Eclipse Chasers

Los Angeles, California | Film Short

Drama, Science

Bobbie Green

3 Campaigns | California, United States

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This campaign raised $16,452 for production. Follow the filmmaker to receive future updates on this project.

79 supporters | followers

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Art meets science when an angry 17-year-old and her dismissive father attempt to bond on a road trip to see a solar eclipse before she leaves for school. They encounter overdone diner food, beat-up motels, and roadside arguments on their quest to bridge understanding.

About The Project

  • The Story
  • Wishlist
  • Updates
  • The Team
  • Community

Mission Statement

Almost losing my dad really made me rethink the relationship I had with him. This is a story I wish I could show 17-year-old me to help express how I feel to my own father. Our time together is short so I hope to capture this specific moment of respect, love, and change between father and daughter.

The Story

This is a coming of age story that spans generations.

In Eclipse Chasers, we meet aging father, Bill, who has a hard time accepting the person his daughter has become and angsty teenager, Stevie, who wants nothing more than to be seen by her dad. 

The two take the beat-up family SUV and make the nearly two day trek from Temecula, California to Eugene, Oregon – the prime viewing location to see a solar eclipse. In Oregon, Stevie plans to take a plane across the country to enroll in her dream art program at RISD. She'd like to leave as soon as possible, she needs to escape. But before she leaves, Bill convinces her to take the roadtrip to Oregon - a long standing family tradition - so they can view the eclipse before she leaves. This is where our story begins: a long winding road, no cell phones, and a building resentment at Bill’s dismissal of Stevie's dreams.

This story is ultimately one about learning to understand your parents for the flawed human beings they are. And knowing that being flawed is only human. I see a lot of my father and myself in Bill and Stevie's struggle and relationship. This story feels so universal, yet I haven't found a father-daughter relationship portrayed in film that I truly connected with. Eclipse Chasers emphasizes the vunlerablility of the ever-evolving relationships we have with our parents and children as we all age. Losing those we love is part of life. Change is inevitable as we come into our identities. Learning to navigate these changes is a lifelong process and one that I'm still figuring out with my own dad. My hope is to continue learning through this film and use it as a tribute to our relationship.

I love space, the ocean, science, writing, film, travel, mountain climbing, old music, hiking, animals, and a myriad of other things. We are all nuanced human beings and sometimes our parents have a hard time understanding that. 

Space holds importance for me and it’s the most important thing that tied my dad and I together. We don’t always implicitly understand each other, and this led to turmoil growing up. Our fights would end eventually though, and we would find common ground in our love of space. He even got me a small telescope when I was in sixth grade that we still use today.

We especially were able to bond this way because of the pandemic. Before 2020, we had been drifting apart, emotionally, and physically. The pandemic caused me to move home and live under my parent’s roof once again and that was a very rough transition. We fought a lot, and I couldn’t wait to leave. However, because our activities were limited and I was stuck with my parents, my dad dusted off my old telescope and we began to go stargazing together. Just like we had so many years ago. Those nights spent freezing my butt off on the side of the road, in fields, and parks are truly some of my happiest moments from the pandemic. It reoriented my priorities, grew my curiosity and love of space and brought me closer to my dad.

 As I grow older, I've had to confront the preconceived ideas I've had of my parents as untouchable and without flaw. I've held resentment and anger for so long at the mistakes I hold them accountable for. They never could have achieved the pedestal I put them on. I've never really been able to open up myself fully to my parents and struggle with affection. Especially with my family. We’d rather joke dryly then actually listen and confront our issues. Art and film is how I express those feelings I have the most trouble with. Stevie and Bill are my dad and I in a past where I’m able to confront my fears with him earlier. This film is a way to tell my dad that I see how hard he tries and that I forgive both of us for the mistakes we made.

- Ximena Davis

VISUAL & THEMATIC STYLE

THEMES

Bill connects with Stevie through science, though Stevie would rather be creating art. The relationship feels strained lately, Bill can feel Stevie pulling away. 

Both Stevie and Bill struggle to accept each other's changes. 

Bill romanticizes the past when things were different. Steive romaticizes the future, without understanding it's unpredictability. 

Stevie is convinced the roadtrip will get Bill off her back, but Bill is convinced the trip will mend their relationship. Neither is able to change how the other feels.

Stevie and Bill are caught up in their own dreams of what the future will be.

Stevie and Bill are both coming of age and learning their identities.

Stevie is unable to accept her dad growing older and Bill is always attempting to live in the past.

 

So...WHY NOW?

Every day is not promised.

In 2016, my dad suffered an aortic aneurysm that was only caught by accident. If he hadn’t gotten that check-up, his heart valve would have burst, and he would have died. Almost losing my dad really showed me how much my relationship means to me. This story is my journey to understand my dad’s unique quirks and love and appreciate the time I have with him. It was almost something I had to learn the hard way. We all have to face it (whether we want to or not). This is a moment in time that I hope to capture and reflect upon the relationship with my own father. I have a hard time verbalizing my emotions with my family and often express myself through art.

This film is my way to tell my dad how I feel. Just because we exist in a vast universe doesn’t mean our relationships aren’t significant. 

Through a rigorous selection process, Eclipse Chasers has been chosen as a graduate student thesis at the University of Southern California, School of Cinematic Arts. 

Making a movie takes a village and I am lucky enough to have one that has been supporting me since I conceived this idea in 2021. By contributing to this project, you are supporting our team and vision. You are holding our hands as we bring this exploration of time and kinship to life. If this story speaks to you, this is how your support can help:

Production: Over one third of the budget will go toward location rentals, lodging, and meals. We will be providing lodging and three meals a day to each and every crew and cast member. By contributing $50, you can provide meals to someone on our team for a day!

COVID Safety: You'll be happy to hear that in order to keep everyone on our set safe and healthy, we are requiring all crew and cast members be tested every day. We will be providing rapid COVID tests daily, you can buy us supply for one crew member by donating $100. Or donate $10 to help us buy one COVID test. Big or small, we appreciate you helping us keep everyone healthy. 

Bigger pledges can help us rent locations or rent camera and lighting equipment to help make our film match the timeless yet nostalgic feel we hope to capture. You can find more about how your dollar helps support us under our Wishlist above or our budget directly below. 

 

Every donation, share, and follow helps this film be the best it can be. Thank you for your support.

We appreciate you for taking the time to read our campaign. With your help and support, we will bring this film to festivals and audiences all around the world in Fall 2023. 

The best way to SUPPORT US and BE PART OF OUR STORY is to: 

PLEDGE 

You can directly support this film by donating any amount. We appreciate any support you can give.

FOLLOW US

Follow us on Instagram "@eclipse_chasers_short"  to watch us through the production process, meet our team and learn about our stellar cast. Our TikTok will be active too to show tidbits about the cast and process! Follow @eclipsechasersshort for the insider scoop.

You can also follow us here on Seed and Spark! Every new follower will help us get more spotlight and become closer to reaching our GOAL!

SHARE

Spread the word! We need to reach 80% of our goal or we don't recieve any money donated. Help us build momentum by sharing through social media or sending it to a friend who would connect with the film. 

We thank you for your support and hope you can be part of this unique story! 

- The Eclipse Chasers Team 

Wishlist

Use the WishList to Pledge cash and Loan items - or - Make a pledge by selecting an Incentive directly.

Hair & Makeup

Costs $1,500

Hair and makeup are essential is telling the visual story of aging and maturation.

Lodging

Costs $2,500

You'll be helping us providing lodging for cast and crew!

Rentals

Costs $3,700

So we can obtain the camera and create meaningful visuals

Diner & Motel

Costs $9,300

To bring authenticity to the story!

Meals

Costs $3,500

We will be providing lodging and three meals a day to each and every crew and cast member.

Cash Pledge

Costs $0

About This Team

 

Writer/ Director - Ximena Davis is a Los Angeles-based Director, Writer, and Producer. She began her film career in documentary and independent productions, and as Founder and President of the first Filmmaking Club at her undergraduate institution, Kalamazoo College. Her feature length documentary, “Culture You Can Eat”, was screened at multiple film festivals across the country and received Honors from Kalamazoo College, where she graduated in 2019. In 2020, she had the honor of being one of the Directors of Photography for the independent film, The Ninth Raider, which partnered with NFT Blue and Ark.io to merge digital currency and art in the film world.

Currently, she is an MFA Candidate at USC’s prestigious School of Cinematic Arts where her love of film has led to many collaborations as a writer, director, producer, and Cinematographer. Her stories often revolve around complicated family relationships and the power of connection. She is working towards one day having her own production company and is currently developing a TV series about her various escapades in and around LA.

 

 

 

Producer - Sayali is a multi-faceted filmmaker, designer, artist, and storyteller from Pune, India. Her love for stories goes all the way back to her childhood when her grandmother narrated the stories from Indian mythology. The epic stories played a vital role in developing her keen interest in social problems and the human psyche. She further explored stories through visual arts at the ADT University, India, where she studied Product and Communication Design. Her undying passion for film led her to Los Angeles, where she is currently a graduate student at the USC School of Cinematic Arts. Along with directing and producing, she hopes to be a showrunner of a TV show and is already taking steps towards it. Her latest achievement is working as a showrunner on an original drama series produced at USC, where she co-wrote and produced the pilot episode. She is currently developing an original sitcom inspired by her adventures in LA. Sayali strongly values art, design, and architecture, which she often features in her directorial work. Always found with a film camera and a sketchbook, in her free time, she is often visiting local coffee shops and scouting rare art and furniture in thrift stores.

 

 

Producer - Bobbie Green is a Los Angeles based writer and producer hailing from New York. 


She graduated from Mount Holyoke College in 2019 with a double major in Film Studies and Politics. She’s worked at Tribeca Film Institute, National Geographic, and Marvel Entertainment creating work for their social media platforms and websites. After graduating college, she started to work at a local independent movie theater that showed movies on film and she fell in love with analog filmmaking. When the theater shut down during the Covid lockdown, she taught herself how to develop 35mm color film and started developing friends and family’s old rolls in her parent’s basement. 


She is currently an MFA candidate at USC School of Cinematic Arts in the Film and Television Production program focusing on producing and writing. She’s produced three USC advanced thesis films including Eclipse Chasers, Renacer, and A Karaoke Space Odyssey which she also co-wrote. In her free time, she hangs out with her little poodle dude Rooster, they say hi to the hummingbirds who visit the balcony of her LA apartment.

 

 

Producer-  Jenniffer Gonzalez was born and raised in La Isla del Encanto, Puerto Rico. Her interest in cinema started as a way of hope as a young girl. She migrated to the United States in 2018 after graduating from Universidad del Sagrado Corazón in Puerto Rico. While there, she majored in film production with a minor in acting, writing, and directing. She directed Se Quitó, a short film narrating her story regarding the horrendous 2017 hurricane Maria.  In the Fall of 2020, she became an MFA Candidate in the School of Cinematic Arts (Film & TV Production) at the University of Southern California. While at USC, she has had the opportunity to collaborate on many short films. She wrote and directed IT Happens, a short film about human trafficking. In the summer of 2021, she co-wrote Of Reasons and Rumors, a heartfelt narrative short film collaborating with Vaccine LA, an organization targeting the Hispanic Community, to confront and combat the COVID-vaccine misinformation.  Now, Jenniffer uses narrative filmmaking to focus on the female experience. She aims to tell emotionally evocative stories by creating truthful and complex representations of Latina women. On 2022 she became a recipient of the Jack bridges and Jack Larson directing scholarship. 

 

 

First Assistant Director - Jared Mayerson is in his third year of the Film & Television Production MFA program at USC’s School of Cinematic Arts.

Before coming to USC, he studied Cinema & Television Arts and Photography as a Communications Fellow at Elon University in North Carolina. Shortly after graduating, Jared moved to Los Angeles, CA and worked as a junior assistant editor at Rock Paper Scissors and then as an editor at Gunpowder & Sky, before beginning his program at USC. He has worked in both narrative and documentary, with a few of his projects screening at various festivals. His directorial debut Grocery Run (2020) screened at the Woods Hole Film Festival and won an Award of Excellence at the BEA Festival of Media Arts. Now at USC, Jared served as the founding graduate president of Queer Students in Cinematic Arts (QSCA) and is focusing his studies on assistant directing, directing, and editing.

 Director of photography - Matthew (Matty) Beavers was born and raised in California. He is an MFA Student at USC where he studies cinematography. He is all about creating images that speak to the characters and story. Matty has been making films since 2008 – His early YouTube films turned into a passion for cinematography which led him to pursue an education in film production.

 

Production Designer - Allison Robinson is a Caribbean American production designer and storyteller. A Penn State graduate with a Bachelor’s degree in Film and Minor in Theatre, she has completed a year of study in the Production Design Master’s Program at The American Film Institute Conservatory. Since moving to LA, she has worked in various Art Department roles on short films, photoshoots and commercials. As a self professed “crafty gal”, Allison possesses multi-medium talents from sculpting to illustration, crediting curiosity as the driving force behind her passion and creativity.

 

Editor - Marian D. Cook is a former journalist and current USC student pursuing an MFA in Film and TV production. She graduated from Spring Hill College in 2019, Summa Cum Laude, and with honors, with a BA in Journalism. She's been published over a dozen times, covering topics from local news to federal healthcare legislation. She's directed, produced, edited, and shot (basically a one-woman show) a range of documentaries from plastic surgery to segregation in the church. And she is a recipient of the Autry D. Greer Media Service Award and the Catholic Press Award. But she also has a passion for narrative film. She's currently focused her talents on editing, producing, and directing strong, female-led stories, especially that of Latinas. Her latest projects include "Pay My Bill," starring her mother and Maria Garcia, which deals with the everyday struggles of immigrants and the social pressures of assimilation; and "Bad Hombrewood," a short documentary directed by Guillermo Casarin about Latinx representation in Hollywood, starring Phil Lord, Guillermo Del Toro, Lee Unkrich, Melissa Fumero, and a range of Latinx talent that demonstrate the beauty and diversity of the Latinx community, that won Best Student Documentary at the American Pavilion at the 2022 Cannes International Film Festival.

 

 Editor - Achim Mendoza. An ex-Filipino-soap-opera-translator-turned-filmmaker, Achim Mendoza has pursued a diverse array of interests. His passion in film started in his teens, when Marilou Diaz-Abaya, a prestigious Filipino director offered to mentor him. As a teenager, Achim would fly back and forth between his hometown of Davao and Manila to attend her classes. Back in the Philippines, he helped create “Stages Sessions,” a YouTube channel that focuses on indie Filipino musicians and poets. His 2021 musical short “Connection” has been doing the rounds in the festival circuit and was most recently screened at the 38th Los Angeles Asian Pacific Film Festival. He is currently taking an MFA in Film and TV Production at USC and is the recipient of the prestigious Annenberg Fellowship Award. In his spare time, Achim likes to perfect his family’s longsilog recipe.

 

 

 

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