Lowkey Moxie
Los Angeles, California | Company
Film-related Business
As Hollywood continues to contract and consolidate, the need for authentic, independent TV has never been greater. Your support will help keep our operations going with a small core team, giving us the bandwidth to develop shows and hire hundreds more.
Lowkey Moxie
Los Angeles, California | Company
Film-related Business
1 Campaigns | California, United States
As Hollywood continues to contract and consolidate, the need for authentic, independent TV has never been greater. Your support will help keep our operations going with a small core team, giving us the bandwidth to develop shows and hire hundreds more.
About The Project
- The Story
- Wishlist
- Updates
- The Team
- Community
Mission Statement
The Story
Who are we?
Lowkey Moxie is an independent TV studio that aims to modernize the way we create and consume television. As the traditional market contracts, demand for original content remains at an all-time high. This dissonance leaves the industry primed for an indie revolution, similar to that of the late 90s and early 2000s.
With decades of experience as independent producers, we're creating new opportunities for people to have more agency in their work and earn a living wage by producing and self-distributing high-quality half-hour and one-hour shows at a fraction of the cost of traditional broadcast and streaming corporations. This is done by keeping our overhead low and eliminating the C-suite. Everyone from our Founder/President to our intern is treated equitably and paid a wage that properly reflects their invaluable contribution to every project.
Using Twitch as a self-distribution platform, we blend the classic, ad-supported TV model with real-time connection popularized by content creators and influencers to provide quality creator-driven scripted shows that bring back must-see TV by watching with our audience, chatting together, and building community.
Today's generation still loves stories; they just no longer want to be only spectators.
By keeping our budgets low, our writers have the freedom to make bold choices and take time to find the show's voice. Like the old Hollywood studio model, not every show needs to be an instant hit, but the ones that are keep the lights on while the others learn or pivot.
Why us?
The genesis for Lowkey Moxie began in 2018, as I (Sandrene) began transitioning from working in production to pursuing a career in television writing. I wanted a way to showcase the talent of the Nashville film community, where I lived at the time, while getting experience developing for television.
After I moved to Los Angeles during the pandemic, it quickly became apparent that the industry wasn't going to return to the way it was, and it was prime time for another indie revolution. And we were still experiencing the impact the late 90s and early 2000s had on film, but what would that look like for television? Budgets are very different, for sure. But the biggest hurdle is the lack of distribution avenues. Over the next few years, I spoke with showrunners and other writers, producers, and executives to discuss the state of the industry and its needs, all while it continued to crumble around us.
Lowkey Moxie isn't run by businessmen whose primary focus is on quarterly reports and making their shareholders and themselves the most money. We are a collaboration of film and television professionals, with experience in the indie and Hollywood system, who understand that putting people and story first is the best way to create authentic shows that people want to watch.
How does it work?
Like TV of yesteryears and content creators of today, each show will partner with brands that align with the showrunner's vision. They are then developed with organic advertising (aka product placement) in mind. We'll have a production schedule similar to streamers, where we'll have a small room to write the season, then block shoot and edit them. The completed episodes will stream weekly, with our team active in a live chat. The following day, we'll host a post-show to go behind the scenes on the production process, answer fan questions, and discuss the show. It's a mix of DVD commentary and post-show podcast, but with real-time conversation with the audience.
Each series will be guild signatory under their respective New Media contract because we want people to be able to work and have health insurance, and to provide opportunities for people who've been ready and waiting to break in. And EVERYONE, from EP to PA, will participate in profit sharing, so when a show becomes successful, everyone you see in the credits will reap the benefits.
We're pretty genre agnostic, and open to co-productions! We just want to make television that has something to say about life. But here's a sample of what we're working on already.
In the style of CHAPELLE'S SHOW and KEY & PEELE, featuring up-and-coming comedians and filmmakers from various backgrounds. We tackle tough yet evergreen political, social, and emotional topics with humor and grace.
A murder mystery. When a faculty member is found dead on a small college campus, the building is locked down until the mystery is solved. But even with a potential killer among them, students and adults alike can't resist getting caught up in petty drama as true feelings are revealed in times of crisis.
THE AFTER PARTY meets SEX LIVES OF COLLEGE GIRLS
How can you help?
Although our shows will be funded by brand partners, there are ongoing core costs that will persist even if we're not actively developing a show. Things like legal and accounting and our part-time (for now) development execs. This campaign will provide us with the seed money we need to get started so that all funds we receive from our brand partners can go directly into the show. You can find our budget breakdown on the wishlist page.
Anything we make beyond this will go toward a full year's budget, plus filling out our team.
We are also fiscally sponsored by Fractured Atlas, so if anyone would prefer to make their donation tax-deductible, please contact us!
Wishlist
Use the WishList to Pledge cash and Loan items - or - Make a pledge by selecting an Incentive directly.
Part-time salary for development executive
Costs $22,500
This will cover six months' part-time salary for one dev exec, allowing us to develop uninterrupted while securing brand funding.
Legal
Costs $5,000
This will cover our lawyer's time spent on contracts for our core team, as well as the writers' room and crew for our first show.
Taxes
Costs $800
An unavoidable necessity. And being based in California, they're some of the highest in the country.
Production insurance
Costs $6,000
This is required for union sets, and having an annual plan saves us money and ensures we have coverage for everyone, should it be needed.
Finances
Costs $7,000
Covers six months of our accountant, bookkeeper, and payroll software, including fees for filing taxes.
Website
Costs $200
A small but necessary cost to solidify our brand, especially helpful as we engage with partners.
Direct link:
Share this update!
About This Team
Lowkey Moxie team
Sandrene Mathews - Founder/President
Fully embracing this Jane of all Trades era, Sandrene was wearing multiple hats before hats were cool. The visionary behind Lowkey Moxie, she's excited to use her decades of experience across industries and genres to tell the stories others are afraid to, but need to be told.
Butcher Bird Studios - Producing Partner
Quickly rising to become the preeminent company for livestream events, frequent clients include Netflix, Disney, and TikTok. They are excited to return to their narrative roots and use their combined expertise to create high-quality shows and engaging fan experiences.
3B Law - Lawyer
The legal team for many indie darlings in film and television, they are excited to work with Lowkey Moxie to ensure equitable contracts for everyone.
Current Team
Incentives
- The Story
- Wishlist
- Updates
- The Team
- Community
Mission Statement
The Story
Who are we?
Lowkey Moxie is an independent TV studio that aims to modernize the way we create and consume television. As the traditional market contracts, demand for original content remains at an all-time high. This dissonance leaves the industry primed for an indie revolution, similar to that of the late 90s and early 2000s.
With decades of experience as independent producers, we're creating new opportunities for people to have more agency in their work and earn a living wage by producing and self-distributing high-quality half-hour and one-hour shows at a fraction of the cost of traditional broadcast and streaming corporations. This is done by keeping our overhead low and eliminating the C-suite. Everyone from our Founder/President to our intern is treated equitably and paid a wage that properly reflects their invaluable contribution to every project.
Using Twitch as a self-distribution platform, we blend the classic, ad-supported TV model with real-time connection popularized by content creators and influencers to provide quality creator-driven scripted shows that bring back must-see TV by watching with our audience, chatting together, and building community.
Today's generation still loves stories; they just no longer want to be only spectators.
By keeping our budgets low, our writers have the freedom to make bold choices and take time to find the show's voice. Like the old Hollywood studio model, not every show needs to be an instant hit, but the ones that are keep the lights on while the others learn or pivot.
Why us?
The genesis for Lowkey Moxie began in 2018, as I (Sandrene) began transitioning from working in production to pursuing a career in television writing. I wanted a way to showcase the talent of the Nashville film community, where I lived at the time, while getting experience developing for television.
After I moved to Los Angeles during the pandemic, it quickly became apparent that the industry wasn't going to return to the way it was, and it was prime time for another indie revolution. And we were still experiencing the impact the late 90s and early 2000s had on film, but what would that look like for television? Budgets are very different, for sure. But the biggest hurdle is the lack of distribution avenues. Over the next few years, I spoke with showrunners and other writers, producers, and executives to discuss the state of the industry and its needs, all while it continued to crumble around us.
Lowkey Moxie isn't run by businessmen whose primary focus is on quarterly reports and making their shareholders and themselves the most money. We are a collaboration of film and television professionals, with experience in the indie and Hollywood system, who understand that putting people and story first is the best way to create authentic shows that people want to watch.
How does it work?
Like TV of yesteryears and content creators of today, each show will partner with brands that align with the showrunner's vision. They are then developed with organic advertising (aka product placement) in mind. We'll have a production schedule similar to streamers, where we'll have a small room to write the season, then block shoot and edit them. The completed episodes will stream weekly, with our team active in a live chat. The following day, we'll host a post-show to go behind the scenes on the production process, answer fan questions, and discuss the show. It's a mix of DVD commentary and post-show podcast, but with real-time conversation with the audience.
Each series will be guild signatory under their respective New Media contract because we want people to be able to work and have health insurance, and to provide opportunities for people who've been ready and waiting to break in. And EVERYONE, from EP to PA, will participate in profit sharing, so when a show becomes successful, everyone you see in the credits will reap the benefits.
We're pretty genre agnostic, and open to co-productions! We just want to make television that has something to say about life. But here's a sample of what we're working on already.
In the style of CHAPELLE'S SHOW and KEY & PEELE, featuring up-and-coming comedians and filmmakers from various backgrounds. We tackle tough yet evergreen political, social, and emotional topics with humor and grace.
A murder mystery. When a faculty member is found dead on a small college campus, the building is locked down until the mystery is solved. But even with a potential killer among them, students and adults alike can't resist getting caught up in petty drama as true feelings are revealed in times of crisis.
THE AFTER PARTY meets SEX LIVES OF COLLEGE GIRLS
How can you help?
Although our shows will be funded by brand partners, there are ongoing core costs that will persist even if we're not actively developing a show. Things like legal and accounting and our part-time (for now) development execs. This campaign will provide us with the seed money we need to get started so that all funds we receive from our brand partners can go directly into the show. You can find our budget breakdown on the wishlist page.
Anything we make beyond this will go toward a full year's budget, plus filling out our team.
We are also fiscally sponsored by Fractured Atlas, so if anyone would prefer to make their donation tax-deductible, please contact us!
Wishlist
Use the WishList to Pledge cash and Loan items - or - Make a pledge by selecting an Incentive directly.
Part-time salary for development executive
Costs $22,500
This will cover six months' part-time salary for one dev exec, allowing us to develop uninterrupted while securing brand funding.
Legal
Costs $5,000
This will cover our lawyer's time spent on contracts for our core team, as well as the writers' room and crew for our first show.
Taxes
Costs $800
An unavoidable necessity. And being based in California, they're some of the highest in the country.
Production insurance
Costs $6,000
This is required for union sets, and having an annual plan saves us money and ensures we have coverage for everyone, should it be needed.
Finances
Costs $7,000
Covers six months of our accountant, bookkeeper, and payroll software, including fees for filing taxes.
Website
Costs $200
A small but necessary cost to solidify our brand, especially helpful as we engage with partners.
Direct link:
Share this update!
About This Team
Lowkey Moxie team
Sandrene Mathews - Founder/President
Fully embracing this Jane of all Trades era, Sandrene was wearing multiple hats before hats were cool. The visionary behind Lowkey Moxie, she's excited to use her decades of experience across industries and genres to tell the stories others are afraid to, but need to be told.
Butcher Bird Studios - Producing Partner
Quickly rising to become the preeminent company for livestream events, frequent clients include Netflix, Disney, and TikTok. They are excited to return to their narrative roots and use their combined expertise to create high-quality shows and engaging fan experiences.
3B Law - Lawyer
The legal team for many indie darlings in film and television, they are excited to work with Lowkey Moxie to ensure equitable contracts for everyone.