Up High, Down Low

New York City, New York | Series

Comedy, Experimental

47 days :20 hrs :32 mins

Until Deadline

33 supporters | followers

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$2,436

Goal: $6,300 for production

Five unrelated sketches, when together, express a clusterfuck of situations you've probably, maybe, or will literally never be in: Special Satch, OCD Support Group, Sherwin Williams, Game Night, and Shark Tank. Unhinged humor, to be painted beautifully by our Director of Photography, Maryam Alkhaja.

About The Project

  • The Story
  • Wishlist
  • Updates
  • The Team
  • Community

Mission Statement

“I see little things everywhere that fill me with joy and I just want to share them and say ‘look how weird this is’” - Kate McKinnon. Through every high and low, capturing those "little things" in sketches has been my greatest joy. After a decade of holding them to paper, it's time to share them.

The Story




After years of keeping these sketches in my computer and telling people "I know, I need to just shoot them, I know," I finally have the team that can make it happen... we just need the finances to get it done.



MCKENNA, MERCEDES, and MARYAM




During their time at Harvard, Matt Damon and Ben Affleck wrote Good Will Hunting. Elizabeth Holmes created Theranos when she was just a student at Stanford. Well, Mercedes Riegé, Maryam Alkhaja, and I (McKenna Merriman) neither went to Harvard nor are convicted felons... but what does our story have in common with celebrity DILFs and psychopathic CEOs? It started in college.

2023. The winter of my sophomore year at The New School. I'd enrolled in Professor Caplan's Script Analysis class because even though it started at 8:00 PM every Thursday and was over a mile from my dorm, I'd heard how funny of a professor he was and that he played really unsettling short films for his students (worth it). It was in this class I first met Mercedes. She sat right in the front of the class and was beautiful, kind, and always had the answers Professor Caplan was trying to get us all to say. I wanted to be her friend. Of course, because class ended at 9:40 PM, none of us were in a rush to stay behind and chat, but we followed each other on socials and left it at that. 

(Mercedes and McKenna as director and producer/1st AD on please call dad)

Later that fall, I took Cinematography with Professor Kauffman. It was in this class that I met Maryam, and it became obvious very quickly that she was the smartest person in the room. She was focused, humble, and actually liked operating the camera (instead of being scared of ISO numbers and shutter speeds like myself). Like Script Analysis, this class also ended at the classic New School 9:40 PM, and I never got to work with her in a group. Before we rushed out to leave one day, I remember  our professor lecturing us on the importance of getting to know each other, "This is your network. You never know who you could end up working with someday."  

(Maryam and McKenna as director of photography and 1st AD on The Student FIlm by Michael Hernandez)




A year and a half later in the spring of 2025, one of my best friends was shooting her thesis (shoutout to Spilled Milk by McKenna Kaye!). Since I still didn’t know what "aperature" was and only studied screenwriting, she gave me a non-technical role: 2nd assistant director to her 1st AD and producer, Mercedes. After spending a month watching Mercedes send emails to location owners and edit call sheets like her life depended on it, we got to set and that was where I got to meet Maryam again, this time as a 1st AC. 


In the year since that shoot, the three of us have had the pleasure of getting to make a combined 6 short films, 1 ad campaign, and 1 pilot with each other. These projects have been featured in The New York Indie Shorts Festival, The Big Apple Film Festival, The New Screen Fest, and more.


(Maryam and Mercedes as director and producer/1st AD on Forever Mama)








WHY NOW?

Maryam, Mercedes, and I are serious about the art we make and want to keep telling stories that make people laugh, cry, feel, think, eat, run, sleep, breathe, write, type, jump, fish, fly, iron...

Now, the three of us are tackling sketch comedy.

(McKenna presenting her "research" on Saturday Night Live in 2016)

Since I discovered 30 Rock in middle school, I knew I wanted to be a comedy writer. There was no emotion I felt that Tina Fey couldn't make even an ounce better and I wanted to learn how to do that too. For almost a decade I've actually been writing sketches, performing god-awful live readings of them with my friends at dinner in the cafeteria, sending them over email for them to read when they get off work, or some other crazy third thing that makes you want to donate money to this project.

After years of keeping these sketches in my computer and telling people "I know, I need to just shoot them, I know," I finally have the team that can make it happen with Mercedes and Maryam. And because I now have produced and AD’d nearly a dozen projects, I know what it actually takes to make my sketches come to life. 

As of August 2026, when Mercedes, Maryam and I are not busy on set DP-ing projects or PA-ing on union shoots, we have been recruiting our crew and cast for Up High, Down Low. All the sketches are written and ready, but...




We need the funds to make them happen.





We recently announced we will be holding a screening of all the projects we've collectively worked on in the past year to fundraise for these sketches (message [email protected] or [email protected] for details!) but are hoping to fundraise at least

$6.3K to pay for equipment rentals, locations, food, transportation, props, and to pay our crew.

For example, our Sherwin Williams sketch (one of my favorites) needs three separate filming locations and possibly child actors- without your donation, this sketch cannot be made.  

No amount is too small. We will happily accept catering offers (know a friend that works at a restaurant?), brand deals (know anyone with connections to Claire's?), cars for transportation (have an SUV?) and location donations (know anyone with connections to Men's Warehouse?) if you cannot donate financially. Thank you!











THE SKETCHES















Hello! Thank you for your interest in my sketches. They mean very much to me and I am very very happy to have you. I've been a sketch writer for almost 10 years and that is WAY too long to just be WRITING them. It's finally time, for you (and I) to WATCH them. But it's only possible with YOU.


Before you scroll, please stand up, do some jumping jacks, take an espresso shot (or a shot-shot), maybe scruffle your hair a bit, and get into loopy zoom-y mindset. Ahhhhhhh. Great.



















Okay pals, we've got five sketches on the line. "Oooo, so cool, so they're all like, coming together to tell a story." EEERRR! What are they? A collection of brain dumps written in procrastination mode amidst a final exam or an unpaid ConEdison bill. 


Let's dive in. 


1. Special Satch









Special Satch asks the question've all been thinking: "What if there were lovers to be found in the classic SNL-style commercial parody?" When Man 1 can't seem to hold all his belongings at Men's Warehouse, Man 2 comes to the rescue with his unique satchel bag. Will they find love in a hopeless place?


For fans of: saying "I'm JOKIN!" when their friends food looks better than theirs, Heated Rivalry.

Budget needs: locations, ambitious lighting set up. 


2. Sherwin Williams



Sherwin Williams takes us back to elementary school days, where a fun outing to the mall with friends could turn dark after pickup. Three kids show the dichotomy of this coming-of-age experience in two places: Sherwin Williams and Claire's.


For fans of: Telling children that aren't yours that Santa isn't real, pregnancy scares.

Budget needs: locations, child actors.


3. OCD Support Group



OCD Support Group isn't just for those of us with intrusive thoughts but for anyone who's had one of those dreams that is so bad that you can't even tell your friend about it... When Megan joins an OCD support group, her peers learn that hand washing and flipping a light on and off three times is just one side affect of their disorder. 


For fans of: crying when Mufasa dies in The Lion King, Anthony Jeselnik.

Budget needs: locations.


4. Shark Tank



Shark Tank is a safe space for people who's explore page is flooded with compilations of AI dancing dogs, people falling off of rooves, horses running, and old James Charles apologies. This is a Shark Tank parody, with one special appearence from a beloved Food Network star.


For fans of: The Rizzler, those viral Bad Lip Reading videos in 2010s.

Budget needs: payment for our editor's very heavy lifting! 


5. Game Night



Game Night embraces the fact that sometimes jealousy is the best policy when it comes to attraction. What? Who said that? Huh? A couples dinner party takes a turn when a new game is introduced. 


For fans of: Stalking your ex's tagged posts just to feel something, ~classic~ SNL.

Budget needs: props.





Wishlist

Use the WishList to Pledge cash and Loan items - or - Make a pledge by selecting an Incentive directly.

Cash Pledge

Costs $0

Funniest Cast Ever

Costs $800

This will be a non-union project, but we'd love to pay our talented and hilarious actors a small fee for their time, effort, and talents.

Lunch for Cast and Crew

Costs $2,000

Pizza is cancelled. We want to feed our team with protein and veggies. For 5 days of production, we are estimating spending $20 per person.

Locations: Sherwin-Williams, Claire's, Men's Wearhouse

Costs $2,000

Our sketches' locations are essential for the jokes to land. We'll need those spaces for 12 hours each. We accept loans of space to film!

Transpo

Costs $600

We have many locations, hence many company moves. We'll need to carry our equipment safely and the best way to do that is to rent a U-Haul.

Most Hardworking Crew

Costs $900

Our crew fees won't reflect the real value of their work, but we want to pay them at least something to show our gratitude.

About This Team

Writer and Director | McKenna Merriman



Films, campaigns, and pilots McKenna has produced and/or assistant directed include: "New Yuck City" by Holden Lane Goldberg (1st AD and Producer) (The New Screen Fest (Jury Award)), Everything I Love Is Orange by Maya Giurgi (Producer and 2nd AD) (The New Screen Fest Official Selection), "Please Call Dad" by Mercedes Riegé (1st AD and Producer), "Spilled Milk" by McKenna Kaye (2nd AD and Associate Producer), "The Student Film" by Michael Hernandez (1st AD and Associate Producer), Peak Lapel New York Fashion Week Ad by Angus Ebeling (1st AD), "The Color Is Off" by Eduardo Machado (1st AD), "Heist Film" by Dan Wilson (1st AD), Don’t Touch The Dog (1st AD).


As a production assistant, McKenna has worked on: Netflix's "Grown Ups 3" by Kyle Newacheck, "Rabbit Rabbit" by Philip Barantini, Disney+/Marvels' "Daredevil" by Jet Wilkinson, The Tory Burch Foundation Annual Conference, Brother Printers commercial shoot, and The Columbus Zoo and Aquarium.


Producer | Mercedes Riegé



Mercedes Riegé (she/her) is an Argentine, New York-based film producer. Her company, RiVen Productions, made: “spilled milk” by McKenna Kaye (New York Indie Shorts Awards, etc.), “Canvasback” by Loki Olin (Big Apple Film Festival), “Selin” by Olivia Simmons (the Croatian International Film Festival, etc.)


Feature films that she PA’d on: “A Quiet Place 3” by John Krasinski. Big events she helped coordinate: Tribeca Festival, FIFA World Cup 2026.

More info about Mercedes can be found at www.mercedesriven.com


Director of Photography | Maryam Alkhaja



As Director of Photography, Maryam has worked on: “Don’t Touch The Dog” by Rave Andrews, “I Am You” by Ahmed Wuhidi, “The Sound of Paper” by Mandi J. Gorenstein, "The Student Film" by Michael Hernandez, “Everything I Love Is Orange” by Maya Giurgi, Belsaey/Noscardia campaign by Hazel Tanaka, “What Will I Say At Your Funeral?” by Owen Bradner, and Kemento Store campaigns.


Editing and Coloring credits include: “Spilled Milk” by McKenna Kaye (editor and colorist), “Selin” by Olivia Simmons (colorist and associate editor), and “Please Call Dad” by Mercedes Riegé (colorist and editor).


She also won the Jury Award at The New Screen Fest for her film “Forever Mama.” 

Current Team

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