One Less Lonely Man

Phoenix, Arizona | Film Short

Drama, Family

Owen Manning

1 Campaigns | Arizona, United States

27 days :18 hrs :06 mins

Until Deadline

32 supporters | followers

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$3,575

Goal: $7,970 for production

After being repeatedly overlooked by his busy family, a lonely retired grandfather stumbles upon a connection in an unexpected place, confronting the quiet unspoken reality of aging.

About The Project

  • The Story
  • Wishlist
  • Updates
  • The Team
  • Community

Mission Statement

In a world that moves too fast, the people who came before us are often left behind. This story is a reminder to slow down and to check in on the people you love before time makes it urgent.

The Story

One Less Lonely Man is a slow-burning film that explores loneliness. It tells the uncomfortable, often unspoken reality of aging. Grandpa Edward is a widowed, retired chef who desperately wants to spend time with his family. However, his family is too busy with their own lives and responsibilities. After cancelling a scheduled lunch, Grandpa Edward finds connection in someone he wasn’t expecting, leaving him One Less Lonely Man.

THE STORY BEHIND "ONE LESS LONELY MAN"

"Last summer, my grandpa and I were watching “City Lights”, a film by Charlie Chaplin. My grandfather has seen this movie dozens of times, so naturally he kept spoiling it to me. I was getting irritated. I tried to say something to him, but then I saw his smile. He didn’t care that he was spoiling it, or that he was watching the same film for the hundredth time. The only thing he cared about was enjoying the time we were spending together. That alone made me really sad, as it made me realize the older you get, the lonelier you become."

"As a writer and director, my goal for this film is to raise awareness that tomorrow is not guaranteed. A lot of the time, people think that grandparents, family members, and loved ones will live on forever. However, that is not true. The time we have together is limited, and we should spend it loving each other."

- Sara, Writer/Director

"One Less Lonely Man is an important story with an important message and we believe we have assembled the right crew to tell it. It aims to blend excellent, heartwarming writing with stunning visuals and a talented cast. We look to create a rich nostalgic atmosphere where the characters can feel lived in and real. My goal is to help everyone achieve their highest potential and help foster a creative environment where everybody can thrive"

- Owen, Producer

"One Less Lonely Man is a deeply personal and relatable story about human relationships that tugs at heartstrings. I want to connect audiences to the story through creative lighting and camerawork in a way that will help resonate and inspire them to reflect on their own lives. Using long and uninterrupted takes to immerse them in the world, forcing the audience to sit with the character’s emotional weight and decisions. Playing with space and framing within the shots to create a sense of loneliness that the characters are feeling. Using powerful lighting and color choices, such as a combination of high contrast, realistic lighting, and stylized lighting that follow the emotional beats of the story. My goal is to help seamlessly submerge audiences into this world through visual cues, challenging them to see the world from different perspectives."

- Victoria, Director Of Photography

"For this film, I hope to make the editing feel as invisible as possible, allowing the story’s emotional core to be the audience’s primary focus. I envision using longer shots, fewer cuts, and montage work when needed to adjust the pace. Ultimately, my goal is to support the film’s themes and create an experience that resonates emotionally with the audience."

- Jordan, Editor

"For this film, I want to try to focus on the sound of objects and movement. I want the cooking of the food to sound inviting and to make the world sound lived in but inviting. I also want to be able to spend a lot of time editing dialogue and making audio, such as the phone call, sound like it is really happening around you in the theater."

- Josh, Sound Supervisor

We plan to shoot in the late fall, outside of Phoenix, preferably in the northern area of Arizona, to really capture the slow and quiet pace of Edward's lonely life. As we wrap up the pre-production stage, we need your help! All donations will go towards securing locations, lodging, and feeding the cast and crew, production design, getting our equipment and insurance, and even submissions to film festivals all around the world! Every contribution, follow, share, and repost helps as we try to bring this important story, just waiting to be told, to life.

Tomorrow is not guaranteed, and the time we have together should be spent loving each other. The story of "One Less Lonely Man" is a reminder to slow down, look, and appreciate the people around you.

We invite you to be a part of this film, story, and message. You can do so by donating and sharing our campaign, but more importantly, by checking in on your loved ones.

100% of donations will go to the production and promotion of the film.

For more information about the project and how you can be a part of it, contact Owen Manning at [email protected] and follow @onelesslonelyman on Instagram.

Wishlist

Use the WishList to Pledge cash and Loan items - or - Make a pledge by selecting an Incentive directly.

Cash Pledge

Costs $0

Filming Location Expenses

Costs $850

Edwards' home is an essential part of the film. Help us secure a northern location that brings his quiet, lonely world to life.

Production Design

Costs $500

Help us bring Edward's world to life by getting all the necessary props and costumes.

Talent Fees

Costs $370

Even though this is a student film, since we are working with older actors, we want to compensate them for their work.

Equipment Rental

Costs $750

Help us secure all of the extra equipment we cannot rent from the film school.

Travel & Lodging

Costs $1,840

Instead of making everyone travel daily, help us provide a place for our cast and crew to sleep. (Prescott/Payson area)

Film Festivals Submissions

Costs $410

After this film is complete, we want to show it to as many people as possible and spread the message.

Catering & Craft Services

Costs $1,100

Help us feed our cast and crew. Fed Crew = Happy Set = Good Film

Insurance & Contingency

Costs $1,700

Make sure we can make our production safely and be insured.

Post Production

Costs $450

Help us get the necessary storage devices for both our our post-production departments.

About This Team

MEET OUR KEY CREW

We are senior film students at Sidney Poitier New American Film School at Arizona State University.

Producer: Owen Manning has produced several short films both for coursework and in personal projects. He finds joy in telling emotional stories that deeply move people. He uses his unique combination of filmmaking and personal skills to help the filmmaking process go as smoothly as possible.

"It felt like Sara put her whole heart into it, and her honest, emotional way of crafting such a beautiful story really stuck with me."

Director: Sara Maksimović has directed both narrative and documentary short films. She was first introduced to film when she was 7 years old, where she learned the basics of filmmaking while also starting her career as a voice actor for cartoons and commercials. Since then, she fell in love with storytelling both in film and animation.

"This story is based on my fear of not being there for my family when they need me."

Director of Photography: Victoria Fjeld has been working behind the camera since she was 12 years old, with 3 years of cinematography experience and 8 years of photography experience. She has worked on many student film sets as the director of photography, including both documentary and narrative.

"I heavily resonated with the themes of the story and loved how intimate it felt. I think this film sends such an important and human connection, and I would love to help tell the story."


Sound Supervisor: Josh Pasinski is seasoned in both post-production and production audio, having worked in several programs both for coursework and on personal projects. He has experience with live mixing and capturing on-set audio, having taken a number of courses on the topic.

"I would say the thing that drew me into this project was Sara’s passion and love for telling a story about our elderly family members."

Editor: Jordan Jeffers has been editing since the age of 12, with experience in Adobe Premiere Pro, DaVinci Resolve, and Avid Media Composer. She’s served as an editor on many school projects and worked as a video editor for a nonprofit organization for the past two years.

"I was really drawn to the film’s themes of loneliness and how meaningful connection can come from unexpected places. I love how this story explores universal emotions and stresses the importance of community."

Current Team

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