Praying Mantis
Los Angeles, California | Film Short
Western, Horror
On the run after abandoning his post, a Confederate soldier takes shelter in the isolated cabin of two women who now find themselves at his mercy.
Praying Mantis
Los Angeles, California | Film Short
Western, Horror
1 Campaigns | California, United States
Green Light
This campaign raised $21,115 for production. Follow the filmmaker to receive future updates on this project.
169 supporters | followers
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On the run after abandoning his post, a Confederate soldier takes shelter in the isolated cabin of two women who now find themselves at his mercy.
- The Story
- Wishlist
- Updates
- The Team
- Community
Mission Statement
The Story
Did you know that praying mantises are coital cannibals? Aka the females eat the males during the mating process, not as an act of violence, but as a means for survival.
Our film "Praying Mantis" is, at its heart, a survival story.
a note from the writers:
December 2022. A typical night for us: trying to take the edge off through a little too much wine and the dulcet tones of Sir David Attenborough during Planet Earth. Until, we watched an episode on mating rituals where every single male creature seemed to knock his mate up then peace out while the female was left behind to raise the kids alone. The mother even had to protect the newborns from the father because in many species, the male came back to EAT his children. (Not the pleasant distraction we were hoping for David!) Yet somehow it was comforting to realize that, at the end of the day, we’re just animals too. Humans are part of the animal kingdom. Our species isn’t so different.
But then, the praying mantis appeared. We lost our damn minds watching a female fearlessly court a male only to devour his head mid-coitus. And she did so, not because she felt threatened or vindictive, but simply to survive. She and her offspring require the nutrients from the male or else they’d perish. How unlike our own species - where women give their own lives metaphorically and sometimes, literally, to birth a new one. How unlike the stories usually told on screen of women who start off weak and must work hard to become powerful. So we asked ourselves, what would it look like if our world reflected that of the praying mantis? What if a man had to give up his life to birth new life for a change? Thus, our story was born.


We open on a man trudging through the dark woods. Starved. Injured. In desperate need of shelter. Suddenly, he spots a cabin in the distance, illuminated by the dim moonlight. With his musket in hand, he makes his way there, it's seemingly deserted. He shatters a window, forcing his way in, stumbling around looking for food and wound care. But then...CREAK. He whips his musket around to find a lone woman, standing petrified. The man flies towards her, knocking her down, fearful someone else is here. Another soldier perhaps. He opens the lone door to find another person in bed, but it's a younger woman. A pregnant younger woman. He drops his gun, smiling to himself. There's no threat here. He tells the women he just wants a hot meal then he'll be on his way. A man's gotta eat after all. The terrified women stare at his musket, what choice do they have?



If only we had a dollar for every time we've found ourselves venting about how our society treats young women on a daily basis whether it's at a job, in the dating world, or truly from just walking down the street. There's a frustration, an anger, an injustice that permeates us all. One that fuels us but equally discourages us. And it's one that we all wish we could see onscreen.
The story of Praying Mantis showcases imbedded injustices of living in a male-dominated world and flips the narrative by exploring the suffering of women but through a man's perspective. Horror films like The Babadook, It Follows, and Relic are fantastic examples of films that use horror to investigate complex issues in an allegorical sense. We hope Praying Mantis not only excites our audience but, as they leave the theater, causes them to think critically about the society we all live in and the hand we each play in upholding the social norms. It is therapeutic and necessary for this film to be written by women, directed by women, and watched by women. Although it is a thrilling horror short, the message goes much deeper - it is not only meant to entertain, but to empower.


Because our story is a period piece, our location, costumes, and hair and makeup most be historically accurate. Most of our budget will be spent on paying for an authentic Civil War cabin we found in Tennessee, transportation and lodgings our cast & crew, and renting authentic costumes & props. In order to really sell the horror, we want to invest in (spoiler alert) high quality blood prosthetics and special effects as well as a seasoned sound designer in post. We also value paying our cast & crew fair wages and want to honor their time and commitment to the project. LINK TO BUDGET.




Wishlist
Use the WishList to Pledge cash and Loan items - or - Make a pledge by selecting an Incentive directly.
Post Production
Costs $2,300
This covers all costs for us to afford the best editor, sound designer, and colorist! Also covers music licensing fee for a surprising end.
Festival Fees
Costs $2,500
Festivals charge $50+ to submit a film. We want to play in as many festivals as possible so we'd like to apply for at least 50!
Art Department
Costs $1,450
Because this takes place during the Civil War, we will have to rent costumes and some set pieces to maintain authenticity!
Cast & Crew
Costs $5,400
Help us pay our incredible actors, cinematographer, assistant camera, sound team, hair & makeup artist, and production assistant!
Camera & Lighting Equipment
Costs $3,000
How our film looks is essential, so we want to make sure we use the highest quality camera and have proper lighting to create the DRAMA.
Travel & Lodging
Costs $2,950
With most of our cast & crew coming from LA, we need to pay for travel and lodging in Tennessee. Plus we need a van rental once there!
Production Costs
Costs $3,300
This includes all our locations, props, meals for cast & crew, gas for local crew hires, and various other expenses needed during filming.
Cash Pledge
Costs $0
About This Team

MACK BREEDEN - director//writer//producer 
Hailing from Colorado Springs, Mack is an LA based filmmaker and photographer. Her previous short film "Dad’s Dead Dammit" was a Sundance Ignite Finalist in 2019, and her feature "Horsegirl" was on the 2020 Blacklist and is currently in pre-production. Her photography has been featured in eleven international Vogue Magazines and multiple high-end publications. As a writer and director, Mack tells personal and compelling stories that have an edge of dark comedy with an authentic approach.
RILEY SCOTT - writer//producer
A proud graduate of USC's School of Cinematic Arts, Riley began her career in LA primarily as an actor. She's been featured in shows like "Crazy Ex Girlfriend", "Sneaky Pete", and booked the leading role in cult horror hit "Babysitter Must Die". In addition, Riley's love for writing soon turned from a hobby to career when she was thrust into the screenwriting world. Since then, she's sold eight films, three of which have been produced with more on the way, to Lifetime, Hallmark, Reel One, MarVista, and Tubi.
NEEMA SADEGHI - cinematographer
With over 100 credits on various commercials, music videos, and narrative projects, Neema is a prolific cinematographer whose eye for composition and ability to capture his subjects has led him to work with clients like Harry Styles, Dior, Adidas, and many more. His films "City Limits" and "Below the Surface" gained entry into dozens of film festivals and both won Best Short Film at the Orange County Film Festival.
Incentives
- The Story
- Wishlist
- Updates
- The Team
- Community
Mission Statement
The Story
Did you know that praying mantises are coital cannibals? Aka the females eat the males during the mating process, not as an act of violence, but as a means for survival.
Our film "Praying Mantis" is, at its heart, a survival story.
a note from the writers:
December 2022. A typical night for us: trying to take the edge off through a little too much wine and the dulcet tones of Sir David Attenborough during Planet Earth. Until, we watched an episode on mating rituals where every single male creature seemed to knock his mate up then peace out while the female was left behind to raise the kids alone. The mother even had to protect the newborns from the father because in many species, the male came back to EAT his children. (Not the pleasant distraction we were hoping for David!) Yet somehow it was comforting to realize that, at the end of the day, we’re just animals too. Humans are part of the animal kingdom. Our species isn’t so different.
But then, the praying mantis appeared. We lost our damn minds watching a female fearlessly court a male only to devour his head mid-coitus. And she did so, not because she felt threatened or vindictive, but simply to survive. She and her offspring require the nutrients from the male or else they’d perish. How unlike our own species - where women give their own lives metaphorically and sometimes, literally, to birth a new one. How unlike the stories usually told on screen of women who start off weak and must work hard to become powerful. So we asked ourselves, what would it look like if our world reflected that of the praying mantis? What if a man had to give up his life to birth new life for a change? Thus, our story was born.


We open on a man trudging through the dark woods. Starved. Injured. In desperate need of shelter. Suddenly, he spots a cabin in the distance, illuminated by the dim moonlight. With his musket in hand, he makes his way there, it's seemingly deserted. He shatters a window, forcing his way in, stumbling around looking for food and wound care. But then...CREAK. He whips his musket around to find a lone woman, standing petrified. The man flies towards her, knocking her down, fearful someone else is here. Another soldier perhaps. He opens the lone door to find another person in bed, but it's a younger woman. A pregnant younger woman. He drops his gun, smiling to himself. There's no threat here. He tells the women he just wants a hot meal then he'll be on his way. A man's gotta eat after all. The terrified women stare at his musket, what choice do they have?



If only we had a dollar for every time we've found ourselves venting about how our society treats young women on a daily basis whether it's at a job, in the dating world, or truly from just walking down the street. There's a frustration, an anger, an injustice that permeates us all. One that fuels us but equally discourages us. And it's one that we all wish we could see onscreen.
The story of Praying Mantis showcases imbedded injustices of living in a male-dominated world and flips the narrative by exploring the suffering of women but through a man's perspective. Horror films like The Babadook, It Follows, and Relic are fantastic examples of films that use horror to investigate complex issues in an allegorical sense. We hope Praying Mantis not only excites our audience but, as they leave the theater, causes them to think critically about the society we all live in and the hand we each play in upholding the social norms. It is therapeutic and necessary for this film to be written by women, directed by women, and watched by women. Although it is a thrilling horror short, the message goes much deeper - it is not only meant to entertain, but to empower.


Because our story is a period piece, our location, costumes, and hair and makeup most be historically accurate. Most of our budget will be spent on paying for an authentic Civil War cabin we found in Tennessee, transportation and lodgings our cast & crew, and renting authentic costumes & props. In order to really sell the horror, we want to invest in (spoiler alert) high quality blood prosthetics and special effects as well as a seasoned sound designer in post. We also value paying our cast & crew fair wages and want to honor their time and commitment to the project. LINK TO BUDGET.




Wishlist
Use the WishList to Pledge cash and Loan items - or - Make a pledge by selecting an Incentive directly.
Post Production
Costs $2,300
This covers all costs for us to afford the best editor, sound designer, and colorist! Also covers music licensing fee for a surprising end.
Festival Fees
Costs $2,500
Festivals charge $50+ to submit a film. We want to play in as many festivals as possible so we'd like to apply for at least 50!
Art Department
Costs $1,450
Because this takes place during the Civil War, we will have to rent costumes and some set pieces to maintain authenticity!
Cast & Crew
Costs $5,400
Help us pay our incredible actors, cinematographer, assistant camera, sound team, hair & makeup artist, and production assistant!
Camera & Lighting Equipment
Costs $3,000
How our film looks is essential, so we want to make sure we use the highest quality camera and have proper lighting to create the DRAMA.
Travel & Lodging
Costs $2,950
With most of our cast & crew coming from LA, we need to pay for travel and lodging in Tennessee. Plus we need a van rental once there!
Production Costs
Costs $3,300
This includes all our locations, props, meals for cast & crew, gas for local crew hires, and various other expenses needed during filming.
Cash Pledge
Costs $0
About This Team
