MOKSORI - A Short film about Inner Voices and Identity

Los Angeles, California | Film Short

Drama, Music

Dennis Sungmin Kim

1 Campaigns | California, United States

24 days :20 hrs :09 mins

Until Deadline

64 supporters | followers

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$15,300

Goal: $15,000 for production

“MOKSORI” is a film for anyone who has ever been asked to set themselves aside - by a culture, a family, or a uniform. It's a deeply personal story about identity, the courage to be heard, and what it costs to silence the voices we carry inside us that we never chose in the first place.

About The Project

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Mission Statement

Mandatory military service is universal for Korean men, a singular experience for a myriad of personalities and identities. “MOKSORI” exists in that specific gap: between cultures, identities, and the self you inherited and the one you are still trying to find.

The Story

Logline: With mandatory military service on the horizon, a self-doubting Korean college musician is haunted by two opposing inner voices, one critical and one compassionate, as he races to perform an original song before the part of him that wrote it gets silenced for good.


MOKSORI (목소리, meaning "voice" in Korean) is a psychological coming-of-age film about a college musician trying to find his voice before the world asks him to be quiet.


The film follows Sungwoo, a Korean college sophomore aspiring to become a singer-songwriter, a path that already feels at odds with the idea of being a "good" Korean son. Beneath that, it's the story of someone who has never quite felt like he belonged anywhere, not fully Korean, not fully anything else, and who has spent his whole life learning to stay quiet because of it. With mandatory military enlistment approaching, tonight may be the last window he has to be heard as himself before two years of institutional life asks him to set that self aside entirely.


But really, it's about these two voices in his head: one that constantly tells him he's not good enough and to stop before he embarrasses himself, and another that is quieter and more patient, one that has been carrying him longer than he knows.


The first voice is disciplined, sharp, and relentless. Donning a black Korean Army training shirt, Dan is the physical embodiment of the institutional life closing in on him, he is built from everything Sungwoo has ever internalized: how he should behave, what success should look like, and how he should be seen by those around him. He is the voice that got Sungwoo through school, through exams, through every performance that required him to be the good Korean boy. Dan is the voice that tells Sungwoo, with complete conviction, that standing out now by revealing his authentic self, in the final moments of his college years, will be a critical mistake he will not be able to take back. 


But there is also another presence, one that is quieter and patient. Unlike the first voice, it never pushes but gently nudges. It is the accumulated warmth of everyone who has ever genuinely known Sungwoo, and it has been there the whole time, waiting for him to notice.


In the forty minutes before the performance, pressure builds, and those voices begin to take form, turning his internal struggle into something physical, immediate, and impossible to ignore.


Will Sungwoo be able to quiet the voice that has spent his whole life telling him to stay small, before the army takes the chance away entirely?




Part of growing up and forming one’s identity deals with grappling expectations from family, school, and the world around us. Over time, those expectations become internalized into our own inner voice, and perhaps even begin to feel like the truth, even though these narratives are only in our minds.


A voice inside tells you that there’s no point in being vulnerable, expressing your true desires, and being your authentic self. But there's also another voice that suggests a more optimistic possibility, one that recognizes the scars and offers something gentler instead.


For Sungwoo, that struggle has a specific shape. He is someone who has grown up between two worlds, never fully belonging to either, and who has learned to suppress the most honest parts of himself because showing them has only ever led to being misunderstood. His music, a hybrid of everything he is, refusing to be one thing or another, is the most authentic expression of that experience. And tonight is possibly the last chance he has to share it before the army, in its own way, asks him to become someone more legible, more institutional, and most importantly, more quiet.


MOKSORI lives in that space, the moment where you're stuck between fear and expression, where creating something honest feels almost impossible, going against expectations feel daunting, and where the voice that has always seemingly protected you is also the one standing in your way.





Over the years, I have spent a lot of time creating while dealing with that internal back-and-forth: wavering between confidence and doubt, between wanting to express something honestly and being afraid of how it will be received. Even when things are going well, that voice never really fades away.


The picture above is me in 2018, just back from Korean military service, playing electric guitar. I know what it feels like to return to something you love after two years of being asked to set yourself aside. I know what that first note back feels like, and what it means to wonder, during those two years, whether the person you were before would still be there when you came out.


I wanted to make something that reflects that inner experience truthfully. I believe that through this very specific, subjective experience of a young person's struggle to be heard, audiences will be able to connect with the emotional weight of the creative process, but also remember the moments in their own lives when they chose to listen to the voice that believed in

them.






A child creates freely because they haven't yet learned to be afraid of judgment. The act of making something honest becomes harder over time, not because we get worse at it, but because we accumulate experiences that taught us what exposure costs. We become the harshest critics of our own work, and that critical voice, however painful, does sometimes protect us. The difficulty is learning to tell the difference between the voice that protects and the voice that diminishes, and finding the courage to act even when you can't fully tell them apart.


MOKSORI will be an independently produced film, and your support will directly help us bring it to life, from production through post, including the hand-drawn animation sequence at the film's emotional heart. Every contribution will be used to support young artists and storytellers telling this story with dedication, honesty, and care.



Reaching 15K

With our 15K goal reached, we will be able to support every part of the filmmaking process with the respect that it deserves. By reaching the initial goal of 15K, our crowdfunding campaign will have been successful, all thanks to every individual or organization involved in supporting the creation of this film.


Reaching 20K

At 20k, we will be able to achieve the 'dream budget' that will allow MOKSORI to become the way it deserves to be made. The additional budget will be funneled towards providing every practical and creative department of the filmmaking process to allow MOKSORI to truly become the very best version of itself.




If you have ever felt like you didn't quite belong, in a culture, in a room, in a version of yourself the world expected, this film is for you.


For Korean men, that feeling has a deadline: the mandatory military service that forces all young men to take on one institutionalized identity for nearly two years of their twenties. It all feels existentially terrifying, especially when you were never quite sure who you are, or if you even fully belonged to one country in the first place.


The voices will never stop, but maybe knowing which one is yours is enough to start with.


If that resonates with you at all, please consider supporting MOKSORI. Every contribution helps a team of young artists bring this story to life the way it deserves.


감사합니다 :)


Sincerely,

Dennis Sungmin Kim



Wishlist

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Equipment & Rentals

Costs $2,000

We will need to rent high quality equipment: lens, kit, sound equipment.

Food

Costs $1,000

A happy production is one that is well fed! We'll be working long shoot days and will need healthy, proper sustenance for our cast and crew.

Actors & Crew

Costs $7,000

We believe in compensating our talent and crew for their hard work and dedication. We will have 4 actors and about a 20 person crew.

Post-Production

Costs $2,000

Production is the tip of the iceberg, and post production is the rest! We are hiring an editor, colorist, and composer.

Film Festivals

Costs $1,000

We would love to submit our work to various film festivals around the world. This will help with application costs!

Misc. & Contingency

Costs $1,500

With any production, there will be surprise expenses ready to pop out around the corner and we want to be ready for it!

Locations & Production Design

Costs $500

Our film takes place in a stressed out student's dorm room. We'll be needing props and set decorating to make our set look accurate!

Cash Pledge

Costs $0

About This Team

Dennis Sungmin Kim - Writer/Director


Dennis is a South Korean filmmaker and animator currently based in South Korea. Growing up between Seoul and New Jersey, Kim’s passion for drawing and storytelling naturally evolved into a career in film and animation. Fascinated by existential themes and their connection to humanity, he creates imaginative, allegorical stories through intricate character development and world-building.

While studying Fine Arts and Cinema & Media Studies at the University of Pennsylvania, Dennis directed several short films that gained international recognition. His works have been featured on prominent platforms such as Short of the Week, Vimeo Staff Picks, DUST Sci-Fi (Gunpowder & Sky), and Omeleto, collectively amassing over 1.3 million views. His films have also been showcased at numerous film festivals worldwide, earning acclaim for their thought-provoking narratives and artistic vision.


Elisha Chu - Producer


Elisha is a producer born and raised in Southern California. She started her career working at the San Diego Asian Film Festival which solidified her passion for film, specifically for independent and global cinema. Her first entertainment job was working in Below the Line representation at Zero Gravity Management before moving on to work for Cathy Schulman at Welle Entertainment. During her time at Welle, she worked on S1 of Memory of a Killer as an EP assistant. Elisha is now back to her roots working in independent films with Apoorva Charan at All Caps Films, hoping to tell meaningful, cultural, and craft-driven stories for a global audience. 


Alice Wibisono - Producer


Alice Wibisono is a filmmaker and sound designer based in Los Angeles and New York. She earned a Bachelor of Arts in Film & TV Production from University of Southern California. Her short film The Tale of the Chopsticks (2022) was nominated by USC Asian Film Festival 2023 for the Jury and Audience Award. She’s passionate about creating stories that tenderize humans and offer an empathetic glance, especially towards marginalized communities. Alice worked in Palari Films, where she managed the post-production of Piknik Pesona (2023) and distributed it to festivals. Nowadays, she works as a sound designer on films screened at the Sundance Film Festival, Cannes Film Festival, and Mountainfilm Festival, and produces independent projects, the latest one being “Mummy Loves You,” scheduled to be finished by summer 2026. 


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