This film offers a rare glimpse of life after an abortion. Through her abortion, Valeria confronts her understanding of herself and the world around her, creating community through the unexpected.
This film offers a rare glimpse of life after an abortion. Through her abortion, Valeria confronts her understanding of herself and the world around her, creating community through the unexpected.
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Story
Mission Statement
While we started pre-production on Renacer before Roe v Wade was overturned, this project is unfortunately very timely. Renacer will take on the unique perspective of following Valeria after her abortion and how the societal stigma affects her recovery process.About The Project
Renacer follows Valeria, a Puerto Rican immigrant living in Los Angeles, who feels isolated and shamed after getting an abortion. While in the clinic, she meets Grace, a nurse who invites her to a women's support group. Valeria turns her down, preferring to deal with her pain in solitude. As she tries to continue living her life, she begins to self-destruct, blaming herself for her abortion and her previous trauma. After a brutal wake-up call, Valeria decides to give the support group a try. Frightened by their emotional vulnerability, she runs away. Will Valeria be able to forgive and stop blaming herself? Will she be able to heal?
Renacer is a film that shares real women's experiences through the lens of Valeria. Society is hostile to women, creating laws over our bodies and stigmatizing us. We feel isolated & shamed for our decisions. Why, in 2022, does the stigma of abortion still exist?
Renacer is a metaphor for coming out of dark times and finding catharsis, freedom, and rebirth. I want to share this story to encourage women to be free from their truth and speak up.
I was 22 years old and in my senior year of college when I found out I was pregnant. I remember that day as if it was yesterday. My first thought was: my life is done.
Earlier that week, I had decided to move to the United States after graduating from college. I wanted to take the big step and go after the American Dream to become a filmmaker; now, I was in limbo. As I read PREGNANT on the test, my mind was clouded with fear, confusion, anger, and blame. I never wanted to be a young mother, and having an unplanned and unwanted pregnancy felt catastrophic. Growing up in a Catholic household that was strongly anti-abortion, there was no one in my family I could turn to for support.
I never spoke openly about my abortion; I didn't want to face my family. I didn't want to face questions I wouldn't or couldn't answer. And if you are reading this, Mami, Papi, I am sorry you had to find out this way. I have kept my story to myself for five years, but writing it this January was liberating.
For years, I have felt ashamed, alone, and pressured to continue my life as if nothing had happened. I punished myself for my mistakes and my decisions for many years. The reality is that I was living in a broken system, surviving off the $7.25 minimum wage in Puerto Rico. I would only become free when I understood I was blaming myself while grieving a decision I never thought I would make.
Writing this story, I gave myself the support and community I didn't have. Women are allowed to grieve. Women are allowed to celebrate. Women are allowed to feel and express emotions openly and freely. I plan to use this film as an opportunity to reach out to women; we don't have to be alone. It is okay to make the best decision for yourself, no matter how hard that may be.Sincerely,
Jenniffer J. Gonzalez Martinez
Grief
Vulnerability
Sisterhood
The film will be divided into chapters visually representing Valeria's different emotional stages and conflicts.
Chapter 1:
Dark, cool & Saturated
Chapter 2:
To bright, warm & More saturated
Renacer was lucky enough to be selected as a USC MFA thesis film. It was a Second Rounder in the ScreenCraft Film Fund Fall 2022. We need to reach this goal to make this film happen. We ask you, our community, to support our story. Through USC, we can cover more significant expenses like insurance, post-production facilities, and some equipment, but there's still a lot to cover, such as:
- Adequately feeding our cast & crew (full stomachs and happy hearts)
- Support our gear rentals, props & wardrobe
- Bring Valeria's world to life with production design
- Buy adequate PPE for our cast and crew, so that we may be as covid-safe as possible at all times
- Find and book locations that enrich the film
Our crew has been working hard behind the scenes to bring Renacer to you!
Our producers, Ximena, Bobbie, and Kelsey, are filming the pitch video. You can get their paintings as an incentive!
Our director, Jenniffer, films her interview for our pitch video :).
We appreciate you for taking the time to read our campaign. With your help and support, we can bring this film to audiences in Spring 2023 and to festivals everywhere!
The best way to SUPPORT US and BE PART OF OUR STORY is to:
PLEDGE
You can directly support this film. We appreciate any amount you can give. Depending on how much you pledge, you get an Executive Producer credit!
FOLLOW US
Follow us on Instagram @renacer_renaissance. Each week, we feature an artist and our behind-the-scenes work on Renacer.
You can FOLLOW US here on Seed and Spark! Every new follower will help us get more spotlight and become closer to reaching our GOAL!
We thank you for your support and hope you can be part of this unique story!
- The Renacer Team
Incentives
$15
Instagram Shout Out!
We will give YOU a special shout-out on our Social Media.
$50
Behind-the-Scenes Pack
We will give you a copy of our storyboards, lookbook, and script
$100
Link to the Film
We will send you a special link to the film once it is released!
$200
Special Thank You
You will get a special thank you in the credits!
$350
Paintings by the Crew
If you pledge, we will give you one of the paintings we feature in our pitch video! May or may not have been bitten by Sansa.
Claimed: 0 of 4
$500
Painting by Sansa
If you pledge, we will give you a special painting made by our very own doggo producer, Sansa.
$1,000
Disposable Camera
We will put your name on a disposable camera and take photos during production. We'll develop the photos and send them to you. You will get to be part of the BTS!
$2,500
Test Screening + Q and A
We will give you a PRIVATE Screening of the film in LA and/or over Zoom and a Q+A with our Director Jenniffer J. Gonzalez Martinez. PLUS all of the above.
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Wishlist
Use the WishList to pledge cash and loan items - or - Make a pledge by selecting an incentive directly.
$15
Instagram Shout Out!
We will give YOU a special shout-out on our Social Media.
$50
Behind-the-Scenes Pack
We will give you a copy of our storyboards, lookbook, and script
$100
Link to the Film
We will send you a special link to the film once it is released!
$200
Special Thank You
You will get a special thank you in the credits!
$350
Paintings by the Crew
If you pledge, we will give you one of the paintings we feature in our pitch video! May or may not have been bitten by Sansa.
Claimed: 0 of 4
$500
Painting by Sansa
If you pledge, we will give you a special painting made by our very own doggo producer, Sansa.
$1,000
Disposable Camera
We will put your name on a disposable camera and take photos during production. We'll develop the photos and send them to you. You will get to be part of the BTS!
$2,500
Test Screening + Q and A
We will give you a PRIVATE Screening of the film in LA and/or over Zoom and a Q+A with our Director Jenniffer J. Gonzalez Martinez. PLUS all of the above.
- Updates
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Current Team
About This Team
An island girl with big dreams.
Jenniffer (she/her/hers), was born and raised in "La Isla del Encanto," Puerto Rico, and migrated to the United States in 2018 after graduating from Universidad del Sagrado Corazón in Puerto Rico. While there, she majored in film production with a minor in acting, writing, and directing. She directed “Se Quitó," a short film narrating her story regarding the horrendous 2017 hurricane Maria.
After graduating, she worked with an HIV organization, directing a short documentary film about the injustices people with HIV go through after being diagnosed. In the Fall of 2020, she became an MFA Candidate in the School of Cinematic Arts (Film & TV Production) at the University of Southern California. While at USC, she has had the opportunity to collaborate on many short films. She also wrote and directed "IT Happens," a short film about human trafficking. Later, in the Summer of 2021, she co-wrote "Of Reasons and Rumors," a heartfelt narrative short film collaborating with Vaccine LA, an organization targeting the Hispanic Community, to confront and combat the COVID-vaccine misinformation. "Of Reasons and Rumors" is promoted by the National Hispanic Alliance for Health to its 15 million members.
Jenniffer Gonzalez Martinez has concentrated on narrative filmmaking, focusing on the female experience. She is currently in pre-production for her graduate thesis film “Renacer,” about the stigma of abortion, based on her life's story.
Kelsey McGee (she/her/hers) is an LA-based writer, director, and producer. In 2019, she graduated from Boston College with a B.A. in English Language and Literature and minors in both Creative Writing and Faith, Peace, and Justice. While at BC, her writing and poetry were published in various New England-based literary journals. Kelsey received the "Salmanowitz Grant for Moral Courage in Film" for her documentary thesis, The Art of Reconciliation, which follows the intersection of art, conflict, and peace-making efforts in Belfast & Derry-Londonderry, Northern Ireland. After graduating, Kelsey moved to the Bay Area, where she worked as a crisis services advocate for survivors of gender-based violence.
Kelsey is currently pursuing her MFA in Film & Television Production at the USC School of Cinematic Arts. A lifelong dancer, Kelsey directed Danceable as a USC thesis-level graduate film following three dancers with disabilities, which has been featured at the Cucalorus Film Festival and ReelAbilities Pittsburgh. She is producing Renacer, a USC thesis film about finding community after abortion.
Kelsey is deeply passionate about the transformative power of truth-telling through art. She is focused on telling strong female-focused narratives.
Bobbie is a Los Angeles based filmmaker and writer hailing from New York. She graduated in 2019 from Mount Holyoke College with a double major in Film Studies and Politics. She’s worked at Tribeca Film Institute, National Geographic, and Marvel Entertainment creating work for their social media platforms and websites. After graduating college, she started to work at a local independent movie theater that showed movies on film and fell in love with analog filmmaking. When the theater shut down during the Covid lockdown, she taught herself how to develop 35mm color film and started developing friends and family’s old rolls in her parent’s basement. She is currently an MFA candidate at USC School of Cinematic Arts in the Film and Television Production program focusing on producing, directing, and writing. Last Summer, she produced and co-wrote A Karaoke Space Odyssey, a USC thesis film. In her free time, she hangs out with her little poodle dude Rooster and they both say hi to the hummingbirds who visit the balcony of her LA apartment.
Ximena Davis is a Los Angeles-based Producer, Writer, and Director. She began her film career in documentary and independent productions, and as Founder and President of the first Filmmaking Club at her undergraduate institution, Kalamazoo College.
Her feature-length documentary, “Culture You Can Eat,” was screened at multiple film festivals across the country and received Honors from Kalamazoo College, where she graduated in 2019. Her passion for reproductive rights began in documentary, where she created a short film looking at the social justice movements in 2017.
In 2020, she had the honor of being one of the Directors of Photography for the independent film, The Ninth Raider, which partnered with NFT Blue and Ark.io to merge digital currency and art in the film world. Currently, she is an MFA Candidate at USC’s prestigious School of Cinematic Arts, where her love of film has led to many collaborations as a writer, director, producer, and cinematographer. She is working towards one day having her own production company and is currently developing a TV series about her various escapades in and around LA. She is looking forward to helping bring the story of Valeria to the big screen to highlight how important reproductive rights are for everyone.
Meg Weck is a Los Angeles-based DP whose work is notable for naturalistic lighting, inventive composition, and the use of color.
She is drawn to stories that explore personal identity, sexuality, grief, vulnerability, and the meaning of family.
Her love for images developed at a young age, and she began to take photographs in high school, taking after her Grandfather, a black and white stills photographer. During her studies abroad in Copenhagen, Denmark, she developed a love of European art house cinema and minimalist imagery, which heavily inspires her work. Following her graduation from Tufts University from the Film and Media Studies program, she was accepted into the School of Cinematic Arts’ Masters of Fine Arts Program in Film Production.
In Spring 2022, Meg photographed Danceable, a USC graduate thesis-level short documentary following three disabled dancers as they navigate their creative process. She was a 2022 recipient of the Panavision New Filmmaker Program Grant, and her work has been selected for screening at LA Shorts Fest, Cucalorus Film Festival, ReelAbilities Film Festival, and Zed Fest.
Morel Malcolm was raised on a small farm in Upstate New York, where she gained entrepreneurial knowledge and creative inspiration. She attended undergrad at NYU, acquiring a BS in Media studies and Film Images. After spending time in cities like NY and Miami, Morel continued to follow her dream of visual storytelling in LA at USC.
An ex-Filipino-soap-opera-translator-turned-filmmaker, Achim Mendoza has pursued a diverse array of interests. His passion for film started in his teens, when Marilou Diaz-Abaya, a prestigious Filipino director, offered to mentor him. As a teenager, Achim would fly back and forth between his hometown of Davao and Manila to attend her classes.
Back in the Philippines, he helped create “Stages Sessions,” a YouTube channel that focuses on indie Filipino musicians and poets. His 2021 musical short “Connection” has been doing the rounds in the festival circuit and was most recently screened at the 38th Los Angeles Asian Pacific Film Festival. He is currently an MFA candidate in Film and TV Production at USC and is the recipient of the prestigious Annenberg Fellowship Award. He is also in post-production for his sci-fi rom-com karaoke musical thesis, “A Karaoke Space Odyssey.” In his spare time, Achim likes to perfect his family’s longsilog recipe.
Marian D. Cook is a former journalist and current USC student pursuing an MFA in Film and TV production. She graduated from Spring Hill College in 2019, Summa Cum Laude, and with honors, with a BA in Journalism. She's been published over a dozen times, covering topics from local news to federal healthcare legislation. She's directed, produced, edited, and shot (basically a one-woman show) a range of documentaries from plastic surgery to segregation in the church. And she is a recipient of the Autry D. Greer Media Service Award and the Catholic Press Award. But she also has a passion for narrative film. She's currently focused her talents on editing, producing, and directing strong, female-led stories, especially that of Latinas. Her latest projects include "Pay My Bill," starring her mother and Maria Garcia, which deals with the everyday struggles of immigrants and the social pressures of assimilation; and "Bad Hombrewood," a short documentary directed by Guillermo Casarin about Latinx representation in Hollywood, starring Phil Lord, Guillermo Del Toro, Lee Unkrich, Melissa Fumero, and a range of Latinx talent that demonstrate the beauty and diversity of the Latinx community, that won Best Student Documentary at the American Pavilion at the 2022 Cannes International Film Festival.
Vanessa Kao is a director, writer, and editor currently pursuing her film and television production studies at the USC School of Cinematic Arts.
As a director, her films have won Silver Remi Award at WorldFest-Houston International Film Festival and have been screened at CineAsian Films and Taiwan (Chiayi) Performing Arts Center.
She has co-directed a narrative feature film produced by USC.
As an acting coach, her work has been selected at numerous Academy Award-qualifying festivals, including Santa Barbara International Film Festival and Ann Arbor Film Festival, and has won the SXSW Midnight Shorts Audience Award, Special Jury Prize at Seattle International Film Festival, and Best Narrative Short at Frameline Festival.
As an editor, her work has been selected for ReelAbilties and Cucalorus Film Festivals. She is currently working on the post-production team for a documentary series directed by Lauren Greenfield (Emmy-award-winning filmmaker and two-time Directors’ Guild and Writers’ Guild award nominee). She is also an assistant editor of the upcoming feature film sponsored by USC.
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