The Art Of Philately
Atlanta, Georgia | Film Short
Crime, Thriller
When Marcy discovers she owns a rare stamp worth a fortune, she turns to a connected cop to sell it. Instead, she’s pulled into a deadly web of criminals, betrayal, and greed. To survive, Marcy must outsmart everyone chasing the prize and claim her future.
The Art Of Philately
Atlanta, Georgia | Film Short
Crime, Thriller
2 Campaigns | Georgia, United States
54 supporters | followers
Enter the amount you would like to pledge
$4,330
Goal: $5,000 for production
When Marcy discovers she owns a rare stamp worth a fortune, she turns to a connected cop to sell it. Instead, she’s pulled into a deadly web of criminals, betrayal, and greed. To survive, Marcy must outsmart everyone chasing the prize and claim her future.
About The Project
- The Story
- Wishlist
- Updates
- The Team
- Community
Mission Statement
The Story
MARCY discovers she possesses an extremely rare stamp, she sees it as a chance to escape the financial pressure closing in around her. Looking for a quick sale, she turns to NIGEL, a seemingly helpful police officer who claims he can connect her with serious buyers. But once words spreads about the stamp's existence, MARCY is thrust into a dangerous world of collectors, hustlers, and criminals who all know its true value.
As deals collapse and betrayals mount, MARCY realizes nearly everyone around her is manipulating her for their own gain. With a ruthless buyer closing in, a crooked cop playing both sides, and a mysterious rival with motives of his own, she must learn fast who can be trusted. What began as an opportunity for a fresh start becomes a deadly fight for survival, forcing Marcy to outthink the people hunting her and decide how far she is willing to go to claim a future of her own.
We are raising $5,000 to bring The Art of Philately to life through a focused, efficient production plan that prioritizes strong storytelling, a dedicated crew, and high production value.
PRODUCTION
Once funded, we will move immediately into final pre-production, locking locations, finalizing cast, and securing equipment. Our goal is to maintain a lean but highly effective set.
Production will take place over 4 days with a crew of approximately 20-25 people. This structure allows us to stay within budget while ensuring we have the necessary departments covered to execute the film at a professional level.
A large portion of our budget is dedicated to:
- Paying our crew
- Providing meals and craft services to keep everyone energized and supported
- Securing essential camera, lighting, and sound equipment
This approach ensures a smooth, efficient shoot while respecting the time and talent of everyone involved. Bringing The Art of Philately to life takes more than funding—it takes a community.
Here are the ways you can directly support this project:
MAKE A PLEDGE
Every contribution goes directly toward paying our crew, securing equipment, and feeding our team. No amount is too small, each pledge moves us closer to production.
FOLLOW THE CAMPAIGN
Follow us on Seed&Spark to stay updated. All the followers count to help us build visibility and credibility for the project!
SHARE WITH YOUR NETWORK
Share our campaign with friends, family, and on social media. Independent films rely heavily on word-of-mouth, and your support helps us reach the right audience.
ENGAGE WITH OUR CONTENT
Like, comment, and repost our content on Social Media. Engagement helps expand our reach and keeps momentum going.
Thank you for taking the time to learn about The Art of Philately and supporting this project in any way.
Independent filmmaking is built on community, trust, and people who believe in the story enough to help bring it to life. Whether you choose to contribute, follow, or simply share this campaign, your support plays a real role in making this film possible.
We are incredibly grateful to our cast, crew, and early supporters who have already poured time, energy, and belief into this project. This film would not move forward without that foundation.
Every contribution helps us create something meaningful, and we don’t take that lightly.
Thank you for being a part of this journey.
That stamp you’re holding is worth a lot more than you know.” — Marvin
Wishlist
Use the WishList to Pledge cash and Loan items - or - Make a pledge by selecting an Incentive directly.
Equipment Rentals
Costs $1,000
Rental fees and production expendables add up quickly, and securing the right equipment is essential to making this project happen.
Production Designer
Costs $400
With an amazing Production Designer on our team, your support helps us secure the tools and materials needed to bring this world to life.
Direct link:
Share this update!
About This Team
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Director | Writer
David I. Chambers, a writer-director from Miami's Coconut Grove neighborhood uses film to tell powerful stories of personal triumph and overlooked events. Originally trained as a marimbist and percussionist, his passion for cinema led him to earn an MFA in film from Florida State University. His time at Florida A&M and FSU sharpened his storytelling skills, fueling a career that spans roles across every corner of the film industry. David’s journey has taken him nationwide, filled with diverse projects, meaningful connections, and new experiences.
Producer
Storytelling has always been Ayana Jones’ bread and butter. She is an independent film producer and Location Management professional with experience on major productions including The Color Purple, productions on Apple TV+, Netflix, and more. Ayana holds a B.A. in Mass Communication from Winthrop University and an M.F.A. in Film Production from Florida State University’s College of Motion Picture Arts. With a strong eye for both story and logistics, she specializes in guiding projects from script to screen while collaborating with creative teams at the highest level. Her work is driven by a deep respect for storytelling, visual craft, and thoughtful execution across film and television.
Co-Producer
Josie Thompson has been a creative for as long as she can remember, an innate drive to build that culminated in a BFA in Filmmaking from Ohio University. While honing her artistic craft, minors in Business Management and Marketing unlocked a parallel passion for the logistical side of production. Interacting with people, coordinating details, and solving problems quickly became her bread and butter. With a strong appetite for growth and a recent move to the Atlanta area, Josie is focused on pursuing production roles to help other creatives flawlessly execute their visions.
Director Of Photography
Growing up in the metro-Atlanta area, Jordan Davenport was exposed to the entertainment industry at a young age. Immersed in an environment full of art, culture, and multimedia, he quickly discovered a passion for the storytelling. After receiving a degree in Lighting Design from Coker University, Jordan earned a MFA in Production from Florida State University at the College of Motion Picture Arts, where he spent time studying cinematography. Best known for his work on: The Bronsteadë Twins (2020), Clave (2020), and Landless (2019). Jordan continues to explore visual storytelling through cinematography, camera operating, and color grading, while supporting Atlanta-based productions in the Camera Department.
1st Assistant Director
Lynn Cao stumbled into Assistant Directing through acting, but immediately fell in love with the fast-paced, collaborative nature of production. With extensive on-set experience in Los Angeles, she has built a strong foundation across a wide range of productions, developing skills in leadership, communication, and set operations while working toward becoming a 1st Assistant Director. Now based in Georgia, she brings the knowledge, work ethic, and experience gained in LA to every set, focusing on creating organized, efficient, and supportive production environments.
Production Supervisor
Amy Niren is a recent graduate of the University of Cincinnati and a recent Atlanta resident. She loves production design and originally fell in love with film senior year of highschool. When she is not working on movies, you can find her dancing or singing!
Key PA
Patrick Reagan learned filmmaking in Philadelphia, PA through an organization called Big Picture Alliance and later returned to Georgia where he grew up. His favorite filmmaker is Hayao Miyazaki, and my favorite movie is Porco Rosso. Patrck's main experience in film is on set is as a P.A. or working in art department. He love being on set because he can see the energy he brings have a direct impact on the quality of the film. When he's not on set Patrick is either hiking with his partner and dogs or working as a sushi chef.
2nd AC
Marena Matras Gonzalez is a filmmaker originating from Miami and a recent film graduate from Miami Dade College's film program. She has worked across indie narrative and documentary productions mainly in the camera department, among other departments. Passionate about both cinematography and photography, she is drawn to visual storytelling in all its forms.
Current Team
Incentives
- The Story
- Wishlist
- Updates
- The Team
- Community
Mission Statement
The Story
MARCY discovers she possesses an extremely rare stamp, she sees it as a chance to escape the financial pressure closing in around her. Looking for a quick sale, she turns to NIGEL, a seemingly helpful police officer who claims he can connect her with serious buyers. But once words spreads about the stamp's existence, MARCY is thrust into a dangerous world of collectors, hustlers, and criminals who all know its true value.
As deals collapse and betrayals mount, MARCY realizes nearly everyone around her is manipulating her for their own gain. With a ruthless buyer closing in, a crooked cop playing both sides, and a mysterious rival with motives of his own, she must learn fast who can be trusted. What began as an opportunity for a fresh start becomes a deadly fight for survival, forcing Marcy to outthink the people hunting her and decide how far she is willing to go to claim a future of her own.
We are raising $5,000 to bring The Art of Philately to life through a focused, efficient production plan that prioritizes strong storytelling, a dedicated crew, and high production value.
PRODUCTION
Once funded, we will move immediately into final pre-production, locking locations, finalizing cast, and securing equipment. Our goal is to maintain a lean but highly effective set.
Production will take place over 4 days with a crew of approximately 20-25 people. This structure allows us to stay within budget while ensuring we have the necessary departments covered to execute the film at a professional level.
A large portion of our budget is dedicated to:
- Paying our crew
- Providing meals and craft services to keep everyone energized and supported
- Securing essential camera, lighting, and sound equipment
This approach ensures a smooth, efficient shoot while respecting the time and talent of everyone involved. Bringing The Art of Philately to life takes more than funding—it takes a community.
Here are the ways you can directly support this project:
MAKE A PLEDGE
Every contribution goes directly toward paying our crew, securing equipment, and feeding our team. No amount is too small, each pledge moves us closer to production.
FOLLOW THE CAMPAIGN
Follow us on Seed&Spark to stay updated. All the followers count to help us build visibility and credibility for the project!
SHARE WITH YOUR NETWORK
Share our campaign with friends, family, and on social media. Independent films rely heavily on word-of-mouth, and your support helps us reach the right audience.
ENGAGE WITH OUR CONTENT
Like, comment, and repost our content on Social Media. Engagement helps expand our reach and keeps momentum going.
Thank you for taking the time to learn about The Art of Philately and supporting this project in any way.
Independent filmmaking is built on community, trust, and people who believe in the story enough to help bring it to life. Whether you choose to contribute, follow, or simply share this campaign, your support plays a real role in making this film possible.
We are incredibly grateful to our cast, crew, and early supporters who have already poured time, energy, and belief into this project. This film would not move forward without that foundation.
Every contribution helps us create something meaningful, and we don’t take that lightly.
Thank you for being a part of this journey.
That stamp you’re holding is worth a lot more than you know.” — Marvin
Wishlist
Use the WishList to Pledge cash and Loan items - or - Make a pledge by selecting an Incentive directly.
Equipment Rentals
Costs $1,000
Rental fees and production expendables add up quickly, and securing the right equipment is essential to making this project happen.
Production Designer
Costs $400
With an amazing Production Designer on our team, your support helps us secure the tools and materials needed to bring this world to life.
Direct link:
Share this update!
About This Team
Director | Writer
David I. Chambers, a writer-director from Miami's Coconut Grove neighborhood uses film to tell powerful stories of personal triumph and overlooked events. Originally trained as a marimbist and percussionist, his passion for cinema led him to earn an MFA in film from Florida State University. His time at Florida A&M and FSU sharpened his storytelling skills, fueling a career that spans roles across every corner of the film industry. David’s journey has taken him nationwide, filled with diverse projects, meaningful connections, and new experiences.
Producer
Storytelling has always been Ayana Jones’ bread and butter. She is an independent film producer and Location Management professional with experience on major productions including The Color Purple, productions on Apple TV+, Netflix, and more. Ayana holds a B.A. in Mass Communication from Winthrop University and an M.F.A. in Film Production from Florida State University’s College of Motion Picture Arts. With a strong eye for both story and logistics, she specializes in guiding projects from script to screen while collaborating with creative teams at the highest level. Her work is driven by a deep respect for storytelling, visual craft, and thoughtful execution across film and television.
Co-Producer
Josie Thompson has been a creative for as long as she can remember, an innate drive to build that culminated in a BFA in Filmmaking from Ohio University. While honing her artistic craft, minors in Business Management and Marketing unlocked a parallel passion for the logistical side of production. Interacting with people, coordinating details, and solving problems quickly became her bread and butter. With a strong appetite for growth and a recent move to the Atlanta area, Josie is focused on pursuing production roles to help other creatives flawlessly execute their visions.
Director Of Photography
Growing up in the metro-Atlanta area, Jordan Davenport was exposed to the entertainment industry at a young age. Immersed in an environment full of art, culture, and multimedia, he quickly discovered a passion for the storytelling. After receiving a degree in Lighting Design from Coker University, Jordan earned a MFA in Production from Florida State University at the College of Motion Picture Arts, where he spent time studying cinematography. Best known for his work on: The Bronsteadë Twins (2020), Clave (2020), and Landless (2019). Jordan continues to explore visual storytelling through cinematography, camera operating, and color grading, while supporting Atlanta-based productions in the Camera Department.
1st Assistant Director
Lynn Cao stumbled into Assistant Directing through acting, but immediately fell in love with the fast-paced, collaborative nature of production. With extensive on-set experience in Los Angeles, she has built a strong foundation across a wide range of productions, developing skills in leadership, communication, and set operations while working toward becoming a 1st Assistant Director. Now based in Georgia, she brings the knowledge, work ethic, and experience gained in LA to every set, focusing on creating organized, efficient, and supportive production environments.
Production Supervisor
Amy Niren is a recent graduate of the University of Cincinnati and a recent Atlanta resident. She loves production design and originally fell in love with film senior year of highschool. When she is not working on movies, you can find her dancing or singing!
Key PA
Patrick Reagan learned filmmaking in Philadelphia, PA through an organization called Big Picture Alliance and later returned to Georgia where he grew up. His favorite filmmaker is Hayao Miyazaki, and my favorite movie is Porco Rosso. Patrck's main experience in film is on set is as a P.A. or working in art department. He love being on set because he can see the energy he brings have a direct impact on the quality of the film. When he's not on set Patrick is either hiking with his partner and dogs or working as a sushi chef.
2nd AC
Marena Matras Gonzalez is a filmmaker originating from Miami and a recent film graduate from Miami Dade College's film program. She has worked across indie narrative and documentary productions mainly in the camera department, among other departments. Passionate about both cinematography and photography, she is drawn to visual storytelling in all its forms.