Ojo de ruinas

Salinas, Puerto Rico | Film Short

LGBTQ, Romance

Shakira A. Calderón

1 Campaigns | San Juan, Puerto Rico

29 days :16 hrs :06 mins

Until Deadline

3 supporters | followers

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$135

Goal: $8,000 for pre-production

“Ojo de ruinas” is a slow burn love story for people that yearn for human intimacy in this digital age. Days before her baptism, a 20-year-old devout questions her attraction to a free-spirited older woman; as they keep meeting in the ruins of their community.

About The Project

  • The Story
  • Wishlist
  • Updates
  • The Team
  • Community

Mission Statement

As queer people we want the audience to experience a contemporary sapphic story where the duality of queer identity and spirituality meet. “Ojo de ruinas” is led by queer and black creatives that wish to showcase a LGBTQ+ story that highlights the landscape and community of southern Puerto Rico.

The Story



DO YOU REMEMBER HOW IT FELT TO FALL IN LOVE FOR THE FIRST TIME?


"Ojo de ruinas" is a coming-of-age short film directed by Samara Pérez Santiago and written by Coralis Cruz González. This contemporary story explores identity, faith, and longing, grounded in the landscapes and emotional truths of Puerto Rico.



“Ojo de ruinas” tells the story of Carolina, a 20-year-old devout who faithfully attends the church in her neighborhood. Her life unfolds between the sea, faith, and routine, until she meets Arleene, an independent woman who has joined the same church Carolina attends. Arleene’s free spirit awakens feelings in Carolina she had never imagined before.


As she gives in to her desire, Carolina begins having secret encounters with Arleene among the vast ruins that surround their community. On the eve of her baptism, Carolina is confronted with existential doubts that place her in tension between her faith and what she truly feels.



In Aguirre, the sea, the church, and abandoned structures become sites of encounters and secrets, reflecting and echoing Carolina’s inner world. And it’s in the ruins of Central Aguirre–one of the biggest sugar mills in the Caribbean during the 20th century–where the protagonists find a place where their love can exist, even if only in secrecy



"Ojo de ruinas" is not a coming out story or a story about shame. At its core, it's a story about discovery. It is about the first time desire becomes tangible, the first time another person changes the way the world feels, and the fragile intensity of realizing that identity is not fixed but unfolding. The protagonist, Carolina, is not seeking permission to exist, nor is the narrative driven by rejection or punishment.



The film leans into an intimate, observational style, privileging quiet moments, physical proximity, and the unspoken language of the body. The directorial approach establishes an omnipresent gaze and music, to highlight this feeling:



OTHER REFERENCES FOR "OJO DE RUINAS":



These films deeply inspire “Ojo de ruinas” both tonally and aesthetically. They are poetic, character-driven stories centered on the journey of coming to terms with identity, faith, sexual expression, and the courage to love.


WHO WILL BRING THESE CHARACTERS TO THE SCREEN?



WHY AGUIRRE?



Southern Puerto Rico is rarely depicted in our media, despite its rich history, distinct (and gorgeous) geography, and cultural significance. “Ojo de ruinas seeks to capture the intimacy of its coastal communities, the paced rhythms of daily life, and the ruins that shape its physical and emotional landscape. These abandoned structures serve as a metaphor for transformation: spaces that once held purpose but now exist in silence, reclaimed by our protagonists as a place where their love can exist freely.




Samara is an award-winning filmmaker committed to telling untold queer stories that reach audiences beyond our community and also prioritize collaborating with queer and BIPOC creatives in key creative roles, because they understand the nuances of their experiences more than anyone else. Their past works includes: La Espera🔗(Await) & Hustleween🔗



Through “Ojo de ruinas”, Samara aims to portray a contemporary sapphic story that connects to a reality that can be recognized. For this vision to come to life an aligned team is essential, the following are the heads of department of the short film:



And the production team!



Filmes Casa's trajectory as an independent film production company, combined with Casa Comunitaria de Medios' community-based work in Aguirre, Puerto Rico, translates to a collaboration that complements both organizations experiences and strengthens “Ojo de ruinas”.


As soon as it's ready, this community-based short film will have a distribution through film festivals, aiming for a world premiere in North America or Europe. And we plan to conclude with screenings at cultural and community centers in Puerto Rico, starting with Casa Comunitaria de Medios.



We are currently in the financing stage set to shoot in October 2026 and premiere in Fall 2027. Your pledge contributes to expenses such as gear rental, lodging, data storage, location expenses, among others. 



What We've Been Up To - Here's some behind-the-scenes!



This journey has begun; with your pledge, we will reach the end.



Our stretch goals! - What is possible if we surpass our $8,000 crowdfunding goal? 👀


  • $10,000 - A 125% fundraising means ALL preproduction expenses will be covered.
  • $12,000 - A 150% fundraising covers all preproduction expenses PLUS the equipment rental in FULL!


Can't make a pledge? See below ⬇️



  • 🔁Know a friend who would be interested in our story? Send them our Seed & Spark campaign! (link🔗)
  • 🔍Want to stay updated? Follow us on social media! - Casa Comunitaria de Medios🔗 | Filmes Casa🔗
  • 👥Share on social media (link🔗):
  • "A contemporary sapphic story where the duality of queer identity and spirituality meet. “Ojo de ruinas” showcases a coming-of-age story that highlights the landscape and community of Aguirre, Puerto Rico. Check out their @seedandspark campaign."


¡Gracias!

Wishlist

Use the WishList to Pledge cash and Loan items - or - Make a pledge by selecting an Incentive directly.

Lights, camera, action!

Costs $2,700

Pledging in this item will help us cover gear rental (camera, lighting and grip).

We gotta sleep!

Costs $1,100

The crew will have lodging during the overnight shoot; avoiding a commute of at least two hours per day.

Better safe than sorry!

Costs $750

You can cover our insurance expenses pledging in this item.

Lock up!

Costs $850

Location expenses: Fees, security, tents, chairs, tables and the list goes on.

Cut the cameras!

Costs $800

Pledging this expense covers our hard drives expenses.

Build the world!

Costs $700

Be part of “Ojo de ruinas” by covering set decor and props.

Part of the magic...

Costs $500

The character’s costumes, hair and makeup expenses.

Something always comes up!

Costs $600

Miscellaneous costs, with your pledge you can cover a unexpected expense.

Cash Pledge

Costs $0

About This Team

Samara Pérez Santiago - Director & Executive Producer

Samara Pérez Santiago (they/she) is an award-winning screenwriter, director, and creative producer from Hatillo, Puerto Rico. They hold a B.A. in Psychology and a Film Studies Certificate from the University of Puerto Rico, Mayagüez Campus, where their passion for filmmaking fully emerged. As a writer-director, Samara is guided by their own queer agenda, creating authentic LGBTQ+ stories for global audiences. Their short film “La espera (2024) won Best Local Dark Comedy at the Lusca Film Festival and screened at festivals including the Los Angeles Latino International Film Festival (LALIFF). Their documentary short “Hustleween”, about Black and Trans euphoria, won the Audience Award at NewFest and the Puerto Rico Queer Film Festival in 2025. As the co-founder and producer of the independent production company Filmes Casa, Samara has worked on award-winning films that have screened at festivals such as Tribeca, SXSW, AFI Fest, Outfest, and Inside Out, and have reached audiences through platforms including MUBI and PBS. At Filmes Casa, they lead a growing slate of narrative and documentary projects that tell bold, joyful, and authentic stories about life, love, and queerness.


Coralis Cruz González - Writer & Producer

Coralis Cruz González (she/her), lovingly known as Cora, is a writer and producer from Caguas, Puerto Rico. She has a bachelor’s degree in Sociology and is currently pursuing a master’s degree in Communication Research at the University of Puerto Rico. Her work explores memory, identity, and the tensions between the intimate and the social from a racial and gender perspective. Her first short story, “El beauty de Jenny,” was published in the digital magazine "Afroféminas", giving her international exposure. She developed audiovisual and oral history projects such as “Los Perfiles”, through Casa Comunitaria de Medios, where she also collaborates closely on community work and cultural management initiatives. As part of her development in film production, she participated in the Filmes Casa Producers’ Lab and the "La Residencia" project incubator in 2025. She has worked on theatrical productions and cultural events, including “Rito de Paso” at Puerto Rico's Museum of Contemporary Art and the "Cumbre Afro" at the University of Puerto Rico. She is currently focused on the creation and production of stories that intersect the personal, the political, and the spiritual.


Shakira A. Calderón - Producer

From Bayamón, Puerto Rico, Shakira Calderón (she/her) is a producer and production manager. She began her film education at a young age at Specialized School in Cinematography Cacique Agüeybaná Secundaria. Since then, she has been part of multiple audiovisual projects, including the Puerto Rican film “Receta no incluida” (“Without Prescription”), winner of the Audience Award at the SXSW in 2022. She worked as production manager on “Hasta que la celda nos separe” and “Extranjera (“Foreigner”), an official selection of the Mar del Plata International Film Festival in 2025. These projects were produced by Filmes Casa, an independent film production company she has been part of since 2019. She has also produced short films such as El Cuaderno, 2050 and Chulo.


Andrea Laguerra-Viera - Producer

Andrea Laguerra-Viera (she/her) is a producer, creative strategist, and cultural organizer born and raised in Caguas, Puerto Rico. She graduated from the University of Puerto Rico with a B.A. in Communication, specializing in Public Relations, Advertising, Audiovisual Production, and Business Communication. Since 2020, she has worked on cultural events, short films, documentaries, music videos, and feature films; consistently supporting a national cinema that reflects Puerto Rico’s stories and communities. She has also collaborated on community initiatives such as La Maraña and the program “Documentar la memoria” alongside Casa Pueblo and Puerto Rico’s Documentary Association, where she is currently a member and served on the Board of Directors in 2024. In 2025, she organized “La Sala de Productorxs” (Producers’ Lab) and “La Residencia”, intensive programs focused on the role and development of film producers, led by Filmes Casa, an independent film production company with which she collaborates as a coordinator since 2024.


Hery Colón Zayas - Associate Producer

Hery Colón Zayas (he/him) is a multidisciplinary artist from southern Puerto Rico whose work exists at the intersection of audiovisual media, music, and community-based practice. His work explores memory, territory, and everyday narratives through a sensitive and critical lens. Through photography, film, rap, and community media, he develops creative processes that connect art and social justice. He is part of Casa Comunitaria de Medios, where he promotes cultural and educational projects aimed at amplifying the stories and experiences of communities. His practice is rooted in community, active listening and collaboration. 


Raúl Abner Samrah - Executive Producer

Raúl Abner Samrah (he/him) is a producer, creative strategist, and educator from Ciales, Puerto Rico, with experience in film, documentary, and digital media. He is the co-founder and executive producer of Filmes Casa, where he drives authentic storytelling through collaborative production models. His work includes producing and co-producing award-winning short and feature films screened at international festivals across more than 20 regions, including the United States, Latin America, Spain, and the Caribbean, with notable credits such as “Receta no incluída” (Audience Award – Global Category, SXSW, 2022) and the international co-production “Extranjera” (Mar del Plata International Film Festival, 2025). He has also worked on other formats, including production management for animation projects like Bad Bunny’s music video “KETU TeCRÉ”. In education and cultural management, he has taught film production at the secondary level at the Specialized School in Cinematography Cacique Agüeybaná Secundaria and at the undergraduate level at the Universidad del Sagrado Corazón. Raúl holds a B.A. in Psychology with a minor in Film from the University of Puerto Rico, Mayagüez, and a post-baccalaureate certificate in Event Production and Marketing from Universidad del Sagrado Corazón.


Jeannice Mustafá López - Director of Photography

Jeannice Mustafá López (she/her) is a Puerto Rican cinematographer based in San Juan, with over a decade of experience across Puerto Rico and the United States. She studied at the University of Puerto Rico and earned an MFA in cinematography from the Academy of Art University in San Francisco. Her work spans narrative, documentary, and commercial projects, collaborating with artists like Bad Bunny, Ivy Queen, and Villano Antillano. She has served as director of photography on acclaimed short films like “La espera” and “Mara has Three Jobs in San Juan, Puerto Rico”, and her cinematography on “Pan de la esquina” earned her a Best Cinematography award at Puerto Rico’s European Film Festival - Cortadito Film Lab 2024. Her recent works as director of photography include the stand-up special “Nunca digas nunca” and the feature films “Hasta que la celda nos separe” and “Extranjera”.


Yarelmi Iglesias Vázquez - Sound Director

Yarelmi Iglesias Vázquez (Yare; they/them), is a Caribbean queer soundperson. They use sound and active listening to build a sonic world that contributes to the telling of authentic stories in film and audiovisual media such as: short films, feature films, documentaries, advertising, tv series, and more. Their work has been recognized at the PR Queer Film Festival and premiered in media platforms and film festivals such as: Telemundi, PBS, AJ+, NewFest LGBT+ Film Festival, Tribeca Film Festival, Los Angeles Latino Film Festival, among others. Yarelmi holds a Diploma in Sound Art from Tsonami Arte Sonoro (Chile) and collaborates with the independent production company Filmes Casa.


Mario Fierro - Editor

Mario Fierro (he/him) is a Mexican-American film editor who earned his MFA from the AFI Conservatory in 2020. Born in Veracruz and raised in Denver, Mario is not one to wait for opportunities. He began his filmmaking journey as a personal camera operator for Cardi B, and after turning 30, he decided to focus exclusively on editing. Since then, he has edited several feature films, including “A Place in the Field”, which was acquired by Lionsgate, and “Party People”, which premiered at the 2024 Austin Film Festival. His latest short film, “Sweet Talkin' Guy”, had its world premiere at the 2025 Sundance Film Festival.


William Russell - Composer

William Russell (he/him) is a Puerto Rican composer, music producer, multi-instrumentalist, and sound designer based in Puerto Rico. Raised in the Caribbean, he developed his musical foundation through fingerstyle guitar, blues, gospel, and boleros, later graduating from the Conservatory of Music of Puerto Rico in 2019 with a concentration in Jazz, while expanding into music production and film scoring. His work blends acoustic and electronic elements, moving between minimalist and maximalist approaches to create emotionally driven soundscapes. He has collaborated with major networks and brands including Amazon Prime Video, Freeform, Hulu, Sephora, and Output, contributing to feature films, series, and documentaries under tight production timelines. He recently composed the original score for the short film “Recao”, shaping its emotional tone through a distinct and textured sonic palette.


Dana Kercadó - Production Designer

Dana began her training in Digital Cinematography, where she developed a sensitivity to forms, colors, and textures, understanding how each of these elements constructs a visual narrative. She is currently studying Architecture at the University of Puerto Rico, a field that complements this vision by incorporating constructive logic and the behavior of space into her creative process. She conceives each project as an opportunity to build spaces that captivate the eye and immerse the viewer in a story, translating the vision of a script into environments that can be explored, inhabited, and experienced. Her career includes Puerto Rican film productions such as La Pecera (2022) and Borealis (2026), among others; international projects such as Neon (2023) and La Otra (2026); and collaborations with renowned artists in the music and entertainment industries. In 2025, she received the Best Production Design award at "Cortadito Film Lab" from Festival de Cine Europeo de Puerto Rico. In addition to her work in film, she develops interior design and construction projects in Puerto Rico, including restaurants and commercial spaces, which she has overseen from concept to completion. This experience broadens her understanding of space and strengthens her ability to develop designs that not only work on camera but can also be built and realized.

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