Ball is Ball
Oakland, California | Film Short
Drama, Sport
When a star basketball player’s hard work finally pays off, a former teammate with fading glory proposes an impromptu night off that takes an unforgettable detour. This timely story reflects on the complicated nuances and lasting impact of sexual assault.
Ball is Ball
Oakland, California | Film Short
Drama, Sport
1 Campaigns | California, United States
Green Light
This campaign raised $21,840 for production. Follow the filmmaker to receive future updates on this project.
158 supporters | followers
Enter the amount you would like to pledge
When a star basketball player’s hard work finally pays off, a former teammate with fading glory proposes an impromptu night off that takes an unforgettable detour. This timely story reflects on the complicated nuances and lasting impact of sexual assault.
About The Project
- The Story
- Wishlist
- Updates
- The Team
- Community
Mission Statement
The Story
THANK YOU for your support!!! It means the world to us that we not only have the opportunity to bring this timely, powerful narrative to life, but we can also pay each individual involved for their hardwork and talent. In an effort to continue manifesting the best possible version of the 'Ball is Ball' project, we have set up some dream milestones to raise here on Seed&Spark.
If we raise $29,724, that will cover the full cost of production.
If we raise $35,724, that will cover the cost of post-production.
If we raise $36,224, that will cover the cost of entering into top-tier film festivals including Sundance and SXSW.
If we raise anything more, that will go toward the cost of funding a multi-city screening tour with guided conversations on the topic of trauma.
Every dollar earned will help us tell this story and create a community around healing.
We are proud to be fiscally sponsored by BraveMaker, a (501(c)(3) non-profit organization that exists to elevate brave voices for justice, diversity and inclusion. This means that all contributions are tax-deducible!
If applicable, you can also make use of your company’s corporate match program and find us on Benevity by searching ‘BraveMaker’.
'Ball is Ball' follows the story of Robin Coleman, a high school basketball star who’s caught the attention of her dream college — and her crush. While sharing the excitement, she misplaces her trust in a friend and soon learns the ill-intention of another unsuspected admirer.
The tone of Ball is Ball will feel like the light-hearted love story of Love and Basketball while incorporating the grit, angst and artistry of Euphoria.
We made several conscious decisions in our filmmaking including shooting on film and digital. The film portion creates a nostalgic feeling for the memory that’s taking place. We furthered this distinction through our wardrobe and set design, placing older technology throughout. The change to digital and tighter aspect ratio at the end was to emphasize the confinement our character Robin is feeling in the present.
‘Ball is Ball’ was inspired by events that have lived in my journals and been discussed in therapy for years. The first time I got drunk with friends, I blacked out. When I came back into consciousness I was being sexually assaulted by another friend in a house I’d never been in. I was in high school and didn’t know how to handle the situation, so I didn’t tell my parents and no report was ever filed. With the rise of the #MeToo movement in recent years and the criticism against survivors that came with it, asking “why now” or “that was so long ago”, I wanted to shed light on how present trauma can feel no matter how much time has passed. For fellow survivors, I wanted to create a film that felt honest without glorifying the horror, but also encouraged them to show themselves empathy if their instinctual reaction to a situation isn’t what they’d always planned. Creating this project has been therapeutic in many ways and my hope is that it can be a stop on someone else’s healing journey as well.
Follow Kayla on Instagram: @kaylorray
See more of her work: kayla-robinson.com
'Ball is Ball' is a 13min narrative short film, shot over 3 jam-packed days in 3 locations across the San Francisco Bay Area. It was shot in both film and digital formats to create contrast between past and present. We’re first looking to raise $15,000 to cover the cost of paying our amazing crew and have included stretch goals to cover the full cost of production, post-production, a strategic festival-run and impact goals. Here is the cost breakdown:
Crew - $15,000
Talent - $975
Meals - $1,200
Camera & Lens rentals - $4,514
Kodak Film - $988
Film Development - $1,205
Lighting Department - $3,158
Locations - $2,184
Rental Insurance - $500
A REMINDER OF OUR STRETCH GOALS
If we raise $29,724, that will cover the full cost of production.
If we raise $35,724, that will cover the cost of post-production.
If we raise $36,224, that will cover the cost of entering into top-tier film festivals including Sundance and SXSW.
If we raise anything more, that will cover the cost of funding a multi-city screening tour. More on that below!
OUR DISTRIBUTION STRATEGY is two-fold:
- Submit to the wonderful world of film festivals before sharing our film with the world online.
- Given the important social issues explored in this project, we are developing an impact campaign for Ball is Ball. Our plan includes screenings (virtual if need be) accompanied by guided discussions about the film, themes of sexual assault and its lasting impact, specifically on women of color. More information to come!
1. SPREAD THE WORD ABOUT BALL IS BALL
Tell your friends, family and colleagues about us. There's no better way to make an impact than to become an advocate. Share our social media posts, our campaign page, and our backer updates!
Here are some examples. Feel free to copy and paste!
Help filmmaker @kaylorray by supporting her purpose-driven film BALL IS BALL about a star basketball player’s night out that takes an unforgettable detour. Join them on @seedandspark: bit.ly/BallisBall
I just watched the BALL IS BALL trailer directed by filmmaker @kaylorray and WOW, you've got to support this purpose-driven short film! Join them on @seedandspark: bit.ly/BallisBall
2. FOLLOW @BALLISBALLFILM ON INSTAGRAM
Stay up to date on the latest news by following us on Instagram. And ask all your friends to follow us too!
3. KEEP FOLLOWING OUR CAMPAIGN!
We'll be posting updates on our campaign progress and a few glimpses behind the scenes!
4. SIGN-UP FOR OUR NEWSLETTER
Interested in staying up to date with this project and more to come from Kayla, sign-up!
Wishlist
Use the WishList to Pledge cash and Loan items - or - Make a pledge by selecting an Incentive directly.
Dream Team
Costs $15,000
We have an amazingly talented crew who has worked hard to make Ball is Ball possible.
Cash Pledge
Costs $0
Share this update!
About This Team
Kayla Robinson
WRITER, DIRECTOR & PRODUCER
Kayla Robinson is a writer, filmmaker, actress and artist from Texas. Her career began as an art director in the advertising industry, producing award-winning work for top brands at BBDO Worldwide in New York and Apple in California. Kayla is a passionate storyteller developing authentic narratives through a range of mediums that aim to create vulnerable connections or tap into the curious nature of the inner child.
Freddie Whitman
DIRECTOR OF PHOTOGRAPHY
Freddie is a passionate cinematographer dedicated to upholding and supporting the vision of the directors he works with. Formally trained as a focus puller for documentary work, Freddie strives to adapt to any style of production both technically and emotionally. When he isn’t working on a film set, Freddie enjoys rock climbing, watching movies, and going on long bike rides.
Amanda Beane
PRODUCER & PRODUCTION DESIGNER
Originally from Seattle Wa, Amanda Beane moved to Oakland CA in 1999. There she earned a BFA from California College of the Arts with a dual focus on metal-smithing and textiles. Multifaceted and always exploring new mediums Amanda found her talents and skillsets uniquely suited to film. In 2013 she made it her career. Since then she has become known for her innovative style and ability to coordinate ambitious visions into reality.
Production Crew
1st AD: Samantha Panganiban
Line Producer: Victoria Onuzuruike
1st AC: Angel Hernandez
1st/2nd AC: Linhdan (Dan) Le
2nd AC: Meegan Nguyen
Gaffer: Carlos Gonzalez
Key Grip: Lamar Cox
Best Boy Grip/Electric: Connor Benson
Sound Mixer: Jon Gerdemann
Makeup Artist: Yvette Mathews-Mason
Wardrobe Stylist: Amara Abbas
Art Assistant: Jaade Wills
Intimacy Coordinator: Liz Frederick
Set Photographer: Brandon Ruffins
Production Assistant: Kelly Delos Santos
Production Assistant: Floriedaine E. Paran
Production Assistant: Christina Onuzuruike
Post-Production Team
Zoë Mountain
EDITOR
Antonio “Peachcurls” Maclin Jr
MUSIC & SOUND
Sean Wells | Roast n' Post
COLORIST
Paul J Zahnley, CAS | Disher Sound
AUDIO POST-PRODUCTION
Current Team
Incentives
- The Story
- Wishlist
- Updates
- The Team
- Community
Mission Statement
The Story
THANK YOU for your support!!! It means the world to us that we not only have the opportunity to bring this timely, powerful narrative to life, but we can also pay each individual involved for their hardwork and talent. In an effort to continue manifesting the best possible version of the 'Ball is Ball' project, we have set up some dream milestones to raise here on Seed&Spark.
If we raise $29,724, that will cover the full cost of production.
If we raise $35,724, that will cover the cost of post-production.
If we raise $36,224, that will cover the cost of entering into top-tier film festivals including Sundance and SXSW.
If we raise anything more, that will go toward the cost of funding a multi-city screening tour with guided conversations on the topic of trauma.
Every dollar earned will help us tell this story and create a community around healing.
We are proud to be fiscally sponsored by BraveMaker, a (501(c)(3) non-profit organization that exists to elevate brave voices for justice, diversity and inclusion. This means that all contributions are tax-deducible!
If applicable, you can also make use of your company’s corporate match program and find us on Benevity by searching ‘BraveMaker’.
'Ball is Ball' follows the story of Robin Coleman, a high school basketball star who’s caught the attention of her dream college — and her crush. While sharing the excitement, she misplaces her trust in a friend and soon learns the ill-intention of another unsuspected admirer.
The tone of Ball is Ball will feel like the light-hearted love story of Love and Basketball while incorporating the grit, angst and artistry of Euphoria.
We made several conscious decisions in our filmmaking including shooting on film and digital. The film portion creates a nostalgic feeling for the memory that’s taking place. We furthered this distinction through our wardrobe and set design, placing older technology throughout. The change to digital and tighter aspect ratio at the end was to emphasize the confinement our character Robin is feeling in the present.
‘Ball is Ball’ was inspired by events that have lived in my journals and been discussed in therapy for years. The first time I got drunk with friends, I blacked out. When I came back into consciousness I was being sexually assaulted by another friend in a house I’d never been in. I was in high school and didn’t know how to handle the situation, so I didn’t tell my parents and no report was ever filed. With the rise of the #MeToo movement in recent years and the criticism against survivors that came with it, asking “why now” or “that was so long ago”, I wanted to shed light on how present trauma can feel no matter how much time has passed. For fellow survivors, I wanted to create a film that felt honest without glorifying the horror, but also encouraged them to show themselves empathy if their instinctual reaction to a situation isn’t what they’d always planned. Creating this project has been therapeutic in many ways and my hope is that it can be a stop on someone else’s healing journey as well.
Follow Kayla on Instagram: @kaylorray
See more of her work: kayla-robinson.com
'Ball is Ball' is a 13min narrative short film, shot over 3 jam-packed days in 3 locations across the San Francisco Bay Area. It was shot in both film and digital formats to create contrast between past and present. We’re first looking to raise $15,000 to cover the cost of paying our amazing crew and have included stretch goals to cover the full cost of production, post-production, a strategic festival-run and impact goals. Here is the cost breakdown:
Crew - $15,000
Talent - $975
Meals - $1,200
Camera & Lens rentals - $4,514
Kodak Film - $988
Film Development - $1,205
Lighting Department - $3,158
Locations - $2,184
Rental Insurance - $500
A REMINDER OF OUR STRETCH GOALS
If we raise $29,724, that will cover the full cost of production.
If we raise $35,724, that will cover the cost of post-production.
If we raise $36,224, that will cover the cost of entering into top-tier film festivals including Sundance and SXSW.
If we raise anything more, that will cover the cost of funding a multi-city screening tour. More on that below!
OUR DISTRIBUTION STRATEGY is two-fold:
- Submit to the wonderful world of film festivals before sharing our film with the world online.
- Given the important social issues explored in this project, we are developing an impact campaign for Ball is Ball. Our plan includes screenings (virtual if need be) accompanied by guided discussions about the film, themes of sexual assault and its lasting impact, specifically on women of color. More information to come!
1. SPREAD THE WORD ABOUT BALL IS BALL
Tell your friends, family and colleagues about us. There's no better way to make an impact than to become an advocate. Share our social media posts, our campaign page, and our backer updates!
Here are some examples. Feel free to copy and paste!
Help filmmaker @kaylorray by supporting her purpose-driven film BALL IS BALL about a star basketball player’s night out that takes an unforgettable detour. Join them on @seedandspark: bit.ly/BallisBall
I just watched the BALL IS BALL trailer directed by filmmaker @kaylorray and WOW, you've got to support this purpose-driven short film! Join them on @seedandspark: bit.ly/BallisBall
2. FOLLOW @BALLISBALLFILM ON INSTAGRAM
Stay up to date on the latest news by following us on Instagram. And ask all your friends to follow us too!
3. KEEP FOLLOWING OUR CAMPAIGN!
We'll be posting updates on our campaign progress and a few glimpses behind the scenes!
4. SIGN-UP FOR OUR NEWSLETTER
Interested in staying up to date with this project and more to come from Kayla, sign-up!
Wishlist
Use the WishList to Pledge cash and Loan items - or - Make a pledge by selecting an Incentive directly.
Dream Team
Costs $15,000
We have an amazingly talented crew who has worked hard to make Ball is Ball possible.
Cash Pledge
Costs $0
Share this update!
About This Team
Kayla Robinson
WRITER, DIRECTOR & PRODUCER
Kayla Robinson is a writer, filmmaker, actress and artist from Texas. Her career began as an art director in the advertising industry, producing award-winning work for top brands at BBDO Worldwide in New York and Apple in California. Kayla is a passionate storyteller developing authentic narratives through a range of mediums that aim to create vulnerable connections or tap into the curious nature of the inner child.
Freddie Whitman
DIRECTOR OF PHOTOGRAPHY
Freddie is a passionate cinematographer dedicated to upholding and supporting the vision of the directors he works with. Formally trained as a focus puller for documentary work, Freddie strives to adapt to any style of production both technically and emotionally. When he isn’t working on a film set, Freddie enjoys rock climbing, watching movies, and going on long bike rides.
Amanda Beane
PRODUCER & PRODUCTION DESIGNER
Originally from Seattle Wa, Amanda Beane moved to Oakland CA in 1999. There she earned a BFA from California College of the Arts with a dual focus on metal-smithing and textiles. Multifaceted and always exploring new mediums Amanda found her talents and skillsets uniquely suited to film. In 2013 she made it her career. Since then she has become known for her innovative style and ability to coordinate ambitious visions into reality.
Production Crew
1st AD: Samantha Panganiban
Line Producer: Victoria Onuzuruike
1st AC: Angel Hernandez
1st/2nd AC: Linhdan (Dan) Le
2nd AC: Meegan Nguyen
Gaffer: Carlos Gonzalez
Key Grip: Lamar Cox
Best Boy Grip/Electric: Connor Benson
Sound Mixer: Jon Gerdemann
Makeup Artist: Yvette Mathews-Mason
Wardrobe Stylist: Amara Abbas
Art Assistant: Jaade Wills
Intimacy Coordinator: Liz Frederick
Set Photographer: Brandon Ruffins
Production Assistant: Kelly Delos Santos
Production Assistant: Floriedaine E. Paran
Production Assistant: Christina Onuzuruike