Red Flag
Atlanta, Georgia | Film Short
Drama, Sport
Red Flag takes an introspective look inside the psyche of Danny Maple, a once-celebrated basketball phenom who failed to fulfill the promise of his immense talent in the pros. As this self-destructive man tries to rebuild his broken career, he begins to question what truly caused it to collapse.
Red Flag
Atlanta, Georgia | Film Short
Drama, Sport
2 Campaigns | Georgia, United States
70 supporters | followers
Enter the amount you would like to pledge
$7,915
Goal: $10,000 for pre-production
Red Flag takes an introspective look inside the psyche of Danny Maple, a once-celebrated basketball phenom who failed to fulfill the promise of his immense talent in the pros. As this self-destructive man tries to rebuild his broken career, he begins to question what truly caused it to collapse.
- The Story
- Wishlist
- Updates
- The Team
- Community
Mission Statement
The Story

"What Are You Playing For?"
Red Flag takes an introspective look inside the psyche of Danny Maple, a once-celebrated basketball phenom who failed to fulfill the promise of his immense talent in the pros. As this self-destructive man tries to rebuild his broken career, he begins to question what truly caused it to collapse beyond the injuries he suffered. At the center of this film is a heartfelt plea for change, as it explores the sports narratives that make players rise or fall, and how perception can shape identity. We hope audiences connect with the pressure of chasing your dreams and the failures along the way, the red flags within ourselves that hold us back, and ultimately ask: what are you playing for?

The False Promise of Destiny
The idea for Red Flag came from researching the careers of professional athletes and discovering the story of Ryan Leaf, who was drafted directly after Peyton Manning. The contrast between their careers fascinated me—two players once linked by expectation, yet remembered for completely different outcomes. It immediately made me want to explore the human story behind the label of a “draft bust.”
So many sports stories celebrate the underdog: the overlooked fighter, the player counted out, the one who only needs a chance to prove themselves. Red Flag is an inverse of that idea. It follows someone who was given every opportunity to succeed, carried immense expectations, and still failed. That raised a question I found deeply compelling: why?
From there, the story became about more than basketball. It became about pressure, identity, self-destruction, and what happens when the dream you built your life around falls apart. Danny Maple is a man raised to believe he was destined for greatness, now forced to confront the reality that greatness may never come. In rediscovering his love for the game, he must answer a deeper question: without that destiny, who is he?

Then The Crowd Goes Quiet...
We all fear failure. Some of us fear it more than others. Some of us ignore it, but all of us hope to succeed and fear the alternative.
At a time when social media and technology have connected society more than ever before, it has also become increasingly easy for people—not just athletes—to be scrutinized for every decision they make, every mistake they commit, and every failure they endure. A bad game can spark outrage from thousands of fans overnight. For certain players, failing to live up to expectations can define an entire career. The same can be said for celebrities and public figures whose lives are so heavily publicized that any choice can invite immediate criticism. We now live in a world where judgment is easier to give than ever before.
Red Flag explores one man who has lived and died by that criticism. Danny Maple has built his identity around public success, only to be crushed by public failure. Through him, the film asks a universal question: how do we separate our love for what we do from the voices telling us we are not enough? How do we hold onto passion when perception begins to define us? Through that lens, the film goes beyond sports and becomes a human story about identity, pressure, and self-worth.
My hope is to show why sports mean so much to me, and why those reasons go far beyond the game. They can be heartbreaking and frustrating, but also deeply rewarding—not simply because of fandom or statistics, but because of the stories of the people who play them. Stories that endure, inspire, and even become history in the most heartwarming ways.

No one Scores Alone...
...which is why we ask you to make the extra pass and help bring Red Flag to life! Basketball is a team sport, and we would love for you to join ours. Your donations will go toward compensating performers who can meaningfully portray these emotionally rich characters, hiring a choreographer to stage authentic full-speed basketball action, securing locations with real hardwood courts, building props and set decorations to bring a rich texture into this film's world, renting equipment to achieve the cinematic scale and intimacy the story requires, and the many practical needs that will keep our production running smoothly
Red Flag is currently in the thick of pre-production, with production slated for July 2026 and post-production to begin immediately after. Following completion in November 2026, we will use the funds from our campaign to launch a festival run in 2027 with the goal of sharing this story and its big beating heart with as many people as it can reach. This film ultimately asks what stops you from achieving your dreams. With your help in donating and/or spreading awareness of this project, we know that there's nothing stopping us from achieving ours.
Wishlist
Use the WishList to Pledge cash and Loan items - or - Make a pledge by selecting an Incentive directly.
Location
Costs $5,400
Getting a location that has both a basketball court and a locker room is very crucial for our team so that there aren't any company moves.
Catering & Crafty
Costs $1,500
Our cast & crew need to stay feed so that they can work at their full potential!
Casting
Costs $1,100
Getting an actor that can act and play basketball will not be an easy task, but is important for Red Flag.
Set Dressing & Props
Costs $1,300
Finding a suitable location is half the battle as we have to set dress it to look and feel like a basketball court used by NBA players.
Wardrobe & Makeup
Costs $700
Basketball is a strenous activity, so we need our actors to look the part. It will be very important in helping our actors look exhausted.
About This Team

Nico Candela - Director & Writer

Nicolas Candela is a filmmaker from Miami, Florida, currently pursuing his graduate studies at SCAD Atlanta. Since childhood, he has been captivated by the screen and the power of film to transport, inspire, and connect people through story. He specializes in writing, directing, editing, sound design, and a variety of production and post-production roles, and has recently written and directed several short films, with some earning selections at film festivals. His work often follows characters wrestling with identity, perception, and self-worth—people searching to change, to be understood, and to find where they belong. Whether behind the camera, in the edit room, or shaping a script, Nicolas is driven by cinema’s ability to make audiences feel seen, challenged, and connected.
Marcus Taylor - Producer

Marcus was born in Cincinnati, Ohio, and raised in St. Charles, Missouri. Upon graduating from high school, he honorably served eight years in the U.S. Army, with assignments in South Korea and Fort Hood, Texas, and a deployment to Iraq during Operation Iraqi Freedom. Following his military service, he transitioned into private security. Subsequently, he relocated to Maine, where he earned an Associate's degree in Communications and New Media. Marcus then transferred to SCAD, completing a Bachelor's degree in Film and Television. Currently, he resides in Atlanta with his two cats, pursuing a Master of Fine Arts degree in Film and Television.
Theo Braddock - Director of Photography

Theo Braddock is a Director of Photography from Washington, DC in his senior year at SCAD Atlanta. For the past four years, he’s used his eye for composition and lighting for everything from award-winning short films to documentaries and branded content. When he’s got time on his hands, he enjoys playing music, and sports, always finding ways to combine photography with his love for both.
Olivia Berke - Editor

Olivia Berke is currently pursuing her M.A. in Editing at SCAD, where she is developing her storytelling and technical skills for film and television.
She has experience as an assistant editor and post-production assistant on feature films and television, specializing in media organization, syncing and prepping footage, managing assets, and supporting editorial teams to keep projects running efficiently from ingest through delivery.
Incentives
- The Story
- Wishlist
- Updates
- The Team
- Community
Mission Statement
The Story

"What Are You Playing For?"
Red Flag takes an introspective look inside the psyche of Danny Maple, a once-celebrated basketball phenom who failed to fulfill the promise of his immense talent in the pros. As this self-destructive man tries to rebuild his broken career, he begins to question what truly caused it to collapse beyond the injuries he suffered. At the center of this film is a heartfelt plea for change, as it explores the sports narratives that make players rise or fall, and how perception can shape identity. We hope audiences connect with the pressure of chasing your dreams and the failures along the way, the red flags within ourselves that hold us back, and ultimately ask: what are you playing for?

The False Promise of Destiny
The idea for Red Flag came from researching the careers of professional athletes and discovering the story of Ryan Leaf, who was drafted directly after Peyton Manning. The contrast between their careers fascinated me—two players once linked by expectation, yet remembered for completely different outcomes. It immediately made me want to explore the human story behind the label of a “draft bust.”
So many sports stories celebrate the underdog: the overlooked fighter, the player counted out, the one who only needs a chance to prove themselves. Red Flag is an inverse of that idea. It follows someone who was given every opportunity to succeed, carried immense expectations, and still failed. That raised a question I found deeply compelling: why?
From there, the story became about more than basketball. It became about pressure, identity, self-destruction, and what happens when the dream you built your life around falls apart. Danny Maple is a man raised to believe he was destined for greatness, now forced to confront the reality that greatness may never come. In rediscovering his love for the game, he must answer a deeper question: without that destiny, who is he?

Then The Crowd Goes Quiet...
We all fear failure. Some of us fear it more than others. Some of us ignore it, but all of us hope to succeed and fear the alternative.
At a time when social media and technology have connected society more than ever before, it has also become increasingly easy for people—not just athletes—to be scrutinized for every decision they make, every mistake they commit, and every failure they endure. A bad game can spark outrage from thousands of fans overnight. For certain players, failing to live up to expectations can define an entire career. The same can be said for celebrities and public figures whose lives are so heavily publicized that any choice can invite immediate criticism. We now live in a world where judgment is easier to give than ever before.
Red Flag explores one man who has lived and died by that criticism. Danny Maple has built his identity around public success, only to be crushed by public failure. Through him, the film asks a universal question: how do we separate our love for what we do from the voices telling us we are not enough? How do we hold onto passion when perception begins to define us? Through that lens, the film goes beyond sports and becomes a human story about identity, pressure, and self-worth.
My hope is to show why sports mean so much to me, and why those reasons go far beyond the game. They can be heartbreaking and frustrating, but also deeply rewarding—not simply because of fandom or statistics, but because of the stories of the people who play them. Stories that endure, inspire, and even become history in the most heartwarming ways.

No one Scores Alone...
...which is why we ask you to make the extra pass and help bring Red Flag to life! Basketball is a team sport, and we would love for you to join ours. Your donations will go toward compensating performers who can meaningfully portray these emotionally rich characters, hiring a choreographer to stage authentic full-speed basketball action, securing locations with real hardwood courts, building props and set decorations to bring a rich texture into this film's world, renting equipment to achieve the cinematic scale and intimacy the story requires, and the many practical needs that will keep our production running smoothly
Red Flag is currently in the thick of pre-production, with production slated for July 2026 and post-production to begin immediately after. Following completion in November 2026, we will use the funds from our campaign to launch a festival run in 2027 with the goal of sharing this story and its big beating heart with as many people as it can reach. This film ultimately asks what stops you from achieving your dreams. With your help in donating and/or spreading awareness of this project, we know that there's nothing stopping us from achieving ours.
Wishlist
Use the WishList to Pledge cash and Loan items - or - Make a pledge by selecting an Incentive directly.
Location
Costs $5,400
Getting a location that has both a basketball court and a locker room is very crucial for our team so that there aren't any company moves.
Catering & Crafty
Costs $1,500
Our cast & crew need to stay feed so that they can work at their full potential!
Casting
Costs $1,100
Getting an actor that can act and play basketball will not be an easy task, but is important for Red Flag.
Set Dressing & Props
Costs $1,300
Finding a suitable location is half the battle as we have to set dress it to look and feel like a basketball court used by NBA players.
Wardrobe & Makeup
Costs $700
Basketball is a strenous activity, so we need our actors to look the part. It will be very important in helping our actors look exhausted.
About This Team

Nico Candela - Director & Writer

Nicolas Candela is a filmmaker from Miami, Florida, currently pursuing his graduate studies at SCAD Atlanta. Since childhood, he has been captivated by the screen and the power of film to transport, inspire, and connect people through story. He specializes in writing, directing, editing, sound design, and a variety of production and post-production roles, and has recently written and directed several short films, with some earning selections at film festivals. His work often follows characters wrestling with identity, perception, and self-worth—people searching to change, to be understood, and to find where they belong. Whether behind the camera, in the edit room, or shaping a script, Nicolas is driven by cinema’s ability to make audiences feel seen, challenged, and connected.
Marcus Taylor - Producer

Marcus was born in Cincinnati, Ohio, and raised in St. Charles, Missouri. Upon graduating from high school, he honorably served eight years in the U.S. Army, with assignments in South Korea and Fort Hood, Texas, and a deployment to Iraq during Operation Iraqi Freedom. Following his military service, he transitioned into private security. Subsequently, he relocated to Maine, where he earned an Associate's degree in Communications and New Media. Marcus then transferred to SCAD, completing a Bachelor's degree in Film and Television. Currently, he resides in Atlanta with his two cats, pursuing a Master of Fine Arts degree in Film and Television.
Theo Braddock - Director of Photography

Theo Braddock is a Director of Photography from Washington, DC in his senior year at SCAD Atlanta. For the past four years, he’s used his eye for composition and lighting for everything from award-winning short films to documentaries and branded content. When he’s got time on his hands, he enjoys playing music, and sports, always finding ways to combine photography with his love for both.
Olivia Berke - Editor

Olivia Berke is currently pursuing her M.A. in Editing at SCAD, where she is developing her storytelling and technical skills for film and television.
She has experience as an assistant editor and post-production assistant on feature films and television, specializing in media organization, syncing and prepping footage, managing assets, and supporting editorial teams to keep projects running efficiently from ingest through delivery.


