I immediately reached out to the writer, Ben Clifford, and told him that I wanted to tell this story for the screen. I was so enthralled by what I read because I condensed the whole thing down to one simple idea that I personally resonate with: self-identity. Throughout the story, the character of Ashton faces issues related to bullying, sexuality, and his parents' separation. Although I didn't experience those specific

issues while growing up, I did face other challenges under the umbrella of self identity. At 16 years old, I had my own problems to face, such as mental health, switching schools and knowing nobody, and dissatisfaction with my own physical appearance, a lot of these challenges I still deal with today at 23. Trying to figure out who you are

and what you're worth is a daunting task that we face in the real world. We shouldn't have to conform to other people's standards, yet we always do.

Remembering where I was at 16 and having gone through that portion of my life is what drew me in. 16 should be a time of your life where we don't have seconds thoughts and should act purely on instinct. We're allowed to make those mistakes early on in life without having repercussions and feeling the pressure from it. I wish I had someone or something to look at to let me know that it's okay to make certain choices and think the way we think.

What Ashton goes through and has to deal with isn't normal or acceptable for any 16- year-old. It's unique in a way, as his life seems to be crashing down. Who does he have to run to for help with his problems? Where is his outlet? And is it sustainable? I believe that the power of cinema lies in its ability to convey the complexity of human emotions and experiences, and the story of Ashton seeks to do just that. All Good is a tribute to the resilience and courage of those who have faced, and are still facing, these crises. It's a reminder that, in the midst of confusion and doubt, there is always the possibility of finding one's true self. I hope this film sparks meaningful conversations and fosters a sense of solidarity among those who watch it. As we're currently in pre-production, we're currently rolling ahead strong, as casting has already started, locations are being scouted, and more. With already having almost a full crew committed months in advanced before production, the work process has been streamlined significantly.

With principal photography slated for January 2024 in southern California, our goal of almost $20,000 will help us secure the basic requirements for the team to create this film. These costs are simply used on production only - as pre-production costs and resources are already covered as well with post-production. Having extensive experience, the team can't wait to dive in and help produce this story. Our stretch goals which will help prepare us for a strong festival run in the summer/fall 2024 season. Having this story shared around the world is the ultimate goal for all of us, to reach as many people as possible.