How to become a poet
New York City, New York | Film Short
Experimental
'How to become a poet' tells the real life story of Chris, a severe traumatic brain injury survivor. Using Chris's personal archives, journals, and poetry, we depict his process of remembering who he is and recovering his own identity.
How to become a poet
New York City, New York | Film Short
Experimental

1 Campaigns | New Jersey, United States
83 supporters | followers
Enter the amount you would like to pledge
$8,665
Goal: $10,000 for production
'How to become a poet' tells the real life story of Chris, a severe traumatic brain injury survivor. Using Chris's personal archives, journals, and poetry, we depict his process of remembering who he is and recovering his own identity.
- The Story
- Wishlist
- Updates
- The Team
- Community
Mission Statement
The Story
‘How to become a poet’ is an experimental short investigating a man's recovery journey after a near-fatal accident that resulted in a severe traumatic brain injury. Throughout his recovery, he relies on his own records of his life, chronicled in his meticulous journals he has kept since his childhood in Brooklyn. He uses these journals to re-learn who he was and is, rebuilding his identity based on the memories he recorded. The story explores Chris's recovery process at the meeting point of memory, imagination, relationships, and the uncertainty of it all.
The film depicts Chris’s experiences with aphasia, memory loss, and other disorienting effects of traumatic brain injury. Through archival footage, voice overs from his journal entries, and reenactments, we explore how his past, present, and future have been altered by the accident and how his own written words helped him rebuild his identity. It also features Chris’s poetry from before and after the accident, showing the continuity of his ambitions and artistry.
This story is non-linear, representing the nature and experience of traumatic brain injury recovery, including aphasia and memory loss. As such, the film takes place over several decades and places–a school in Brooklyn in the 1960s, a suburban home in New Jersey in the 1990s, and even the Wonderama soundstage somewhere in between.
Places and people represent the memories and elements of identity that we collect throughout our lives, and the way we depend on those things to understand ourselves. Voiceover of Chris’s prose and poetry show how our own words may guide us through our lives and become the source of our self-knowledge.
While Chris has made a miraculous recovery, his journey has been anything but easy. Like many others with disabilities, he continues to navigate a world that is not set up for him or anyone who’s experience doesn’t fit the mold. His story is powerful–revealing that when everything falls apart, we must rely on ourselves and others to pick up the pieces. He shows us that our identities, like our brains, are malleable, regenerative, and maybe even transcendent. He and his family teach us that devastation does not have to be the end and that our relationships with ourselves and others are what make our lives possible.
Chris continues to be a productive poet, a creative educator, and an advocate for people with disabilities. He embraces difference and diversity in the world, and sees the deepest value of how those around us can influence our lives. He is dedicated to showing others that their words have power, that their minds can change, and that their creativity can create change. We hope his story raises awareness about living with severe traumatic brain injury and that Chris’s words inspire others to approach the world more creatively.
Our minimum goal is $10,000 to fund production. This will allow us to pay for equipment, transportation, production/set design, wardrobe, food, and compensating our crew. Reaching our funding goal means we can move forward with the really fun part--production! We will shoot the film this summer and we'll be sure to keep you in the loop with behind-the-scenes updates! Our stretch goals is $15,000, which will support our post-production and distribution plan. We'll be able to cover editing, scoring, festival entry fees, and marketing. This will further our reach and allow even more people to be a part of this story. Every contribution will help make this film possible. Sharing with your communities will help it go even further! Thank you!
Wishlist
Use the WishList to Pledge cash and Loan items - or - Make a pledge by selecting an Incentive directly.
Equipment Rentals
Costs $4,000
Film equipment (cameras, audio, etc.) is expensive! We need to rent high quality gear to make our vision possible.
Production Design
Costs $1,000
We need to create scenes that are true to the different eras of Chris's life.
Wardrobe
Costs $1,000
We will need to procure vintage clothes from the 60s to the 90s to dress our actors!
Transportation
Costs $800
We need to pay to get our crew and equipment from point A to point B!
Crew Compensation
Costs $2,200
These funds will help us compensate our amazing crew members for their craft!
About This Team
Amelia Parker was born and raised in New Jersey and is now a public school teacher in Brooklyn, NY. Her students might be shocked to learn that she has creative dreams, friends, and a life outside of work! She comes from a long line of storytellers and artists and is excited to continue this family legacy through her first film project.
Aurora Baumbach is a screenwriter and filmmaker who graduated from the SUNY Purchase Film Conservatory in 2017. She loves dark comedies and dramas with a lot of dialogue and little plot. When she isn’t working on her current feature, she can be found at Metrograph putting her membership to good use or gentle parenting her naughty cat Ricotta.
Char O'Dair-Gadler
Caleb Weiss is a director of photography, camera operator, and lighting director. The projects he works on span genres, ranging from feature films, to commercials, branded content, documentaries, and more. He has worked with such notable brands as Vogue, GQ, Vanity Fair, Adidas, Gucci, Puma, Wired, Etsy, Bon Appétit, Bloomberg, Eater, New York Times, Benjamin Moore, Epicurious, Sony, 7-Eleven, and Goop. His work has received Vimeo Staff Picks and accolades at various film festivals, and can be seen on Apple TV, Amazon Prime, and other streaming platforms.
Incentives
- The Story
- Wishlist
- Updates
- The Team
- Community
Mission Statement
The Story
‘How to become a poet’ is an experimental short investigating a man's recovery journey after a near-fatal accident that resulted in a severe traumatic brain injury. Throughout his recovery, he relies on his own records of his life, chronicled in his meticulous journals he has kept since his childhood in Brooklyn. He uses these journals to re-learn who he was and is, rebuilding his identity based on the memories he recorded. The story explores Chris's recovery process at the meeting point of memory, imagination, relationships, and the uncertainty of it all.
The film depicts Chris’s experiences with aphasia, memory loss, and other disorienting effects of traumatic brain injury. Through archival footage, voice overs from his journal entries, and reenactments, we explore how his past, present, and future have been altered by the accident and how his own written words helped him rebuild his identity. It also features Chris’s poetry from before and after the accident, showing the continuity of his ambitions and artistry.
This story is non-linear, representing the nature and experience of traumatic brain injury recovery, including aphasia and memory loss. As such, the film takes place over several decades and places–a school in Brooklyn in the 1960s, a suburban home in New Jersey in the 1990s, and even the Wonderama soundstage somewhere in between.
Places and people represent the memories and elements of identity that we collect throughout our lives, and the way we depend on those things to understand ourselves. Voiceover of Chris’s prose and poetry show how our own words may guide us through our lives and become the source of our self-knowledge.
While Chris has made a miraculous recovery, his journey has been anything but easy. Like many others with disabilities, he continues to navigate a world that is not set up for him or anyone who’s experience doesn’t fit the mold. His story is powerful–revealing that when everything falls apart, we must rely on ourselves and others to pick up the pieces. He shows us that our identities, like our brains, are malleable, regenerative, and maybe even transcendent. He and his family teach us that devastation does not have to be the end and that our relationships with ourselves and others are what make our lives possible.
Chris continues to be a productive poet, a creative educator, and an advocate for people with disabilities. He embraces difference and diversity in the world, and sees the deepest value of how those around us can influence our lives. He is dedicated to showing others that their words have power, that their minds can change, and that their creativity can create change. We hope his story raises awareness about living with severe traumatic brain injury and that Chris’s words inspire others to approach the world more creatively.
Our minimum goal is $10,000 to fund production. This will allow us to pay for equipment, transportation, production/set design, wardrobe, food, and compensating our crew. Reaching our funding goal means we can move forward with the really fun part--production! We will shoot the film this summer and we'll be sure to keep you in the loop with behind-the-scenes updates! Our stretch goals is $15,000, which will support our post-production and distribution plan. We'll be able to cover editing, scoring, festival entry fees, and marketing. This will further our reach and allow even more people to be a part of this story. Every contribution will help make this film possible. Sharing with your communities will help it go even further! Thank you!
Wishlist
Use the WishList to Pledge cash and Loan items - or - Make a pledge by selecting an Incentive directly.
Equipment Rentals
Costs $4,000
Film equipment (cameras, audio, etc.) is expensive! We need to rent high quality gear to make our vision possible.
Production Design
Costs $1,000
We need to create scenes that are true to the different eras of Chris's life.
Wardrobe
Costs $1,000
We will need to procure vintage clothes from the 60s to the 90s to dress our actors!
Transportation
Costs $800
We need to pay to get our crew and equipment from point A to point B!
Crew Compensation
Costs $2,200
These funds will help us compensate our amazing crew members for their craft!
About This Team
Amelia Parker was born and raised in New Jersey and is now a public school teacher in Brooklyn, NY. Her students might be shocked to learn that she has creative dreams, friends, and a life outside of work! She comes from a long line of storytellers and artists and is excited to continue this family legacy through her first film project.
Aurora Baumbach is a screenwriter and filmmaker who graduated from the SUNY Purchase Film Conservatory in 2017. She loves dark comedies and dramas with a lot of dialogue and little plot. When she isn’t working on her current feature, she can be found at Metrograph putting her membership to good use or gentle parenting her naughty cat Ricotta.
Char O'Dair-Gadler
Caleb Weiss is a director of photography, camera operator, and lighting director. The projects he works on span genres, ranging from feature films, to commercials, branded content, documentaries, and more. He has worked with such notable brands as Vogue, GQ, Vanity Fair, Adidas, Gucci, Puma, Wired, Etsy, Bon Appétit, Bloomberg, Eater, New York Times, Benjamin Moore, Epicurious, Sony, 7-Eleven, and Goop. His work has received Vimeo Staff Picks and accolades at various film festivals, and can be seen on Apple TV, Amazon Prime, and other streaming platforms.