Basically the Same
New York City, New York | Film Short
Comedy, Satire
Allie plans the perfect first date for her charming, sexy, Puerto Rican Hinge match. Except Oscar isn't Puerto Rican - he's Dominican. Every attempt to recover only makes things worse, turning one innocent mistake into a painfully funny rom-com about identity, assumptions, and first impressions.
Basically the Same
New York City, New York | Film Short
Comedy, Satire
1 Campaigns | New York, United States
4 supporters | followers
Enter the amount you would like to pledge
$65
Goal: $15,000 for pre-production
Allie plans the perfect first date for her charming, sexy, Puerto Rican Hinge match. Except Oscar isn't Puerto Rican - he's Dominican. Every attempt to recover only makes things worse, turning one innocent mistake into a painfully funny rom-com about identity, assumptions, and first impressions.
- The Story
- Wishlist
- Updates
- The Team
- Community
Mission Statement
The Story

When Allie and Oscar match on Hinge, their chemistry is immediate, and Allie is determined to plan the perfect first date. After learning Oscar is a devoted foodie and believing he is Puerto Rican, she books a table at one of the city’s most authentic Puerto Rican restaurants. The evening could not be going better - until Oscar casually mentions that he is Dominican, not Puerto Rican. Mortified, Allie launches into a frantic attempt to apologize, but every apology only makes things worse…
What begins as an innocent misunderstanding spirals into a painfully funny exchange of accidental microaggressions, forcing Oscar to question whether her curiosity is genuine - or masking a deeper insensitivity.
Equal parts romantic comedy and social satire, BASICALLY THE SAME explores the blind spots we carry into new relationships, asking what it takes to connect across differences when good intentions aren't enough.

It is about two people searching for connection in a world where relationships increasingly cross cultural, racial, and religious boundaries. I believe that is something to celebrate - but I also believe navigating those differences can be messier than we would like to admit.
The Black Lives Matter movement encouraged white folk to ask: what does genuine allyship actually look like? I explored this question through comedy, creating a monologue about a white girl so desperate to prove she's “an ally” that she accidentally commits one microaggression after another. When I first performed the piece, audiences erupted in laughter - not because the subject wasn't serious, but because the comedy gave us permission to acknowledge an uncomfortable truth: these interactions actually happen, and they're as absurd as they are painfully human.
By inviting viewers to laugh at the absurdity of the situation, I hope to create space for honest conversations about intention versus impact, and the courage it takes to admit when we've gotten something wrong. Both characters are intentionally imperfect - in their situation, how would you handle it better?
Just as importantly, this film is exploring the ways we compromise, and sometimes question ourselves in pursuit of connection. I've watched so many people compromise their own comfort, values, or voice in order to preserve a relationship. That tension fascinates me. What are we willing to sacrifice in order not to be alone?
Ultimately, I hope the film leaves audiences laughing first and reflecting later - about empathy, communication, and the assumptions we carry into every relationship.
Independent artists have the luxury of creating art for the sake of creating art. No Hollywood politics, no casting for follower count, no rewrites to incorporate brand deals...it's a pleasure, a gift, and a privilege to work on something purely because you believe in its potential to entertain and move audiences.
What we don't have the luxury of is: money.
We believe in this project, and we want it to be as amazing as it can be. Sure, we could shoot it on Iphones with clip-on mics bought off amazon and natural lighting and then throw the thing together on Imovie...but we truly believe the film wouldn't reach its potential that way. The alternative way requires a slightly bigger budget.
If you check out our wishlist, you'll see more or less how our budget is broken down. Each item will be an absolute luxury to us that will undoubtedly enhance our film - from a fantastic Production Sound-Mixer to an Art Designer that brings our world to life, to the memory drive that ensures none of our work gets lost. Not a cent will be wasted, and your generosity will be the reason it all looks and sounds so damn good in the end. So, thank you for taking the time to learn about Basically the Same. We hope you see the potential in our film and help us get to production and beyond!
Wishlist
Use the WishList to Pledge cash and Loan items - or - Make a pledge by selecting an Incentive directly.
Emergency Funds
Costs $1,200
If any sneaky expenses hit, we hope this will cover it. Anything leftover will go towards making this film as amazing as possible!
About This Team
Erica Everett (Writer, Producer, Actor) Erica Everett is a classically trained actress, writer, director, and producer. Select theatre credits include work for Bucks County Playhouse, Cortland Repertory Theatre, Theatre Horizon, Mazeppa Productions, and Baron's Court Theatre. Select film work includes Ether's Paradise, Guardians of Loch Ness, Losers, My House, and The Rumperbutts. Erica trained at the Guildhall School of Music and Drama for her BA in Acting and Birkbeck for her MA in Dramaturgy. In June 2026, Erica wrote and performed a monologue about a well-meaning white girl who keeps putting her foot in her mouth. It got a lot of laughs and won her first prize at Manhattan Monologue Slam. So she adapted it into this film!
Pascal Arquimedes (Writer, Producer, Actor) Pascal Arquimedes is a Dominican-American Actor based in Brooklyn, NYC. Acting Credits: Broadway: Clyde's (Helen Hayes Theatre), Regional Theater: Clyde's (Syracuse Stage, Portland Center Stage), Party People (Actor's Theatre of Louisville), I and You (Portland Stage Company) TV Credits: The Equalizer, Lioness, Blue Bloods.
MéLisa Best (Director) MéLisa Best is an award-winning director, producer, and creative visionary working at the intersection of film, branded content, and social impact storytelling. She is the founder of HAUS of Infinity Studios, where she wrote, directed, and produced "PARANOIDIGM," a genre-bending short film and "Black Women Euphoria," a cinematic multimedia initiative, celebrating Black femme joy, imagination, and embodiment. Her current productions, scripts, past campaigns, and branded web series, including SPLIT and On Rotation, have been awarded by the London Women Film Festival, Zeal International Film Festival, Telly Awards, Shorty Awards, and industry-specific achievements for excellence in creative direction, production, and storytelling. With over a decade of experience in high-impact multimedia production, and a member of New York Women in Film & Television, MéLisa brings heart and cultural depth to every story she tells.
Zachary Stephens (Director of Photography) Zach founded Buttered Toast Productions to shine a light on stories rooted in sustainability and collective care. Like his home in Bushwick, Brooklyn, his work resists clear boxes - spanning documentary, branded content, narrative shorts, and still photography. He's worn a lot of hats along the way, and that unique skillset is what he brings to every set.
Incentives
- The Story
- Wishlist
- Updates
- The Team
- Community
Mission Statement
The Story

When Allie and Oscar match on Hinge, their chemistry is immediate, and Allie is determined to plan the perfect first date. After learning Oscar is a devoted foodie and believing he is Puerto Rican, she books a table at one of the city’s most authentic Puerto Rican restaurants. The evening could not be going better - until Oscar casually mentions that he is Dominican, not Puerto Rican. Mortified, Allie launches into a frantic attempt to apologize, but every apology only makes things worse…
What begins as an innocent misunderstanding spirals into a painfully funny exchange of accidental microaggressions, forcing Oscar to question whether her curiosity is genuine - or masking a deeper insensitivity.
Equal parts romantic comedy and social satire, BASICALLY THE SAME explores the blind spots we carry into new relationships, asking what it takes to connect across differences when good intentions aren't enough.

It is about two people searching for connection in a world where relationships increasingly cross cultural, racial, and religious boundaries. I believe that is something to celebrate - but I also believe navigating those differences can be messier than we would like to admit.
The Black Lives Matter movement encouraged white folk to ask: what does genuine allyship actually look like? I explored this question through comedy, creating a monologue about a white girl so desperate to prove she's “an ally” that she accidentally commits one microaggression after another. When I first performed the piece, audiences erupted in laughter - not because the subject wasn't serious, but because the comedy gave us permission to acknowledge an uncomfortable truth: these interactions actually happen, and they're as absurd as they are painfully human.
By inviting viewers to laugh at the absurdity of the situation, I hope to create space for honest conversations about intention versus impact, and the courage it takes to admit when we've gotten something wrong. Both characters are intentionally imperfect - in their situation, how would you handle it better?
Just as importantly, this film is exploring the ways we compromise, and sometimes question ourselves in pursuit of connection. I've watched so many people compromise their own comfort, values, or voice in order to preserve a relationship. That tension fascinates me. What are we willing to sacrifice in order not to be alone?
Ultimately, I hope the film leaves audiences laughing first and reflecting later - about empathy, communication, and the assumptions we carry into every relationship.
Independent artists have the luxury of creating art for the sake of creating art. No Hollywood politics, no casting for follower count, no rewrites to incorporate brand deals...it's a pleasure, a gift, and a privilege to work on something purely because you believe in its potential to entertain and move audiences.
What we don't have the luxury of is: money.
We believe in this project, and we want it to be as amazing as it can be. Sure, we could shoot it on Iphones with clip-on mics bought off amazon and natural lighting and then throw the thing together on Imovie...but we truly believe the film wouldn't reach its potential that way. The alternative way requires a slightly bigger budget.
If you check out our wishlist, you'll see more or less how our budget is broken down. Each item will be an absolute luxury to us that will undoubtedly enhance our film - from a fantastic Production Sound-Mixer to an Art Designer that brings our world to life, to the memory drive that ensures none of our work gets lost. Not a cent will be wasted, and your generosity will be the reason it all looks and sounds so damn good in the end. So, thank you for taking the time to learn about Basically the Same. We hope you see the potential in our film and help us get to production and beyond!
Wishlist
Use the WishList to Pledge cash and Loan items - or - Make a pledge by selecting an Incentive directly.
Emergency Funds
Costs $1,200
If any sneaky expenses hit, we hope this will cover it. Anything leftover will go towards making this film as amazing as possible!
About This Team
Erica Everett (Writer, Producer, Actor) Erica Everett is a classically trained actress, writer, director, and producer. Select theatre credits include work for Bucks County Playhouse, Cortland Repertory Theatre, Theatre Horizon, Mazeppa Productions, and Baron's Court Theatre. Select film work includes Ether's Paradise, Guardians of Loch Ness, Losers, My House, and The Rumperbutts. Erica trained at the Guildhall School of Music and Drama for her BA in Acting and Birkbeck for her MA in Dramaturgy. In June 2026, Erica wrote and performed a monologue about a well-meaning white girl who keeps putting her foot in her mouth. It got a lot of laughs and won her first prize at Manhattan Monologue Slam. So she adapted it into this film!
Pascal Arquimedes (Writer, Producer, Actor) Pascal Arquimedes is a Dominican-American Actor based in Brooklyn, NYC. Acting Credits: Broadway: Clyde's (Helen Hayes Theatre), Regional Theater: Clyde's (Syracuse Stage, Portland Center Stage), Party People (Actor's Theatre of Louisville), I and You (Portland Stage Company) TV Credits: The Equalizer, Lioness, Blue Bloods.
MéLisa Best (Director) MéLisa Best is an award-winning director, producer, and creative visionary working at the intersection of film, branded content, and social impact storytelling. She is the founder of HAUS of Infinity Studios, where she wrote, directed, and produced "PARANOIDIGM," a genre-bending short film and "Black Women Euphoria," a cinematic multimedia initiative, celebrating Black femme joy, imagination, and embodiment. Her current productions, scripts, past campaigns, and branded web series, including SPLIT and On Rotation, have been awarded by the London Women Film Festival, Zeal International Film Festival, Telly Awards, Shorty Awards, and industry-specific achievements for excellence in creative direction, production, and storytelling. With over a decade of experience in high-impact multimedia production, and a member of New York Women in Film & Television, MéLisa brings heart and cultural depth to every story she tells.
Zachary Stephens (Director of Photography) Zach founded Buttered Toast Productions to shine a light on stories rooted in sustainability and collective care. Like his home in Bushwick, Brooklyn, his work resists clear boxes - spanning documentary, branded content, narrative shorts, and still photography. He's worn a lot of hats along the way, and that unique skillset is what he brings to every set.