What She Said

Flint Hill, Virginia | Film Feature

Drama, Family

Shallow Graves Productions

1 Campaigns | New York, United States

Green Light

This campaign raised $36,925 for production. Follow the filmmaker to receive future updates on this project.

182 supporters | followers

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Sam decides to stop pursuing charges against her rapist and spend Thanksgiving alone on her family’s Virginia farm. Her brother stages an intervention with seven of Sam's friends to persuade her to return.

About The Project

  • The Story
  • Wishlist
  • Updates
  • The Team
  • Community

Mission Statement

Shallow Graves is committed to telling small stories that embody the human experience. Namely, stories by women about women, while creating a platform for intersectional storytelling. And for our first feature, our all female creative team is hiring an all female crew! #yas #femalegaze

The Story



PHD candidate, Sam, should be nearly finished with her dissertation. Instead, she’s spent the the last year in and out of court pursuing charges against her rapist. When she receives news that the trial is postponed yet again, Sam heads to her family’s remote cabin in the Virginia woods, effectively ghosting everyone in her life. A few days before Thanksgiving, Sam’s oasis is interrupted as her brother comes barging in with Sam’s closest friends in tow, to stage a pseudo-intervention and convince her to return to the city and finish out the trial.



It’s a year after the assault, and we’re putting eight twenty-somethings in a pressure cooker of a remote cabin (with no Wi-Fi, yikes) to examine how trauma can still affect a person after they’re seemingly “over it,” and, more universally, how this trauma effects an entire community as they rally around their friend and sister, taking on her trauma as their own. Because they’re empathetic. Or narcissistic. Or bored. Or all of the above.

It’s a feature length kitchen-sink drama with a black comedy heart.



Right, ok. So why the hell are we making this?


It’s not like sexual assault is a subject that's never been taken on before. It’s the era of #metoo, after all, and everyone’s throwing in their own “too” cents. Plus, like, hello, how many seasons of SVU have there been? (Most of which were directed by men, we might add.) But that piece -- the assault piece -- is only one tiny fraction of a much larger and more complicated conversation.


Yet, it’s where most on-screen stories about assault begin and end.


We’re picking up that story a year later. A year into the life of a woman battling depression, trying to finish her PHD, and ultimately treading water. And we’re pairing that story with a tight-knit community of three-dimensional characters who have incredibly mixed, funny, sad, and human opinions about how their friend should deal with her trauma.



We’re a bunch of totally obsessed indie-philes. We’re consistently inspired by the nuanced and naturalistic work of the Duplass Brothers, Jill Soloway, Joe Swanberg, and Greta Gerwig (to name a few). But we also come from the theatre world -- garnering our sensibility for familial drama from the likes of Chekov and Tracy Letts. (People stuck in houses yelling at each other? We promise, there’s a stage/screen venn diagram in there, somewhere.)


We love movies about family and groups of friends -- people with shared history, baggage, and a whole lot of insight about what makes each other tick. But what we haven't seen is another film telling this story in this way -- a story about family and community set up against the backdrop of the judicial system.


Shallow Graves (our DIY-style boutique production company... keep up!) believes that changing social and political discourse one film at a time has the potential and the power to change the discourse of communities at large.


Still from "5th Wave"



We want to make a social justice skewing independent film that tackles huge issues, including the legal system (and its failings), privilege, and destigmatization of mental health (namely PTSD). We are confident our little film challenges inequality and does so in a form that’s utterly accessible, humorous, and all-too-recognizably human. We hope to have the audience watching from behind their fingers as they think, “Oh God, that’s so me.”

Sounds pretty ambitious, you say. How can they possibly achieve it, you inquire? Can it really be done, you cry, shaking your fists at the heavens as you fall to your knees.

Okay, leave the drama to us from now on. Keep reading.

We’re shooting this thing in Virginia, the homeland of both our director and lead producer, in their real-life family cabin. Now we’re dedicated to throwing as much of our budget back into the community using local resources while we shoot.


But that means meeting our budget goals. And that means we need YOU to join our community. But not in a "give us your money and leave us alone" way. No. We want you to be a part of this movie -- in as big or as little a way as you want! This is a choose your own adventure! You’re in charge, now!

Still, we’re serious about having you along through every step. So how ‘bout we start by letting you in on the plan? (Ooo, ahhh, a graphic.)



As it turns out, you need more than a bunch of cool people to make a movie. You can head over to our wishlist to check out what it is we’re actually requesting. Or you can just trust that we’ve redone our budget 4,689 times and we’ve got it on lock.

And we know that not all of our artist friends (heyyy artist friends!) can pledge financial support right now. And that’s okay. Because there are lots of free ways to help! For starters, if you like what we’re doing, please please PLEASE share the hell out of this campaign page so that it can reach people with big kid jobs who might suddenly have an interest in producing a film by a couple of charming up-and-comers.


Still from "Platonics"

We are dedicated to making a movie that will provide opportunities for up-and-coming female filmmakers. And we're gonna pay them what they are worth. And we know if we do it right, we can blow open a social and political conversation while providing solace for victims, recognition for allies, and above all, a really entertaining movie.

And we guess a couple other people think we can do it, too. Also in our corner is Pitch Her Productions, a 501c3 non-profit that is serving as our fiscal sponsor, so all contributions to our film are tax deductible. (YAS.)


We’ve already attracted support and resources like we never could have imagined. But we’re not nearly to the finish line. So the only thing left to ask is… are you coming with us?



Make sure you hit the fancy blue FOLLOW button at the top right hand corner of the page. The more followers we attract, the better chance we have of getting greenlit. And when you're finished with that easy thing, head over to www.shallow-graves.com to sign up for our e-mail list to stay the most up-to-date with all things What She Said. And feel free to shoot us an email with questions, concerns, love notes, helpful horoscopes, or unsolicited advice that we’ll probably ignore.


PS - All incentive tiers include the chosen incentive in addition to all of the ones before it. Fierce.



Use the WishList to Pledge cash and Loan items - or - Make a pledge by selecting an Incentive directly.

Cash Pledge

Costs $0

The Players

Costs $8,000

Apparently you can't make an ensemble film without the ensemble. (These two seem nice.)

All Female Crew

Costs $8,000

We're payin what they're worth, baybayyy.


Costs $3,000

The backwoods of Virginia don't have a subway system.

Rustic Lodging

Costs $3,000

Hell yeah we will actually be staying in a cabin for the duration of this shoot.

WiFi & Hot Spots

Costs $1,000

Just because our characters are WiFi-less doesn't mean we have to be. (In fact, we need it.)


Costs $1,000

This is not a naked movie.


Costs $3,000

Look, sh*t happens.

Lighting & Camera Packages

Costs $4,000

The acting can only make us look so good.

Bat & Bat Wrangler

Costs $1,800

We are using a tiny bat in one scene. This is not a drill. You can pay the bat's salary.

Location Expenses

Costs $2,000

Our location is on a septic system. You can figure out the rest.

Walkie Talkies

Costs $500

Or we might have to tie two cans to two ends of a string.


Costs $1,000

Have you ever seen a great movie without great music? No, because it doesn't exist.

Misc. Equipment Rentals

Costs $3,000

Making a movie is complex, yo!

Production Design & Set Dressing

Costs $3,000

It's a holiday movie and we need decor* *Not all of the $$ in this category will be used for decor


Costs $2,700

This budget will go exclusively to elaborate cheese boards.

About This Team





Current Team