Sweetie
New York City, New York | Film Short
Family, Other
Over half the population of the world has a first period story. What do all of their stories have in common? That they felt unprepared and awkward about this loss of innocence. Sweetie specifically focuses on a story that highlights how young kids can be when they first get their periods.
Sweetie
New York City, New York | Film Short
Family, Other
2 Campaigns | New Jersey, United States
Green Light
This campaign raised $23,180 for production. Follow the filmmaker to receive future updates on this project.
281 supporters | followers
Enter the amount you would like to pledge
Over half the population of the world has a first period story. What do all of their stories have in common? That they felt unprepared and awkward about this loss of innocence. Sweetie specifically focuses on a story that highlights how young kids can be when they first get their periods.
- The Story
- Wishlist
- Updates
- The Team
- Community
Mission Statement
The Story
Update: When we originally made our budget, inflation wasn't as rampant and things simply costed less. We are fully cast & crewed up but we need a little more ($4,000 - $5,500 to be exact) to make production and get a start on post!
Feel free to contribute to reach our new goal through Cashapp: $sweetieshort or Venmo: @sweetieshortfilm.

Sweetie is a magical realism/coming-of-age short film about unlikely warriors who protect children’s innocence as they are forced to grow up.
The film follows MISTY, a wingless tooth fairy who picks up an extra shift on Christmas Eve and KAREN, a shy 10 year old, who still believes in Santa Claus.

On Christmas Eve, Misty collects Karen’s baby tooth and finds Karen awake and horrified after getting her first period. Too flustered to tell her mother and determined to stay quiet so Santa doesn’t know she’s awake, Karen asks Misty to help her.
Misty obliges, after learning that Karen’s mother is unavailable since she is pretending to be Santa Claus. While guarding the last embers of Karen’s innocence, Misty teaches Karen how to use a menstrual pad, takes her downstairs to wash the blood out of her pajamas and bed sheets, and answers some of her awkward questions.

I came up with the concept for Sweetie, while reflecting on my own, bewildering first period experience. As I have gotten older, I realized that a lot of people are unaware of how young kids can be when they first get their periods. If people were aware of the innocence of kids at menstruation age, their politics would shift and they would be illuminated with a new found understanding of reproductive health.

Sweetie is also a film about vulnerable, dark-skinned black girls and women. Statistically, black girls are seen as more mature and "fast" compared to their female peers. I want to capture a Black girl clinging to her innocence and relying on the tooth fairy, an imaginary friend and confidante, as the world tries to pickpocket her childhood.
Ultimately, I want Sweetie to be a conversation starter and give people the opportunity to tell their own first period stories.

Only 24 states and Washington D.C. require sex education to be taught in schools. Even the quality of the education in those 24 states plus D.C. varies and students can leave school unprepared to deal with reproductive health throughout their life.
Sweetie takes the opportunity to use a familiar setting, Christmas, as a universal coming of age story. In a world where students are educated in different environments (in-school, online, home), this film can be a tool for parents and peers to start conversations about what happens and how it feels when you start menstruating.
This film is not only for kids. All ages can get something out of the film!
How many men are clueless to when their kids start menstruating?
How many partners are overwhelmed when going to pick up tampons and pads for their partners?
How many people have been menstruating for more than a decade and still feel like there's so much more to learn about the process?

This unlikely Christmas tale featuring the tooth fairy hopes to demystify the genesis of menstruation and encourage people to find community to learn more about their bodies.

Sweetie was originally scheduled to be filmed in Spring 2020. The pandemic made that impossible but now that we are entering year three of the pandemic, this film seems more timely than ever. The past three years have amplified infrastructure issues in America that we are now forced to grapple with because it's a matter of life or death, literally. One system that has been failing Americans is our healthcare system. Our team is not made up of health care professionals but artists. An artist's main job is to communicate through expression and respond to the times they live in.
These past few years have shown us how health communications have failed the American people. People get information in a variety of ways: social media, online publications, word of mouth, and tv/film. It takes a lot of effort to get people's attention and Sweetie is a creative endeavor to get people talking about reproductive health.

In order for Sweetie to happen, every cast and crew member needs to get paid a living wage. Our crew is made of freelancers who were hit hard by the pandemic and are just now getting back on their feet. Even though this is a passion project, passion doesn't pay the bills and we want to make sure our cast and crew feels valued by feeding them nutritious, individualized meals to reduce the spread of COVID-19, provide N95 masks for safety, and offer viable transportation when necessary.
In the case that our cast and/or crew comes down with COVID-19, we will need to reschedule our shoot by at least 1 month due to quarantine guidelines. Part of the funds we raise will go towards an emergency fund in case there is a rise in cases on set and/or in the town/state we film in.

1. Contribute to Our Film
When we originally made our budget, inflation wasn't as rampant and things simply costed less. We are fully cast & crewed up but we need a little more ($4,000 - $5,500 to be exact) to make production and get a start on post!
Cashapp: $sweetieshort | Venmo: @sweetieshortfilm
2. Follow Our Film
You can support our film by following our Seed and Spark page! When we have over 250 followers, we get access to rewards and resources that can help us make this film the best it can be.
3. Follow Our Social Media
We have an Instagram and Facebook page where you can stay up to date on the film!
4. Share Our Campaign on Social Media
Posting and tweeting about what excites you about the project helps us get eyes on the campaign! Thank you for sharing in advance.
5. Share Your Story With Us
We are alway looking for first period, advice for your ten year old self, and when you stopped believing the Tooth Fairy or Santa Claus stories to post on our social media. Your story can be shared anonymously or we can tag you. Here is the form, if you would like to share!

Thank you and have a safe winter!
Wishlist
Use the WishList to Pledge cash and Loan items - or - Make a pledge by selecting an Incentive directly.
Cash Pledge
Costs $0
Festival Submission Fees
Costs $500
We want to make sure our film reaches the largest audience possible! Can you help us?
Colorist
Costs $500
This person makes sure the color is cohesive and helps tell the story throughout the film!
Composer
Costs $500
Can't make a Christmas movie without Christmas music!
Post Sound Mixer
Costs $500
This person makes sure the s sound levels don't hurt your ear drums or struggle to hear!
Producers
Costs $2,400
Producers...They make it happen!
Editor
Costs $500
We don't have a movie to watch without someone to put the pieces together.
Production Assistant
Costs $750
This position is the ultimate team player! The unsung hero of every production!
On Set Sound Mixer
Costs $1,800
What can ruin a film? The sound quality! We want to make sure that doesn't happen to us...
COVID-19 Protection
Costs $350
To keep our cast and crew safe, we will need PPE, cleaning products, and COVID tests
Locations
Costs $2,000
Can't shoot the movie without a place to shoot the movie ;)
Food
Costs $800
Filmmaking is hard work, and a good meal is the very least we can do to support our cast and crew!
Special Effects Makeup
Costs $300
To bring our Fairies and magic to life!
Costumes
Costs $500
Along with makeup, this really helps to create the magic of the film :)
Transportation
Costs $400
we got places to go, people!
Set Decoration
Costs $500
We're making a Christmas movie and need to make sure the Christmas spirit is alive!
Office Supplies
Costs $150
We'll have scripts to print and tape to buy!
Insurance
Costs $500
Can't do much without it!
Crowns
Costs $200
A crown is one of the ways to identify a tooth fairy!
Wands
Costs $60
A wand is a tooth fairy's GPS!
Wings
Costs $500
Help a tooth fairy get her wings!
Kid Actors' Pay
Costs $600
We want to make sure that the kids are alright!
Adult Actors' Pay
Costs $1,000
We want to pay professional artists what they're worth!
Lighting
Costs $600
We want to make sure our Black cast is lit correctly so their talent can shine!
Gaffer
Costs $1,200
We want the best qualified and efficient person for the job!
Grip
Costs $1,050
The gaffer can't do it all by themselves! A grip is an underrated crew member!
Cinematographer
Costs $1,800
Cinematographers are responsible for the way the film looks. We can't make this film without them!
Assistant Camera Person
Costs $1,050
The cinematographer needs someone to help them change lens and to help with camera movements!
Make-Up Artist
Costs $1,000
We want to make sure are tooth fairies are whimsical and ethereal!
Set Dresser
Costs $900
Can't make Christmas/fairy/coming of age magic without someone to dress the set!
About This Team
WRITER/DIRECTOR:
Christl Stringer is an artist, writer, and director from New Jersey. Her films and scripts have been accepted into NFFTY, Another Hole in the Head Film Festival, and New Haven International Film Festival. Her visual work has been featured in galleries across the East coast.
Sweetie is her seventh short film. Christl explores themes of sexual health, mental health, Black girlhood and womanhood through surrealism, comedy, and magical realism.
PRODUCER:
Vernon Jordan, III is a Philly-born ‘n raised writer, filmmaker, musician-poet, and teaching artist. His work prioritizes the merging of the musical and the visual — a Visual Lyricist. He reflects and expands upon African American memories, dreams, hauntings, queer kinship, and intimate fluidity; as an afrofuturist, he believes the imagination is critical for our building of a new and freerer world.
Vernon is a professional Script Reader and Creative Consultant, with experience reading for Sesame Street Writer's Workshop. His ungergraduate theisis film See My Dreams Come True has played at over five US and international festivals to date, and as a Screenwriting MFA (’19), Vernon was shortlisted at Sundance New Voices Youtube Episodic Lab 2019, and earned a Semi-Finalist Award at Screencraft Sci-Fi and Fantasy Screenplay competition 2020.
His latest film, ONE MAGENTA AFTERNOON is in post-production and preparing for a festival run.
PRODUCER:
Spencer Kelly is an DC-based assistant director, coordinator, and newly-found producer from New Jersey. As an undergraduate at Howard University, Spencer is studying the intersection of international business & global health. He has numerous experiences with leading discussions about sexual health and awareness, as well as, working with large corporations and nonprofits that channel the mission of health equity & inclusion. He has found a new calling in the eyes of TV & film, and has worked on several productions for Spotify, CBS, NBC, Hulu, and many more.
Incentives
- The Story
- Wishlist
- Updates
- The Team
- Community
Mission Statement
The Story
Update: When we originally made our budget, inflation wasn't as rampant and things simply costed less. We are fully cast & crewed up but we need a little more ($4,000 - $5,500 to be exact) to make production and get a start on post!
Feel free to contribute to reach our new goal through Cashapp: $sweetieshort or Venmo: @sweetieshortfilm.

Sweetie is a magical realism/coming-of-age short film about unlikely warriors who protect children’s innocence as they are forced to grow up.
The film follows MISTY, a wingless tooth fairy who picks up an extra shift on Christmas Eve and KAREN, a shy 10 year old, who still believes in Santa Claus.

On Christmas Eve, Misty collects Karen’s baby tooth and finds Karen awake and horrified after getting her first period. Too flustered to tell her mother and determined to stay quiet so Santa doesn’t know she’s awake, Karen asks Misty to help her.
Misty obliges, after learning that Karen’s mother is unavailable since she is pretending to be Santa Claus. While guarding the last embers of Karen’s innocence, Misty teaches Karen how to use a menstrual pad, takes her downstairs to wash the blood out of her pajamas and bed sheets, and answers some of her awkward questions.

I came up with the concept for Sweetie, while reflecting on my own, bewildering first period experience. As I have gotten older, I realized that a lot of people are unaware of how young kids can be when they first get their periods. If people were aware of the innocence of kids at menstruation age, their politics would shift and they would be illuminated with a new found understanding of reproductive health.

Sweetie is also a film about vulnerable, dark-skinned black girls and women. Statistically, black girls are seen as more mature and "fast" compared to their female peers. I want to capture a Black girl clinging to her innocence and relying on the tooth fairy, an imaginary friend and confidante, as the world tries to pickpocket her childhood.
Ultimately, I want Sweetie to be a conversation starter and give people the opportunity to tell their own first period stories.

Only 24 states and Washington D.C. require sex education to be taught in schools. Even the quality of the education in those 24 states plus D.C. varies and students can leave school unprepared to deal with reproductive health throughout their life.
Sweetie takes the opportunity to use a familiar setting, Christmas, as a universal coming of age story. In a world where students are educated in different environments (in-school, online, home), this film can be a tool for parents and peers to start conversations about what happens and how it feels when you start menstruating.
This film is not only for kids. All ages can get something out of the film!
How many men are clueless to when their kids start menstruating?
How many partners are overwhelmed when going to pick up tampons and pads for their partners?
How many people have been menstruating for more than a decade and still feel like there's so much more to learn about the process?

This unlikely Christmas tale featuring the tooth fairy hopes to demystify the genesis of menstruation and encourage people to find community to learn more about their bodies.

Sweetie was originally scheduled to be filmed in Spring 2020. The pandemic made that impossible but now that we are entering year three of the pandemic, this film seems more timely than ever. The past three years have amplified infrastructure issues in America that we are now forced to grapple with because it's a matter of life or death, literally. One system that has been failing Americans is our healthcare system. Our team is not made up of health care professionals but artists. An artist's main job is to communicate through expression and respond to the times they live in.
These past few years have shown us how health communications have failed the American people. People get information in a variety of ways: social media, online publications, word of mouth, and tv/film. It takes a lot of effort to get people's attention and Sweetie is a creative endeavor to get people talking about reproductive health.

In order for Sweetie to happen, every cast and crew member needs to get paid a living wage. Our crew is made of freelancers who were hit hard by the pandemic and are just now getting back on their feet. Even though this is a passion project, passion doesn't pay the bills and we want to make sure our cast and crew feels valued by feeding them nutritious, individualized meals to reduce the spread of COVID-19, provide N95 masks for safety, and offer viable transportation when necessary.
In the case that our cast and/or crew comes down with COVID-19, we will need to reschedule our shoot by at least 1 month due to quarantine guidelines. Part of the funds we raise will go towards an emergency fund in case there is a rise in cases on set and/or in the town/state we film in.

1. Contribute to Our Film
When we originally made our budget, inflation wasn't as rampant and things simply costed less. We are fully cast & crewed up but we need a little more ($4,000 - $5,500 to be exact) to make production and get a start on post!
Cashapp: $sweetieshort | Venmo: @sweetieshortfilm
2. Follow Our Film
You can support our film by following our Seed and Spark page! When we have over 250 followers, we get access to rewards and resources that can help us make this film the best it can be.
3. Follow Our Social Media
We have an Instagram and Facebook page where you can stay up to date on the film!
4. Share Our Campaign on Social Media
Posting and tweeting about what excites you about the project helps us get eyes on the campaign! Thank you for sharing in advance.
5. Share Your Story With Us
We are alway looking for first period, advice for your ten year old self, and when you stopped believing the Tooth Fairy or Santa Claus stories to post on our social media. Your story can be shared anonymously or we can tag you. Here is the form, if you would like to share!

Thank you and have a safe winter!
Wishlist
Use the WishList to Pledge cash and Loan items - or - Make a pledge by selecting an Incentive directly.
Cash Pledge
Costs $0
Festival Submission Fees
Costs $500
We want to make sure our film reaches the largest audience possible! Can you help us?
Colorist
Costs $500
This person makes sure the color is cohesive and helps tell the story throughout the film!
Composer
Costs $500
Can't make a Christmas movie without Christmas music!
Post Sound Mixer
Costs $500
This person makes sure the s sound levels don't hurt your ear drums or struggle to hear!
Producers
Costs $2,400
Producers...They make it happen!
Editor
Costs $500
We don't have a movie to watch without someone to put the pieces together.
Production Assistant
Costs $750
This position is the ultimate team player! The unsung hero of every production!
On Set Sound Mixer
Costs $1,800
What can ruin a film? The sound quality! We want to make sure that doesn't happen to us...
COVID-19 Protection
Costs $350
To keep our cast and crew safe, we will need PPE, cleaning products, and COVID tests
Locations
Costs $2,000
Can't shoot the movie without a place to shoot the movie ;)
Food
Costs $800
Filmmaking is hard work, and a good meal is the very least we can do to support our cast and crew!
Special Effects Makeup
Costs $300
To bring our Fairies and magic to life!
Costumes
Costs $500
Along with makeup, this really helps to create the magic of the film :)
Transportation
Costs $400
we got places to go, people!
Set Decoration
Costs $500
We're making a Christmas movie and need to make sure the Christmas spirit is alive!
Office Supplies
Costs $150
We'll have scripts to print and tape to buy!
Insurance
Costs $500
Can't do much without it!
Crowns
Costs $200
A crown is one of the ways to identify a tooth fairy!
Wands
Costs $60
A wand is a tooth fairy's GPS!
Wings
Costs $500
Help a tooth fairy get her wings!
Kid Actors' Pay
Costs $600
We want to make sure that the kids are alright!
Adult Actors' Pay
Costs $1,000
We want to pay professional artists what they're worth!
Lighting
Costs $600
We want to make sure our Black cast is lit correctly so their talent can shine!
Gaffer
Costs $1,200
We want the best qualified and efficient person for the job!
Grip
Costs $1,050
The gaffer can't do it all by themselves! A grip is an underrated crew member!
Cinematographer
Costs $1,800
Cinematographers are responsible for the way the film looks. We can't make this film without them!
Assistant Camera Person
Costs $1,050
The cinematographer needs someone to help them change lens and to help with camera movements!
Make-Up Artist
Costs $1,000
We want to make sure are tooth fairies are whimsical and ethereal!
Set Dresser
Costs $900
Can't make Christmas/fairy/coming of age magic without someone to dress the set!
About This Team
WRITER/DIRECTOR:
Christl Stringer is an artist, writer, and director from New Jersey. Her films and scripts have been accepted into NFFTY, Another Hole in the Head Film Festival, and New Haven International Film Festival. Her visual work has been featured in galleries across the East coast.
Sweetie is her seventh short film. Christl explores themes of sexual health, mental health, Black girlhood and womanhood through surrealism, comedy, and magical realism.
PRODUCER:
Vernon Jordan, III is a Philly-born ‘n raised writer, filmmaker, musician-poet, and teaching artist. His work prioritizes the merging of the musical and the visual — a Visual Lyricist. He reflects and expands upon African American memories, dreams, hauntings, queer kinship, and intimate fluidity; as an afrofuturist, he believes the imagination is critical for our building of a new and freerer world.
Vernon is a professional Script Reader and Creative Consultant, with experience reading for Sesame Street Writer's Workshop. His ungergraduate theisis film See My Dreams Come True has played at over five US and international festivals to date, and as a Screenwriting MFA (’19), Vernon was shortlisted at Sundance New Voices Youtube Episodic Lab 2019, and earned a Semi-Finalist Award at Screencraft Sci-Fi and Fantasy Screenplay competition 2020.
His latest film, ONE MAGENTA AFTERNOON is in post-production and preparing for a festival run.
PRODUCER:
Spencer Kelly is an DC-based assistant director, coordinator, and newly-found producer from New Jersey. As an undergraduate at Howard University, Spencer is studying the intersection of international business & global health. He has numerous experiences with leading discussions about sexual health and awareness, as well as, working with large corporations and nonprofits that channel the mission of health equity & inclusion. He has found a new calling in the eyes of TV & film, and has worked on several productions for Spotify, CBS, NBC, Hulu, and many more.