Hedgehog
Los Angeles, California | Film Short
Drama
This suspenseful and heartfelt drama raises one of the most difficult questions in modern history: were the murderers of millions of children, women and men, evil monsters or ordinary men? Could each and every one of us be capable of the unimaginable?
Hedgehog
Los Angeles, California | Film Short
Drama
1 Campaigns | California, United States
Green Light
This campaign raised $13,920 for production. Follow the filmmaker to receive future updates on this project.
49 supporters | followers
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This suspenseful and heartfelt drama raises one of the most difficult questions in modern history: were the murderers of millions of children, women and men, evil monsters or ordinary men? Could each and every one of us be capable of the unimaginable?
- The Story
- Wishlist
- Updates
- The Team
- Community
Mission Statement
The Story
Hedgehog tells the story of Hannah, a young hispanic caregiver, who accidentally discovers that one of her patients - Mr. Holtz, might be a former Nazi criminal, hiding under a false identiy.

When Hannah decides to investigate, she ends up spending the entire night with Mr. Holtz, getting to know him and even befriending him. They drink together, play a board game and even go on a “date” in the empty dining room at sunrise. While getting to know Mr. Holtz, Hannah attempts to find the monster inside the jolly, helpless old man.

The film carries a tone of a suspence thriller. When Hannah learns that Mr. Holtz might be a former Nazi criminal, her night turns into a horrific nightmare as she attempts to befriend and expose evil.

In contrast with the horrific nursing home facility, Holtz’s room appears cozy and inviting. The film is designed to mislead the viewer into finding comfort in Holtz’s room, love his company and forget that he is suspected of horrific crimes. The shock comes at the very end when the viewer is suddenly confronted with the nature of Holtzl’s crimes and has no choice but to accept the chilling duality of good and evil in each and every one of us.

As a little girl growing up in Israel, the Holocaust was constantly present in the mind of every child for it is a collective trauma there. Personally I am a granddaughter of Holocaust survivors, almost the entire families of my Grandparents on my father's side were murdered in the Nazi death camps. Out of all the questions that a child can ask when told about great horrors, there was one question which I have never stopped asking, and frankly that I still don't have an answer for. How could normal people, ordinary men and women, people with families, who loved music and sports, who had pets and celebrated holidays, how could they bring themselves to coldly murder hundreds of thousands innocent women and children? I think that what was always the hardest for me to accept was that no matter how hard you try to judge those people as very different from yourself, at the end of the day they were human beings just like us.
I wrote "Hedgehog" as an attempt to confront this question even further, by trying to find vulnerability, charm, and most of all humanity inside a man who committed terrible and unforgivable crimes.
"Hedgehog" does not raise the question of forgiveness, because you can't forgive the unforgivable. "Hedgehog" raises the question of the existence of evil in each and every one of us.
WHY NOW?

We all watched in horror as Derek Chauvin murdered George Floyd while Floyd was pleading for his life. A lot of us asked ourselves, how much hatred should someone have, in order to be capable of such cruelty?
In my opinion, one of the most terrifying moments of that murder was the ease in which Chauvin went back to the station to fill out a report of what to him was just another day at work... This in my opinion is a horrifying reminder that dehumanization of a group of people in a bureaucratic and institutionalized way, can easily lead to unimaginable cruelty as an everyday act. Unfortunately, the lessons arising from the ashes of the Holocaust are not yet learnd.
How can you help?
"Hedgehog" was two weeks away from shooting when the pandemic hit. A year and a half later we are finally resuming. However, a few things changed for us. To begin with the nursing home which was our original location turned out of the question for safety reasons, and we are now shooting at a church, turning it into a nursing home. This increases our production design costs tremendously.
In addition, adhering to the new Covid safety regulations increases our budget by about 30 percent due to PPE, Covid officer and regular testing to all cast and crew.
Funding for short films is extremely difficult to come by and so we are inviting you - our wonderful community to join in the effort and become a part of our journey.
So... you can certainly help by donating to us today as well as sharing this page with others and spreading the word. If you know of people who specifically care about this topic and subject matter please help us make them aware of our project so they could join us in our journey of exploring those fascinating, yet difficult questions.

Once we reach our eighty percent goal, writer director Ye'ela Rosenfeld will personally match ten percent of every donation to go to the USC Sohah Foundation.
The mission of the USC Shoah Foundation - The Institute for Visual History and Education is to overcome prejudice, intolerance, and bigotry - and the suffering they cause - through the educational use of the Institute's visual history testimonies.
While "Hedgehog" is meant to hit the festival circuit like most short films, it also has a different and unique purpose, which is premiering at The Social Stage L.A
The Social Stage is a creative home for radical thinking in which film, theatre, dance, fine art and music are paired with salon discussions over complimentary drinks.
"Hedgehog's" writer-director Ye'ela Rosenfeld launched it in 2019 and it opened with the sold out run of Howard Zinn's "Marx in Soho."
See your donation today as an advanced ticket to the 2021 re-launch of 'The Social Stage L.A" and be a part of our new and exciting artistic salon!
Wishlist
Use the WishList to Pledge cash and Loan items - or - Make a pledge by selecting an Incentive directly.
Props and Set Design
Costs $2,000
Having ample funding will ensure the film has an authentic look.
Crew
Costs $4,000
Crew is essential to making the film
Covid Essentials
Costs $500
covid 19
Casting Director
Costs $1,000
Casting Director fee
Talent
Costs $1,236
Actors SAG daily rate
Covid Testing
Costs $1,000
Covid testing for cast and crew
Location
Costs $500
Location fee
Festivals Submission fees
Costs $500
Festivals Submission fees
Composer
Costs $500
String recording
Insurance
Costs $500
Insurance
Camera
Costs $1,000
Camera
Grip and Electric
Costs $1,000
Light and grip equipment
Covid Officer
Costs $300
SAG safety requires a Covid Officer on set.
Food
Costs $964
Cast and Crew cannot march on an empty stomach...
Post Production
Costs $2,000
Color. special effects
Cash Pledge
Costs $0
About This Team

Ye’ela started as a director and assistant director in the Israeli film and TV industry. She then moved to Prague, Czech Republic, where she worked with Roman Polanski directing the behind the scenes featurette for “Oliver Twist”. Ye'ela moved to Los Angeles to attend the directing program of the American Film Institute Conservatory, where she directed four films, including “The Evening Journey” with Malcolm McDowell, Patrick Mapel and Jack Kehler.
In 2010 Ye'ela directed the theater show “Ferdinand!" written by former Czech president Vaclav Havel. The show received raving reviews and kept running through 2011. Ye’ela’s film “Just in Case” opened at the Palm Springs Intl’ ShortFest and screened in film festivals worldwide and won multiple awards. In 2016 Ye’ela co-wrote “Jacob’s Dream,” a feature film funded by the co-production program of the Israeli Film Fund. In 2017 Ye’ela directed the acclaimed show “The Physicists,” which opened at the Hollywood Fringe Festival and in 2018 she has directed Jean Paul Sartre’s “No Exit,” which ran at the Chromolume Theatre. In 2019 Ye’ela launched her own theatre company “The Social Stage” with a sold out, acclaimed run of Howard Zinn’s “Marx in Soho.” Ye’ela’s Debut feature script “The First Day of Spring” was developed with the help of Sundance mentors Joan Darling and Gyula Gazdag. More information at: www.yeelarosenfeld.com
Incentives
- The Story
- Wishlist
- Updates
- The Team
- Community
Mission Statement
The Story
Hedgehog tells the story of Hannah, a young hispanic caregiver, who accidentally discovers that one of her patients - Mr. Holtz, might be a former Nazi criminal, hiding under a false identiy.

When Hannah decides to investigate, she ends up spending the entire night with Mr. Holtz, getting to know him and even befriending him. They drink together, play a board game and even go on a “date” in the empty dining room at sunrise. While getting to know Mr. Holtz, Hannah attempts to find the monster inside the jolly, helpless old man.

The film carries a tone of a suspence thriller. When Hannah learns that Mr. Holtz might be a former Nazi criminal, her night turns into a horrific nightmare as she attempts to befriend and expose evil.

In contrast with the horrific nursing home facility, Holtz’s room appears cozy and inviting. The film is designed to mislead the viewer into finding comfort in Holtz’s room, love his company and forget that he is suspected of horrific crimes. The shock comes at the very end when the viewer is suddenly confronted with the nature of Holtzl’s crimes and has no choice but to accept the chilling duality of good and evil in each and every one of us.

As a little girl growing up in Israel, the Holocaust was constantly present in the mind of every child for it is a collective trauma there. Personally I am a granddaughter of Holocaust survivors, almost the entire families of my Grandparents on my father's side were murdered in the Nazi death camps. Out of all the questions that a child can ask when told about great horrors, there was one question which I have never stopped asking, and frankly that I still don't have an answer for. How could normal people, ordinary men and women, people with families, who loved music and sports, who had pets and celebrated holidays, how could they bring themselves to coldly murder hundreds of thousands innocent women and children? I think that what was always the hardest for me to accept was that no matter how hard you try to judge those people as very different from yourself, at the end of the day they were human beings just like us.
I wrote "Hedgehog" as an attempt to confront this question even further, by trying to find vulnerability, charm, and most of all humanity inside a man who committed terrible and unforgivable crimes.
"Hedgehog" does not raise the question of forgiveness, because you can't forgive the unforgivable. "Hedgehog" raises the question of the existence of evil in each and every one of us.
WHY NOW?

We all watched in horror as Derek Chauvin murdered George Floyd while Floyd was pleading for his life. A lot of us asked ourselves, how much hatred should someone have, in order to be capable of such cruelty?
In my opinion, one of the most terrifying moments of that murder was the ease in which Chauvin went back to the station to fill out a report of what to him was just another day at work... This in my opinion is a horrifying reminder that dehumanization of a group of people in a bureaucratic and institutionalized way, can easily lead to unimaginable cruelty as an everyday act. Unfortunately, the lessons arising from the ashes of the Holocaust are not yet learnd.
How can you help?
"Hedgehog" was two weeks away from shooting when the pandemic hit. A year and a half later we are finally resuming. However, a few things changed for us. To begin with the nursing home which was our original location turned out of the question for safety reasons, and we are now shooting at a church, turning it into a nursing home. This increases our production design costs tremendously.
In addition, adhering to the new Covid safety regulations increases our budget by about 30 percent due to PPE, Covid officer and regular testing to all cast and crew.
Funding for short films is extremely difficult to come by and so we are inviting you - our wonderful community to join in the effort and become a part of our journey.
So... you can certainly help by donating to us today as well as sharing this page with others and spreading the word. If you know of people who specifically care about this topic and subject matter please help us make them aware of our project so they could join us in our journey of exploring those fascinating, yet difficult questions.

Once we reach our eighty percent goal, writer director Ye'ela Rosenfeld will personally match ten percent of every donation to go to the USC Sohah Foundation.
The mission of the USC Shoah Foundation - The Institute for Visual History and Education is to overcome prejudice, intolerance, and bigotry - and the suffering they cause - through the educational use of the Institute's visual history testimonies.
While "Hedgehog" is meant to hit the festival circuit like most short films, it also has a different and unique purpose, which is premiering at The Social Stage L.A
The Social Stage is a creative home for radical thinking in which film, theatre, dance, fine art and music are paired with salon discussions over complimentary drinks.
"Hedgehog's" writer-director Ye'ela Rosenfeld launched it in 2019 and it opened with the sold out run of Howard Zinn's "Marx in Soho."
See your donation today as an advanced ticket to the 2021 re-launch of 'The Social Stage L.A" and be a part of our new and exciting artistic salon!
Wishlist
Use the WishList to Pledge cash and Loan items - or - Make a pledge by selecting an Incentive directly.
Props and Set Design
Costs $2,000
Having ample funding will ensure the film has an authentic look.
Crew
Costs $4,000
Crew is essential to making the film
Covid Essentials
Costs $500
covid 19
Casting Director
Costs $1,000
Casting Director fee
Talent
Costs $1,236
Actors SAG daily rate
Covid Testing
Costs $1,000
Covid testing for cast and crew
Location
Costs $500
Location fee
Festivals Submission fees
Costs $500
Festivals Submission fees
Composer
Costs $500
String recording
Insurance
Costs $500
Insurance
Camera
Costs $1,000
Camera
Grip and Electric
Costs $1,000
Light and grip equipment
Covid Officer
Costs $300
SAG safety requires a Covid Officer on set.
Food
Costs $964
Cast and Crew cannot march on an empty stomach...
Post Production
Costs $2,000
Color. special effects
Cash Pledge
Costs $0
About This Team

Ye’ela started as a director and assistant director in the Israeli film and TV industry. She then moved to Prague, Czech Republic, where she worked with Roman Polanski directing the behind the scenes featurette for “Oliver Twist”. Ye'ela moved to Los Angeles to attend the directing program of the American Film Institute Conservatory, where she directed four films, including “The Evening Journey” with Malcolm McDowell, Patrick Mapel and Jack Kehler.
In 2010 Ye'ela directed the theater show “Ferdinand!" written by former Czech president Vaclav Havel. The show received raving reviews and kept running through 2011. Ye’ela’s film “Just in Case” opened at the Palm Springs Intl’ ShortFest and screened in film festivals worldwide and won multiple awards. In 2016 Ye’ela co-wrote “Jacob’s Dream,” a feature film funded by the co-production program of the Israeli Film Fund. In 2017 Ye’ela directed the acclaimed show “The Physicists,” which opened at the Hollywood Fringe Festival and in 2018 she has directed Jean Paul Sartre’s “No Exit,” which ran at the Chromolume Theatre. In 2019 Ye’ela launched her own theatre company “The Social Stage” with a sold out, acclaimed run of Howard Zinn’s “Marx in Soho.” Ye’ela’s Debut feature script “The First Day of Spring” was developed with the help of Sundance mentors Joan Darling and Gyula Gazdag. More information at: www.yeelarosenfeld.com