Warm Body

Portland, Oregon | Film Short

Horror, Comedy

Nicole Spinnler

1 Campaigns | Oregon, United States

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This campaign raised $9,760 for production. Follow the filmmaker to receive future updates on this project.

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What's even scarier than a monster you don't know? One you think you can trust. Warm Body calls the idea of a 'nice guy' into question, challenging it's audience to re-shape it's understanding of violence against women in intimate relationships.

About The Project

  • The Story
  • Wishlist
  • Updates
  • The Team
  • Community

Mission Statement

The most dangerous person in a woman's life is her intimate partner. Warm Body puts this terrifying reality front and center, and asks it's audience to witness a woman's experience of this in real time -- with a supernatural twist.

The Story


What does it feel like to have your identity slowly siphoned away by someone who refuses to see you as a human being? How does a man like this function in the world, and how does he get away with such violence?


After spending the night with her ex boyfriend and thinking they’ve reconnected, she learns he is actually still seeing the very woman he left her for. An argument ensues, leaving her frustrated, embarrassed, and eventually, stuck to his mattress. Literally. She can’t move, she can’t get up, and though he tries, he fails to help her.


She's invested so much of herself into a relationship with a man who refused to see her holistically. He only values her up to the point at which he stops benefitting from her existence. This leads the woman to be totally consumed by him. She loses any sense of autonomy and is ultimately sucked into his mattress, never to be seen again.


Warm Body is about a woman who is the victim of an insidious kind of violence, and a man who is both the complicit and complacent perpetrator of her demise. As an audience, we’re left wondering: how many more bodies are in his bed?


Does he feel remorse, or just relief?


Warm Body is about the 'nice guys' who are actually monsters.


Why me?

From a young age I had a keen sense that men were dangerous. I felt the objectification and dehumanization women face, but couldn't put a name to it.


As I got older and entered romantic relationships, I saw this dehumanization take on another form, one much more quiet. I felt myself slipping away in these relationships, compromising myself because my partner wasn't capable of seeing me as a human being. He saw me as a warm body. Something to fill the space in his bed until the next woman came along. I was interchangeable, disposable.


This made me violently angry. It also made me laugh. If we can't find the (dark) humor, the sliver of light in the darkness that is our pain, what's the point? There is an incredible darkness to the subject matter, but the humor comes from the audacity and idiocy of the man who is perpetrating this violence.


Why now?

Women are uniquely equipped to write and direct horror. Our lived experience lends itself to the genre on a daily basis. The best horror films are those that defy audience expectation, that surprise us and, well, scare us. There are so many facets to the experience of being a woman that are horrifying.


As we move into a post Me Too world, it seems even if men are held accountable or publicly called out for their treatment of women, there are rarely any repercussions. Even with zero consequences, the prevailing narrative is one of victim blaming. We analyze every aspect of her behavior, the choices she made (or didn't make) and assign blame accordingly.


In Warm Body, there's no denying what is happening to her. There's no way around it. She is the victim of this mans erasure, neglect, and ignorance. And the consequences are deadly.



Look and feel

While this film is horror with some dark comedy, when we open, it should look like any other morning in a shared space between two people who might even love each other. The light is soft. It almost looks romantic. There’s something sinister under it all, though. That way when the turn happens, it’s unnerving. We sense something is coming, but we can’t be sure what it is. We don’t know who the monster is, but we know there is a supernatural element at play.


We focus mainly on her, keeping him in abject anonymity for as long as possible. The audience will feel her panic and her suffocation as she thrashes around in an otherwise still frame. Nothing is as it seems, leaving the audience to question the nature of their reality.




Characters

HE

He is every man and also nobody. He’s the product of a system that doesn’t want him to feel anything, let alone express those feelings to another human. It’s better and easier to see women as a monolith, as replaceable, as a means to an end. And yet, he is lonely. He does want someone. And he feels he deserves that. Because why wouldn’t he? The only problem is that he has no concept of the consequences of the way he treats women. He has a face that looks trustworthy, kind even. He might not mean any harm, but that doesn’t mean harm won’t be done.


SHE

She is like so many women, searching for love and connection in a world that wants to deny her humanity at every turn. But she’s determined. On her best day she is a bit of a pushover, though. She places a lot of meaning and value in her relationships with men in earnest. She truly believes it can work. This leads to the loss of her sense of self. Everything depends on the man she’s with. Even when they don’t attempt to understand or appreciate her unique humanity. She’s beautiful, hopeful, hard on herself. She wants to be better. She doesn’t want to keep making the same mistakes.


Wishlist

Use the WishList to Pledge cash and Loan items - or - Make a pledge by selecting an Incentive directly.

Colorist

Costs $850

A colorist is an essential part of the post-production process. Color grade determines so much of the look and feel of the film.

Location

Costs $600

Getting the right location for this shoot is essential to the story telling. We've found an amazing location that fits all of our needs.

Editor

Costs $750

The editor makes the film come to life in post production. Creating tone, mood, and helping us tell the story we want to tell.

Art Department

Costs $1,500

The Art Dept. includes a production designer, a set decorator, and the materials needed to build a practical set piece.

Hair & Makeup

Costs $450

Along with standard needs, there's a special effect look that can only be achieved with the help of a talented makeup artist!

Catering & Craft Services

Costs $680

Girls gotta eat. Especially on set! Help us feed our cast and crew over this two day shoot.

Camera Department

Costs $3,400

This includes our amazing DP, 1st AC, the camera package, kit fees and hard drives.

Cast

Costs $1,600

This includes travel costs as well as compensation for our two amazing actors.

Production Staff

Costs $600

A set can't run without a PA and AD. Let's pay them!

Sound Department

Costs $950

This includes both production sound and post sound mixing!

Cash Pledge

Costs $0

About This Team

Nicole Spinnler - Writer/Director

Nicole is a screenwriter, poet and filmmaker based in Portland Oregon. She began her artistic journey in the theater, studying at Rutgers University and Shakespeare's Globe in London. From there, she began writing and directing her own film projects. Her film work examines systems of power and oppression through the lens of relationships, asking the question: How can the people closest to us hurt us the most? Her poetic work is rooted in ancestral legacy and what ties us together. She relies heavily on her connection to nature as a constant source of guidance and inspiration. Her next project, 'Warm Body', is a horror/comedy short film, set to shoot this coming fall.


Kevin Michaluk - Director of Photography

Kevin is a Director of Photography based out of Portland, Oregon. He approaches every project as a holistic collaborator, with the foremost priority of telling a good story well. Whether a film, commercial, or music video—Kevin’s favorite type of project is one that evokes a sense of wonder, demands truth, and inspires everyone involved to climb to the next echelon of their creative ability. He is a steadfast supporter of the local filmmaking community through mentorship, facilitation, and opportunity. Kevin was the cinematographer of the independent feature film Trash Baby, which recently made its world premiere at SXSW 2025, and won the Industry Choice Award at Dances With Films in Los Angeles. In addition to providing cinematography services, Kevin is the co-owner of Framework in Southeast Portland. Framework is a production studio, equipment rental house, co-working space, and community hub for filmmakers and artists. He is also on the Board of Directors at the OMPA.


Visit his website to learn more about the work he does: www.kbmichaluk.com


Ayana Workman - SHE


New York City native Ayana Workman’s journey as a performer began at age three with an impromptu tap performance alongside the legendary Savion Glover. By nine, she had set her sights on acting, a path that led her to notable early career roles. In her early twenties, she played Juliet in The Public Theater Mobile Unit’s Romeo and Juliet and Ophelia at The Shakespeare Theatre Company in Washington, D.C.

Ayana continued to build a strong stage presence with roles in Caryl Churchill’s Glass, Kill, What If, If, If Only, Imp. at The Public Theater. Her classical work also includes productions of Hamlet, Macbeth, The Winter’s Tale, and Julius Caesar. Ayana's talent has taken her to international stages, including performances at the National Theatre in Maribor, Slovenia and Bunker, Ljubljana, London’s Globe Theatre, and in productions like Dos Worlds and Ophelia’s Ocean, in collaboration with Reggie Workman and Maya Milenovic Workman.

On screen, Ayana portrayed the iconic American congresswoman Eleanor Holmes Norton in the film Rustin. Her television credits include appearances in Jessica Jones and Person of Interest.


Tyler Miles - HE

Tyler Miles is an emerging actor known for his dynamic performances across film and television, with notable appearances in Grimm and The Boys in the Band. With a passion for storytelling, he has captivated audiences with his versatility and emotional depth. Tyler’s career began in theater after getting an MA from LAMDA, where he honed his craft before transitioning to on-screen roles. He has garnered attention for his standout performances in indie films and popular series, showcasing his range from dramatic to comedic characters. 

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