Ophiology
New York City, New York | Film Short
Thriller, Western
Bridging the space between a western and a queer psychological drama, Ophiology is about exploring how we see people and experiences through the lenses of our own trauma and biases. At its heart it is about trust, love, and how our pasts can affect our futures.
Ophiology
New York City, New York | Film Short
Thriller, Western
2 Campaigns | New York, United States
Green Light
This campaign raised $21,667 for pre-production. Follow the filmmaker to receive future updates on this project.
44 supporters | followers
Enter the amount you would like to pledge
Bridging the space between a western and a queer psychological drama, Ophiology is about exploring how we see people and experiences through the lenses of our own trauma and biases. At its heart it is about trust, love, and how our pasts can affect our futures.
About The Project
- The Story
- Wishlist
- Updates
- The Team
- Community
Mission Statement
The Story
What if your savior has a secret?
The sounds of duck tape pulls and screams accompany....
a car as it barrels down a desert highway. The gloved hand of a the driver gently adjusts the radio to drown out cries in the backseat, we can only hope for clarity as the sun sets on the horizon. When the car comes to a complete stop in the cool desert night, our driver and one of our anti-heroines Ace steps out unknowingly into a rattlesnake nest, seemingly lost in the night sky. Reggie barrels out of the car, covered in blood, to confront Ace about what has happened. Amidst a fight against an unpredictable predator, we discover a heist gone wrong has left the three women to decide between danger and safety, love and worship, and ultimately discovering that death is the final consequence. With Jacky mortally wounded, Reggie is forced to play God and either trust her partner or trust nature.
Bridging the space between a western and queer psychological drama, Ophiology gives the audience a unique opportunity to explore the minds of two very different humans processing a high stakes scenario through the clouded lenses of their traumas.
"when a girl is unlikeable, a girl is a problem" Roxanne Gray, 2014
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Why are we telling this story?
In this work, we meet two very different female identifying characters challenging the norm of what it means to be loving and faithful in hardship. These women are complex, wounded characters enmeshed in the comfort of their own fixations and addictions, towards life and each other. Hollywood has historically represented women as nurturing creatures, through the eyes of the male gaze. What makes this film dynamic is it’s focus on the anti-heroine. Millennial women have grown up decentralizing their focus from traditional societal roles, and young women are hungry to see themselves in a raw and real way. The reality of female relationships can be complicated, messy, and impulsive, and this film challenges you to rethink the guise of women in relationship. Though deeply loving and ambitious, these two female leads are deeply flawed, and offer a different perspective on the concept of it being better to have “loved and lost than to never love at all.”
COMPS AND INSPIRATIONS:
 (Presentation) copy.jpg)
CHARACTERS:
 (Presentation) copy 2.jpg)
What people thought of Ophiology the stage play?
"Byrne can take the thread of an idea, the everyday pains of living in uncertain times, and spin it into a fierce yarn…there are moments that may shock you out of your seat.”
- Woman Around Town
"Ophiology is reminiscent of Sam Shepard in the ways in which it focuses on American outlaws and applies black comedy, surrealism, and naturalist symbolism.” -OffOffOnline
“Superbly talented…wonderful monologues…delivered beautifully” - Stage Biz
"In Ophiology—named for the study of snakes—we enter midway into the aftermath of a bloody murder. Three young women are apparently trying to escape from their small town....puzzle out for yourselves what kind of relationship this prefigures....Well done, all. Isaac Byrne’s writing and direction show that theater can still be cerebral and gut-wrenching." - Ed Malin
We are a team with a track record!!
OUR TIMELINE:
JUNE - SEPTEMBER - Pre Production - The team will finalize locations, details, casting, and crewing up.
OCTOBER - NOVEMBER - Production - Team will shoot the project during this time Frame.
NOVEMBER - DECEMBER - Post- Production - Team will edit and complete post. After completion, film will be submitted for the 2025 festival season.
WHAT ARE OUR GOALS? WHERE WILL THE MONEY GO? HOW YOU CAN HELP?
We are seeking $27,000 to cover production costs. This is about 2/3 of our overall production budget...and most importantly to cover our snake actor and wranglers because what is a movie called Ophiology without snakes. See our wishlist for specific items you can either sponsor or donate.
Should we reach this goal in time, we would love to expand into our stretch goal to provide us with additional technical elements for the film.
Our goals first and foremost are:
- Everyone is safe.
- Everyone is paid a fair wage.
FOLLOW ALONG:
@ophiology.film
Wishlist
Use the WishList to Pledge cash and Loan items - or - Make a pledge by selecting an Incentive directly.
Vintage Rental Car
Costs $1,500
This car will be used in the majority of the film as the stollen getaway car.
Snake Actor and Snake Wrangler
Costs $1,200
This will fund our snake actor and snake wrangler making sure no humans or animals are harmed in the making of the film.
Grip Package
Costs $4,000
This includes all lighting and electrical equipment as well as generators and fuel.
Cast and Crew Wages
Costs $15,000
This amount covers the wages for all crew and actors. It is of the utmost importance to us that we pay all involved a living wage.
Weapons Handler/Monitor
Costs $500
This fee will cover the weapons handler and monitor to protect everyone on set.
Production Cars and Trucks
Costs $1,500
This will cover rentals, gas, insurance, parking, and toll expenses during our filming and transport.
RV Rentals
Costs $2,200
RVs will be used when we are shooting inside the park to provide holding, restrooms, and ac when we are in remote areas.
Locations Rentals
Costs $1,000
This will cover our permit for shooting in the desert as well as our secondary diner location.
Cash Pledge
Costs $0
Direct link:
Share this update!
About This Team
THE TEAM:
I could not imagine having assembled a stronger team for this project. From our Director of Photography to our UPM to our Writer/Director, I cherish collaborating with each one of these individuals. This team has a proven track record of making marketable and award winning theater and film, with sold out runs in NYC, New Zealand, Texas, and Europe, and films on screening platforms such as Amazon Prime, Netflix, and Tubi. I trust that they will help us all use your generous contributions to make the best product possible.
Writer/Director: Isaac Byrne
Isaac has been awarded the New York Innovative Theatre Award for Outstanding Direction twice and productions he has directed have been nominated
for a Drama Desk Award, an Off Broadway Alliance award, 29 NYIT awards, and 6 Planet Connection Awards. NYC Credits: Other Mozart (NYIT)
Outstanding Solo Performance), In Vestments (NYIT) Outstanding Premier of a New Play), To Nineveh (NYIT Outstanding Production), Tar Baby (DR2,
PS122), 52 Man Pick Up (Ars Nova, Edinburgh Fringe), AMP (NYIT Nominated for Outstanding Performance Art), I Used to Write on Walls, and
Rusalka. He has taught acting at the University of the Arts, the New York Film Academy, and currently teaches University of the Arts in Philadelphia and AZAA. He is also a playwright whose work has been presented by MCS, Fusion Theater in NM, and the Weekend of New Work in Phoenix.
Press Quotes:
“Byrne can take the thread of an idea, the everyday pains of living in uncertain times, and spin it
into a fierce yarn…there are moments that may shock you out of your seat.” Woman Around Town
"Isaac Byrne’s high-energy production is by turns earnest and campy, wrenching and visually
eloquent" - NY Times
“An impressive range of emotion and physicality, alternately brazen and fragile...touching, intimate
moments that director Isaac Byrne coaxes out of his actors.” New York Theatre Review
Producer/Actor: Kat Donachie
Kat Donachie is a NYC based actress, dancer, and award winning choreographer and producer. Dance credits including Armitage Gone!, PushingProgress:a Company, Marc Jacobs, Amanda Pearl Jewelry, and others. Theatrically her career has included work with several Off and Off-off broadway theater companies, most recently in Haley Rice’s Don’t Feed the Ducks at the Tank. As a film actress and producer, her Film/TV credits include Flesh and Bone, Stuck the Musical, Company Contract, The Call Center, and Acolyte and has most recently produced two short films The Bargain and FUNKY. Kat's films have screened international at festivals including Miami Film Festival, Soho International, Big Apple Film Festival, Paris Women's, and Valley Film Festival. Kat currently sits as the CFO of the Nordic International Film Festival in NYC and works as a choreographer and associate director for Manhattan Youth. @katdonachie katdonachie.com
Consulting Producer/Actor: Linnea Larsdotter Mikkela
Linnea Larsdotter Mikkelä is an award-winning actor and producer, based in New York City.
Born in Sweden, Linnea entered into a career on stage at an early age with roles in musicals such as Pamela, Godspell and The Sound of Music. Though theatre high school, Linnea continued her acting studies at Malmö University and Forum Dance and Artist Academy. Before graduating, Linnea was headhunted for a performance contract in Spain where she spent the following 2 seasons on stage 6 days a week.
After her contracts in Spain, she was offered a performance contract in Thailand, before moving to the US in 2009. She attended a 2 year program at New York Film Academy, where she met her Ophiology writer Isaac Byrne, a close friend and collaborator. Her New York career started with the Off-Broadway shows Save the Robots and Crab House, and regional work in The Buddy Holly Story. A highpoint was as a soloist at Avery Music Hall at The Lincoln Center.
Her work expanded to include producing and screenwriting after many years in front of the camera. Her narrative work include both independent short and features, as well as service productions for Nordic box-office hits. Next to her producing career, Linnea founded the non-profit organization Nordic International Film Festival, listed as a top 10 festival in New York City. Her latest edition was featured in Vogue Scandinavia.
AWARDS:
2021 - IDFA Winner - Best Feature Film (Executive Producer)
*Octopus
2018 - Outfest LA (Co-producer) *Femme
2018 - The Boston LGBT Film Festival, Winner - Best Coming of Age
Short (Co-producer) *Femme
2018 - Out Web Fest, Winner - Best Comedy (Co-producer) *Femme
2017 - Big Apple Film Festival Nominee - Best Short Film, (Producer)
*Ecstasy & Agony
2016 - Long Island Film Festival Nominee - Best Feature Film (Co-
producer) *Till We Meet Again
2015 - CINE Golden Eagle Film and Video Competition Finalist -
Golden Eagle Independent Division Feature Narrative (Co-producer)
*Till We Meet Again
2015 - Long Beach International Film Festival Winner - Jury Prize for
Best Narrative Feature Film / Best Picture Winner - Audience award
for Best Narrative Feature Film / Best Picture (Co-producer) *Till We
Meet Again
2015 - Los Angeles Independent Film Festival Awards Winner (Co-
producer) *Till We Meet Again
2015 - San Antonio Film Festival Nominee - Jury Prize for Best
Picture (Co-producer) *Till We Meet Again
2015 - The IndieFest Film Awards Winner - Award of Merit Special
Mention, Feature Film (Co-producer) *Till We Meet Again
2013 - BroadwayWorld Nominee - Best Actress *The Buddy Holly
Story
Director of Photography: Matthew Benjamin Canada
Matthew Benjamin Canada is an award winning cinematographer based out of New York City.
Matthew has lived in five U.S. States, studied jazz theory at a music conservatory, and has a degree in marketing. This well-roundedness in life experiences and diverse environments translates over into his cinematography work where art and science coalesce.
Matthew has intently followed a path toward narrative storytelling and cinematic commercials. This is where he thrives the most, by creating images that support the story and characters through framing, lighting, and subtext. Always collaborating with the filmmaking team of producers, directors, production designers, actors, and clients, Matthew lives for the creative process in both technical research and preparedness, as well as poetic on-set in the moment instincts. His film credits include Changlings, Acolyte, Love Locked, Funky, The Bargain, The Guild, The Worm. His works have screen internationally at festivals including Miami Film Festival, Toronto Women's Film Festival, Big Apple Film Festival, Dances With Films, Paris Women's Film Festival, and Valley Film Festival.
Press Quotes:
"Set in NYC, the film is a visually stunning, thanks to the expert cinematography of Matthew Benjamin Canada. Every frame is superbly shot, drawing viewers into Ela's world and enhancing the emotional resonance of her journey. The flawless editing and sound design further contribute to the production quality, resulting in a viewing experience that feels cinematic." - Short Films Matter
UPM/TRAVEL COORDINATOR/AP/1st AD: Alexis Di Gregorio
Alexis Di Gregorio is a dynamic presence in the world of film, bringing with her a wealth of experience and a passion for collaboration. With a background in assistant directing and producing, Alexis excels in fast-paced environments, adept at managing productions, coordinating teams, and meeting deadlines with precision. Her skill set includes time management, solution-oriented problem-solving, and meticulous attention to detail. Alexis holds a Bachelor of Fine Arts in Theatre Performance from Hofstra University, further enhancing her ability to bring creative visions to life on screen. From casting assistance to executive producing, Alexis has played integral roles in a variety of projects, including short films, web series, commercials, and plays. Notable credits include serving as Festival Manager for the Nordic International Film Festival and as Assistant Director for various commercials and new media projects. Proficient in a range of tools and platforms, Alexis is adaptable and resourceful in navigating the demands of modern filmmaking. With a commitment to excellence and a collaborative spirit, Alexis Di Gregorio is a valuable asset to any production team.
More announcements coming very soon!!
Current Team
Incentives
- The Story
- Wishlist
- Updates
- The Team
- Community
Mission Statement
The Story
What if your savior has a secret?
The sounds of duck tape pulls and screams accompany....
a car as it barrels down a desert highway. The gloved hand of a the driver gently adjusts the radio to drown out cries in the backseat, we can only hope for clarity as the sun sets on the horizon. When the car comes to a complete stop in the cool desert night, our driver and one of our anti-heroines Ace steps out unknowingly into a rattlesnake nest, seemingly lost in the night sky. Reggie barrels out of the car, covered in blood, to confront Ace about what has happened. Amidst a fight against an unpredictable predator, we discover a heist gone wrong has left the three women to decide between danger and safety, love and worship, and ultimately discovering that death is the final consequence. With Jacky mortally wounded, Reggie is forced to play God and either trust her partner or trust nature.
Bridging the space between a western and queer psychological drama, Ophiology gives the audience a unique opportunity to explore the minds of two very different humans processing a high stakes scenario through the clouded lenses of their traumas.
"when a girl is unlikeable, a girl is a problem" Roxanne Gray, 2014
Why are we telling this story?
In this work, we meet two very different female identifying characters challenging the norm of what it means to be loving and faithful in hardship. These women are complex, wounded characters enmeshed in the comfort of their own fixations and addictions, towards life and each other. Hollywood has historically represented women as nurturing creatures, through the eyes of the male gaze. What makes this film dynamic is it’s focus on the anti-heroine. Millennial women have grown up decentralizing their focus from traditional societal roles, and young women are hungry to see themselves in a raw and real way. The reality of female relationships can be complicated, messy, and impulsive, and this film challenges you to rethink the guise of women in relationship. Though deeply loving and ambitious, these two female leads are deeply flawed, and offer a different perspective on the concept of it being better to have “loved and lost than to never love at all.”
COMPS AND INSPIRATIONS:
CHARACTERS:
What people thought of Ophiology the stage play?
"Byrne can take the thread of an idea, the everyday pains of living in uncertain times, and spin it into a fierce yarn…there are moments that may shock you out of your seat.”
- Woman Around Town
"Ophiology is reminiscent of Sam Shepard in the ways in which it focuses on American outlaws and applies black comedy, surrealism, and naturalist symbolism.” -OffOffOnline
“Superbly talented…wonderful monologues…delivered beautifully” - Stage Biz
"In Ophiology—named for the study of snakes—we enter midway into the aftermath of a bloody murder. Three young women are apparently trying to escape from their small town....puzzle out for yourselves what kind of relationship this prefigures....Well done, all. Isaac Byrne’s writing and direction show that theater can still be cerebral and gut-wrenching." - Ed Malin
We are a team with a track record!!
OUR TIMELINE:
JUNE - SEPTEMBER - Pre Production - The team will finalize locations, details, casting, and crewing up.
OCTOBER - NOVEMBER - Production - Team will shoot the project during this time Frame.
NOVEMBER - DECEMBER - Post- Production - Team will edit and complete post. After completion, film will be submitted for the 2025 festival season.
WHAT ARE OUR GOALS? WHERE WILL THE MONEY GO? HOW YOU CAN HELP?
We are seeking $27,000 to cover production costs. This is about 2/3 of our overall production budget...and most importantly to cover our snake actor and wranglers because what is a movie called Ophiology without snakes. See our wishlist for specific items you can either sponsor or donate.
Should we reach this goal in time, we would love to expand into our stretch goal to provide us with additional technical elements for the film.
Our goals first and foremost are:
- Everyone is safe.
- Everyone is paid a fair wage.
FOLLOW ALONG:
@ophiology.film
Wishlist
Use the WishList to Pledge cash and Loan items - or - Make a pledge by selecting an Incentive directly.
Vintage Rental Car
Costs $1,500
This car will be used in the majority of the film as the stollen getaway car.
Snake Actor and Snake Wrangler
Costs $1,200
This will fund our snake actor and snake wrangler making sure no humans or animals are harmed in the making of the film.
Grip Package
Costs $4,000
This includes all lighting and electrical equipment as well as generators and fuel.
Cast and Crew Wages
Costs $15,000
This amount covers the wages for all crew and actors. It is of the utmost importance to us that we pay all involved a living wage.
Weapons Handler/Monitor
Costs $500
This fee will cover the weapons handler and monitor to protect everyone on set.
Production Cars and Trucks
Costs $1,500
This will cover rentals, gas, insurance, parking, and toll expenses during our filming and transport.
RV Rentals
Costs $2,200
RVs will be used when we are shooting inside the park to provide holding, restrooms, and ac when we are in remote areas.
Locations Rentals
Costs $1,000
This will cover our permit for shooting in the desert as well as our secondary diner location.
Cash Pledge
Costs $0
Direct link:
Share this update!
About This Team
THE TEAM:
I could not imagine having assembled a stronger team for this project. From our Director of Photography to our UPM to our Writer/Director, I cherish collaborating with each one of these individuals. This team has a proven track record of making marketable and award winning theater and film, with sold out runs in NYC, New Zealand, Texas, and Europe, and films on screening platforms such as Amazon Prime, Netflix, and Tubi. I trust that they will help us all use your generous contributions to make the best product possible.
Writer/Director: Isaac Byrne
Isaac has been awarded the New York Innovative Theatre Award for Outstanding Direction twice and productions he has directed have been nominated
for a Drama Desk Award, an Off Broadway Alliance award, 29 NYIT awards, and 6 Planet Connection Awards. NYC Credits: Other Mozart (NYIT)
Outstanding Solo Performance), In Vestments (NYIT) Outstanding Premier of a New Play), To Nineveh (NYIT Outstanding Production), Tar Baby (DR2,
PS122), 52 Man Pick Up (Ars Nova, Edinburgh Fringe), AMP (NYIT Nominated for Outstanding Performance Art), I Used to Write on Walls, and
Rusalka. He has taught acting at the University of the Arts, the New York Film Academy, and currently teaches University of the Arts in Philadelphia and AZAA. He is also a playwright whose work has been presented by MCS, Fusion Theater in NM, and the Weekend of New Work in Phoenix.
Press Quotes:
“Byrne can take the thread of an idea, the everyday pains of living in uncertain times, and spin it
into a fierce yarn…there are moments that may shock you out of your seat.” Woman Around Town
"Isaac Byrne’s high-energy production is by turns earnest and campy, wrenching and visually
eloquent" - NY Times
“An impressive range of emotion and physicality, alternately brazen and fragile...touching, intimate
moments that director Isaac Byrne coaxes out of his actors.” New York Theatre Review
Producer/Actor: Kat Donachie
Kat Donachie is a NYC based actress, dancer, and award winning choreographer and producer. Dance credits including Armitage Gone!, PushingProgress:a Company, Marc Jacobs, Amanda Pearl Jewelry, and others. Theatrically her career has included work with several Off and Off-off broadway theater companies, most recently in Haley Rice’s Don’t Feed the Ducks at the Tank. As a film actress and producer, her Film/TV credits include Flesh and Bone, Stuck the Musical, Company Contract, The Call Center, and Acolyte and has most recently produced two short films The Bargain and FUNKY. Kat's films have screened international at festivals including Miami Film Festival, Soho International, Big Apple Film Festival, Paris Women's, and Valley Film Festival. Kat currently sits as the CFO of the Nordic International Film Festival in NYC and works as a choreographer and associate director for Manhattan Youth. @katdonachie katdonachie.com
Consulting Producer/Actor: Linnea Larsdotter Mikkela
Linnea Larsdotter Mikkelä is an award-winning actor and producer, based in New York City.
Born in Sweden, Linnea entered into a career on stage at an early age with roles in musicals such as Pamela, Godspell and The Sound of Music. Though theatre high school, Linnea continued her acting studies at Malmö University and Forum Dance and Artist Academy. Before graduating, Linnea was headhunted for a performance contract in Spain where she spent the following 2 seasons on stage 6 days a week.
After her contracts in Spain, she was offered a performance contract in Thailand, before moving to the US in 2009. She attended a 2 year program at New York Film Academy, where she met her Ophiology writer Isaac Byrne, a close friend and collaborator. Her New York career started with the Off-Broadway shows Save the Robots and Crab House, and regional work in The Buddy Holly Story. A highpoint was as a soloist at Avery Music Hall at The Lincoln Center.
Her work expanded to include producing and screenwriting after many years in front of the camera. Her narrative work include both independent short and features, as well as service productions for Nordic box-office hits. Next to her producing career, Linnea founded the non-profit organization Nordic International Film Festival, listed as a top 10 festival in New York City. Her latest edition was featured in Vogue Scandinavia.
AWARDS:
2021 - IDFA Winner - Best Feature Film (Executive Producer)
*Octopus
2018 - Outfest LA (Co-producer) *Femme
2018 - The Boston LGBT Film Festival, Winner - Best Coming of Age
Short (Co-producer) *Femme
2018 - Out Web Fest, Winner - Best Comedy (Co-producer) *Femme
2017 - Big Apple Film Festival Nominee - Best Short Film, (Producer)
*Ecstasy & Agony
2016 - Long Island Film Festival Nominee - Best Feature Film (Co-
producer) *Till We Meet Again
2015 - CINE Golden Eagle Film and Video Competition Finalist -
Golden Eagle Independent Division Feature Narrative (Co-producer)
*Till We Meet Again
2015 - Long Beach International Film Festival Winner - Jury Prize for
Best Narrative Feature Film / Best Picture Winner - Audience award
for Best Narrative Feature Film / Best Picture (Co-producer) *Till We
Meet Again
2015 - Los Angeles Independent Film Festival Awards Winner (Co-
producer) *Till We Meet Again
2015 - San Antonio Film Festival Nominee - Jury Prize for Best
Picture (Co-producer) *Till We Meet Again
2015 - The IndieFest Film Awards Winner - Award of Merit Special
Mention, Feature Film (Co-producer) *Till We Meet Again
2013 - BroadwayWorld Nominee - Best Actress *The Buddy Holly
Story
Director of Photography: Matthew Benjamin Canada
Matthew Benjamin Canada is an award winning cinematographer based out of New York City.
Matthew has lived in five U.S. States, studied jazz theory at a music conservatory, and has a degree in marketing. This well-roundedness in life experiences and diverse environments translates over into his cinematography work where art and science coalesce.
Matthew has intently followed a path toward narrative storytelling and cinematic commercials. This is where he thrives the most, by creating images that support the story and characters through framing, lighting, and subtext. Always collaborating with the filmmaking team of producers, directors, production designers, actors, and clients, Matthew lives for the creative process in both technical research and preparedness, as well as poetic on-set in the moment instincts. His film credits include Changlings, Acolyte, Love Locked, Funky, The Bargain, The Guild, The Worm. His works have screen internationally at festivals including Miami Film Festival, Toronto Women's Film Festival, Big Apple Film Festival, Dances With Films, Paris Women's Film Festival, and Valley Film Festival.
Press Quotes:
"Set in NYC, the film is a visually stunning, thanks to the expert cinematography of Matthew Benjamin Canada. Every frame is superbly shot, drawing viewers into Ela's world and enhancing the emotional resonance of her journey. The flawless editing and sound design further contribute to the production quality, resulting in a viewing experience that feels cinematic." - Short Films Matter
UPM/TRAVEL COORDINATOR/AP/1st AD: Alexis Di Gregorio
Alexis Di Gregorio is a dynamic presence in the world of film, bringing with her a wealth of experience and a passion for collaboration. With a background in assistant directing and producing, Alexis excels in fast-paced environments, adept at managing productions, coordinating teams, and meeting deadlines with precision. Her skill set includes time management, solution-oriented problem-solving, and meticulous attention to detail. Alexis holds a Bachelor of Fine Arts in Theatre Performance from Hofstra University, further enhancing her ability to bring creative visions to life on screen. From casting assistance to executive producing, Alexis has played integral roles in a variety of projects, including short films, web series, commercials, and plays. Notable credits include serving as Festival Manager for the Nordic International Film Festival and as Assistant Director for various commercials and new media projects. Proficient in a range of tools and platforms, Alexis is adaptable and resourceful in navigating the demands of modern filmmaking. With a commitment to excellence and a collaborative spirit, Alexis Di Gregorio is a valuable asset to any production team.