Should We Turn This Thing On?
New York City, New York | Film Short
Comedy, Romantic Comedy
Lily is a virgin with a dream: to be a member of Whaler College’s premier stand-up comedy group, The Fokschlockers. After her audition fails to impress Fockschlocker’s president, Noah, she tries a different approach. If she can't be a Fockschlocker then she might as well lose her virginity - right?
Should We Turn This Thing On?
New York City, New York | Film Short
Comedy, Romantic Comedy
1 Campaigns | New York, United States
52 supporters | followers
Enter the amount you would like to pledge
$4,517
Goal: $6,000 for pre-production
Lily is a virgin with a dream: to be a member of Whaler College’s premier stand-up comedy group, The Fokschlockers. After her audition fails to impress Fockschlocker’s president, Noah, she tries a different approach. If she can't be a Fockschlocker then she might as well lose her virginity - right?
About The Project
- The Story
- Wishlist
- Updates
- The Team
- Community
Mission Statement
The Story
College freshman Lily is a virgin with a dream: to be a member of Whaler College’s premier stand-up comedy group, The Fockschlockers. Armed with her own unique style of stand-up comedy and an almost unshakeable confidence, she knows she deserves a spot in the group. It’s convincing the other members, particularly president Noah, that proves to be her biggest obstacles.
After a less than successful audition Lily realizes her future in the group is, at best, unclear. So when she finds herself alone with Noah, she decides to seize the opportunity. If she can’t be a Fockschlocker, then she might as well lose her virginity–right?
There are countless stories out there about losing one's virginity. Should We Turn This Thing On? is a new take on this narrative where (spoiler alert!) no virginity is lost, but ultimately something much more important is gained.
What that something is would be an actual spoiler, so we can’t share it with you (yet), but trust us when we say it is equal parts silly and beautiful. Told through the eyes of a young female comedian, Should We Turn This Thing On? is an exploration of both the unfiltered, clumsy reality of having sex for the first time and the complicated relationship between sexuality, comedy, and ambition for women.
Lily’s desire to have sex with Noah comes from both a curiosity to explore the mysterious world of sex (it can’t really be that big of a deal, can it?) and a misguided attempt to gain some kind of power over her own situation. If she can sleep with Noah, she’ll be the cool girl who has casual sex with one of the most influential men on Whaler College’s campus. She’s not exactly looking for his validation but she is hoping that maybe, if he spends a little time with her, he’ll start to realize she really is Fockschlocker material after all. . .
Noah is pretty much your average guy in stand-up comedy. He’s laid back, overly confident, moderately attractive, and just a little bit emotionally stunted. As a current senior in college and president of the Fockschlockers, he’s a big fish in a little pond who has yet to face any real life challenges. He doesn’t totally get Lily . . . but he’s down to have sex with her (as long as it’s in a chill way).
Lily is a unique combination of self-assured and naive. She’s not ashamed of her sexual inexperience – in fact, just the opposite. It’s the subject of her stand-up comedy routine, an unconventional skewering of the seriousness with which virginity is treated in our culture. She’s confident and not afraid to ask for what she wants, but in this new situation she finds herself surprisingly vulnerable as she attempts to navigate the complicated, sometimes awkward, and often very funny, process of learning to have sex for the first time. Why do penises look so much bigger in real life? How are you supposed to give a blowjob? And who knew condoms came in so many different flavors!?
While the film is focused on Lily’s journey, it also explores Noah’s. Their night together leads to unexpected discoveries for both of them and, as Noah’s perspective on Lily shifts so does his worldview. Should We Turn This Thing On? is a fundamentally hopeful, if unconventional, story about two people who really shouldn’t be having sex, but do have a lot to learn from one another.
Behind Should We Turn This Thing On? is a team of funny, talented, very close to perfect women who are dedicated to bringing this story to life. But, as amazing as we are, we can’t do it alone.
We’re asking you to help us raise $6,000. This money will go towards compensating our wonderful crew, as well as other necessary production and post-production costs including equipment rentals, location fees, and feeding our cast and crew on set.
Donations of any amount help us reach our goal! But if you’re feeling generous, take a look at some of our exciting rewards . . .
If you aren’t able to donate but still want to support the film, spreading the word and sharing this link with others who may want to donate also helps us out a lot!
We’re truly excited about bringing this film to life, and we hope you are too–we’re grateful for your support in any capacity.
So . . .
Wishlist
Use the WishList to Pledge cash and Loan items - or - Make a pledge by selecting an Incentive directly.
Equipment Rental
Costs $150
Renting lights and a few pieces of sound and camera equipment to supplement our crew's existing resources.
Location Fees
Costs $300
To pay for shooting locations as well as renting space for rehearsals prior to shooting.
Costume, Props, and Set Pieces
Costs $100
Props (ex. a full drawer of condoms), set decoration (ex. crushed beer can), and incidental costume needs (ex. quirky underwear).
Contingency and Insurance
Costs $700
Insurance for equipment rentals, and contingency for incidental costs
Direct link:
Share this update!
About This Team
Eleanor Evans-Wickberg (Writer/Director/Producer) is a playwright, screenwriter, and director originally from Dallas, Texas and now based in Brooklyn, New York. Her work has been developed and produced with RE/VENUE (at A.R.T./NY Theater), The Valdez Theater Conference, Black Cat Theatre (The Edge Off-Broadway), Lucky Bra Comedy (at The Chain Theater), Girl Dirty Theater Company, and Common Sister (forthcoming, at The Tank) among others. After writing and producing one previous short film (The List, produced by Good Furniture Films), she couldn’t be more excited to make her film directorial debut with Should We Turn This Thing On?!
Meghan McNeive (Lily/Producer) is a NYC-based actress originally from the suburbs of Chicago, and a proud graduate of Northwestern University with a BA in Theatre. Recent credits include On Tuesdays We Fight (Soho Playhouse), As You Like It (Shapiro Hall), God’s Favorite (NYTF), and Pas de Trois (Classic Stage). She is thrilled to be producing and starring in her first film with Should We Turn This Thing On? Represented by Maritza Cabrera at Limitless Management. meghanmcneive.com
Lexi DiLucia (Producer/Cora) is a New York City based actress, comedian, producer, model, content creator, writer, and CoFounder/Executive Director of Lucky Bra Comedy Productions. Growing up in Pittsburgh, PA, Lexi has always had big dreams for her life. In 2023 she graduated from Kent State University earning her BFA in Musical Theatre, with a minor in Entrepreneurial Studies. Since moving to the city, Lexi has performed in a plethora of comedy shows, short films, original works, music videos, cabarets, as well as having a seven month hiatus at sea as a MainStage performer with Virgin Voyages! As a producer, she has produced a number of comedy shows and full-fledged productions under Lucky Bra Comedy. She is so excited for LBC to make their journey into the film world with the brilliant team behind Should We Turn This Thing On?
Néha Fernandes (Director of Photography) is a Cinematographer and Lighting Technician from Austin, TX. She graduated from NYU in Fall ‘21 and has been working consistently in G&E for the last 4 years. Creating an amazing image is the most gratifying feeling on set for her, whether it be through the lens or lighting. One of her favorite parts of her job is developing deep connections with her peers, and she loves her community of female, POC cinematographers, gaffers, and grips. “I’m thrilled for the opportunity to work on such a fun campy project!”
Maura Garnett (Producer) is a New York City based producer, casting director, and filmmaker who has produced numerous independent short films, pilots, and digital projects. She specializes in guiding projects from development through production, combining creative problem-solving with meticulous organization to bring ambitious stories to the screen. Passionate about character-driven filmmaking, Maura is committed to championing emerging voices and telling stories that resonate with audiences.
Frankie Otis (Noah) is a New York City based actor with experience in both film and stage. He recently made his Off-Broadway debut in Bated Breath Theater Company’s original production of Dirty Books. Other credits include Intimate Apparel (Gallery Player’s Theater), Three Sisters (Voice Theater), and Lucentio in Taming Of The Shrew (Boomerang Theater Co.). Frankie is a physical, curious, and transformative actor who knows how to play to his strengths as well as push himself in character exploration. He is immensely excited to be a part of this project.
Current Team
Incentives
- The Story
- Wishlist
- Updates
- The Team
- Community
Mission Statement
The Story
College freshman Lily is a virgin with a dream: to be a member of Whaler College’s premier stand-up comedy group, The Fockschlockers. Armed with her own unique style of stand-up comedy and an almost unshakeable confidence, she knows she deserves a spot in the group. It’s convincing the other members, particularly president Noah, that proves to be her biggest obstacles.
After a less than successful audition Lily realizes her future in the group is, at best, unclear. So when she finds herself alone with Noah, she decides to seize the opportunity. If she can’t be a Fockschlocker, then she might as well lose her virginity–right?
There are countless stories out there about losing one's virginity. Should We Turn This Thing On? is a new take on this narrative where (spoiler alert!) no virginity is lost, but ultimately something much more important is gained.
What that something is would be an actual spoiler, so we can’t share it with you (yet), but trust us when we say it is equal parts silly and beautiful. Told through the eyes of a young female comedian, Should We Turn This Thing On? is an exploration of both the unfiltered, clumsy reality of having sex for the first time and the complicated relationship between sexuality, comedy, and ambition for women.
Lily’s desire to have sex with Noah comes from both a curiosity to explore the mysterious world of sex (it can’t really be that big of a deal, can it?) and a misguided attempt to gain some kind of power over her own situation. If she can sleep with Noah, she’ll be the cool girl who has casual sex with one of the most influential men on Whaler College’s campus. She’s not exactly looking for his validation but she is hoping that maybe, if he spends a little time with her, he’ll start to realize she really is Fockschlocker material after all. . .
Noah is pretty much your average guy in stand-up comedy. He’s laid back, overly confident, moderately attractive, and just a little bit emotionally stunted. As a current senior in college and president of the Fockschlockers, he’s a big fish in a little pond who has yet to face any real life challenges. He doesn’t totally get Lily . . . but he’s down to have sex with her (as long as it’s in a chill way).
Lily is a unique combination of self-assured and naive. She’s not ashamed of her sexual inexperience – in fact, just the opposite. It’s the subject of her stand-up comedy routine, an unconventional skewering of the seriousness with which virginity is treated in our culture. She’s confident and not afraid to ask for what she wants, but in this new situation she finds herself surprisingly vulnerable as she attempts to navigate the complicated, sometimes awkward, and often very funny, process of learning to have sex for the first time. Why do penises look so much bigger in real life? How are you supposed to give a blowjob? And who knew condoms came in so many different flavors!?
While the film is focused on Lily’s journey, it also explores Noah’s. Their night together leads to unexpected discoveries for both of them and, as Noah’s perspective on Lily shifts so does his worldview. Should We Turn This Thing On? is a fundamentally hopeful, if unconventional, story about two people who really shouldn’t be having sex, but do have a lot to learn from one another.
Behind Should We Turn This Thing On? is a team of funny, talented, very close to perfect women who are dedicated to bringing this story to life. But, as amazing as we are, we can’t do it alone.
We’re asking you to help us raise $6,000. This money will go towards compensating our wonderful crew, as well as other necessary production and post-production costs including equipment rentals, location fees, and feeding our cast and crew on set.
Donations of any amount help us reach our goal! But if you’re feeling generous, take a look at some of our exciting rewards . . .
If you aren’t able to donate but still want to support the film, spreading the word and sharing this link with others who may want to donate also helps us out a lot!
We’re truly excited about bringing this film to life, and we hope you are too–we’re grateful for your support in any capacity.
So . . .
Wishlist
Use the WishList to Pledge cash and Loan items - or - Make a pledge by selecting an Incentive directly.
Equipment Rental
Costs $150
Renting lights and a few pieces of sound and camera equipment to supplement our crew's existing resources.
Location Fees
Costs $300
To pay for shooting locations as well as renting space for rehearsals prior to shooting.
Costume, Props, and Set Pieces
Costs $100
Props (ex. a full drawer of condoms), set decoration (ex. crushed beer can), and incidental costume needs (ex. quirky underwear).
Contingency and Insurance
Costs $700
Insurance for equipment rentals, and contingency for incidental costs
Direct link:
Share this update!
About This Team
Eleanor Evans-Wickberg (Writer/Director/Producer) is a playwright, screenwriter, and director originally from Dallas, Texas and now based in Brooklyn, New York. Her work has been developed and produced with RE/VENUE (at A.R.T./NY Theater), The Valdez Theater Conference, Black Cat Theatre (The Edge Off-Broadway), Lucky Bra Comedy (at The Chain Theater), Girl Dirty Theater Company, and Common Sister (forthcoming, at The Tank) among others. After writing and producing one previous short film (The List, produced by Good Furniture Films), she couldn’t be more excited to make her film directorial debut with Should We Turn This Thing On?!
Meghan McNeive (Lily/Producer) is a NYC-based actress originally from the suburbs of Chicago, and a proud graduate of Northwestern University with a BA in Theatre. Recent credits include On Tuesdays We Fight (Soho Playhouse), As You Like It (Shapiro Hall), God’s Favorite (NYTF), and Pas de Trois (Classic Stage). She is thrilled to be producing and starring in her first film with Should We Turn This Thing On? Represented by Maritza Cabrera at Limitless Management. meghanmcneive.com
Lexi DiLucia (Producer/Cora) is a New York City based actress, comedian, producer, model, content creator, writer, and CoFounder/Executive Director of Lucky Bra Comedy Productions. Growing up in Pittsburgh, PA, Lexi has always had big dreams for her life. In 2023 she graduated from Kent State University earning her BFA in Musical Theatre, with a minor in Entrepreneurial Studies. Since moving to the city, Lexi has performed in a plethora of comedy shows, short films, original works, music videos, cabarets, as well as having a seven month hiatus at sea as a MainStage performer with Virgin Voyages! As a producer, she has produced a number of comedy shows and full-fledged productions under Lucky Bra Comedy. She is so excited for LBC to make their journey into the film world with the brilliant team behind Should We Turn This Thing On?
Néha Fernandes (Director of Photography) is a Cinematographer and Lighting Technician from Austin, TX. She graduated from NYU in Fall ‘21 and has been working consistently in G&E for the last 4 years. Creating an amazing image is the most gratifying feeling on set for her, whether it be through the lens or lighting. One of her favorite parts of her job is developing deep connections with her peers, and she loves her community of female, POC cinematographers, gaffers, and grips. “I’m thrilled for the opportunity to work on such a fun campy project!”
Maura Garnett (Producer) is a New York City based producer, casting director, and filmmaker who has produced numerous independent short films, pilots, and digital projects. She specializes in guiding projects from development through production, combining creative problem-solving with meticulous organization to bring ambitious stories to the screen. Passionate about character-driven filmmaking, Maura is committed to championing emerging voices and telling stories that resonate with audiences.
Frankie Otis (Noah) is a New York City based actor with experience in both film and stage. He recently made his Off-Broadway debut in Bated Breath Theater Company’s original production of Dirty Books. Other credits include Intimate Apparel (Gallery Player’s Theater), Three Sisters (Voice Theater), and Lucentio in Taming Of The Shrew (Boomerang Theater Co.). Frankie is a physical, curious, and transformative actor who knows how to play to his strengths as well as push himself in character exploration. He is immensely excited to be a part of this project.