Oh, No!
Los Angeles, California | Film Feature
Romantic Comedy, Sci-Fi
Isla broke her simulation to avoid fate forcing her to break up with her boyfriend, Ezra; now, she’s living in a self-induced time loop.
Oh, No!
Los Angeles, California | Film Feature
Romantic Comedy, Sci-Fi
2 Campaigns | California, United States
33 supporters | followers
Enter the amount you would like to pledge
$2,555
Goal: $25,252 for production
Isla broke her simulation to avoid fate forcing her to break up with her boyfriend, Ezra; now, she’s living in a self-induced time loop.
About The Project
- The Story
- Wishlist
- Updates
- The Team
- Community
Mission Statement
The Story
Isla is self-aware that she is a character in a story with an ending she cannot accept. She is trapped in a time loop on July 17th, the first day of a couple’s vacation. Three days later, on July 20th, she will break up with her boyfriend, Ezra, her best friend, and the best part of her life. Rather than let that ending play out, Isla breaks the simulation she lives in and refuses to let time move forward.
Breaking the simulation is simple. You follow intrusive impulses that ruin the simulation’s tidy, predestined story. Notes left by Isla’s past self cover the walls of her self-made HQ Room, warning her that “It happens on the 20th.” Every night, Isla destroys objects in the vacation house, then goes to sleep and wakes up on July 17th again with the house in pristine condition. Her prison may be self-induced, but a small price to pay to avoid breaking Ezra’s heart.
Before the loop, Isla and Ezra were vacationing with Isla’s college friends Faith and Donnie, a married couple now stuck behaving like NPCs. They endlessly push the vacation forward, which annoys Isla. When they get too annoying, she resets them (usually by punching them in the face). They freeze and fall to the ground, then reboot as if nothing happened. An invisible barrier traps everyone inside the rental house. Cross it, and you blip out of existence, only to reappear by the front door.
Ezra, meanwhile, has been missing. Isla believes the simulation removed him to stop them from living on July 17th forever. She convinces herself this is necessary because messages from Past Isla warn to "Resist Intimate Contact" because "Temptation moves the Timeline." As long as he is gone, Isla can keep July 20th at bay. If she never lives on July 20th, then she never breaks his heart.
Then Ezra suddenly reappears, acting as if the original timeline is intact. Panicked, Isla repeatedly resets him, demanding the simulation take him back. It does not. However, each reset makes Ezra sick. Now Isla faces the dilemma she created. Stay trapped, and Ezra suffers. Move forward, and she loses him.
In 2019, my wife and I spent a year living out of a van and traveling across New Zealand—her dream lifestyle. Later, we moved to Los Angeles so I could pursue filmmaking, and I wrestled with the fear that my ambition was ruining her life. That anxiety became the foundation of Oh, No!.
The film also draws from the simple question: If you know an ending is coming and you hate it, what would you do to stop it? Isla can't change her fate, but she can stop time itself, trapping herself in a loop rather than face a life without the person she loves.
By letting her intrusive thoughts win, Isla breaks the simulation. The film uses absurd comedy, sci-fi mechanics, and emotional honesty to explore avoidance, guilt, and trauma, while opening a conversation about mental health through humor and hope.
At its core, Oh, No! is about what matters most: The limited time we have with the people we love. We hope audiences leave not with the idea that healing means forgetting, but with the belief that resilience comes from choosing to move forward.
At its core, Oh, No! is for anyone who has ever experienced heartbreak, grief, anxiety, or the fear of moving forward. While wrapped in a quirky sci-fi comedy about a broken simulation, the film explores emotions that are deeply universal. Fans of character-driven indie films, offbeat comedies, and stories like Fleabag, I'm Thinking of Ending Things, Swiss Army Man, and Palm Springs will connect with its blend of humor, heart, and existential wonder.
We believe audiences are hungry for stories that make them laugh while saying something meaningful. Oh, No! transforms the universal experience of loss into a bold, hilarious, and heartfelt journey toward healing. Our hope is that viewers leave not only entertained, but reminded that resilience comes from embracing life's uncertainty—not avoiding it.
Through this crowdfunding campaign, we're raising $25,252 to bring Oh, No!'s glitching simulation to life during our 12-day shoot near Golden, Colorado. Every pledge directly supports paying our cast and crew, renting the camera, lighting, and grip equipment needed to do the story justice, Plus production design, wardrobe, crew transportation and housing, and most importantly, keeping everyone well fed.
If we exceed our goal, we'll invest the additional funds into more stunts, enhanced visual effects, post-production, and festival submissions, helping Oh, No! reach audiences everywhere.
Our Stretch Goals:
80% — We make the movie. That's...kind of the whole point.
100% — We can afford an Art Director and Hair & Makeup Artist. Everyone (and everything) gets the glow-up they deserve.
110% — We keep all the stunts as written. Or else we're cutting everything but one scene.
120% — Production Design and Wardrobe get the budget they deserve. Otherwise, we're decorating with whatever's already in the house and wearing whatever is in our closet.
130% — We can fully invest in our festival run. Otherwise...we will back again to beg for more.
Project Timeline:
July - August 2026 | Pre-Production
August 12, 2026 | Secure Full Funding
September 2026 | Principal Photography
6-10 Months | Post Production
Anna Telfer — Isla
Anna Telfer is a bicoastal actor and singer whose recent screen credits include Palm Royale (Apple TV), The Puppetman (Shudder), and Lost in Tomorrow (Apple TV, Tubi). She has appeared in over 20 national commercials and numerous stage productions, including the Off-Broadway run of Ode to the Wasp Woman and the national tour of How the Grinch Stole Christmas. In 2024, Anna won Best Actress at the Los Angeles 48-Hour Horror/Comedy Film Festival for her performance in VisionRey’s Idle Hands (directed by Scott McKinney). She recently finished a stage stint as Audrey in Little Shop of Horrors at Theatre by the Sea in Rhode Island.
Skyler Bible — Ezra
Skyler Bible is an Indigenous actor and stunt performer known for grounded, character-driven performances and a strong physical presence. His credits include Star Wars: The Book of Boba Fett, Disney's Lilo & Stitch, and Jay Duplass' See You When I See You (Sundance). His work spans independent films, including Downbeat (SXSW), and studio features such as Universal's First Man and MGM's The Wolf of Snow Hollow. He continues to bring his stunt background into performances with a mix of honesty, curiosity, and a sense of humor.
Brian Barlow — Donnie
Brian Barlow is an actor whose work spans stage, film, television, and commercial projects. He co-wrote and starred in Side Hustle through Buckles & Bird Productions, earning multiple festival awards and nominations. He was also nominated for Best Supporting Actor for Idle Hands in the 48 Hour Film Project. His recent credits include commercial campaigns for Blue Moon and Mercury Insurance, while his theater career includes productions of A Midsummer Night's Dream and Circle Mirror Transformation. Brian brings versatility, sharp comedic timing, and emotional depth to every role.
Hilty Bowen - Faith
Texas-born, Florida-raised, and now living in California, Hilty Bowen, a USC School of Cinematic Arts graduate, has acted in dream roles for productions like Guardians of the Galaxy Vol. II, Mike and Dave Need Wedding Dates, ABC's Scandal, Mistresses, and Apple's Mythic Quest. Hilty also writes thrillers and romantic comedies for Hallmark, Lifetime, Amazon Prime, Tubi, and UPTV. Her thriller Living with My Mother's Killer became one of Lifetime's top-performing films, while her Hallmark original A Grand Ole Opry Christmas won the 2026 Gracie Award for Made for TV Movie of the Year. When she isn't on screen or behind it, Hilty can be found with her guitar in hand, writing music for her next project, visiting her adorable nephew in Texas, or watching her favorite film genre...90s Michael Douglas thrillers.
Filmmaking is truly an all-hands-on-deck process, and we would be honored if you would join us in making this story a reality. We cannot wait to share all of our bold, heartfelt, and hilariously glitchy updates with you as we continue on with our various production phases. We promise we will update you on every exciting step of the way, and in the meantime, you can help our film in THREE different ways:
1: SHARE us on your social media!
We would love to connect with you, seriously! Follow us on Instagram @ohno.movie and we will be sure to bring you the fire content you are expecting!
2: FOLLOW us on Seed & Spark!
By following us here, you are putting us one step closer to reaching our goals and making our dreams come true. If you follow us, we promise that you won't regret it.
3: MAKE A PLEDGE to this campaign!
Seriously, any amount you can commit to our film is truly going to help us. Whether you donate $1 or $1000, you ARE putting us one step closer to our goal. We appreciate you and any contributions you can make!
Thank you for taking the time to look through our story, and we hope you stick around!
-Scott and the Oh No! Team
Wishlist
Use the WishList to Pledge cash and Loan items - or - Make a pledge by selecting an Incentive directly.
Gear
Costs $4,000
Can't capture light if we don't got any. This will help us get the gear to make this movie properly.
Travel
Costs $2,300
We're filming outside near Golden, Colorado, but we have cast and crew we need to get to there!
Lodging
Costs $3,522
Accommodations for our out of town cast and crew to lay their weary heads after a long day of creating movie magic.
Production Design
Costs $2,300
Help us fill the house with beautiful and purposeful things that will tell the story better.
Direct link:
Share this update!
About This Team
Scott McKinney— Writer/Director/Producer
Scott McKinney is a filmmaker from a small town in Nebraska who is passionate about telling stories that use humor and empathy to explore mental health. An MFA graduate of the Savannah College of Art and Design's Film and Television program, he has written, directed, and produced numerous short films and music videos. His short film Jamie is Alone recently screened at festivals in Lisbon, Portugal, and Cannes, France. A graduate of the Upright Citizens Brigade (UCB) improv program and former screenwriting instructor, Scott's award-winning films have earned multiple Best Comedy honors, as well as Best Director and Best Film at the 2024 LA 48hr Film Project.
Jackson Brown — Producer/Composer
Jackson is a giggle away from a good time. He has worked in many facets of film, but his passions lie in composing and sound design. With both a marketing and an accounting degree from the University of Arkansas and his audio engineering education from Icon Collective, he’s excited to get to wear multiple hats as we try to tell the stories that mean something to all of us.
Benjamin Hatmaker — Producer
Benjamin Hatmaker is a PGA West producer specializing in narrative content in scripted productions and studio/network relations. He is best known for overseeing the transition from broadcast to streaming platforms at WarnerMedia, helping craft innovative post-production workflows for the new HBO Max streaming service and legacy broadcast networks like TNT and TBS. As coordinator of post-production for Turner and Max Scripted Originals, he worked on over 70 narrative live-action and animated shows and films like Kaley Cuoco’s thriller Flight Attendant, Ridley Scott’s epic sci-fi drama Raised by Wolves, to Olan Rogers’ animated comedy Final Space.
Sarah Reddy — Cinematographer
Sarah Reddy’s journey took her from Bristol, Indiana to Los Angeles, where she earned her MFA in Film Production with a focus in Cinematography from Chapman University. After graduating, she began shooting an array of projects—from commercials to music videos—while working as a technician at a film rental house. This hands-on experience with cameras and lenses sharpened her technical skills and sparked a passion for visual innovation. She has collaborated with brands like Blazar and Kinefinity, and crafted the look for A Good Hang, a multicam music event filmed at PLYRZ Studio. Sarah’s technical expertise and passion for storytelling have prepared her to bring Oh, No! to life.
Katy Wicker — Producer
Katy Wicker is a Los Angeles–based, award-winning producer and production manager with a diverse portfolio spanning independent narrative film, short-form projects, digital content, and creative marketing. Most recently, she produced the short film Balloon Animals, written and directed by Anna Baumgarten, which was selected for the Short Film Program at the 2026 Sundance Film Festival. When she’s not on set or in the edit bay, she can be found exploring Los Angeles with her dog, Walter.
Francesca Poliseno — Producer
Francesca Poliseno is a multimedia director/producer/journalist based out of Brooklyn, NY. Currently, she is a full-time documentary producer at PBS, but her past experience spans VICE, Apple Music, People Inc, and Amazon Studios. She focuses primarily on branded campaigns, journalism, documentaries, experimental, and art films. Francesca loves how film connects the world and wants to use her filmmaking to share experiences.
Cassia Sherrill — Producer
Cassia Sherrill is a Los Angeles-based producer, director, and founder of Numinous Studios, with a passion for storytelling across documentary, narrative, and digital media campaigns. She believes deeply in the power of stories to shift perspectives, spark connection, and help change the world. Her work spans production and social media strategy, where she collaborates with filmmakers, artists, and organizations to create authentic, emotionally driven narratives. Cassia is currently an executive producer on the documentary River Warrior, a film centered on resilience, environmental connection, and life off the grid. Through her production company and creative collaborations, Cassia supports projects rooted in purpose and human connection, helping bring stories to audiences both on-screen and online. She is grateful for the opportunity to contribute to Oh, No! in a meaningful way and is excited to support the creative team behind it.
Duncan Reddy — Production Designer
Duncan Reddy is a Production Designer from Vancouver, Canada. He fell in love with filmmaking when he found that the art department blended his passions of art and storytelling. He has performed a broad range of art department roles on various projects, working as an art P.A on Season 5 of Mayans M.C, Art Director on commercials and features, and Production Designer on dozens of music videos, commercials, short films, and now Oh No!
Current Team
Incentives
- The Story
- Wishlist
- Updates
- The Team
- Community
Mission Statement
The Story
Isla is self-aware that she is a character in a story with an ending she cannot accept. She is trapped in a time loop on July 17th, the first day of a couple’s vacation. Three days later, on July 20th, she will break up with her boyfriend, Ezra, her best friend, and the best part of her life. Rather than let that ending play out, Isla breaks the simulation she lives in and refuses to let time move forward.
Breaking the simulation is simple. You follow intrusive impulses that ruin the simulation’s tidy, predestined story. Notes left by Isla’s past self cover the walls of her self-made HQ Room, warning her that “It happens on the 20th.” Every night, Isla destroys objects in the vacation house, then goes to sleep and wakes up on July 17th again with the house in pristine condition. Her prison may be self-induced, but a small price to pay to avoid breaking Ezra’s heart.
Before the loop, Isla and Ezra were vacationing with Isla’s college friends Faith and Donnie, a married couple now stuck behaving like NPCs. They endlessly push the vacation forward, which annoys Isla. When they get too annoying, she resets them (usually by punching them in the face). They freeze and fall to the ground, then reboot as if nothing happened. An invisible barrier traps everyone inside the rental house. Cross it, and you blip out of existence, only to reappear by the front door.
Ezra, meanwhile, has been missing. Isla believes the simulation removed him to stop them from living on July 17th forever. She convinces herself this is necessary because messages from Past Isla warn to "Resist Intimate Contact" because "Temptation moves the Timeline." As long as he is gone, Isla can keep July 20th at bay. If she never lives on July 20th, then she never breaks his heart.
Then Ezra suddenly reappears, acting as if the original timeline is intact. Panicked, Isla repeatedly resets him, demanding the simulation take him back. It does not. However, each reset makes Ezra sick. Now Isla faces the dilemma she created. Stay trapped, and Ezra suffers. Move forward, and she loses him.
In 2019, my wife and I spent a year living out of a van and traveling across New Zealand—her dream lifestyle. Later, we moved to Los Angeles so I could pursue filmmaking, and I wrestled with the fear that my ambition was ruining her life. That anxiety became the foundation of Oh, No!.
The film also draws from the simple question: If you know an ending is coming and you hate it, what would you do to stop it? Isla can't change her fate, but she can stop time itself, trapping herself in a loop rather than face a life without the person she loves.
By letting her intrusive thoughts win, Isla breaks the simulation. The film uses absurd comedy, sci-fi mechanics, and emotional honesty to explore avoidance, guilt, and trauma, while opening a conversation about mental health through humor and hope.
At its core, Oh, No! is about what matters most: The limited time we have with the people we love. We hope audiences leave not with the idea that healing means forgetting, but with the belief that resilience comes from choosing to move forward.
At its core, Oh, No! is for anyone who has ever experienced heartbreak, grief, anxiety, or the fear of moving forward. While wrapped in a quirky sci-fi comedy about a broken simulation, the film explores emotions that are deeply universal. Fans of character-driven indie films, offbeat comedies, and stories like Fleabag, I'm Thinking of Ending Things, Swiss Army Man, and Palm Springs will connect with its blend of humor, heart, and existential wonder.
We believe audiences are hungry for stories that make them laugh while saying something meaningful. Oh, No! transforms the universal experience of loss into a bold, hilarious, and heartfelt journey toward healing. Our hope is that viewers leave not only entertained, but reminded that resilience comes from embracing life's uncertainty—not avoiding it.
Through this crowdfunding campaign, we're raising $25,252 to bring Oh, No!'s glitching simulation to life during our 12-day shoot near Golden, Colorado. Every pledge directly supports paying our cast and crew, renting the camera, lighting, and grip equipment needed to do the story justice, Plus production design, wardrobe, crew transportation and housing, and most importantly, keeping everyone well fed.
If we exceed our goal, we'll invest the additional funds into more stunts, enhanced visual effects, post-production, and festival submissions, helping Oh, No! reach audiences everywhere.
Our Stretch Goals:
80% — We make the movie. That's...kind of the whole point.
100% — We can afford an Art Director and Hair & Makeup Artist. Everyone (and everything) gets the glow-up they deserve.
110% — We keep all the stunts as written. Or else we're cutting everything but one scene.
120% — Production Design and Wardrobe get the budget they deserve. Otherwise, we're decorating with whatever's already in the house and wearing whatever is in our closet.
130% — We can fully invest in our festival run. Otherwise...we will back again to beg for more.
Project Timeline:
July - August 2026 | Pre-Production
August 12, 2026 | Secure Full Funding
September 2026 | Principal Photography
6-10 Months | Post Production
Anna Telfer — Isla
Anna Telfer is a bicoastal actor and singer whose recent screen credits include Palm Royale (Apple TV), The Puppetman (Shudder), and Lost in Tomorrow (Apple TV, Tubi). She has appeared in over 20 national commercials and numerous stage productions, including the Off-Broadway run of Ode to the Wasp Woman and the national tour of How the Grinch Stole Christmas. In 2024, Anna won Best Actress at the Los Angeles 48-Hour Horror/Comedy Film Festival for her performance in VisionRey’s Idle Hands (directed by Scott McKinney). She recently finished a stage stint as Audrey in Little Shop of Horrors at Theatre by the Sea in Rhode Island.
Skyler Bible — Ezra
Skyler Bible is an Indigenous actor and stunt performer known for grounded, character-driven performances and a strong physical presence. His credits include Star Wars: The Book of Boba Fett, Disney's Lilo & Stitch, and Jay Duplass' See You When I See You (Sundance). His work spans independent films, including Downbeat (SXSW), and studio features such as Universal's First Man and MGM's The Wolf of Snow Hollow. He continues to bring his stunt background into performances with a mix of honesty, curiosity, and a sense of humor.
Brian Barlow — Donnie
Brian Barlow is an actor whose work spans stage, film, television, and commercial projects. He co-wrote and starred in Side Hustle through Buckles & Bird Productions, earning multiple festival awards and nominations. He was also nominated for Best Supporting Actor for Idle Hands in the 48 Hour Film Project. His recent credits include commercial campaigns for Blue Moon and Mercury Insurance, while his theater career includes productions of A Midsummer Night's Dream and Circle Mirror Transformation. Brian brings versatility, sharp comedic timing, and emotional depth to every role.
Hilty Bowen - Faith
Texas-born, Florida-raised, and now living in California, Hilty Bowen, a USC School of Cinematic Arts graduate, has acted in dream roles for productions like Guardians of the Galaxy Vol. II, Mike and Dave Need Wedding Dates, ABC's Scandal, Mistresses, and Apple's Mythic Quest. Hilty also writes thrillers and romantic comedies for Hallmark, Lifetime, Amazon Prime, Tubi, and UPTV. Her thriller Living with My Mother's Killer became one of Lifetime's top-performing films, while her Hallmark original A Grand Ole Opry Christmas won the 2026 Gracie Award for Made for TV Movie of the Year. When she isn't on screen or behind it, Hilty can be found with her guitar in hand, writing music for her next project, visiting her adorable nephew in Texas, or watching her favorite film genre...90s Michael Douglas thrillers.
Filmmaking is truly an all-hands-on-deck process, and we would be honored if you would join us in making this story a reality. We cannot wait to share all of our bold, heartfelt, and hilariously glitchy updates with you as we continue on with our various production phases. We promise we will update you on every exciting step of the way, and in the meantime, you can help our film in THREE different ways:
1: SHARE us on your social media!
We would love to connect with you, seriously! Follow us on Instagram @ohno.movie and we will be sure to bring you the fire content you are expecting!
2: FOLLOW us on Seed & Spark!
By following us here, you are putting us one step closer to reaching our goals and making our dreams come true. If you follow us, we promise that you won't regret it.
3: MAKE A PLEDGE to this campaign!
Seriously, any amount you can commit to our film is truly going to help us. Whether you donate $1 or $1000, you ARE putting us one step closer to our goal. We appreciate you and any contributions you can make!
Thank you for taking the time to look through our story, and we hope you stick around!
-Scott and the Oh No! Team
Wishlist
Use the WishList to Pledge cash and Loan items - or - Make a pledge by selecting an Incentive directly.
Gear
Costs $4,000
Can't capture light if we don't got any. This will help us get the gear to make this movie properly.
Travel
Costs $2,300
We're filming outside near Golden, Colorado, but we have cast and crew we need to get to there!
Lodging
Costs $3,522
Accommodations for our out of town cast and crew to lay their weary heads after a long day of creating movie magic.
Production Design
Costs $2,300
Help us fill the house with beautiful and purposeful things that will tell the story better.
Direct link:
Share this update!
About This Team
Scott McKinney— Writer/Director/Producer
Scott McKinney is a filmmaker from a small town in Nebraska who is passionate about telling stories that use humor and empathy to explore mental health. An MFA graduate of the Savannah College of Art and Design's Film and Television program, he has written, directed, and produced numerous short films and music videos. His short film Jamie is Alone recently screened at festivals in Lisbon, Portugal, and Cannes, France. A graduate of the Upright Citizens Brigade (UCB) improv program and former screenwriting instructor, Scott's award-winning films have earned multiple Best Comedy honors, as well as Best Director and Best Film at the 2024 LA 48hr Film Project.
Jackson Brown — Producer/Composer
Jackson is a giggle away from a good time. He has worked in many facets of film, but his passions lie in composing and sound design. With both a marketing and an accounting degree from the University of Arkansas and his audio engineering education from Icon Collective, he’s excited to get to wear multiple hats as we try to tell the stories that mean something to all of us.
Benjamin Hatmaker — Producer
Benjamin Hatmaker is a PGA West producer specializing in narrative content in scripted productions and studio/network relations. He is best known for overseeing the transition from broadcast to streaming platforms at WarnerMedia, helping craft innovative post-production workflows for the new HBO Max streaming service and legacy broadcast networks like TNT and TBS. As coordinator of post-production for Turner and Max Scripted Originals, he worked on over 70 narrative live-action and animated shows and films like Kaley Cuoco’s thriller Flight Attendant, Ridley Scott’s epic sci-fi drama Raised by Wolves, to Olan Rogers’ animated comedy Final Space.
Sarah Reddy — Cinematographer
Sarah Reddy’s journey took her from Bristol, Indiana to Los Angeles, where she earned her MFA in Film Production with a focus in Cinematography from Chapman University. After graduating, she began shooting an array of projects—from commercials to music videos—while working as a technician at a film rental house. This hands-on experience with cameras and lenses sharpened her technical skills and sparked a passion for visual innovation. She has collaborated with brands like Blazar and Kinefinity, and crafted the look for A Good Hang, a multicam music event filmed at PLYRZ Studio. Sarah’s technical expertise and passion for storytelling have prepared her to bring Oh, No! to life.
Katy Wicker — Producer
Katy Wicker is a Los Angeles–based, award-winning producer and production manager with a diverse portfolio spanning independent narrative film, short-form projects, digital content, and creative marketing. Most recently, she produced the short film Balloon Animals, written and directed by Anna Baumgarten, which was selected for the Short Film Program at the 2026 Sundance Film Festival. When she’s not on set or in the edit bay, she can be found exploring Los Angeles with her dog, Walter.
Francesca Poliseno — Producer
Francesca Poliseno is a multimedia director/producer/journalist based out of Brooklyn, NY. Currently, she is a full-time documentary producer at PBS, but her past experience spans VICE, Apple Music, People Inc, and Amazon Studios. She focuses primarily on branded campaigns, journalism, documentaries, experimental, and art films. Francesca loves how film connects the world and wants to use her filmmaking to share experiences.
Cassia Sherrill — Producer
Cassia Sherrill is a Los Angeles-based producer, director, and founder of Numinous Studios, with a passion for storytelling across documentary, narrative, and digital media campaigns. She believes deeply in the power of stories to shift perspectives, spark connection, and help change the world. Her work spans production and social media strategy, where she collaborates with filmmakers, artists, and organizations to create authentic, emotionally driven narratives. Cassia is currently an executive producer on the documentary River Warrior, a film centered on resilience, environmental connection, and life off the grid. Through her production company and creative collaborations, Cassia supports projects rooted in purpose and human connection, helping bring stories to audiences both on-screen and online. She is grateful for the opportunity to contribute to Oh, No! in a meaningful way and is excited to support the creative team behind it.
Duncan Reddy — Production Designer
Duncan Reddy is a Production Designer from Vancouver, Canada. He fell in love with filmmaking when he found that the art department blended his passions of art and storytelling. He has performed a broad range of art department roles on various projects, working as an art P.A on Season 5 of Mayans M.C, Art Director on commercials and features, and Production Designer on dozens of music videos, commercials, short films, and now Oh No!