Generational Whores

New York City, New York | Film Short

Drama, Action

Seraa Sharma

1 Campaigns | California, United States

41 days :20 hrs :24 mins

Until Deadline

2 supporters | followers

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$1,020

Goal: $11,000 for pre-production

Trapped in a Dubai brothel, eighteen-year-old Ayna escapes Meena Bazaar with her closest friend Aazer, who is battling addiction. When Ayna’s mother attempts to control by framing him, their freedom comes at a cost. In New York, Ayna ties a prayer for his escape-just as Aazer chooses his final exit.

About The Project

  • The Story
  • Wishlist
  • Updates
  • The Team
  • Community

Mission Statement

Generational Whores is an atmospheric crime-drama set in Meena Bazaar, Dubai, exploring exploited migrants and hidden prostitution rings. It asks: where do we go when escape arrives but we still can't leave? The film argues freedom isn't just a passport flip-migration doesn't erase what we inherit.

The Story

Eighteen-year-old AYNA works in a brothel disguised as a massage parlor in Dubai’s Meena Bazaar, where vulnerable South Asian migrants are exploited through withheld passports. Her closest friend, AAZER, struggles with addiction and shuts himself off from his mother, MIRA. After witnessing the world Ayna is forced to survive in, Aazer throws away his drugs and resolves to help her escape. The next day, four private buyers arrive at a Diwali gathering hosted by Ayna’s mother, NEHA, who has been hiding Ayna’s past and helping control the prostitution ring. Aazer recovers the passport and flees with Ayna and their friend HAMZA through Meena Bazaar. But Neha retaliates by planting drugs in Aazer’s car, leading Mira to throw him out and leaving him penniless and defeated.

Weeks later, Ayna is physically free in New York but haunted by her past and desperate to rescue the now-missing Aazer. Believing prostitution may be the only way to fund his escape, she enters a mosque compound and ties a mannat thread, praying she can save him. At the same time, Aazer accepts that neither of them may ever truly be free and speeds into a truck, killing himself as Ayna’s prayer tightens into a knot.

In a world where migration is increasingly polarized, the stories we partake in shape the histories we collect. Representing the voices of immigrants who met with “accidents” or those who “disappear” both from the news and our lives becomes definitive of the reason we even pen today.

Stories about Dubai often focus on the luxury, the spectacle, and the heaven-high towers that most people cannot see, let alone reach. Far fewer explore the migrant communities that built the city and continue to sustain it. Generational Whores seeks to explore a perspective and a way of life from the heart of that community—not to further define Dubai but to invite audiences to see us through the contradictions that not only Dubai but also its sister diasporas around the world have survived.

This perspective is also reflected in the women behind the camera. Generational Whores is being brought to life by an all-femme crew, creating a space where women are not only represented on screen but are also shaping the stories and decisions behind it. For a story revolving around immigrant women navigating power, violence, desire, and survival, having an all-femme creative team allows us to approach these experiences with intimacy, complexity, and a lived sensitivity.

Nailing the recreation of Dubai's Meena Bazaar in New York City is... complicated. For exterior locations, we'll be filming at New York City's Jackson Heights - you'll find the two places look strikingly similar.

From our production design look-book:

I grew up between the alleys of Meena Bazaar, watching the TV spell out a Dubai too golden for most people’s shitty screens to capture. Regardless, as the children of South-Asian expats, we’re told that we're pampered products of an artificial bubble. But when I think of Dubai, I remember my friends’ laughter, the steam of 3 am karak chai, and unearthing the U.A.E’s invisible stories. But after losing platforms and jobs for speaking on “controversies”,  I realized that we were invalidated by our eternal homelessness. 

So, I started running. I ran from school to school, God to other God, Dubai to New York, and some really stupid impulses. In leaving Dubai and being left alone with Dubai in the U.S, I realized that I couldn’t explain the real Dubai without expressing the nights spent in a symbiosis of Diwali, Ramadan, and whatever third culture the two bled into. When I wrote Generational Whores, I wanted to render the question that chased me after leaving home: Where do we go when escape arrives, but you still can’t leave?

I’m often told Dubai is the in-between state of South Asia and the Middle East. But I hate the term in-between because it feels like we left somewhere and are looking to end up somewhere else. In truth, Dubai, the U.A.E., and my messy, multicultural ‘bubble’ of Meena Bazaar were their own life-force that never needed leaving or explaining—only telling.

Now where are your funds actually going? Your support will help fund:

  • Fair compensation for cast and crew
  • Production design to transform New York into Dubai’s Meena Bazaar
  • Camera, lighting, and sound equipment
  • Locations, transportation, insurance, meals, and on-set safety
  • Editing, sound, music, color, and festival preparation

A major portion will support the signage, textiles, props, costumes, and set dressing needed to make Meena Bazaar feel intimate, vibrant, claustrophobic, and culturally specific.

We plan to film Generational Whores in October 2026 in New York City, Jackson Heights, recreating the vibrant streets and atmosphere of Dubai's Meena Bazaar. Following production, we will move into post-production to complete the film in early 2027 and submit it to leading national and international film festivals.

We are currently entering the casting process and assembling a talented team of actors and collaborators who can breathe life into this world with authenticity and distinction. We'll be sharing casting announcements, behind-the-scenes updates, and production milestones throughout the journey, and we can't wait to bring you along as Generational Whores comes alive! Here's a more specific timeline:

  • August–September 2026: Pre-production
  • October 2026: Principal photography
  • November 2026–January 2027: Post-production
  • February 2027: First festival submissions
  • April 2027: Final master, supporter preview, and incentive fulfillment
  • May–December 2027: Continued festival submissions and anticipated festival run

Every form of support helps bring Generational Whores to life.

PLEDGE to our campaign. Every contribution goes directly toward creating the film and bringing this rarely seen community to the screen with authenticity and care.

SHARE our campaign with your friends, family, colleagues, and communities. Independent films grow through word of mouth, and every share helps us reach new audiences.

FOLLOW us on Seed&Spark and across our social media for casting announcements, behind-the-scenes updates, production milestones, and exclusive looks at the making of Generational Whores.

Thank you for believing in our story. We can't wait to share Generational Whores with you!

Visit our website to learn more about the story and visual style of Generational Whores. 

Thank you for taking a minute to learn more about Generational Whores. This film is a souvenir from the lives of immigrants who have been abandoned, displaced, and most importantly, underestimated. We can’t wait to share what we create with your help very soon! 



Wishlist

Use the WishList to Pledge cash and Loan items - or - Make a pledge by selecting an Incentive directly.

Cash Pledge

Costs $0

Camera, Grip and Electric Rental

Costs $2,800

Help us capture the intimate world of Generational Whores through professional camera, lens, lighting, and grip equipment.

Production Design

Costs $1,800

Funds costumes, props, set dressing, hair, and makeup to recreate Dubai's South Asian immigrant community in NYC.

Post-Production

Costs $1,900

Supports editing, music, sound, color, festival submissions, and final finishing to bring the film to life after production wraps.

Meals and Craft Services

Costs $1,500

Keeps our cast and crew fueled with HEALTHY meals, snacks, and drinks throughout our shoot.

Transportation

Costs $1,000

Helps transport equipment, production materials, and essential crew members throughout filming.

Locations

Costs $1,500

Covers permits, location fees, and location-related expenses needed to transform New York into Dubai.

Production Expenses

Costs $500

Helps cover essential production supplies and unexpected on-set expenses that keep filming running smoothly.

About This Team

Tanya Tilokani

Writer | Director

Tanya is a writer and director raised in Dubai and based in New York. She has written and directed several independent theatrical productions, assistant directed at Mabou Mines alongside Broadway fellows, and worked on several films as an assistant director and script supervisor. Currently studying English and Creative Writing at NYU CAS with a BEMT minor, Tanya is interested in telling intimate South Asian and Gulf stories across film and theater.

Seraa Sharma

Producer

Seraa Sharma is a producer, director, and award-winning production designer based in Los Angeles, with a BFA in Film & TV at NYU Tisch with a minor in Business, Entertainment, Media & Technology at NYU Stern. She has interned at Raimi Productions, HBO Max, and Hyde Park Entertainment, and is a producer on the feature On The Way to Birdland while directing music videos and short films. She recently directed and produced Till Death Do Us Part starring Pragathi Guruprasad.

Her work focuses on inclusive storytelling, including hosting the Equity Unscripted panel for 60+ attendees featuring panelists like Elise Schatz. Her film Floating Lights screened at NYU’s Winter Fest, and her production design on What Brings You Here Tonight won a Craft Award at the First Run Festival. seraasharma.com

Lauren Burnfield

Associate Producer

Lauren Burnfield is an award-winning filmmaker pursuing a BFA in Film & Television Production at NYU’s Tisch School of the Arts with minors in Producing, BEMT, and Child and Adolescent Mental Health Studies. She interns at Inlight Social as a Content Intern and is an incoming intern at the Producers Guild of America. Lauren works at the NYU Digital Studio as a Student Technology Assistant and worked for Weird Girl Media as the Social Media & Marketing Manager. She is thrilled to be working with Tanya and the whole team on Generational Whores! 

Charlotte Coffey

Casting Director

Charlotte Coffey is a multi-award-winning actress, filmmaker, and casting director who has collaborated with Oscar, Emmy, and BAFTA-winning talent. Her work appears on HBO Max, Apple TV+, Hulu, and more. Growing up in Manhattan, NYC, Charlotte trained at the famed Fiorello H. LaGuardia High School of Music & Art and Performing Arts and is now a Drama Major at NYU Tisch at the Lee Strasberg Theatre and Film Institute. As she evolves as an artist and filmmaker, Charlotte remains committed to creating work that resonates with truth, vulnerability, and artistry. In the casting field, she has recently interned for Damian Bao, working as a casting researcher for the Palme d'Or-nominated feature The Man I Love, directed by Cannes-nominated Ira Sachs and starring Oscar-winning Rami Malek. She currently interns for Violette Trotter and Genma Pictures under Bryan Brookman and Andy Ruse. For Trotter, Charlotte helps with researching and scouting talent for several projects spanning from features to commercials with A-List talent. For Genma, she is working as a casting researcher for the second season of a critically acclaimed A24 television series executive-produced by Josh Safdie. In all of her casting work, Charlotte is passionate about discovering unconventional talent and championing emerging performers who have not yet had the opportunity to showcase their abilities on the big screen.

Mimi Tran

Director of Photography

Mimi Tran is a director and cinematographer based in New York City. Born and raised in Vietnam, she enjoys crafting stories that explore the intersection of culture and individuality, with a focus on horror and science fiction.

Ksenia Kokush

Production Designer

I am a production designer who loves creating vibrant, visually rich worlds that serve the story. I enjoy collaborating closely with directors to bring their vision to life and designing spaces that support the characters, atmosphere, and emotional tone of the film.




















Current Team

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