Good Samaritan
Hamden, Connecticut | Film Short
Drama
When her bag is stolen, rushed commuter Casey meets Ralph, a quirky homeless man who refuses to return it until she proves it's hers. Their chaotic chase through the city and subway becomes a lesson on life and unexpected kindness in Good Samaritan.
Good Samaritan
Hamden, Connecticut | Film Short
Drama
1 Campaigns | Connecticut, United States
Green Light
This campaign raised $6,205 for production. Follow the filmmaker to receive future updates on this project.
86 supporters | followers
Enter the amount you would like to pledge
When her bag is stolen, rushed commuter Casey meets Ralph, a quirky homeless man who refuses to return it until she proves it's hers. Their chaotic chase through the city and subway becomes a lesson on life and unexpected kindness in Good Samaritan.
About The Project
- The Story
- Wishlist
- Updates
- The Team
- Community
Mission Statement
The Story
Casey, a commuter in a rush, gets her bag stolen by a thief when buying a train ticket. Once out of the hands of the thief, it ends up with Ralph, a quirky homeless man. Overjoyed by Ralph retrieving the bag, Casey tries to take it back, but Ralph refuses to hand it over. Not knowing if the bag is really hers, he doesn’t want to invade someone else’s privacy by searching through the bag. This chaotic encounter comes at the risk of missing her train. Through her interaction and journey with Ralph, Casey’s views on trust and pride are challenged and learns valuable lessons on how kindness can come from anyone.
-min.png)
I think writers probably fill the least essential job in our economy. All we do is type words on a paper and wait for other people to come up with the meaning behind it. Then we just agree with whichever person sounds the smartest. I’m pretty sure that’s what George Lucas did. No matter what someone writes, inevitably it’s up to the public to come to their own conclusions. Or rather, I think it’s up to the individual.
I’m mostly very confident that I wrote this short film for a reason. Probably something like, “you can help others while helping yourself”? Or maybe… “everyone thinks a little differently”? I think no matter what I say about the writing process or what inspired me, the end product remains the same. Sure the viewer may have a bit of extra context, but that’s cheating. I don’t think it matters what I think. I wrote this because of… blank. Fill it in with whatever you want. See yourself as whatever character you’d like. Is that lazy? Yeah, obviously. But your own interpretation is just as valid as anyone else’s. I mean, it’s especially more valuable than my own. Talk to people about it, have fun with it, make fun of it, cry about it. Go in with an open mind and laugh at all my jokes. Because they are all objectively funny.
~ Paul Ashton
Good Samaritan is currently in the pre-production phase and will continue through January 2026. Our preliminary production and filming timeline is early to mid February 2026. Post production will begin immediately after production, and continue through the April 2026. In post production, along with the editing, we hope to have a professional sound mix and color grade to enhance all aspects of our production. The film will be fully completed and ready for our Capstone Showcase at Quinnipiac University in early May 2026, with hopes of sending it out to some film festivals to reach a larger audience.
Our fundraising goal currently covers the minimum amount needed to make this film a reality. However, anything beyond this goal will allow us to make something truly special and achieve the completed look we have envisioned.
- Make a PLEDGE - anything and everything is extremely appreciated :)
- SPREAD THE WORD - share our Seed&Spark page with people you know!
- FOLLOW our Instagram @GoodSamaritan_Film
Thank you for showing support to Good Samaritan! We can’t wait to share our journey with you!
Wishlist
Use the WishList to Pledge cash and Loan items - or - Make a pledge by selecting an Incentive directly.
Equipment
Costs $500
To keep our film clean and pristine we need to ensure our camera lenses and audio recording are in top condition to enhance all aspects.
Production Design
Costs $500
To set the scene of our film, we need crucial props and wardrobe, including Casey's leather bag, Ralph's attire, and so much more!
Locations
Costs $2,000
Our location is vital to our story. Set in a train station, we want to ensure we have the proper space we need to create this piece.
Cast
Costs $1,600
With your help we can hire professional actors to deliver top-notch performances to enhance the emotional connection of our film.
Catering
Costs $800
We'll be working long hours on this film. To make sure our cast & crew are fed on set, please consider donating!
Transportation & Housing
Costs $800
We wish to provide transportation and housing for our cast for their dedication and hard work on our film during production.
Post Production
Costs $500
We want our film to look and sound the best it can! This will go towards a professional color grade and sound mix!
Just In Case
Costs $800
This is our "just in case." This will cover anything unexpected during all stages of this film!
Cash Pledge
Costs $0
Direct link:
Share this update!
About This Team
The members of this team attend Quinnipiac University in their last year of their undergraduate careers. This film serves as their senior capstone project, the mark of the end of an era, and the start of their future in the film industry.
Director: Antonio Shippee-Lopez
Antonio Shippee Lopez, the director, is responsible for bringing everyone together to focus on the film and achieving the team’s goals. He believes film is the cornerstone of all art and that it elevates emotion. He is deeply passionate about this project and believes it will be the most impressive work the group has created during their time at university. Antonio is grateful for the support given to the project, as it means the world to the entire team in helping bring their vision to life. He stands besides a very talented crew that he is thankful for.
Producer: Megan Haley
Megan Haley, the producer for Good Samaritan, was born in Shrewsbury, MA where she spent most of her childhood playing soccer. From this, she dove into sports photography, where her love for composition sparked. She transitioned more heavily into motion picture during her high school years, taking the three film classes that were offered, and ultimately deciding film was what she wanted to pursue. Now in her final undergraduate year at Quinnipiac, Megan wants to use everything she has learned and been working toward to make this film the best that it can be.
Assistant Director: Alex Nicastro
Alex Nicastro is the assistant director for Good Samaritan. From New Jersey, Alex's passion for film grew from his love of sports. He grew up watching sports movies and is a huge New York sports fan. Through this, he has become fascinated by the behind the scenes of live sports, film making, and how it all comes to life. Working closely with the director and producer, Alex breaks down the script for scheduling and ensures everyone is safe on set at all times. He is very excited to be working on Good Samaritan and can’t wait for all of the film’s supporters to see what the team creates.
Director of Photography: Quinn Hoffman
Quinn Hoffmann is the Director of Photography for the film. He’s been shooting video since he was young and has only gotten more passionate about cinematography while studying film. He brings the director’s vision to life and works with the best equipment to ensure you are seeing the cleanest picture possible. He’s looking forward to shooting Good Samaritan.
Editor: Elijah Chirco
Elijah Chirco is the editor, responsible for shaping everything the crew has captured into the final story seen on screen. From selecting the best takes and crafting the pacing to fine-tuning sound and transitions, Elijah’s work is where all the creative pieces come together. Blending technical skill with storytelling instinct, he focuses on finding the rhythm that makes each scene feel alive. He’s incredibly excited to help bring the Capstone film from raw footage to a polished final cut and can’t wait for everyone to see what the team has created.
Sound Designer: Tyler Butt
Tyler Butt is the sound designer for Good Samaritan. He handles the recording processes, setup and takedown of sound equipment, and audio editing in post production. He’ll be working closely on set to make sure the film sounds perfect. Tyler is very passionate about this project, being active in the writer’s room and in the recording aspects of it. Tyler is beyond grateful for the support of the project, and is very excited to bring the film to life.
Production Designer: Ethan Hogan
The production designer for Good Samaritan is Ethan Hogan. From Plymouth Massachusetts, Ethan has a deep passion for film making, getting his start in his high school news program making small news stories with friends, and now expanding more into narrative film making. Working with the Director and Producer Ethan will be in charge of picking locations to shoot, costumes and makeup of the actors, and props that make the film have that extra professional look. He’s excited to be working with the rest of this amazing crew and is looking forward to making something special.
Gaffer/Assistant Editor: Aiden Inbar
Aiden is the gaffer and assistant editor for Good Samaritan. On set, he will handle the lighting. In post-production, he will work directly with the editor to make sure everything flows seamlessly. For the last three years now his media company, aroundthehornszn, has taken off and brought a true love for film making and producing content. This is a different avenue of creation however as movies and film production are vastly different from the sports content he creates. Bridging his experience from his work in the field and the learning at Quinnipiac is something that brings passion and a slightly different perspective to this project.
Current Team
Incentives
- The Story
- Wishlist
- Updates
- The Team
- Community
Mission Statement
The Story
Casey, a commuter in a rush, gets her bag stolen by a thief when buying a train ticket. Once out of the hands of the thief, it ends up with Ralph, a quirky homeless man. Overjoyed by Ralph retrieving the bag, Casey tries to take it back, but Ralph refuses to hand it over. Not knowing if the bag is really hers, he doesn’t want to invade someone else’s privacy by searching through the bag. This chaotic encounter comes at the risk of missing her train. Through her interaction and journey with Ralph, Casey’s views on trust and pride are challenged and learns valuable lessons on how kindness can come from anyone.
I think writers probably fill the least essential job in our economy. All we do is type words on a paper and wait for other people to come up with the meaning behind it. Then we just agree with whichever person sounds the smartest. I’m pretty sure that’s what George Lucas did. No matter what someone writes, inevitably it’s up to the public to come to their own conclusions. Or rather, I think it’s up to the individual.
I’m mostly very confident that I wrote this short film for a reason. Probably something like, “you can help others while helping yourself”? Or maybe… “everyone thinks a little differently”? I think no matter what I say about the writing process or what inspired me, the end product remains the same. Sure the viewer may have a bit of extra context, but that’s cheating. I don’t think it matters what I think. I wrote this because of… blank. Fill it in with whatever you want. See yourself as whatever character you’d like. Is that lazy? Yeah, obviously. But your own interpretation is just as valid as anyone else’s. I mean, it’s especially more valuable than my own. Talk to people about it, have fun with it, make fun of it, cry about it. Go in with an open mind and laugh at all my jokes. Because they are all objectively funny.
~ Paul Ashton
Good Samaritan is currently in the pre-production phase and will continue through January 2026. Our preliminary production and filming timeline is early to mid February 2026. Post production will begin immediately after production, and continue through the April 2026. In post production, along with the editing, we hope to have a professional sound mix and color grade to enhance all aspects of our production. The film will be fully completed and ready for our Capstone Showcase at Quinnipiac University in early May 2026, with hopes of sending it out to some film festivals to reach a larger audience.
Our fundraising goal currently covers the minimum amount needed to make this film a reality. However, anything beyond this goal will allow us to make something truly special and achieve the completed look we have envisioned.
- Make a PLEDGE - anything and everything is extremely appreciated :)
- SPREAD THE WORD - share our Seed&Spark page with people you know!
- FOLLOW our Instagram @GoodSamaritan_Film
Thank you for showing support to Good Samaritan! We can’t wait to share our journey with you!
Wishlist
Use the WishList to Pledge cash and Loan items - or - Make a pledge by selecting an Incentive directly.
Equipment
Costs $500
To keep our film clean and pristine we need to ensure our camera lenses and audio recording are in top condition to enhance all aspects.
Production Design
Costs $500
To set the scene of our film, we need crucial props and wardrobe, including Casey's leather bag, Ralph's attire, and so much more!
Locations
Costs $2,000
Our location is vital to our story. Set in a train station, we want to ensure we have the proper space we need to create this piece.
Cast
Costs $1,600
With your help we can hire professional actors to deliver top-notch performances to enhance the emotional connection of our film.
Catering
Costs $800
We'll be working long hours on this film. To make sure our cast & crew are fed on set, please consider donating!
Transportation & Housing
Costs $800
We wish to provide transportation and housing for our cast for their dedication and hard work on our film during production.
Post Production
Costs $500
We want our film to look and sound the best it can! This will go towards a professional color grade and sound mix!
Just In Case
Costs $800
This is our "just in case." This will cover anything unexpected during all stages of this film!
Cash Pledge
Costs $0
Direct link:
Share this update!
About This Team
The members of this team attend Quinnipiac University in their last year of their undergraduate careers. This film serves as their senior capstone project, the mark of the end of an era, and the start of their future in the film industry.
Director: Antonio Shippee-Lopez
Antonio Shippee Lopez, the director, is responsible for bringing everyone together to focus on the film and achieving the team’s goals. He believes film is the cornerstone of all art and that it elevates emotion. He is deeply passionate about this project and believes it will be the most impressive work the group has created during their time at university. Antonio is grateful for the support given to the project, as it means the world to the entire team in helping bring their vision to life. He stands besides a very talented crew that he is thankful for.
Producer: Megan Haley
Megan Haley, the producer for Good Samaritan, was born in Shrewsbury, MA where she spent most of her childhood playing soccer. From this, she dove into sports photography, where her love for composition sparked. She transitioned more heavily into motion picture during her high school years, taking the three film classes that were offered, and ultimately deciding film was what she wanted to pursue. Now in her final undergraduate year at Quinnipiac, Megan wants to use everything she has learned and been working toward to make this film the best that it can be.
Assistant Director: Alex Nicastro
Alex Nicastro is the assistant director for Good Samaritan. From New Jersey, Alex's passion for film grew from his love of sports. He grew up watching sports movies and is a huge New York sports fan. Through this, he has become fascinated by the behind the scenes of live sports, film making, and how it all comes to life. Working closely with the director and producer, Alex breaks down the script for scheduling and ensures everyone is safe on set at all times. He is very excited to be working on Good Samaritan and can’t wait for all of the film’s supporters to see what the team creates.
Director of Photography: Quinn Hoffman
Quinn Hoffmann is the Director of Photography for the film. He’s been shooting video since he was young and has only gotten more passionate about cinematography while studying film. He brings the director’s vision to life and works with the best equipment to ensure you are seeing the cleanest picture possible. He’s looking forward to shooting Good Samaritan.
Editor: Elijah Chirco
Elijah Chirco is the editor, responsible for shaping everything the crew has captured into the final story seen on screen. From selecting the best takes and crafting the pacing to fine-tuning sound and transitions, Elijah’s work is where all the creative pieces come together. Blending technical skill with storytelling instinct, he focuses on finding the rhythm that makes each scene feel alive. He’s incredibly excited to help bring the Capstone film from raw footage to a polished final cut and can’t wait for everyone to see what the team has created.
Sound Designer: Tyler Butt
Tyler Butt is the sound designer for Good Samaritan. He handles the recording processes, setup and takedown of sound equipment, and audio editing in post production. He’ll be working closely on set to make sure the film sounds perfect. Tyler is very passionate about this project, being active in the writer’s room and in the recording aspects of it. Tyler is beyond grateful for the support of the project, and is very excited to bring the film to life.
Production Designer: Ethan Hogan
The production designer for Good Samaritan is Ethan Hogan. From Plymouth Massachusetts, Ethan has a deep passion for film making, getting his start in his high school news program making small news stories with friends, and now expanding more into narrative film making. Working with the Director and Producer Ethan will be in charge of picking locations to shoot, costumes and makeup of the actors, and props that make the film have that extra professional look. He’s excited to be working with the rest of this amazing crew and is looking forward to making something special.
Gaffer/Assistant Editor: Aiden Inbar
Aiden is the gaffer and assistant editor for Good Samaritan. On set, he will handle the lighting. In post-production, he will work directly with the editor to make sure everything flows seamlessly. For the last three years now his media company, aroundthehornszn, has taken off and brought a true love for film making and producing content. This is a different avenue of creation however as movies and film production are vastly different from the sports content he creates. Bridging his experience from his work in the field and the learning at Quinnipiac is something that brings passion and a slightly different perspective to this project.