Gumbo Short Film
Los Angeles, California | Film Short
Thriller, Crime
We're making a movie that takes two beloved genres, the chef movie & the mob picture, to tell a story about how passion for your work intersects with your personal & professional obligations. A story about how where you come from can ground you or hold you back. It's Ratatouille meets Goodfellas.
Gumbo Short Film
Los Angeles, California | Film Short
Thriller, Crime
1 Campaigns | California, United States
Green Light
This campaign raised $9,375 for production. Follow the filmmaker to receive future updates on this project.
77 supporters | followers
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We're making a movie that takes two beloved genres, the chef movie & the mob picture, to tell a story about how passion for your work intersects with your personal & professional obligations. A story about how where you come from can ground you or hold you back. It's Ratatouille meets Goodfellas.
- The Story
- Wishlist
- Updates
- The Team
- Community
Mission Statement
The Story
When you cook someone a meal, they're putting their life into your hands. You're inviting them into your home. To your table. Your meal is supposed to sustain them. Gumbo is a story that takes that tension, the hospitality that's meant to be guaranteed on that trust, and puts it into question. An aspiring chef is told to do a mob hit. What do you do when your artistry is taken for granted? What do you do when what is life sustaining, is meant to kill?

Gumbo is a short film that takes the tensions, these anxieties that every person who's had a meal has had, and exploits them in a fun and exhilarating way. Louis has spent years working in his boss's kitchen, trying to perfect his craft. Trying to move up the ranks to chef. But his boss is a part of the mafia. Louis's boss knows that Bennie, our villain, loves to eat. His boss wants Louis to do a hit.
Passion intersects with respect and responsibility. Bennie imparts Louis with well earned wisdom, but wisdom from a vile murderer and criminal. Bennie sees in Louis potential that he doesn't want squandered by their mutual boss. The film takes inspiration both from real life chefs and service industry workers, and mafia history from New Orleans, and around the world. It's meant to capture the chaotic and passionate feelings you get in a kitchen through montage, while combinig it with a dinner conversation for explosive effect.
The film is structured to get as much bang for our buck as possible. We have cooking montage as Louis enters the zone to create his art, and we have a "Spielberg oner" to shoot dialogue coverage quickly and elegantly like they used to do for the gangster picture of Hollywood's golden era. We need money to hire a professional cast and crew, so we can get authentic gumbo ingredients, and so we can get everything looking and sounding great. (Because sound is half the picture!) We plan to go into production for three shooting days this winter, so we can have post finished and enter it into film festivals by the fall.
We hope you'll donate to our proof of concept short. A short that's intended to be authentic to its subject matter, as well as its genres. We love gangster pictures going from 1927's Underworld, to Goodfellas and The Sopranos. We love food, both cooking it, eating it, and the films depicting it from Babette's Feast, to Big Night, to Jiro Dreams of Sushi, and The Bear. This is a movie that combines two passions (and two genres) that were meant to be together, so we're putting it together ourselves! We are so excited to get this movie off the ground. We're ready to get cooking!
Wishlist
Use the WishList to Pledge cash and Loan items - or - Make a pledge by selecting an Incentive directly.
Catering
Costs $300
We want our crew well fed and ready to rock. Funding for catering will help get us to where we need to be!
Camera
Costs $2,500
You can't have motion pictures without a camera. Help us raise funds to pay our excellent DP.
Editing
Costs $1,400
If it wasn't for editing and cinematography, we wouldn't have movies. Help us raise the funds to pay our editor!
Sound
Costs $1,650
Sound is half the picture! Help us get half of our story funded by helping us raise money for production, and pose production sound.
Actors
Costs $1,350
Acting is one of the oldest forms of artistic expression. Help us pay our actors what they're worth as they bring our story to life!
Make up and costumes
Costs $800
We want people camera ready, and we want to tell the story with compelling make up work. Help us raise the funds for it!
Lighting
Costs $1,400
To write with light you need to get some lights together. Help us light up our set and our actors!
Set
Costs $600
Location, location, location! Help us get our location and get it camera ready!
Insurance
Costs $300
Just in case!
Cash Pledge
Costs $0
About This Team
Jonathan Eby is a filmmaker in Los Angeles. After growing up traveling around the world, he decided to return to his birthplace of California to pursue film. He has studied screenwriting at LMU and UCLA, and focuses his writing on feature films. Thrillers about relationships, using genre to bring audiences in, and human stories and experiences to ensure the film lingers with them.
Liz Holland freelances as a director, assistant director, producer, and production assistant. As an AD, Liz has worked on shorts, music videos, and commercials, as well as ten features — with more in the 2026 pipeline. All the while, she assists on larger-scale, union productions, to familiarize herself with bigger budgets, and more moving parts. Her ultimate goal is to provide inimitable support and guidance to her collaborators as they craft character driven stories that will consume and inspire the next generation of filmmakers.
Incentives
- The Story
- Wishlist
- Updates
- The Team
- Community
Mission Statement
The Story
When you cook someone a meal, they're putting their life into your hands. You're inviting them into your home. To your table. Your meal is supposed to sustain them. Gumbo is a story that takes that tension, the hospitality that's meant to be guaranteed on that trust, and puts it into question. An aspiring chef is told to do a mob hit. What do you do when your artistry is taken for granted? What do you do when what is life sustaining, is meant to kill?

Gumbo is a short film that takes the tensions, these anxieties that every person who's had a meal has had, and exploits them in a fun and exhilarating way. Louis has spent years working in his boss's kitchen, trying to perfect his craft. Trying to move up the ranks to chef. But his boss is a part of the mafia. Louis's boss knows that Bennie, our villain, loves to eat. His boss wants Louis to do a hit.
Passion intersects with respect and responsibility. Bennie imparts Louis with well earned wisdom, but wisdom from a vile murderer and criminal. Bennie sees in Louis potential that he doesn't want squandered by their mutual boss. The film takes inspiration both from real life chefs and service industry workers, and mafia history from New Orleans, and around the world. It's meant to capture the chaotic and passionate feelings you get in a kitchen through montage, while combinig it with a dinner conversation for explosive effect.
The film is structured to get as much bang for our buck as possible. We have cooking montage as Louis enters the zone to create his art, and we have a "Spielberg oner" to shoot dialogue coverage quickly and elegantly like they used to do for the gangster picture of Hollywood's golden era. We need money to hire a professional cast and crew, so we can get authentic gumbo ingredients, and so we can get everything looking and sounding great. (Because sound is half the picture!) We plan to go into production for three shooting days this winter, so we can have post finished and enter it into film festivals by the fall.
We hope you'll donate to our proof of concept short. A short that's intended to be authentic to its subject matter, as well as its genres. We love gangster pictures going from 1927's Underworld, to Goodfellas and The Sopranos. We love food, both cooking it, eating it, and the films depicting it from Babette's Feast, to Big Night, to Jiro Dreams of Sushi, and The Bear. This is a movie that combines two passions (and two genres) that were meant to be together, so we're putting it together ourselves! We are so excited to get this movie off the ground. We're ready to get cooking!
Wishlist
Use the WishList to Pledge cash and Loan items - or - Make a pledge by selecting an Incentive directly.
Catering
Costs $300
We want our crew well fed and ready to rock. Funding for catering will help get us to where we need to be!
Camera
Costs $2,500
You can't have motion pictures without a camera. Help us raise funds to pay our excellent DP.
Editing
Costs $1,400
If it wasn't for editing and cinematography, we wouldn't have movies. Help us raise the funds to pay our editor!
Sound
Costs $1,650
Sound is half the picture! Help us get half of our story funded by helping us raise money for production, and pose production sound.
Actors
Costs $1,350
Acting is one of the oldest forms of artistic expression. Help us pay our actors what they're worth as they bring our story to life!
Make up and costumes
Costs $800
We want people camera ready, and we want to tell the story with compelling make up work. Help us raise the funds for it!
Lighting
Costs $1,400
To write with light you need to get some lights together. Help us light up our set and our actors!
Set
Costs $600
Location, location, location! Help us get our location and get it camera ready!
Insurance
Costs $300
Just in case!
Cash Pledge
Costs $0
About This Team
Jonathan Eby is a filmmaker in Los Angeles. After growing up traveling around the world, he decided to return to his birthplace of California to pursue film. He has studied screenwriting at LMU and UCLA, and focuses his writing on feature films. Thrillers about relationships, using genre to bring audiences in, and human stories and experiences to ensure the film lingers with them.
Liz Holland freelances as a director, assistant director, producer, and production assistant. As an AD, Liz has worked on shorts, music videos, and commercials, as well as ten features — with more in the 2026 pipeline. All the while, she assists on larger-scale, union productions, to familiarize herself with bigger budgets, and more moving parts. Her ultimate goal is to provide inimitable support and guidance to her collaborators as they craft character driven stories that will consume and inspire the next generation of filmmakers.