Can't Stop The Go-Go
Atlanta, Georgia | Film Short
Horror
It's the 1960s. We're in the dance club "Wanna Gogo". The cruel boss challenges her dancers to spice up their routines by enticing them with a pair of enchanting red go-go boots. Suddenly, the bodies start to drop but the hunger for fame is still strong. Strong enough to kill...
Can't Stop The Go-Go
Atlanta, Georgia | Film Short
Horror
1 Campaigns | Georgia, United States
11 supporters | followers
Enter the amount you would like to pledge
$950
Goal: $10,840 for pre-production
It's the 1960s. We're in the dance club "Wanna Gogo". The cruel boss challenges her dancers to spice up their routines by enticing them with a pair of enchanting red go-go boots. Suddenly, the bodies start to drop but the hunger for fame is still strong. Strong enough to kill...
- The Story
- Wishlist
- Updates
- The Team
- Community
Mission Statement
The Story
General Background
The main concept of our story is inspired by the Hans Christian Andersen tale, "The Red Shoes". The tale follows a little girl who becomes infatuated with a pair of red slippers until they force her to dance nonstop. We see how a symbol of beauty and vanity become the cause of this little girl's pain and anguish, even forcing her to cut off her own feet in an effort to stop. Our director and writer both share a love of period pieces, women-led stories and a gory horror with something to say (not mention some fun kills!). We already knew we wanted to combine the 1960s go-go aesthetic with a classic slasher vibe but once we dove into The Red Shoes, we knew it was going to be a deliciously sinister match.

Synopsis
Our story follows five young, beautiful, fame-enticed go-go dancers who work in the "27th most famous go-go club of the 1960s", Wanna Gogo, under the cruel eye of their boss, The Donna. On what was supposed to be a normal night, the girls are horrified to see one of their own fall dead on the floor wearing a pair of stunning, sparkly, enchanting red boots. None of the girls fully know what's happening but when The Donna challenges each of the girls to dance in the boots in order to determine who will be Wanna Gogo's star, the boots become the only thing anyone can think about. How far will these girls go for fame? Would they kill each other? Not if the boots kill them first.

Inspiration
Outside of The Red Shoes, both our director and writer took inspiration from multiple women-led movies from different genres and decades but all with similar themes and aesthetics.
- BLACK SWAN (2010)
- VALLEY OF THE DOLLS (1967)
- FAME (1980)
- CHICAGO (2002)
- SHOWGIRLS (1995)
- BURLESQUE (2010)
- LAST NIGHT IN SOHO (2021)
- MOULIN ROUGE! (2001)

Distribution Plan
Once post-production is complete and a final cut is solidified, we plan to host a premiere (an incentive included in some of our donation packages) where we will collect ticket sales and put the funds towards festival submissions. From there, we plan to submit to short film festivals around the country, especially ones dedicated to horror films and women filmmakers.
Yearly Timeline
JANUARY: project conceptualized and 1st draft written
FEBRUARY: production team acquired, social media launched
MARCH: department heads acquired, budget drafted
APRIL: casting launched
MAY: cast acquired, begin location scouts
JUNE: launch crowdfunding, finalize script
JULY: merch sales, secure locations, finalize budget
AUGUST: ATL crowdfunding event, secure equipment, promotional photoshoot
SEPTEMBER: preliminary rehearsals, secure crafty plan
OCTOBER: final rehearsals, production up the 12th, 13th, 14th and 15th
NOVEMBER: begin post-production, secure final cut
DECEMBER: host premiere, begin festival circuit
Challenges
Like any independent short of this genre and ambition, we face quite a few potential risks and challenges.
- Firstly, we are higher budget for an indie short. At nearly $30k, we'll not only need huge, dedicated support from our donors but grants, merch sales, fundraising events and possible out-of-pocket spending will be needed too. It's a heavy financial commitment but we'll need every penny we can get to make this project the way we want it and we'll do whatever we can to make that happen.
- Second, as fun and campy as this film is, it will involve many complicated moving parts. There are multiple gory deaths requiring us to have A LOT of special effects makeup, special hand-crafted props and top-notch stunt coordination. We also have several wardrobe changes with handmade and vintage costume pieces to make our cast look as authentic to the era as possible. Along with multiple location moves, the use of extras and a complex final scene, we need to make sure we have everything needed to pull it off.
- Lastly, we understand that there is often a certain stigma around horror, especially horror by and/or about women. It tends not to be taken seriously and while that stigma is slowly fading (or at least, changing), we don't want audiences to get distracted by the pretty colors and short skirts. Behind it all, there's still a message we're telling about a struggling desire that affects performers in the real, modern world.
Budget Breakdown

Stretch Goals
- $5,000: Location secured
- $7,500: Equipment secured
- $10,000: Art secured
- $20,000: Production greenlit
- $29,000: Fully funded!
- $32,000: Extra special (funds post and distribution)
Wishlist
Use the WishList to Pledge cash and Loan items - or - Make a pledge by selecting an Incentive directly.
Location
Costs $5,000
In order to shoot this film with the proper aesthetic and authenticity, we'll need the PERFECT club location!
Equipment
Costs $2,400
From camera to lights to electric, the right gear is needed to make our story pop off the screen for audiences!
Art
Costs $2,000
This film is very heavy on the art. Set dressing, props, costumes, hair and makeup all have to look their best!
Craft Services
Costs $1,440
Our hardworking cast and crew deserve warm meals and plenty of refreshments for four days of filming!
About This Team
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Julia O'Toole as Kim
Melissa O. Bowen as The Donna
Taylor Shular as Shannon
Rowan Genevieve as Lorraine
Natalie Navarro as Birdie
Jasmyn Ferrell as Toni
.png)
All three of our production heads are alumni from Savannah College of Art and Design with Cordova graduating with a MFA in Acting in 2025, Richardson graduating with a BFA in Dramatic Writing in 2023 and Bidon graduating in 2025 with a BFA in Film and Television. Cordova and Richardson previously collaborated on a 1940s religious thriller short titled Yellow Bows that shot in 2025 and is currently in post-production. Richardson and Bidon had previously on set for a short film written by Richardson titled Honesty Hour which filmed in 2024.
Our Department Heads
Vitor Pinheiro: Director of Photography
Amelie Woods: 1st AD
Oliver Kageleiry: Production Designer
Kris Marie: Costume Designer
Lauren Crawford: Gaffer
Courtney Musick: Key Makeup Artist
Incentives
- The Story
- Wishlist
- Updates
- The Team
- Community
Mission Statement
The Story
General Background
The main concept of our story is inspired by the Hans Christian Andersen tale, "The Red Shoes". The tale follows a little girl who becomes infatuated with a pair of red slippers until they force her to dance nonstop. We see how a symbol of beauty and vanity become the cause of this little girl's pain and anguish, even forcing her to cut off her own feet in an effort to stop. Our director and writer both share a love of period pieces, women-led stories and a gory horror with something to say (not mention some fun kills!). We already knew we wanted to combine the 1960s go-go aesthetic with a classic slasher vibe but once we dove into The Red Shoes, we knew it was going to be a deliciously sinister match.

Synopsis
Our story follows five young, beautiful, fame-enticed go-go dancers who work in the "27th most famous go-go club of the 1960s", Wanna Gogo, under the cruel eye of their boss, The Donna. On what was supposed to be a normal night, the girls are horrified to see one of their own fall dead on the floor wearing a pair of stunning, sparkly, enchanting red boots. None of the girls fully know what's happening but when The Donna challenges each of the girls to dance in the boots in order to determine who will be Wanna Gogo's star, the boots become the only thing anyone can think about. How far will these girls go for fame? Would they kill each other? Not if the boots kill them first.

Inspiration
Outside of The Red Shoes, both our director and writer took inspiration from multiple women-led movies from different genres and decades but all with similar themes and aesthetics.
- BLACK SWAN (2010)
- VALLEY OF THE DOLLS (1967)
- FAME (1980)
- CHICAGO (2002)
- SHOWGIRLS (1995)
- BURLESQUE (2010)
- LAST NIGHT IN SOHO (2021)
- MOULIN ROUGE! (2001)

Distribution Plan
Once post-production is complete and a final cut is solidified, we plan to host a premiere (an incentive included in some of our donation packages) where we will collect ticket sales and put the funds towards festival submissions. From there, we plan to submit to short film festivals around the country, especially ones dedicated to horror films and women filmmakers.
Yearly Timeline
JANUARY: project conceptualized and 1st draft written
FEBRUARY: production team acquired, social media launched
MARCH: department heads acquired, budget drafted
APRIL: casting launched
MAY: cast acquired, begin location scouts
JUNE: launch crowdfunding, finalize script
JULY: merch sales, secure locations, finalize budget
AUGUST: ATL crowdfunding event, secure equipment, promotional photoshoot
SEPTEMBER: preliminary rehearsals, secure crafty plan
OCTOBER: final rehearsals, production up the 12th, 13th, 14th and 15th
NOVEMBER: begin post-production, secure final cut
DECEMBER: host premiere, begin festival circuit
Challenges
Like any independent short of this genre and ambition, we face quite a few potential risks and challenges.
- Firstly, we are higher budget for an indie short. At nearly $30k, we'll not only need huge, dedicated support from our donors but grants, merch sales, fundraising events and possible out-of-pocket spending will be needed too. It's a heavy financial commitment but we'll need every penny we can get to make this project the way we want it and we'll do whatever we can to make that happen.
- Second, as fun and campy as this film is, it will involve many complicated moving parts. There are multiple gory deaths requiring us to have A LOT of special effects makeup, special hand-crafted props and top-notch stunt coordination. We also have several wardrobe changes with handmade and vintage costume pieces to make our cast look as authentic to the era as possible. Along with multiple location moves, the use of extras and a complex final scene, we need to make sure we have everything needed to pull it off.
- Lastly, we understand that there is often a certain stigma around horror, especially horror by and/or about women. It tends not to be taken seriously and while that stigma is slowly fading (or at least, changing), we don't want audiences to get distracted by the pretty colors and short skirts. Behind it all, there's still a message we're telling about a struggling desire that affects performers in the real, modern world.
Budget Breakdown

Stretch Goals
- $5,000: Location secured
- $7,500: Equipment secured
- $10,000: Art secured
- $20,000: Production greenlit
- $29,000: Fully funded!
- $32,000: Extra special (funds post and distribution)
Wishlist
Use the WishList to Pledge cash and Loan items - or - Make a pledge by selecting an Incentive directly.
Location
Costs $5,000
In order to shoot this film with the proper aesthetic and authenticity, we'll need the PERFECT club location!
Equipment
Costs $2,400
From camera to lights to electric, the right gear is needed to make our story pop off the screen for audiences!
Art
Costs $2,000
This film is very heavy on the art. Set dressing, props, costumes, hair and makeup all have to look their best!
Craft Services
Costs $1,440
Our hardworking cast and crew deserve warm meals and plenty of refreshments for four days of filming!
About This Team
.png)
Julia O'Toole as Kim
Melissa O. Bowen as The Donna
Taylor Shular as Shannon
Rowan Genevieve as Lorraine
Natalie Navarro as Birdie
Jasmyn Ferrell as Toni
.png)
All three of our production heads are alumni from Savannah College of Art and Design with Cordova graduating with a MFA in Acting in 2025, Richardson graduating with a BFA in Dramatic Writing in 2023 and Bidon graduating in 2025 with a BFA in Film and Television. Cordova and Richardson previously collaborated on a 1940s religious thriller short titled Yellow Bows that shot in 2025 and is currently in post-production. Richardson and Bidon had previously on set for a short film written by Richardson titled Honesty Hour which filmed in 2024.
Our Department Heads
Vitor Pinheiro: Director of Photography
Amelie Woods: 1st AD
Oliver Kageleiry: Production Designer
Kris Marie: Costume Designer
Lauren Crawford: Gaffer
Courtney Musick: Key Makeup Artist