This is the smallest (yet often mightiest) way of supporting the project out of sheer belief for what we're doing and a public thank you from us for doing so.

Picked in jest by your favorite friendly, neighborhood Navajo - Josh Emerson.

Play along with America's history by receiving your very own digital land in the game of Indigenous Monopoly! This visual was inspired by Josh's imagining of the game during his comedy routine. It will be formatted to be shared as an Instagram story so you can entertain and inform your community while supporting our film.

See the current version of the film, which has a fully completed narrative and awaiting audio mixing and coloring from professionals signed on.

Your name in the credits (which, might I add, will be chill credits that aren't in a hurry so you can see it, appreciate it, and allow time for the single tear to roll down your cheek)

the director and editor, Jeff Stonic, will meet with you via video call, and from there, it's choose your own adventure - we can watch the film, talk about it, watch the next project in the pipeline, etc

This photo of Josh Emerson gazing upwards into the galaxy was taken in Canyonlands National Park by director Jeff Stonic on their journey home from Los Angeles, having left his father's house in Phoenix earlier that day.

Framed to evoke the iconic moment of Simba speaking with Mufasa in the stars, Josh is wrapped in a native blanket during a stoic, silent prayer of farewell to his mother.

Print details - 12" by 24" Giclee print on fine art photographic paper in 19.5" by 31.5" black rounded frame, mounted on thick archival stock and a white border beneath non-glare glass.

This photo of Josh Emerson on his ancestral land in the Navajo Nation was taken by director Jeff Stonic during the last stage production of 'Bad Indian'.

Display it with reverence for the first people to call this land in home before it was stolen.

This image is meant to evoke the personal descent Josh had to take internally in the search for healing, as well as the nomadic ways of the Diné people - Josh is in motion, where he's at is only temporary.

Print details - 18" by 24" Giclee print on fine art photographic paper, in a 26.5" by 31.5" black curved frame, mounted on thick stock for preservation with white border beneath non-glare glass.

I didn't know it was time to make a documentary. But this story opened my mouth, the words slipped out, and the right ears listened.

Josh and I left the Navajo Nation after wrapping filming, aiming to make it to Great Sand Dunes National Park by sunset. But then Shiprock rose on the horizon of northern New Mexico and we went off-road to get up close. Within moments, the clouds began to line up, and: wallah!

Sometimes the timing is right simply because the idea arrives as thought.

Print details - 20" by 20" Giclee print on fine art photographic paper, in a 23.5" by 23.5" black curved frame, mounted on thick stock for preservation with white border beneath non-glare glass.

This is the smallest (yet often mightiest) way of supporting the project out of sheer belief for what we're doing and a public thank you from us for doing so.

Picked in jest by your favorite friendly, neighborhood Navajo - Josh Emerson.

Play along with America's history by receiving your very own digital land in the game of Indigenous Monopoly! This visual was inspired by Josh's imagining of the game during his comedy routine. It will be formatted to be shared as an Instagram story so you can entertain and inform your community while supporting our film.

See the current version of the film, which has a fully completed narrative and awaiting audio mixing and coloring from professionals signed on.

Your name in the credits (which, might I add, will be chill credits that aren't in a hurry so you can see it, appreciate it, and allow time for the single tear to roll down your cheek)

the director and editor, Jeff Stonic, will meet with you via video call, and from there, it's choose your own adventure - we can watch the film, talk about it, watch the next project in the pipeline, etc

This photo of Josh Emerson gazing upwards into the galaxy was taken in Canyonlands National Park by director Jeff Stonic on their journey home from Los Angeles, having left his father's house in Phoenix earlier that day.

Framed to evoke the iconic moment of Simba speaking with Mufasa in the stars, Josh is wrapped in a native blanket during a stoic, silent prayer of farewell to his mother.

Print details - 12" by 24" Giclee print on fine art photographic paper in 19.5" by 31.5" black rounded frame, mounted on thick archival stock and a white border beneath non-glare glass.

This photo of Josh Emerson on his ancestral land in the Navajo Nation was taken by director Jeff Stonic during the last stage production of 'Bad Indian'.

Display it with reverence for the first people to call this land in home before it was stolen.

This image is meant to evoke the personal descent Josh had to take internally in the search for healing, as well as the nomadic ways of the Diné people - Josh is in motion, where he's at is only temporary.

Print details - 18" by 24" Giclee print on fine art photographic paper, in a 26.5" by 31.5" black curved frame, mounted on thick stock for preservation with white border beneath non-glare glass.

I didn't know it was time to make a documentary. But this story opened my mouth, the words slipped out, and the right ears listened.

Josh and I left the Navajo Nation after wrapping filming, aiming to make it to Great Sand Dunes National Park by sunset. But then Shiprock rose on the horizon of northern New Mexico and we went off-road to get up close. Within moments, the clouds began to line up, and: wallah!

Sometimes the timing is right simply because the idea arrives as thought.

Print details - 20" by 20" Giclee print on fine art photographic paper, in a 23.5" by 23.5" black curved frame, mounted on thick stock for preservation with white border beneath non-glare glass.

This is the smallest (yet often mightiest) way of supporting the project out of sheer belief for what we're doing and a public thank you from us for doing so.

Picked in jest by your favorite friendly, neighborhood Navajo - Josh Emerson.

Play along with America's history by receiving your very own digital land in the game of Indigenous Monopoly! This visual was inspired by Josh's imagining of the game during his comedy routine. It will be formatted to be shared as an Instagram story so you can entertain and inform your community while supporting our film.

See the current version of the film, which has a fully completed narrative and awaiting audio mixing and coloring from professionals signed on.

Your name in the credits (which, might I add, will be chill credits that aren't in a hurry so you can see it, appreciate it, and allow time for the single tear to roll down your cheek)

the director and editor, Jeff Stonic, will meet with you via video call, and from there, it's choose your own adventure - we can watch the film, talk about it, watch the next project in the pipeline, etc

This photo of Josh Emerson gazing upwards into the galaxy was taken in Canyonlands National Park by director Jeff Stonic on their journey home from Los Angeles, having left his father's house in Phoenix earlier that day.

Framed to evoke the iconic moment of Simba speaking with Mufasa in the stars, Josh is wrapped in a native blanket during a stoic, silent prayer of farewell to his mother.

Print details - 12" by 24" Giclee print on fine art photographic paper in 19.5" by 31.5" black rounded frame, mounted on thick archival stock and a white border beneath non-glare glass.

This photo of Josh Emerson on his ancestral land in the Navajo Nation was taken by director Jeff Stonic during the last stage production of 'Bad Indian'.

Display it with reverence for the first people to call this land in home before it was stolen.

This image is meant to evoke the personal descent Josh had to take internally in the search for healing, as well as the nomadic ways of the Diné people - Josh is in motion, where he's at is only temporary.

Print details - 18" by 24" Giclee print on fine art photographic paper, in a 26.5" by 31.5" black curved frame, mounted on thick stock for preservation with white border beneath non-glare glass.

I didn't know it was time to make a documentary. But this story opened my mouth, the words slipped out, and the right ears listened.

Josh and I left the Navajo Nation after wrapping filming, aiming to make it to Great Sand Dunes National Park by sunset. But then Shiprock rose on the horizon of northern New Mexico and we went off-road to get up close. Within moments, the clouds began to line up, and: wallah!

Sometimes the timing is right simply because the idea arrives as thought.

Print details - 20" by 20" Giclee print on fine art photographic paper, in a 23.5" by 23.5" black curved frame, mounted on thick stock for preservation with white border beneath non-glare glass.