Love In A Bottle

New York City, New York | Film Short

Drama, Thriller

Janna McPartland

1 Campaigns | New York, United States

Green Light

This campaign raised $5,450 for production. Follow the filmmaker to receive future updates on this project.

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LOVE IN A BOTTLE is about the rise of Baby Botox and one young woman's journey into the underbelly of the beauty marketing industry.

About The Project

  • The Story
  • Wishlist
  • Updates
  • The Team
  • Community

Mission Statement

This film is not about judging Botox as “right” or “wrong” and the goal is not to shame any woman who’s gotten it. Instead, it explores the crafted language of Botox advertising and the policing of women’s bodies. This film asks what happens when we demand the impossible from women - to be ageless.

The Story

24-year-old Margot's story reflects the growing pressures felt by young women to halt their own aging. How do we stop this constant ‘upgrading’ and ‘upkeeping’ of ourselves? How can our ‘real’ lives ever live up to others' ‘internet’ lives? And who do 'age-defying' injections really serve?

Love In A Bottle is a short thriller that follows 24-year-old Margot as she schedules a consultation with a famed doctor to learn more about the Baby Botox she's seen advertised across her social media accounts. She meets a series of quirky characters, from an influencer who is getting a kickback for her advertising content, to a mother who's pressured to allow her teen daughter to get her first injections, to the passionate Doctor Healy, who believes herself to be a shepherd to the new age of women's healing.

Things get spooky when Margot tries to leave Doctor Healy's office - but instead ends up in an underground beauty factory purgatory. It's in this maze that she faces a horrifying question:

is any of this really her choice? 

This short film explores the larger cosmetic marketing pipeline - from Big Botox, to the doctor’s office, to the influencer, to the consumer - and asks what happens when we demand the impossible from women - to be ageless.

Since 2010, Botox injections have increased in people ages 20 to 29 by around 32 percent. 
Instead of correcting already-formed wrinkles, preventative injections - affectionately named 'Baby Botox' - supposedly stop deep wrinkles from forming to begin with. The science behind this is largely anecdotal and social media is the largest driver of the popularization of Baby Botox.

Roughly 94% of Botox users are women.

SO WHAT?

Today, beauty advertisers fit their scripts to the ‘everyone is beautiful’ movement. While this trend marks some progress, the Botox industry has brilliantly co-opted ‘You Do You’ mantras into their own messaging. Their new delivery system? Influencers & social media.

In my experience editing content for influencers, I’ve noticed they’ve become a huge marketing force behind the Baby Botox trend. They take users into Upper East Side doctor's offices, panning their iPhones to show an endless menu of options: the Baby Botox can eliminate your crow's feet and forehead furrows; it can freeze your upper lip to get rid of your unappealing 'gummy smile'; it can even be injected into your jaw and neck to make your face appear slimmer, sucked in... and serenely expressionless.

These POV injection sessions show how quick and easy getting the Baby Botox is. No longer do women have to wait until their faces have aged so shamefully long that their deep lines are trickier to reverse. More intensive operations like face lifts are no longer necessary, either. You can buy your youth in just 10 minutes (and a few hundred dollars every 3-6 months).

WHAT'S THE HARM?

Many think by being ‘transparent’ on social media, no harm is caused, but the clips from the doctor’s office tell the terrifying truth - our faces are aging and we need to stop it.

There is no denying that these injections make users feel more confident. There is also no purpose in shaming users when they have been told their entire lives that their value lies in their youth, that when their beauty fades, so does their worth - that women over 35 are drags, sloppy, senile, ugly, gross, droopy, dried up, obscene, undesirable, shriveled, total wrecks and most of all:

unf-kable.

It turns out that women's insecurities are quite profitable. Celebrating older women for their experience, poise and confidence? Not so much.

But when do we stop running in the hamster wheel, chasing a standard that is - by design - impossible to attain. Can we get to a place where we collectively declare: Enough is enough. Let women age.

And if so... how?

The predatory targeting of younger women to make them rush to paralyze their faces is, as expected, hotly debated in 2023. Girl-boss mantras like 'you do you,' and 'if you feel good, who cares if it's natural,' discourage questioning as to how these injections are affecting young women, as they compare themselves to increasingly unrealistic beauty standards set by social media and ... let's face it, men.

WHO IS REALLY BENEFITING FROM BABY BOTOX?

As of 2020, Botox is a $1.3 – $2.6 BILLION-DOLLAR industry.

Clearly, women's independence, individuality and self-acceptance are some of the greatest weapons against patriarchy and capitalism.

Ask any woman - student, influencer, mother, surgeon - and they will tell you endless stories of living under the impossible demands laid on them in order to feel worthy. They'll tell you of the shame, the fear and the cost.

The marketing works. We are barreling towards a future that vilifies individuality and diversity in favor of achieving the same perfectly symmetrical, young, sexy, filtered face. Shame is the optimal driver of urgency; it can get anyone to fork over their wallet. It can program all of us to believe we prefer the 'expressionless' look. 

And what exactly is so threatening about a woman with expression?

It's my hope that this film brings awareness to the psychology behind Big Botox and encourages men and women alike to stand up to the shallow, suffocating standards set by those who continue to make billions off of us.

UGH, ANOTHER WOMAN GOING ON ABOUT PATRIARCHY... 

Yes! Hello :^)

A few MALE CEOs are the top dogs profiting the most off of the anti-aging market, like the CEO of Allergan - the maker of Botox.

As well as the CEOs of:

  • Dysport - manufactured by Ipsen
  • Xeomin - manufactured by Merz
  • Jeuveau - manufactured by Evolus 

In my most fearful and frustrated moods, I have turned to film to look for hope. I've reached out to friends to realize they, too, carry the same anxieties.

Thriller and horror genres can externalize and capture some of the most daunting realities of our world.

Let's choose compassion and acceptance over cruelty and rejection.

Maybe that sounds woo-woo. But how else do we evolve than to envision a future that values freedom and individuality over profit and control? 


The Face of Another - 1966

The film and I ask you... when is enough enough?

Supporting this film is one way you can stand up to Big Botox. I don't care if you get injections or not - we're all doing our best to cope with the increasingly crushing standards put on our for-profit youth.

This film asks some of the questions those who hold the strings do not want us to ask. 

Let's get the conversation going.

Thank you sincerely for your support. 

Janna

Our COVID-safe production ensures all cast and crew are vaccinated and tested negative for our 4-day shoot.

 

@LOVEINABOTTLEFILM

 

Wishlist

Use the WishList to Pledge cash and Loan items - or - Make a pledge by selecting an Incentive directly.

FOOD & TRANSPORTATION

Costs $1,050

- Craft services for breakfast, lunch and dinner - Water and beverages (COFFEE) - Transportation

CAST & CREW

Costs $3,600

-To pay our cast and crew for their time and talent

Production Design

Costs $550

-To bring our spooky exam room to life!

Locations & Insurance

Costs $800

- We're filming in an exam room, a waiting room and a theatre - Insurance for everyone's protection

Cash Pledge

Costs $0

About This Team

We are grateful to have a team that is so passionate about telling this story.

CREW

Janna McPartland - Writer/Director/Producer

Janna wrote Love In A Bottle to spark conversation about the online pressure for physical perfection and draw attention to who is profiting the most from the anti-aging industry. She is honored to have such a talented cast & crew to bring this story to the big screen. IG: pbandjanna

Zack Bermack - Director of Photography 

Zack Bermack is a Brooklyn-based Director of Photography who has shot a wide range of projects including music videos, web series, short films, documentaries and the occasional experimental film. Zack is a huge fan of horror movies and is always looking to develop his spooky eye. Zack is super excited to create a look of atmospheric terror for Love In A Bottle. www.zackbermack.com

Luke Pacilio - Sound Recordist & Mixer

Luke Pacilio is an nyc-based independent musician and sound recordist. He studied music and history at Connecticut College, where he first began work in film. On-set, Luke can be found coiling cables, checking levels, and standing on top of tables—anything for the take. Luke is excited to work on his first horror production!

Tom Awender - Assistant Camera & Gaffer

Julian Hernandez - Score Composer

Julian Hernandez is a regular boy from Clearwater, FL. He’s studied improv in Chicago and New York at iO, UCB, and The Annoyance. Julian has studied clown and physical comedy with Virginia Scott (blow at him and see what happens). He’s performed experimental theatre at St. Ann’s Warehouse & The 14th Street Y. He’s been on shows like Search Party (TBS) and has taught comedy students in New York at the Brooklyn Comedy Collective and Tallahassee, FL. He hosts the monthly variety show Jooby & Friends where he incorporates live music and comedic performances. Julian likes to do other things too: laugh, piss, etc. Follow him on Twitter: @thethongsong. Follow him in real life if you can.www.jooby.nyc

CAST

Madeline Harsh - Margot; Producer

An American Academy of the Dramatic Arts graduate living in New York, Madeline Harsh has been on the New York stage (Off-Broadway) and independent web series. After a foray into post production, she recently transitioned into voiceover work for commercials, video games and audiobooks. She's excited to be collaborating with other women on Love In A Bottle.

Sarah Swift - Doctor Healy

Sarah Swift is a New York-based actor and writer, and a proud graduate of the William Esper Studio. She is passionate about creating strong female roles and equal representation of women in the arts, and is thrilled that her first project of 2023 is a women-led production!
Sarah is very excited to explore the film’s concept of a young woman aging in today’s world, and how perhaps aging “gracefully” means doing so on one’s own terms. www.sarahswiftactor.com. IG: @sarahjanenewyork 

Mia Kavensky - Taylor

Mia Rose Kavensky is an actor/writer based in Brooklyn. She's trained at T. Schreiber Studio as well as Meisner Training with Raymond T. Williams and Sensory with Sheila Gray. You can see Mia at the Toronto and Winnipeg Fringe Festivals (Date TBD) originating the role of Rachel in Rachel's Out-Of-This-World Bat Mitzvah, in Room 9 (Lionsgate, Amazon), Comedy Pilot The Home (DMZ Productions), The 21-Year-Old-Virgin (Dir. Karen Morey) and recently closed the show: The Girl With The Red Hair at the Gene Frankel Theatre. She also just wrapped production on her own personal short film And Along Came Lily where she starred as Lily, a young woman navigating The Pleasure Gap. For more about Mia, visit her website: MiaRoseKavensky.com or on Instagram (@MiaRoseKavensky).

Mia is so excited to embody the role of Taylor in Love In A Bottle, a thought-provoking piece about the implications of how far we (especially women, but all genders as well) go as a society to look "perfect."

Jennie Reich Litzky - Katie

Jennie is an NYC-based actress and director and a recent muse scholar graduate from Hunter College. She is extremely excited to be working on a project that sheds a light on the unattainable beauty standards that women are held to, and how normalized they are in society. IG: @jennietheater

Lauren Olster - The Dancer

Laurie Mahoney - Rachel

A native of New Jersey, Laurie studied acting in NYC at HB Studios and The School for Film and Television for several years, as well as practiced and performed improv at The Comedy Store.
She has played lead and supporting roles in over 18 films, and has appeared in several TV shows, web shows, and local and national commercials.
Laurie is very grateful and excited to be cast as "Rachel" in Love In A Bottle and hopes the film will help society rethink their perception of "perfection" and "beauty". imdb.me/lhmahoney

Chloe Palagonia - Alyssa

Chloe Palagonia is a 19 year old student and actress living in NYC and CT. She started acting this past year and has had lead and supporting roles in numerous student/short films around the city. Chloe is so excited to be apart of this project; she hopes the film will inspire viewers to think about the consequences of cosmetic surgery being pushed onto young people. 

 

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