Almost Ghost Town
Thurmond, West Virginia | Film Feature
Documentary, History
Almost Ghost Town tells the story of the remaining 4 residents (Mayor and Town Council!!) of Thurmond, WV as they face a demo timeline by the National Parks Service. This film uplifts one small Appalachian town, while resonating with anyone who feels rooted to the place they call home.
Almost Ghost Town
Thurmond, West Virginia | Film Feature
Documentary, History
2 Campaigns | California, United States
Green Light
This campaign raised $30,520 for production. Follow the filmmaker to receive future updates on this project.
330 supporters | followers
Enter the amount you would like to pledge
Almost Ghost Town tells the story of the remaining 4 residents (Mayor and Town Council!!) of Thurmond, WV as they face a demo timeline by the National Parks Service. This film uplifts one small Appalachian town, while resonating with anyone who feels rooted to the place they call home.
About The Project
- The Story
- Wishlist
- Updates
- The Team
- Community
Mission Statement
The Story
Since 2017, more than 60% of rural counties have experienced natural population decrease - meaning more deaths than births. (Source: USDA)
But Thurmond, WV isn't going down without a fight.
A booming railroad town founded in 1903, Thurmond once housed the employees of the railroad who carted coal out of the West Virginia hills into the bigger cities. Population decline began as early as 1930, due to technical advancements in railroad, mines closing, and several devastating fires. In 1968, the town was reborn when Jon Dragan moved to Thurmond to begin the first commercial white water rafting company in West Virginia. Ten years later, through his support of lobbying and persistence, the river was named a National River.
In 1987, the National Park Service created a buy-back program in which citizens of Thurmond could voluntarily sell their property to the National Parks Service, leading population decline to rapidly increase. Now, the homes have sat empty for 30 years, much to the chagrin and griping of the folks who moved and now regret it. Presently, 80% of the town of Thurmond is owned by the National Park Service. Despite hard feelings from locals, the NPS did successfully stabilize the iconic buildings on Commercial Row and save the train depot. Today, the depot is a small museum and visitors' center, sharing pieces of Thurmond's rich history. Without the National Parks involvement, would these buildings still be standing?
In January 2024, the National Parks Service announced they were to receive funding through the Great American Outdoors Act Legacy Restoration Fund to “address deferred maintenance needs,” and to propose demolition of 35 structures across the National Park including 21 structures within Thurmond. It would be easy to paint it black and white and call the NPS a villain, and many do. However, the nuances and complexities of federal budget and funding meet decades long strife of changing leadership, shifting priorities, and "kicking the can down the road" for empty buildings. Even now, the iconic buildings that will remain still do not have a future re-use plan due to these limitations.
My film chronicles not just the history of Thurmond and the quirks of small town living, but in real-time we view the aspect of community and the varying degrees of hope left for the citizens while they await the news from the Parks Service: will their town lose half of its structures and what happens to the ones that remain? Will their town even exist? How will the National Parks Service be able to find the best solution moving forward when there is already such deep-rooted mistrust?
Hi, I'm Jillian! I'm a West Virginia filmmaker who is passionate about telling stories rooted in reality with quirky humor and emotional resonance. I am especially passionate about my Appalachian heritage, despite moving to Los Angeles to full-time pursue my career in film. My previous non-profit project Shine On, WV kept me connected with my West Virginia community and tapped in to giving back.
In 2021, when I met a WV artist who said they were originally from Thurmond, I thought they were joking! I had only known it to be a ghost town. I had no idea that as late as the 80s-90s, there was a small community of 30-50 people. She told me so many interesting stories about that time period, and I had to learn more! I spent the next 3 years researching on and off everything I could about Thurmond from the 70s-90s, but there was very little to find that didn't call either focus on the turn-of-the-century coal and railroad boom or the present day, calling it a ghost town. What started as a quirky short, showcasing the untold years of Thurmond took a turn to a modern-day story with the NPS demolition proposal.
I know I'm the right person to make this film because everything I do wants to respect and pay homage to the community I have so graciously been accepted into. It is important to me to not exploit the townsfolk of Thurmond or my partners are the National Park Service, both being faced with difficult and complex decisions decades in the making. I focus on building relationships and trust while recognizing the importance of Appalachians having space to tell their story in their voice. Likewise, I recognize the important of economic development for West Virginia within the film industry: all of my videographers, as well as colorist/sound mixer, social media manager, graphic designers and animators are located within West Virginia. My entire team either resides in Appalachia or has Appalachian roots.
My film hopes to investigate the following: What are the benefits of saving the structures other than the principle of it? Is it true that once you tear down history, you can’t get it back? Why is it important that the National Parks Service is protecting the river and the depot? Who gets to tell the story of the town and its people: government institutions or the people with lived experience? Appalachia has a harrowing history of institutions versus the people which is echoed in this story. A former town resident who declined an on-camera interview put it best when he said that discussing Thurmond and the parks service causes emotional reactions equivalent to that of discussing politics and religion.
Through this campaign, our goal is to crowdfund 25-37% of our total overall budget. We are hopeful that the remaining $40k-75k can be achieved through grants. If we raise more than $30,000 this time around, half of the extra funds will go towards our Producers Unit, as both our filmmaker/producer and our associate producer are dealing with job-layoffs and need to make sure they can sustain work on the film.
TOTAL BUDGET: $79-115k
Secured Fundraising Efforts:
Filmmaker Personal Investment ……………................... $5,000
Shine On, WV / Film Futures Foundation ……………….. $4,850
Pending Fundraising Efforts:
Crowdfunding.......................…………………….............................…… $30,000 In-Progress
Southern Documentary Fund Grant........................................................$15,000 In-Progress
Chicken N Egg (Egg)celerator ………………………....................…. $40,000 Applied
WV Humanities Media Grant (Pending Funding Restoration)........... $20,000 Pending
TBD Miscellaneous Mini Grant(s)..................................................... $1,000 Pending
After our crowdfunding campaign, we will continue to apply for grants, shoot some remaining scenes, and work on the rough edit. We hope to deliver the film in pieces to our color, sound mix, and music team to begin working on the film in chunks. Demolition in the town of Thurmond should take place late 2026, early 2027, so by then we are hoping to be set to only film an epilogue, any necessary interview pickups, and remaining history or archival interviews.
When our film finishes (dependent upon demolition timeline, ETA late 2026, early 2027), we are hoping for a successful festival run and a potential Kinema-hosted nationwide screening tour, perhaps to other National Parks and other small towns in North America.
The goal for our film will ultimately be distribution on a streaming platform, and we hope that any momentum that has begins now for our film can carry us into widespread viewership.
Wishlist
Use the WishList to Pledge cash and Loan items - or - Make a pledge by selecting an Incentive directly.
WV-Based Videographer IOUs
Costs $12,000
We have already shot 21 days since January 2024. Most of our videographers are working on IOUs. Help us pay what is owed them!
WV-Based Craft Services
Costs $800
In Thurmond, you are 30-45 minutes from the nearest restaurant. We get our crafty from local meal prep service Hungry Horns! Feed us!
WV-Based Post-Production Team IOUs
Costs $2,400
Our title designer, colorist/sound mixer, & animator knocked it out of the park on our sizzle which has helped us get noticed!
WV-Based Videographers Future Shoots (approx. 12-20 days)
Costs $10,000
The demolition in the town won't take place until late 2026, early 2027. We don't want our videographers working off of IOUs anymore!
Marketing Support IOUs
Costs $2,500
Social media, merchandise, and events are crucial to building support and audience for our film! All WV local businesses & freelancers!
Incidentals
Costs $2,300
Small things often come up - needing new hard drives, shipping, legal fees. Right now, it's all out of my pocket. A cushion would be great!
Cash Pledge
Costs $0
Direct link:
Share this update!
About This Team
Jillian Carney Howell (Producer / Director / Editor):
When Jillian Carney Howell was seven years old, Santa Claus brought her a Barbie video camera and thus her love of filmmaking was sparked. She graduated from University of North Carolina Wilmington in 2017 with a degree in Film Studies, working for Building a Better Wilmington Campaign, creating short spotlight documentaries on local nonprofits. Her film 'Brushstrokes' (2017) documented the creation of a community mural and was an official selection of Cucalorus Film Festival (2017), one of Moviemaker's Top 50 Film Festivals.
Her most recent short documentary ZANE (2023) chronicles her childhood best friend Zane as he struggles to find a job because of his intellectual disability. It won 2nd place in the Appalachian Film Festival, Best WV Film at Mountaineer Short Film Festival, as well as screening in Miami and New York, and most recently has been licensed by Seed&Spark’s FilmForward program to teach workplace accommodations to national corporations.
Her philanthropic passion started with Hugh O'Brian Youth Leadership (HOBY) where she was a 2011 West Virginia alumna, serving on the WV Alumni Board (2012-2016) and now as the Vice Leadership Seminar Chair for HOBY SoCal. She founded, Shine On, WV, an online resource for arts in the mountain state with its cornerstone being a web series of 5-8 minute videos showcasing West Virginians working in the arts and entertainment industries. Then stay tuned, as she is now the Founder and CEO of Hollerwood Entertainment, LLC, where her talents will be used in the place she calls home, bringing visibility to the Appalachian region--the people, landscape, and artists, through film and entertainment projects aimed to tell stories, entertain, and provide workforce opportunities for the Appalachia creatives.
Carney Howell resides in Los Angeles, California and works full time for Walt Disney Animation Studios where she has contributed her production management skills to several films including "Frozen 2," "Raya and the Last Dragon," "Strange World," and "Wish," as well as several theme park attractions and traditional hand drawn shorts. She is also a proud member of the Producers Guild of America (PGA).
Associate Producer: Rachel Bodkin-Fox, MPA
Rachel Bodkin-Fox has BIG ideas and loves to get things done, which is how she ended up opening The Foxes Boxes, a fresh food social enterprise restaurant from 2016-2020 that provided innovative on-the-job training for individuals with employment barriers, while raising 3 teenagers and returning to school! She has a Master’s in Public Administration with a Public Policy concentration from UNCW, a Bachelor of Science in Nursing from IUPUI, and is a passionate and experienced advocate for community engagement in all sectors – public, private, nonprofit, and for-benefit. As of 2024 she holds the titles, CEO, Coach, Connector, and Capacity Builder for IRL Communications, where she embraces the vision that “my story + your story = our story”, understanding that human connection is vital to living wholeheartedly. There she leads workshops, provides organizational maintenance, and supports individuals as they navigate systems to pursue personal and professional goals.
While in graduate school, Rachel served as Director of the Building a Better Wilmington Campaign (BBWC), where she developed the infrastructure to hire undergraduate film students to support growing their film reels by creating community spotlight films highlighting the meaningful work of nonprofits across Southeastern North Carolina. She produced 4 short-length documentary films and 12 community spotlight films, along with regional wide screenings to elevate the work. Brushstrokes, filmed by Jillian Carney Howell, was selected for the 2017 Cucalorus Film Festival, and The Foxes Boxes was a 2018 10X10 Cucalorus Challenge Finalist.
Prior to graduate school, Rachel served as the Congressional District Leader for the ONE Campaign, an anti-poverty organization co-founded by Bono from U2, where she led the charge on requesting funding for programs benefiting the world’s poorest across the globe. As a board member emeritus of the ONE Moms Advisory Council, Rachel participated in the 2011 ONE Mom’s trip to Kenya and was showcased on Good Morning America and ABC World News as “Persons of the Week”. Rachel has served on numerous other nonprofit boards focused on local and global causes providing valuable strategic guidance in developing mission-driven content and initiatives to raise the nonprofits to new levels. She has managed local, state, and federal grants, while leading teams, supporting small business owners, and much more. If anyone comes to Rachel with an idea to lift voices, provide resources to the community, or in any way better the world, she will jump in to share her time and talents!
Director of Photography: Josh Lykins
Josh is a filmmaker/photographer from Huntington, WV and owner of Josh Lykins Visuals. His work spans a variety of genres and has been featured in publications like Discover West Virginia and West Virginia Weddings Magazine, as well as featured in prints for artists like For King & Country. He specializes in weddings and has documented over 60 of them across the country from West Virginia to California to Hawaii.
Composer: Steven Schumann
Steven Schumann is an award-winning session player, experienced freelance musician, and promising young composer based out of Nashville, TN. Steven is classically trained, holding a Masters degree in Cello Performance from Belmont University. In addition to his formal education, Steven has spent years performing in the studio, on stage, and on video with artists such as; Gayle, Disturbed, Hannah Ellis, Jordan Smith, and Tommee Profitt. He is featured on the winner on the 2019 International Songwriting Competition in the Country Music category (Kate Pederson, The Landing). In addition to performing, Steven regularly manages, arranges, and produces performances of instrumental musicians for live events or studio recordings.
Color & Sound Mix: Aaron Griffin
Title Design: Emily Sokolosky of BaseCamp Printing Co.
Graphic Design & Animation: Heath Holley
Additional Photography Support:
- Hunter Way
- Karhlee Zambos
- Ben Amend
- Brian Dennis
- Braiden Maddox
- Anthony Greene
- Nathan Greene
- John Hale III
Merch Design: Mason Beuhring
Social Media Manager: Trinity Rollins
Current Team
Incentives
- The Story
- Wishlist
- Updates
- The Team
- Community
Mission Statement
The Story
Since 2017, more than 60% of rural counties have experienced natural population decrease - meaning more deaths than births. (Source: USDA)
But Thurmond, WV isn't going down without a fight.
A booming railroad town founded in 1903, Thurmond once housed the employees of the railroad who carted coal out of the West Virginia hills into the bigger cities. Population decline began as early as 1930, due to technical advancements in railroad, mines closing, and several devastating fires. In 1968, the town was reborn when Jon Dragan moved to Thurmond to begin the first commercial white water rafting company in West Virginia. Ten years later, through his support of lobbying and persistence, the river was named a National River.
In 1987, the National Park Service created a buy-back program in which citizens of Thurmond could voluntarily sell their property to the National Parks Service, leading population decline to rapidly increase. Now, the homes have sat empty for 30 years, much to the chagrin and griping of the folks who moved and now regret it. Presently, 80% of the town of Thurmond is owned by the National Park Service. Despite hard feelings from locals, the NPS did successfully stabilize the iconic buildings on Commercial Row and save the train depot. Today, the depot is a small museum and visitors' center, sharing pieces of Thurmond's rich history. Without the National Parks involvement, would these buildings still be standing?
In January 2024, the National Parks Service announced they were to receive funding through the Great American Outdoors Act Legacy Restoration Fund to “address deferred maintenance needs,” and to propose demolition of 35 structures across the National Park including 21 structures within Thurmond. It would be easy to paint it black and white and call the NPS a villain, and many do. However, the nuances and complexities of federal budget and funding meet decades long strife of changing leadership, shifting priorities, and "kicking the can down the road" for empty buildings. Even now, the iconic buildings that will remain still do not have a future re-use plan due to these limitations.
My film chronicles not just the history of Thurmond and the quirks of small town living, but in real-time we view the aspect of community and the varying degrees of hope left for the citizens while they await the news from the Parks Service: will their town lose half of its structures and what happens to the ones that remain? Will their town even exist? How will the National Parks Service be able to find the best solution moving forward when there is already such deep-rooted mistrust?
Hi, I'm Jillian! I'm a West Virginia filmmaker who is passionate about telling stories rooted in reality with quirky humor and emotional resonance. I am especially passionate about my Appalachian heritage, despite moving to Los Angeles to full-time pursue my career in film. My previous non-profit project Shine On, WV kept me connected with my West Virginia community and tapped in to giving back.
In 2021, when I met a WV artist who said they were originally from Thurmond, I thought they were joking! I had only known it to be a ghost town. I had no idea that as late as the 80s-90s, there was a small community of 30-50 people. She told me so many interesting stories about that time period, and I had to learn more! I spent the next 3 years researching on and off everything I could about Thurmond from the 70s-90s, but there was very little to find that didn't call either focus on the turn-of-the-century coal and railroad boom or the present day, calling it a ghost town. What started as a quirky short, showcasing the untold years of Thurmond took a turn to a modern-day story with the NPS demolition proposal.
I know I'm the right person to make this film because everything I do wants to respect and pay homage to the community I have so graciously been accepted into. It is important to me to not exploit the townsfolk of Thurmond or my partners are the National Park Service, both being faced with difficult and complex decisions decades in the making. I focus on building relationships and trust while recognizing the importance of Appalachians having space to tell their story in their voice. Likewise, I recognize the important of economic development for West Virginia within the film industry: all of my videographers, as well as colorist/sound mixer, social media manager, graphic designers and animators are located within West Virginia. My entire team either resides in Appalachia or has Appalachian roots.
My film hopes to investigate the following: What are the benefits of saving the structures other than the principle of it? Is it true that once you tear down history, you can’t get it back? Why is it important that the National Parks Service is protecting the river and the depot? Who gets to tell the story of the town and its people: government institutions or the people with lived experience? Appalachia has a harrowing history of institutions versus the people which is echoed in this story. A former town resident who declined an on-camera interview put it best when he said that discussing Thurmond and the parks service causes emotional reactions equivalent to that of discussing politics and religion.
Through this campaign, our goal is to crowdfund 25-37% of our total overall budget. We are hopeful that the remaining $40k-75k can be achieved through grants. If we raise more than $30,000 this time around, half of the extra funds will go towards our Producers Unit, as both our filmmaker/producer and our associate producer are dealing with job-layoffs and need to make sure they can sustain work on the film.
TOTAL BUDGET: $79-115k
Secured Fundraising Efforts:
Filmmaker Personal Investment ……………................... $5,000
Shine On, WV / Film Futures Foundation ……………….. $4,850
Pending Fundraising Efforts:
Crowdfunding.......................…………………….............................…… $30,000 In-Progress
Southern Documentary Fund Grant........................................................$15,000 In-Progress
Chicken N Egg (Egg)celerator ………………………....................…. $40,000 Applied
WV Humanities Media Grant (Pending Funding Restoration)........... $20,000 Pending
TBD Miscellaneous Mini Grant(s)..................................................... $1,000 Pending
After our crowdfunding campaign, we will continue to apply for grants, shoot some remaining scenes, and work on the rough edit. We hope to deliver the film in pieces to our color, sound mix, and music team to begin working on the film in chunks. Demolition in the town of Thurmond should take place late 2026, early 2027, so by then we are hoping to be set to only film an epilogue, any necessary interview pickups, and remaining history or archival interviews.
When our film finishes (dependent upon demolition timeline, ETA late 2026, early 2027), we are hoping for a successful festival run and a potential Kinema-hosted nationwide screening tour, perhaps to other National Parks and other small towns in North America.
The goal for our film will ultimately be distribution on a streaming platform, and we hope that any momentum that has begins now for our film can carry us into widespread viewership.
Wishlist
Use the WishList to Pledge cash and Loan items - or - Make a pledge by selecting an Incentive directly.
WV-Based Videographer IOUs
Costs $12,000
We have already shot 21 days since January 2024. Most of our videographers are working on IOUs. Help us pay what is owed them!
WV-Based Craft Services
Costs $800
In Thurmond, you are 30-45 minutes from the nearest restaurant. We get our crafty from local meal prep service Hungry Horns! Feed us!
WV-Based Post-Production Team IOUs
Costs $2,400
Our title designer, colorist/sound mixer, & animator knocked it out of the park on our sizzle which has helped us get noticed!
WV-Based Videographers Future Shoots (approx. 12-20 days)
Costs $10,000
The demolition in the town won't take place until late 2026, early 2027. We don't want our videographers working off of IOUs anymore!
Marketing Support IOUs
Costs $2,500
Social media, merchandise, and events are crucial to building support and audience for our film! All WV local businesses & freelancers!
Incidentals
Costs $2,300
Small things often come up - needing new hard drives, shipping, legal fees. Right now, it's all out of my pocket. A cushion would be great!
Cash Pledge
Costs $0
Direct link:
Share this update!
About This Team
Jillian Carney Howell (Producer / Director / Editor):
When Jillian Carney Howell was seven years old, Santa Claus brought her a Barbie video camera and thus her love of filmmaking was sparked. She graduated from University of North Carolina Wilmington in 2017 with a degree in Film Studies, working for Building a Better Wilmington Campaign, creating short spotlight documentaries on local nonprofits. Her film 'Brushstrokes' (2017) documented the creation of a community mural and was an official selection of Cucalorus Film Festival (2017), one of Moviemaker's Top 50 Film Festivals.
Her most recent short documentary ZANE (2023) chronicles her childhood best friend Zane as he struggles to find a job because of his intellectual disability. It won 2nd place in the Appalachian Film Festival, Best WV Film at Mountaineer Short Film Festival, as well as screening in Miami and New York, and most recently has been licensed by Seed&Spark’s FilmForward program to teach workplace accommodations to national corporations.
Her philanthropic passion started with Hugh O'Brian Youth Leadership (HOBY) where she was a 2011 West Virginia alumna, serving on the WV Alumni Board (2012-2016) and now as the Vice Leadership Seminar Chair for HOBY SoCal. She founded, Shine On, WV, an online resource for arts in the mountain state with its cornerstone being a web series of 5-8 minute videos showcasing West Virginians working in the arts and entertainment industries. Then stay tuned, as she is now the Founder and CEO of Hollerwood Entertainment, LLC, where her talents will be used in the place she calls home, bringing visibility to the Appalachian region--the people, landscape, and artists, through film and entertainment projects aimed to tell stories, entertain, and provide workforce opportunities for the Appalachia creatives.
Carney Howell resides in Los Angeles, California and works full time for Walt Disney Animation Studios where she has contributed her production management skills to several films including "Frozen 2," "Raya and the Last Dragon," "Strange World," and "Wish," as well as several theme park attractions and traditional hand drawn shorts. She is also a proud member of the Producers Guild of America (PGA).
Associate Producer: Rachel Bodkin-Fox, MPA
Rachel Bodkin-Fox has BIG ideas and loves to get things done, which is how she ended up opening The Foxes Boxes, a fresh food social enterprise restaurant from 2016-2020 that provided innovative on-the-job training for individuals with employment barriers, while raising 3 teenagers and returning to school! She has a Master’s in Public Administration with a Public Policy concentration from UNCW, a Bachelor of Science in Nursing from IUPUI, and is a passionate and experienced advocate for community engagement in all sectors – public, private, nonprofit, and for-benefit. As of 2024 she holds the titles, CEO, Coach, Connector, and Capacity Builder for IRL Communications, where she embraces the vision that “my story + your story = our story”, understanding that human connection is vital to living wholeheartedly. There she leads workshops, provides organizational maintenance, and supports individuals as they navigate systems to pursue personal and professional goals.
While in graduate school, Rachel served as Director of the Building a Better Wilmington Campaign (BBWC), where she developed the infrastructure to hire undergraduate film students to support growing their film reels by creating community spotlight films highlighting the meaningful work of nonprofits across Southeastern North Carolina. She produced 4 short-length documentary films and 12 community spotlight films, along with regional wide screenings to elevate the work. Brushstrokes, filmed by Jillian Carney Howell, was selected for the 2017 Cucalorus Film Festival, and The Foxes Boxes was a 2018 10X10 Cucalorus Challenge Finalist.
Prior to graduate school, Rachel served as the Congressional District Leader for the ONE Campaign, an anti-poverty organization co-founded by Bono from U2, where she led the charge on requesting funding for programs benefiting the world’s poorest across the globe. As a board member emeritus of the ONE Moms Advisory Council, Rachel participated in the 2011 ONE Mom’s trip to Kenya and was showcased on Good Morning America and ABC World News as “Persons of the Week”. Rachel has served on numerous other nonprofit boards focused on local and global causes providing valuable strategic guidance in developing mission-driven content and initiatives to raise the nonprofits to new levels. She has managed local, state, and federal grants, while leading teams, supporting small business owners, and much more. If anyone comes to Rachel with an idea to lift voices, provide resources to the community, or in any way better the world, she will jump in to share her time and talents!
Director of Photography: Josh Lykins
Josh is a filmmaker/photographer from Huntington, WV and owner of Josh Lykins Visuals. His work spans a variety of genres and has been featured in publications like Discover West Virginia and West Virginia Weddings Magazine, as well as featured in prints for artists like For King & Country. He specializes in weddings and has documented over 60 of them across the country from West Virginia to California to Hawaii.
Composer: Steven Schumann
Steven Schumann is an award-winning session player, experienced freelance musician, and promising young composer based out of Nashville, TN. Steven is classically trained, holding a Masters degree in Cello Performance from Belmont University. In addition to his formal education, Steven has spent years performing in the studio, on stage, and on video with artists such as; Gayle, Disturbed, Hannah Ellis, Jordan Smith, and Tommee Profitt. He is featured on the winner on the 2019 International Songwriting Competition in the Country Music category (Kate Pederson, The Landing). In addition to performing, Steven regularly manages, arranges, and produces performances of instrumental musicians for live events or studio recordings.
Color & Sound Mix: Aaron Griffin
Title Design: Emily Sokolosky of BaseCamp Printing Co.
Graphic Design & Animation: Heath Holley
Additional Photography Support:
- Hunter Way
- Karhlee Zambos
- Ben Amend
- Brian Dennis
- Braiden Maddox
- Anthony Greene
- Nathan Greene
- John Hale III
Merch Design: Mason Beuhring
Social Media Manager: Trinity Rollins