Exit Music

Los Angeles, California | Film Short

Comedy, Teen

Megan Reidenbaugh

1 Campaigns | California, United States

Green Light

This campaign raised $5,320 for production. Follow the filmmaker to receive future updates on this project.

39 supporters | followers

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The year is 2006, and high school misfit Anna’s suicidal plans are interrupted by the tragic accident of her best friend Clare. Exit Music highlights the complicated decision to stick around in an imperfect world, embracing one’s passions, and the innate absurdity of the teenage experience.

About The Project

  • The Story
  • Wishlist
  • Updates
  • The Team
  • Community

Mission Statement

Too often, teen films rely on tropes and jam complex human experiences into superficial boxes. Exit Music is different; challenging these stereotypes by striking a balance through examining both the struggles of teen mental health, and the innate comedy found in everyday follies of high school.

The Story

IMPORTANT UPDATE:

Thanks to the supporters, followers, and generous contributors of Exit Music, we have reached our $5,000 goal! From the bottom of our hearts, the Exit Music team thanks you. Stay updated on our Instagram @exitmusic2006 to see BTS extras, and content from our cast and crew.

But the work isn't done...


STRETCH GOALS:

Your contributions have taken us above and beyond our original goal, and this support is the wind in our wings to make this project possible. Here's what we still need:

120% - $6,000

This money will go towards our art department, props, and wardrobe, enriching Anna's world.


150% - $7,500

With an extra $1,500, we can rent a car for integral emotional scenes between Anna and her Mother Lynn.


160% - $8,000

These extra funds will go towards an original score. Orchestral musical motifs will connect to Anna's relationship with music.


STORY:

In the short film Exit Music, we enter the world of Anna, a 17 year old violinist and outsider at her high school. Each day, Anna is surrounded by stereotypical wannabes and adults that have forgotten the whims of adolescence, leaving Anna feeling disconnected.



The opening of the film, Anna goes about the routine of her “last day” on Earth. Before the school bell even rings for first period, Anna’s suicidal plan is rudely interrupted when she learns that her extroverted best friend Clare has been in a terrible accident, rendering her comatose. Forced to put her plans on hold, Anna must step up and finally participate in a life she’s long avoided.



Anna is an extremely gifted violinist, but regards her talent with apathy. To face the music of the orchestra is to demand Anna to be fully present in reality, a task too painful in her mental state. Anna’s struggles to find her place as a musician and student are made that much more difficult without Clare present.



As new relationships begin to bloom in the wake of tragedy, Anna is faced with the choice to take on Clare’s violin solo for the rapidly approaching orchestra recital. Will she reject the opportunity in favor of her old ways, or find the strength in her passions to open up to the world?





TONE

Exit Music is a dark comedy, aiming to show the everyday absurdity of teenage-hood. Real life is often stranger than fiction; even more so when one is an emotionally developing teenager suffering under the influence of raging hormones, personal dramas, family troubles, academic pressures, and the daily struggles of growing up. Now, surround these unfortunate souls with hundreds of others dealing with the very same things, all for six to seven hours per day, five days a week. High school is a petri dish of interpersonal turmoil, complex stories, and bizarro occurrences. 



Exit Music takes full advantage of this storytelling goldmine. Preston Academy is stock full of comically trope-y characters. Jocks dominate the halls, popular cliques make snide remarks to their lower-level classmates, and the alternative “freaks” are both bullied and ignored. Through this semi-satirical, dramatic-comedy approach, Exit Music can touch on the complicated subject of teenage mental health, balanced with the surreal reality of Anna’s world. When the only other option is to cry, we can laugh. When the only other option is to give up, we can make the embodied choice to keep moving forward.



BUDGET

Your generous contributions will give this story the resources it deserves. By supporting Exit Music, you are investing in a team of dedicated student filmmakers, and uplifting the story of an often misconstrued figure in media, the teenage girl.


YOUR CONTRIBUTION 

The Santa Monica College film program has a number of generous existing partnerships which have allowed our past projects to be produced at the high level SMC is known for. These include a grant from the Golden Globes, plus relationships with Keslow and Wooden Nickel for camera and grip equipment. 


But these relationships don’t cover everything a film needs to be made to its highest potential such as

  • Catering - to feed our actors and crew members
  • Professional Equipment Rentals - grant our project the quality look it deserves, giving it legs through the festival circuit.
  • Post Production - will be completely covered by your generous contributions. This includes essential steps like editing, color grading, addition of music, and more. 


OUR DELIVERABLES

We are currently in full pre-production mode; scouting locations, casting actors, and preparing all the equipment we need. Shooting will begin end of May, and continue into the start June. As shooting goes on, we will be working on assembly cuts to push forward the editing process of the film.


Once the film is fully finished, we plan to submit the film to film festivals. Depending on your contributions, you may receive early access to the final cut of the film. Otherwise, after the festival circuit, the film will be made available for all on the SMC film program Youtube Channel! Check out past project at the link below.

https://www.youtube.com/c/SantaMonicaCollegeFilmProgram


MOST IMPORTANTLY

If we don’t make 80% of our crowdfunding goal, your money will be fully refunded. 


Whatever your contribution may be, we thank you! Your generosity has put us that much closer to our goal, and we are forever grateful. 


Follow us on our Instagram so you don't miss updates, behind-the-scenes,

and snippets from our process!


Wishlist

Use the WishList to Pledge cash and Loan items - or - Make a pledge by selecting an Incentive directly.

Catering and Crafty

Costs $1,000

To keep our set running, we have to feed our cast and crew. This money will go towards catering, snacks throughout the day, and coffee!

Equipment Rental

Costs $2,500

This will cover specialty items to enhance the visual story of our film. This includes elements like a car rig.

Location

Costs $1,000

To add dimension to Anna's world, we want to film at a real house, costing around $4,000 for 2 days. This $1,000 will cover a huge part.

Post Production Music Score

Costs $500

The film revolves around Anna's relationship to music, so we want to have an original score, especially including violin elements.

Cash Pledge

Costs $0

About This Team

CLASS OF ‘26

The Santa Monica College Film Production program has consistently produced multiple award winning short films over the years and we are delighted to introduce this driven and ambitious class, FILM 33 Spring '26. Our team consists of a diverse range of talents, including students, professors, and volunteers from past semesters. Meet the class of ‘26! 


THE TEACHERS

We couldn’t get through this semester without the help from our beloved professors…

Executive Producer: Simone Bartesaghi

Director of Photography: Vishal Solanki

Production Coordinator: Drew Davis


LITERARY MAG CLUB

Lets hear it for our director and writer…

Director: Alaina Fritz 

Writer: Katja Saana 



STUDENT GOVERNMENT

Who keeps this production errr...I mean school running smoothly?... 

Producers: Megan Reidenbaugh and Ignacio “Nacho” Meza 

Line Producer/Unit Production Manager: Calem Costello 

First Assistant Director: Law Wallner 

Second Assistant Director: Vivienne Loving 

Script Supervisor: Matthew Niknam 



THE AV (AUDIO VISUAL) CLUB

Someone’s gotta keep the lights on around here (and much more)...

Camera Operator: Tyra Larsson 

First Camera Assistant: Felipe Lemus 

Second Camera Assistant: Sherban Drulea 

Boom Operator: Cody Vasquez 

Grip & Electric: Dencil Rolle  

Grip & Electric: Miguel Rosales 

Grip & Electric: Valerii Skrypka 

Grip & Electric: Louis O’Neal

Grip & Electric: Kian Hassanzadeh 


THE ART CLUB

Caution: Art kids at work… 

Production Designer: Bailey Cunningham

Art Director: Jack West

Prop Master: Angelika Girstmair


Current Team

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