MANEATER
Toronto, Canada | Film Short
Drama, Thriller
A vampire must find a way to escape after unknowingly going on a date with member of a federal organization designed to kill her kind. Maneater is a story about ingrained prejudice and hypocrisy, juxtaposed against a nearly immortal being pondering her own mortality.
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C$540
Goal: C$5,000 for production
A vampire must find a way to escape after unknowingly going on a date with member of a federal organization designed to kill her kind. Maneater is a story about ingrained prejudice and hypocrisy, juxtaposed against a nearly immortal being pondering her own mortality.
About The Project
- The Story
- Wishlist
- Updates
- The Team
- Community
Mission Statement
The Story
Ladies and gentlemen, there are intruders within our great nation... Vampires - Dr. Diana Beaumont
Dr. Beaumont's Recruitment Video for the VCS
In 1960s America, an ancient threat has returned to terrorize the innocent men and women of the western world. The heroic Dr. Beaumont is at our aid. She has created the Vampire Control Service (VCS) to capture, prosecute, and...deal with these dangerous creatures.
Over a century later, Mina has grown weary of her immortality, the memories she's made and forgotten have her looking for connection and love once again. She arrives at the secluded lakehouse of a guy that she met online.
Mina arrives at Sean's secluded lakehouse (Stock Image)
She meets Sean in person, a kind and funny man who somehow is able to afford a house of this size and value. The pair start talking and Mina soon learns that Sean works for the VCS.
Mina realizes the danger that she's in, she must find a way to leave without Sean figuring out her true identity. If he does...
She might not get out alive.
Mina and Sean having Dinner (Still from War of The Roses (1989)
WHY US? WHY NOW?
I've always found the vampire as a creature very interesting and the stories that have been told with them have always been varied and interesting.
After the success of Sinners (2025), a very prominent vampire horror film, I wanted to take the vampire out of the horror and out of the role of antagonist.
I wanted the vampire to be the one being hunted.
Still from A Girl Walks Home At Night (2014)
We also wanted to think about the logistics of a creature that MUST kill to live and one that can live forever. Is that a life of bliss or torture and pain? One of seclusion and loneliness? How does someone deal with those feelings?
I then realized as I was writing this film that this is a story about prejudice and othering. Instead of just flipping the role of the vampire in the narrative, what if we reimagined the creature's history as propaganda? Propaganda that has been pushed by hateful people and organizations; organizations that will use this hunt and kill their chosen enemy. What if this lonely vampire meets a man who has been taught to fear and hate her?
INFLUENCE/STYLE
From Left to Right: Inglorious Basterds (2008), The Menu (2022), Kiss of The Dammed (2012)
The backdrop of the film is of course set in the world of vampires but we wanted to shift the visual style away from dark and gothic aesthetics to a warmer and more modern look. A look that seems inviting and comfortable at the beginning of the film but shifts into dark irony as dark red blood stains the warmly lit wood.
For the character of Mina, we really wanted to hone in on a strong and intelligent character who is put into a very difficult and potentially hopeless situation. Margo from The Menu (2022) was a great inspiration for this as she is capable and head-strong, even in hopeless and dangerous circumstances.
The film is mostly a tense conversation between two people and the suspense of the film largely lies on whether or not Sean knows Mina's true identity. Inglorious Basterds (2008) and especially Hans Landa's scenes were perfect inspiration for this. Someone interrogating and prodding for information while reveling in the helplessness and panic of their victim.
HOW YOU CAN HELP
BTS of the Dr. Beaumont Shoot
We are mostly fundraising to increase the production value of the film and bring it to the cinema level quality we think it deserves. Luckily, the incredible location won't need to be paid for so most of the funding would go to incredible production design. Things like their costumes, the SFX of blood, faking a stab through the heart, and much more is a major part of our budget.
Along with that, we want to rent film equipment like the Sony Fx6 and many other pieces of professional lighting, audio, and grip equipment to get the film looking and sounding as great as possible!
SHARE
If you can't afford to help fundraise the project then spread the word about the project! Tell your family members, coworkers, friends, and random delivery drivers about it, send them to the fundraiser page through the project link, or have them follow our Instagram! Following our Instagram account is great help and allows you to stay up to date with BTS, project updates, and any news you may need to know!
Thank you!
"I wish good luck to you all...They will not have our blood!" - Dr. Diana Beaumont
Wishlist
Use the WishList to Pledge cash and Loan items - or - Make a pledge by selecting an Incentive directly.
Equipment Rentals
Costs C$1,000
We need the best equipment possible to make this film cinema leevl quality. From a Sony Fx6 to lighting, grip, and sound equipment.
Stunts & SFX/Makeup
Costs C$1,500
For the effects of vampire teeth, stabs through the chest, and having the main pair fight each other; we need funds for special effects!
Transportation
Costs C$150
The location may be paid for but we need to be able to get our cast and crew there.
Food/Craft Services
Costs C$350
A few days on set, we need to feed the cast and crew good food (an equal amount of the cost will come out of director's pocket as well)
Production Design
Costs C$1,000
We need production design to decorate the house that Sean resides in. On top of that, we need prop food and costumes for the actors.
Festivals
Costs C$500
Once the film is finished, we want a proper amount of funds to be able to get it shown in as many festivals and events as possible!
Contigency
Costs C$500
Some extra money just in case anything goes wrong on set or the budget exceeds our expectations by a bit.
Direct link:
Share this update!
About This Team
Writer/Director/Producer
Logan Totman is a Canadian filmmaker based in the GTA. He has been passionate about filmmaking and creating his own films and music videos since he was 14 years old. He has had his short films appear in multiple film festivals; his debut The Masterpiece (2023) was shown at the Eye2Eye Film Festival and Housesitting (2024) was played at the Toronto Short Horror Film Festival. He graduated from Toronto Film Festival with a certificate in film production in 2025 and now he wants to use the skills and connection he made there to create his next project.
1st Assistant Director
Alina Saparova is Kazakh filmmaker based in Toronto. While specializing in the sound department for 2 years, Alina is also very passionate about working as a 1st AD. Her set experience has not only allowed her to better study and observe different assistant directors, but it helped her learn how to work under different directors.
Production Designer
Roshannie Jeyachandrakanthan is a Toronto‑based production designer and filmmaker who builds lush, tactile worlds shaped by symbolic colour and layered texture. Her sets are known for feeling larger than life- fully lived‑in spaces that pull you straight into the story. She produced and designed the period folk‑horror Spirits (2025), a project that cemented her love of atmospheric, character‑driven world‑building. Her design work also includes the sci‑fi thriller Basement Game, the fantasy drama Storybrooke, the comedy‑drama Kareem, and the drama Fired Up, along with art direction and set decoration on several other shorts. She also produced, directed, and designed the music video Hope For Your Love.
Director of Photography
Director of Photography: Maria Paz is a Toronto based filmmaker, that brings creativity and passion to every project she is involved in. She has worked as Director of Photography on different productions throughout her career. Through intentional composition and lighting, Maria transforms narrative into immersive visual experiences. She now brings this perspective to Maneater, capturing its intense and enigmatic world with clarity and impact.
Current Team
Incentives
- The Story
- Wishlist
- Updates
- The Team
- Community
Mission Statement
The Story
Ladies and gentlemen, there are intruders within our great nation... Vampires - Dr. Diana Beaumont
Dr. Beaumont's Recruitment Video for the VCS
In 1960s America, an ancient threat has returned to terrorize the innocent men and women of the western world. The heroic Dr. Beaumont is at our aid. She has created the Vampire Control Service (VCS) to capture, prosecute, and...deal with these dangerous creatures.
Over a century later, Mina has grown weary of her immortality, the memories she's made and forgotten have her looking for connection and love once again. She arrives at the secluded lakehouse of a guy that she met online.
Mina arrives at Sean's secluded lakehouse (Stock Image)
She meets Sean in person, a kind and funny man who somehow is able to afford a house of this size and value. The pair start talking and Mina soon learns that Sean works for the VCS.
Mina realizes the danger that she's in, she must find a way to leave without Sean figuring out her true identity. If he does...
She might not get out alive.
Mina and Sean having Dinner (Still from War of The Roses (1989)
WHY US? WHY NOW?
I've always found the vampire as a creature very interesting and the stories that have been told with them have always been varied and interesting.
After the success of Sinners (2025), a very prominent vampire horror film, I wanted to take the vampire out of the horror and out of the role of antagonist.
I wanted the vampire to be the one being hunted.
Still from A Girl Walks Home At Night (2014)
We also wanted to think about the logistics of a creature that MUST kill to live and one that can live forever. Is that a life of bliss or torture and pain? One of seclusion and loneliness? How does someone deal with those feelings?
I then realized as I was writing this film that this is a story about prejudice and othering. Instead of just flipping the role of the vampire in the narrative, what if we reimagined the creature's history as propaganda? Propaganda that has been pushed by hateful people and organizations; organizations that will use this hunt and kill their chosen enemy. What if this lonely vampire meets a man who has been taught to fear and hate her?
INFLUENCE/STYLE
From Left to Right: Inglorious Basterds (2008), The Menu (2022), Kiss of The Dammed (2012)
The backdrop of the film is of course set in the world of vampires but we wanted to shift the visual style away from dark and gothic aesthetics to a warmer and more modern look. A look that seems inviting and comfortable at the beginning of the film but shifts into dark irony as dark red blood stains the warmly lit wood.
For the character of Mina, we really wanted to hone in on a strong and intelligent character who is put into a very difficult and potentially hopeless situation. Margo from The Menu (2022) was a great inspiration for this as she is capable and head-strong, even in hopeless and dangerous circumstances.
The film is mostly a tense conversation between two people and the suspense of the film largely lies on whether or not Sean knows Mina's true identity. Inglorious Basterds (2008) and especially Hans Landa's scenes were perfect inspiration for this. Someone interrogating and prodding for information while reveling in the helplessness and panic of their victim.
HOW YOU CAN HELP
BTS of the Dr. Beaumont Shoot
We are mostly fundraising to increase the production value of the film and bring it to the cinema level quality we think it deserves. Luckily, the incredible location won't need to be paid for so most of the funding would go to incredible production design. Things like their costumes, the SFX of blood, faking a stab through the heart, and much more is a major part of our budget.
Along with that, we want to rent film equipment like the Sony Fx6 and many other pieces of professional lighting, audio, and grip equipment to get the film looking and sounding as great as possible!
SHARE
If you can't afford to help fundraise the project then spread the word about the project! Tell your family members, coworkers, friends, and random delivery drivers about it, send them to the fundraiser page through the project link, or have them follow our Instagram! Following our Instagram account is great help and allows you to stay up to date with BTS, project updates, and any news you may need to know!
Thank you!
"I wish good luck to you all...They will not have our blood!" - Dr. Diana Beaumont
Wishlist
Use the WishList to Pledge cash and Loan items - or - Make a pledge by selecting an Incentive directly.
Equipment Rentals
Costs C$1,000
We need the best equipment possible to make this film cinema leevl quality. From a Sony Fx6 to lighting, grip, and sound equipment.
Stunts & SFX/Makeup
Costs C$1,500
For the effects of vampire teeth, stabs through the chest, and having the main pair fight each other; we need funds for special effects!
Transportation
Costs C$150
The location may be paid for but we need to be able to get our cast and crew there.
Food/Craft Services
Costs C$350
A few days on set, we need to feed the cast and crew good food (an equal amount of the cost will come out of director's pocket as well)
Production Design
Costs C$1,000
We need production design to decorate the house that Sean resides in. On top of that, we need prop food and costumes for the actors.
Festivals
Costs C$500
Once the film is finished, we want a proper amount of funds to be able to get it shown in as many festivals and events as possible!
Contigency
Costs C$500
Some extra money just in case anything goes wrong on set or the budget exceeds our expectations by a bit.
Direct link:
Share this update!
About This Team
Writer/Director/Producer
Logan Totman is a Canadian filmmaker based in the GTA. He has been passionate about filmmaking and creating his own films and music videos since he was 14 years old. He has had his short films appear in multiple film festivals; his debut The Masterpiece (2023) was shown at the Eye2Eye Film Festival and Housesitting (2024) was played at the Toronto Short Horror Film Festival. He graduated from Toronto Film Festival with a certificate in film production in 2025 and now he wants to use the skills and connection he made there to create his next project.
1st Assistant Director
Alina Saparova is Kazakh filmmaker based in Toronto. While specializing in the sound department for 2 years, Alina is also very passionate about working as a 1st AD. Her set experience has not only allowed her to better study and observe different assistant directors, but it helped her learn how to work under different directors.
Production Designer
Roshannie Jeyachandrakanthan is a Toronto‑based production designer and filmmaker who builds lush, tactile worlds shaped by symbolic colour and layered texture. Her sets are known for feeling larger than life- fully lived‑in spaces that pull you straight into the story. She produced and designed the period folk‑horror Spirits (2025), a project that cemented her love of atmospheric, character‑driven world‑building. Her design work also includes the sci‑fi thriller Basement Game, the fantasy drama Storybrooke, the comedy‑drama Kareem, and the drama Fired Up, along with art direction and set decoration on several other shorts. She also produced, directed, and designed the music video Hope For Your Love.
Director of Photography
Director of Photography: Maria Paz is a Toronto based filmmaker, that brings creativity and passion to every project she is involved in. She has worked as Director of Photography on different productions throughout her career. Through intentional composition and lighting, Maria transforms narrative into immersive visual experiences. She now brings this perspective to Maneater, capturing its intense and enigmatic world with clarity and impact.