To Err – A Nostalgic Sci-Fi Short Film
Salt Lake City, Utah | Film Short
Drama, Sci-Fi
Inspired by the 80s pop culture renaissance, TO ERR explores humanity's desire to dwell where it never can – from the perspective of two androids who survived mankind's extinction. Before we completed filming, COVID-19 halted production. Help us finish!
To Err – A Nostalgic Sci-Fi Short Film
Salt Lake City, Utah | Film Short
Drama, Sci-Fi
1 Campaigns | Utah, United States
Green Light
This campaign raised $7,696 for production phase 2. Follow the filmmaker to receive future updates on this project.
44 supporters | followers
Enter the amount you would like to pledge
Inspired by the 80s pop culture renaissance, TO ERR explores humanity's desire to dwell where it never can – from the perspective of two androids who survived mankind's extinction. Before we completed filming, COVID-19 halted production. Help us finish!
About The Project
- The Story
- Wishlist
- Updates
- The Team
- Community
Mission Statement
The Story
THANK YOU & STRETCH GOALS!
We've officially funded To Err, and thanks to your help, saved the project! With about a week left in the campaign, we've unlocked some stretch goals – and deeply appreciate your help achieving them :)
In our original script, we wanted to film at the ocean. While there are budget-friendly options, a green screen effect on a lake isn't the same vibe as witnessing the power of the seas. The first stretch goal would help us attain that original vision.
With our major business sponsor backing out, we also lost funds dedicated to spreading To Err at several film festivals. Your contribution would help To Err reach its intended audience!
To Err is a thoughtful, sci-fi short film. Inspired by the 1980s pop culture renaissance, To Err explores our love for nostalgia and desire to dwell where we never can – from the perspective of two humanoid androids living alone after mankind's destruction.
The story follows Adam and his partner Lily – who live in a sealed bunker designed like a home from the 1980s. For 250 years, they've simulated a routine to preserve humanity's memory. But one day, their parental A.I., named Altar, announces that the bunker locks have failed. This requires a repair, literally leaving the door open... and Adam longs to go outside.
We’ve already filmed 85% of the short film. And it. Looks. INCREDIBLE. Take a look at some of our favorite stills here.
Our original crowdfunding campaign on Kickstarter raised $49,000 for To Err. However, two weeks before we started production, our biggest business contributor withdrew their funds, due to financial complications related to COVID-19.
Thanks to our other incredible contributors and crew – we pulled off a killer week of shooting. But due to the business withdrawal, we lost 25% of our anticipated budget, and couldn't finish production.
We literally have THREE PAGES left – and we need your help to finish.
What intrigues us most about TO ERR is its perspective.
While crafting the short film, Joseph Kitchens (my cinematographer) and I realized that a lot of what we felt nostalgic for existed before our births. Vinyl records, the Take on Me music video, mom jeans, and Back to the Future were from our parent's generation, yet we geeked out when shows like Ready Player One referenced them.
It's as if our Millennial generation was consumed in vicarious nostalgia: a longing for someone else's time.
Lily – one of the androids running the Human Memory Project
Concurrently, I noticed my tendency to fall in love with places before visiting them. I romantically longed for places like Los Angeles, the heart of American filmmaking, only to show up and think, "Is that it?"
Questions flooded my mind, "What if a robot longed for a human's past, without a human to ground him? How would he react to reality? If mankind were extinct, could he live in blissful nostalgia forever?"
The idea developed into a short film script – and feature outline – called To Err. Before we knew it, we'd assembled a HUGE team ready to bring this idea to the surface.
The Human Memory Project – the enigmatic organization that created the androids
Drawing upon people's collective nostalgia, To Err features a retro-futuristic design based on 80s tech and aesthetic (think about Alien, Tron, or the Netflix show Maniac). Our protagonist, a humanoid android named Adam, lives in a home saturated with vinyl record players, wood-paneled walls, vacuum-sealed TVs, and more.
For shooting, we rented a house built in the 70s and populated it in the subsequent time period. We had an amazing art crew that created an incredible world – including a functioning elevator. Several crew members felt they were walking through vintage sets like The Princess Bride or Ferris Buehler's Day Off.
The Altar – the androids' governing AI and parental figure
All of what makes To Err amazing is already there – and what's more amazing is that it's a pitch for a feature film. So all of your contributions go immediately into finishing an immersive, nostalgic fever dream, and securing its future.
So how can you help?
FOLLOW
Follow our campaign and stay up-to-date on the latest To Err news! It's 100% free.
What do we get out of it? Seed&Spark rewards us for building our audience. The more followers we get, the more we unlock products, services, and festival fee waivers courtesy of Seed&Spark!
CONTRIBUTE AND PLEDGE
You can make a contribution to our film by making a pledge. We have to collect 80% of our crowdfunding goal to keep our funds. You can choose an incentive or make a pledge to a specific wishlist item. You can choose any pledge and incentive amount that fits your budget – and remember Every dollar makes a difference in making To Err possible!
In exchange for your kindness, we have a TREASURE TROVE of sci-fi and nostalgic perks, so you can revel in the world of TO ERR while we're finishing it.
LOANS & DONATIONS
Can't make a monetary pledge but have services or items you can donate or loan? Check out our Wishlist! We can offer credit and/or advertising. Make a loan request in our Wishlist tab, or email us at toerrshortfilm.com.
SPREAD THE WORD
The only way we will reach our goal is by reaching beyond our networks. If you’d like to be a part of supporting independent Utah filmmakers and emotional sci-fi content, YOU can make the difference in our success!
Please share our campaign via your social media, email, word-of-mouth, however you want! We can't do this without you!
Here are some examples. Feel free to copy and paste!
Help filmmaker @derek_vr_romrell by supporting his short film TO ERR, about an android who survived humanity's extinction, and longs for an past it can never visit. Join them @to_err_short_film or toerrshortfilm.com
I just watched the TO ERR promo video directed by filmmaker @derek_vr_romrell and WOW, you've got to support this sci-fi short! Join them at toerrshortfilm.com
I'm so excited to see the short film TO ERR, by director/writer @derek_vr_romrell, be finished in Salt Lake City, UT this May – including local talent @davemartinez_! Support them at toerrshortfilm.com
RISKS AND CHALLENGES
Our plan is to shoot during the second weekend of May. The reason for this urgency is that we NEED to work on this in post. Some of what we're working on includes:
- A color grade and film aesthetic reminiscent of 80s cinema. Our colorist needs time to perfect that with every shot.
- Immersive VFX. This is a nostalgic underground bunker with some tricks up its sleeve, and our VFX artists need time to finesse that world.
- We have pretty big plans for who we’re going to have voice the Altar (our film's artificial intelligence) but we need a finished cut before we approach said individual.
- Thanks to the recession of COVID-19, our film protocols for the state of Utah have largely gone back to normal. We're extremely confident we can finish in light of the pandemic.
BUT if The Last of Us takes on the form of COVID-19, we plan on taking all the proper medical precautions on set, including testing and masks.
If we don’t fund and finish production by May… To Err isn't completed for at least another year – if that. But we're confident that with your support, we can easily finish this on time.
Wishlist
Use the WishList to Pledge cash and Loan items - or - Make a pledge by selecting an Incentive directly.
Set & Location
Costs $200
We need the money to reserve an exterior location, and transport a large portion of the set!
Craft Services
Costs $750
The crew has tirelessly given their talents – the least we can do is feed them well!
Travel and Hotels
Costs $2,000
Some of our professional talent lives across the country! We need funds to transport them.
Sony Venice
Costs $500
We used this camera for our first phase of filming – we'd love to use it again!
G&E Rentals
Costs $600
We need power and support for an outdoor shoot!
Lighting
Costs $750
Can't watch a film if you can't see it!
Editor
Costs $800
We'd love to have a professional editor working on this!
VFX Team
Costs $1,000
We need to recruit a professional VFX team to sell the immersion of our retro-futuristic world!
Sound Mixing & Music
Costs $900
We need this film to sound nostalgic – with crisp, clean audio.
Cash Pledge
Costs $0
Direct link:
Share this update!
About This Team
Courtney Falk was born and raised in Arizona. She has always had a passion for storytelling and working behind the scenes. Although she spent her childhood on stage performing, she feels most at home directing traffic in the wings.
Her passion for authentic storytelling through the sharing of unique perspectives and vulnerability inspires her work. After choosing to pursue her degree in professional writing, Courtney immediately began working as an editor and a writer for Perspective magazine, the 100Down Podcast, and other digital marketing firms.
Since graduating with a Bachelor of Arts in English, she has continued her work as an editor and content manager. Courtney aspires to build platforms for other storytellers while finding inspiration on her own path.
Kade began his career directing beauty commercials before making the OBVIOUS transition into comedy. It was at the sketch comedy tv show, Studio C, that he found his funny bone (don’t tell him he’s had two his whole life).
He’s since returned to the world of commercials where he currently works with national brands. Kade obsesses over finding the perfect frame for the joke. But first and foremost, creates a fun and enjoyable atmosphere on set!
Joseph Kitchens developed a love for lighting at a young age, observing it fall through the trees near his childhood home in Virginia.
After years of working as a cinematographer, Joseph's developed a notably dramatic style. He takes an impressionistic approach to his work, focusing on environment, characters, and perspective.
He strives to visually enhance every story he touches.
A native of Japan, Riki Watanabe harbors a deep enthusiasm for cinematography. He's particularly invested in working with lighting and color grading.
For him, the feeling of a scene is determined by its color pallet, lighting, and how the camera captures these elements.
When we bolster these with great direction and actors, we can, in Riki's words, "Create something beyond our imagination!"
Sam Sargeant has always felt something greater than himself in storytelling. He's deeply moved by strong, character-driven cinema and stories that examine the human condition.
He earned his MFA in Film Production with a discipline in Cinematography at the highly esteemed Dodge College of Film and Media Arts of Chapman University. As an International Cinematographer, Sam has filmed in the United Kingdom, Ireland, Italy and most recently Taiwan.
He is also passionate about film education and giving back, and has worked as an advisor underneath Bill Dill (ASC) with the Sundance Co//ab Online Course, “Directing Through Visual Storytelling.”
His favorite part of work remains constant: developing meaningful relationships with the people he meets along the way.
Amber Fugal met her husband on a film set – the first time she was a script supervisor.
She loves getting to use her attention to detail focus and use it to help progress a film forward. She is primarily in the live video broadcasting world but loves the chance to get back to narrative filmmaking every once in a while.
Jordan Roper began composing music at the age of 12 and never stopped.
He earned his Masters of Music in Film and Television Composition from the Pacific Northwest Film Scoring Program at the Seattle Film Institute. Since then, he's written music for dozens of short films and several feature-length films, and received multiple commissions from colleges and professional symphonies for choral, percussive and symphonic pieces.
His dream is to be an Oscar-winning film composer and have the world’s greatest musicians at his fingertips.
Vincent Peliña is a freelance director and cinematographer in Salt Lake City Utah.
He grew up in Rancho Cucamonga, California, and has a passion in film and music throughout high school. After studying film in BYU Idaho he now works on various projects with the Piano Guys, Gentri, Greg Godfrey the creator of Nitro Circus and runs his own freelance media business: VP Production.
From a young age, Tyson gained a curiosity for the art of filmmaking and wondered how in the world motion pictures were ever made. With the motto “Stories change people’s minds, and therefore, the world”, Tyson dedicated himself to the craft and never looked back. He has since written and directed his own short films and documentaries, and implements what he’s learned from a “deep well of classical cinema that has come before us.”
Despite embracing new and ever-changing filmmaking technology, his inspiration is rooted deep in the past of those that have laid the foundation for storytelling and feels that we have barely scratched the surface of what we can learn from the “old masters.”
The National Academy of Television Arts and Sciences (Northwest Chapter) recognized me as "Best Writer" in their College Category for three years in a row. My debut short film, Dream Girl, won the Best of Show award at the Grand Teton Film Festival along with several other nominations. When I'm not working on shorts, I love creating emotional commercial content like the spec ad, Starman.
Most recently, I'm grateful to earn an acceptance letter from Dodge College of Film and Arts (alma mater for the writers of Stranger Things and Dear White People) and its acclaimed Screenwriting MFA program.
David Martinez
From improviser to classical actor, acoustic jammer to full-fledged band leader, Dave Martinez is artistic lightning in a bottle.
Holding a BA in Theatre Performance from Brigham Young University-Idaho, and an MFA from the highly revered Royal Birmingham Conservatoire in the UK, Dave has worked with professionals from all over the world and continues to develop an ever-growing understanding of acting, performing, and human relations.
But the California native doesn't let titles go to his head.
While he takes his work and preparation seriously, he doesn't take himself as such. He approaches each project with peculiarity, enthusiasm, practicality, and a desire to cultivate a positive creative space for his colleagues. Outside of creating, Dave spends his time reading esoteric books, exploring music, and spending time with loved ones.
To say he’s excited about working on To Err is an understatement.
Cayla Berejikian
Cayla Berejikian is a Brooklyn-based actor and teaching artist. In 2020, she graduated from New York University where she studied psychology, theater, and film production. During her studies, she trained at the Lee Strasberg Theatre and Film Institute.
Recently, she has enjoyed acting in independent projects and sharing her passion for the creative process with her students. She is excited to embark on a career in acting because the process is continuously fluid and surprising.
Current Team
Incentives
- The Story
- Wishlist
- Updates
- The Team
- Community
Mission Statement
The Story
THANK YOU & STRETCH GOALS!
We've officially funded To Err, and thanks to your help, saved the project! With about a week left in the campaign, we've unlocked some stretch goals – and deeply appreciate your help achieving them :)
In our original script, we wanted to film at the ocean. While there are budget-friendly options, a green screen effect on a lake isn't the same vibe as witnessing the power of the seas. The first stretch goal would help us attain that original vision.
With our major business sponsor backing out, we also lost funds dedicated to spreading To Err at several film festivals. Your contribution would help To Err reach its intended audience!
To Err is a thoughtful, sci-fi short film. Inspired by the 1980s pop culture renaissance, To Err explores our love for nostalgia and desire to dwell where we never can – from the perspective of two humanoid androids living alone after mankind's destruction.
The story follows Adam and his partner Lily – who live in a sealed bunker designed like a home from the 1980s. For 250 years, they've simulated a routine to preserve humanity's memory. But one day, their parental A.I., named Altar, announces that the bunker locks have failed. This requires a repair, literally leaving the door open... and Adam longs to go outside.
We’ve already filmed 85% of the short film. And it. Looks. INCREDIBLE. Take a look at some of our favorite stills here.
Our original crowdfunding campaign on Kickstarter raised $49,000 for To Err. However, two weeks before we started production, our biggest business contributor withdrew their funds, due to financial complications related to COVID-19.
Thanks to our other incredible contributors and crew – we pulled off a killer week of shooting. But due to the business withdrawal, we lost 25% of our anticipated budget, and couldn't finish production.
We literally have THREE PAGES left – and we need your help to finish.
What intrigues us most about TO ERR is its perspective.
While crafting the short film, Joseph Kitchens (my cinematographer) and I realized that a lot of what we felt nostalgic for existed before our births. Vinyl records, the Take on Me music video, mom jeans, and Back to the Future were from our parent's generation, yet we geeked out when shows like Ready Player One referenced them.
It's as if our Millennial generation was consumed in vicarious nostalgia: a longing for someone else's time.
Lily – one of the androids running the Human Memory Project
Concurrently, I noticed my tendency to fall in love with places before visiting them. I romantically longed for places like Los Angeles, the heart of American filmmaking, only to show up and think, "Is that it?"
Questions flooded my mind, "What if a robot longed for a human's past, without a human to ground him? How would he react to reality? If mankind were extinct, could he live in blissful nostalgia forever?"
The idea developed into a short film script – and feature outline – called To Err. Before we knew it, we'd assembled a HUGE team ready to bring this idea to the surface.
The Human Memory Project – the enigmatic organization that created the androids
Drawing upon people's collective nostalgia, To Err features a retro-futuristic design based on 80s tech and aesthetic (think about Alien, Tron, or the Netflix show Maniac). Our protagonist, a humanoid android named Adam, lives in a home saturated with vinyl record players, wood-paneled walls, vacuum-sealed TVs, and more.
For shooting, we rented a house built in the 70s and populated it in the subsequent time period. We had an amazing art crew that created an incredible world – including a functioning elevator. Several crew members felt they were walking through vintage sets like The Princess Bride or Ferris Buehler's Day Off.
The Altar – the androids' governing AI and parental figure
All of what makes To Err amazing is already there – and what's more amazing is that it's a pitch for a feature film. So all of your contributions go immediately into finishing an immersive, nostalgic fever dream, and securing its future.
So how can you help?
FOLLOW
Follow our campaign and stay up-to-date on the latest To Err news! It's 100% free.
What do we get out of it? Seed&Spark rewards us for building our audience. The more followers we get, the more we unlock products, services, and festival fee waivers courtesy of Seed&Spark!
CONTRIBUTE AND PLEDGE
You can make a contribution to our film by making a pledge. We have to collect 80% of our crowdfunding goal to keep our funds. You can choose an incentive or make a pledge to a specific wishlist item. You can choose any pledge and incentive amount that fits your budget – and remember Every dollar makes a difference in making To Err possible!
In exchange for your kindness, we have a TREASURE TROVE of sci-fi and nostalgic perks, so you can revel in the world of TO ERR while we're finishing it.
LOANS & DONATIONS
Can't make a monetary pledge but have services or items you can donate or loan? Check out our Wishlist! We can offer credit and/or advertising. Make a loan request in our Wishlist tab, or email us at toerrshortfilm.com.
SPREAD THE WORD
The only way we will reach our goal is by reaching beyond our networks. If you’d like to be a part of supporting independent Utah filmmakers and emotional sci-fi content, YOU can make the difference in our success!
Please share our campaign via your social media, email, word-of-mouth, however you want! We can't do this without you!
Here are some examples. Feel free to copy and paste!
Help filmmaker @derek_vr_romrell by supporting his short film TO ERR, about an android who survived humanity's extinction, and longs for an past it can never visit. Join them @to_err_short_film or toerrshortfilm.com
I just watched the TO ERR promo video directed by filmmaker @derek_vr_romrell and WOW, you've got to support this sci-fi short! Join them at toerrshortfilm.com
I'm so excited to see the short film TO ERR, by director/writer @derek_vr_romrell, be finished in Salt Lake City, UT this May – including local talent @davemartinez_! Support them at toerrshortfilm.com
RISKS AND CHALLENGES
Our plan is to shoot during the second weekend of May. The reason for this urgency is that we NEED to work on this in post. Some of what we're working on includes:
- A color grade and film aesthetic reminiscent of 80s cinema. Our colorist needs time to perfect that with every shot.
- Immersive VFX. This is a nostalgic underground bunker with some tricks up its sleeve, and our VFX artists need time to finesse that world.
- We have pretty big plans for who we’re going to have voice the Altar (our film's artificial intelligence) but we need a finished cut before we approach said individual.
- Thanks to the recession of COVID-19, our film protocols for the state of Utah have largely gone back to normal. We're extremely confident we can finish in light of the pandemic.
BUT if The Last of Us takes on the form of COVID-19, we plan on taking all the proper medical precautions on set, including testing and masks.
If we don’t fund and finish production by May… To Err isn't completed for at least another year – if that. But we're confident that with your support, we can easily finish this on time.
Wishlist
Use the WishList to Pledge cash and Loan items - or - Make a pledge by selecting an Incentive directly.
Set & Location
Costs $200
We need the money to reserve an exterior location, and transport a large portion of the set!
Craft Services
Costs $750
The crew has tirelessly given their talents – the least we can do is feed them well!
Travel and Hotels
Costs $2,000
Some of our professional talent lives across the country! We need funds to transport them.
Sony Venice
Costs $500
We used this camera for our first phase of filming – we'd love to use it again!
G&E Rentals
Costs $600
We need power and support for an outdoor shoot!
Lighting
Costs $750
Can't watch a film if you can't see it!
Editor
Costs $800
We'd love to have a professional editor working on this!
VFX Team
Costs $1,000
We need to recruit a professional VFX team to sell the immersion of our retro-futuristic world!
Sound Mixing & Music
Costs $900
We need this film to sound nostalgic – with crisp, clean audio.
Cash Pledge
Costs $0
Direct link:
Share this update!
About This Team
Courtney Falk was born and raised in Arizona. She has always had a passion for storytelling and working behind the scenes. Although she spent her childhood on stage performing, she feels most at home directing traffic in the wings.
Her passion for authentic storytelling through the sharing of unique perspectives and vulnerability inspires her work. After choosing to pursue her degree in professional writing, Courtney immediately began working as an editor and a writer for Perspective magazine, the 100Down Podcast, and other digital marketing firms.
Since graduating with a Bachelor of Arts in English, she has continued her work as an editor and content manager. Courtney aspires to build platforms for other storytellers while finding inspiration on her own path.
Kade began his career directing beauty commercials before making the OBVIOUS transition into comedy. It was at the sketch comedy tv show, Studio C, that he found his funny bone (don’t tell him he’s had two his whole life).
He’s since returned to the world of commercials where he currently works with national brands. Kade obsesses over finding the perfect frame for the joke. But first and foremost, creates a fun and enjoyable atmosphere on set!
Joseph Kitchens developed a love for lighting at a young age, observing it fall through the trees near his childhood home in Virginia.
After years of working as a cinematographer, Joseph's developed a notably dramatic style. He takes an impressionistic approach to his work, focusing on environment, characters, and perspective.
He strives to visually enhance every story he touches.
A native of Japan, Riki Watanabe harbors a deep enthusiasm for cinematography. He's particularly invested in working with lighting and color grading.
For him, the feeling of a scene is determined by its color pallet, lighting, and how the camera captures these elements.
When we bolster these with great direction and actors, we can, in Riki's words, "Create something beyond our imagination!"
Sam Sargeant has always felt something greater than himself in storytelling. He's deeply moved by strong, character-driven cinema and stories that examine the human condition.
He earned his MFA in Film Production with a discipline in Cinematography at the highly esteemed Dodge College of Film and Media Arts of Chapman University. As an International Cinematographer, Sam has filmed in the United Kingdom, Ireland, Italy and most recently Taiwan.
He is also passionate about film education and giving back, and has worked as an advisor underneath Bill Dill (ASC) with the Sundance Co//ab Online Course, “Directing Through Visual Storytelling.”
His favorite part of work remains constant: developing meaningful relationships with the people he meets along the way.
Amber Fugal met her husband on a film set – the first time she was a script supervisor.
She loves getting to use her attention to detail focus and use it to help progress a film forward. She is primarily in the live video broadcasting world but loves the chance to get back to narrative filmmaking every once in a while.
Jordan Roper began composing music at the age of 12 and never stopped.
He earned his Masters of Music in Film and Television Composition from the Pacific Northwest Film Scoring Program at the Seattle Film Institute. Since then, he's written music for dozens of short films and several feature-length films, and received multiple commissions from colleges and professional symphonies for choral, percussive and symphonic pieces.
His dream is to be an Oscar-winning film composer and have the world’s greatest musicians at his fingertips.
Vincent Peliña is a freelance director and cinematographer in Salt Lake City Utah.
He grew up in Rancho Cucamonga, California, and has a passion in film and music throughout high school. After studying film in BYU Idaho he now works on various projects with the Piano Guys, Gentri, Greg Godfrey the creator of Nitro Circus and runs his own freelance media business: VP Production.
From a young age, Tyson gained a curiosity for the art of filmmaking and wondered how in the world motion pictures were ever made. With the motto “Stories change people’s minds, and therefore, the world”, Tyson dedicated himself to the craft and never looked back. He has since written and directed his own short films and documentaries, and implements what he’s learned from a “deep well of classical cinema that has come before us.”
Despite embracing new and ever-changing filmmaking technology, his inspiration is rooted deep in the past of those that have laid the foundation for storytelling and feels that we have barely scratched the surface of what we can learn from the “old masters.”
The National Academy of Television Arts and Sciences (Northwest Chapter) recognized me as "Best Writer" in their College Category for three years in a row. My debut short film, Dream Girl, won the Best of Show award at the Grand Teton Film Festival along with several other nominations. When I'm not working on shorts, I love creating emotional commercial content like the spec ad, Starman.
Most recently, I'm grateful to earn an acceptance letter from Dodge College of Film and Arts (alma mater for the writers of Stranger Things and Dear White People) and its acclaimed Screenwriting MFA program.
David Martinez
From improviser to classical actor, acoustic jammer to full-fledged band leader, Dave Martinez is artistic lightning in a bottle.
Holding a BA in Theatre Performance from Brigham Young University-Idaho, and an MFA from the highly revered Royal Birmingham Conservatoire in the UK, Dave has worked with professionals from all over the world and continues to develop an ever-growing understanding of acting, performing, and human relations.
But the California native doesn't let titles go to his head.
While he takes his work and preparation seriously, he doesn't take himself as such. He approaches each project with peculiarity, enthusiasm, practicality, and a desire to cultivate a positive creative space for his colleagues. Outside of creating, Dave spends his time reading esoteric books, exploring music, and spending time with loved ones.
To say he’s excited about working on To Err is an understatement.
Cayla Berejikian
Cayla Berejikian is a Brooklyn-based actor and teaching artist. In 2020, she graduated from New York University where she studied psychology, theater, and film production. During her studies, she trained at the Lee Strasberg Theatre and Film Institute.
Recently, she has enjoyed acting in independent projects and sharing her passion for the creative process with her students. She is excited to embark on a career in acting because the process is continuously fluid and surprising.