Why We Left

Boston, Massachusetts | Film Short

Drama

Tishna Lodi

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This campaign raised $11,335 for production. Follow the filmmaker to receive future updates on this project.

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Why We Left is a visually poetic short film about a couple attempting to escape the grief of losing their child by leaving behind everything they know.

About The Project

  • The Story
  • Wishlist
  • Updates
  • The Team
  • Community

Mission Statement

I first read Ana Menéndez’s Why We Left nearly twenty years ago. After experiencing a pregnancy loss of my own, the story took on new meaning. This film uses intimate moments and surreal imagery to give shape to unspeakable grief, so audiences feel less alone.

The Story


Why We Left is a surrealist short film about a couple, Maria and Manny, navigating the quiet, destabilizing aftermath of losing their baby. In an attempt to escape their grief, they leave behind everything they know and move north, believing distance might offer relief. Instead, their unspoken pain begins to reshape their inner and outer worlds, creating an emotional distance between them that neither knows how to bridge.


I first encountered Why We Left, a short story by Ana Menéndez from her collection In Cuba I Was a German Shepherd, nearly twenty years ago. While I loved the collection as a whole, this particular story embedded itself in me in a way I couldn’t shake. Its intimacy, its imagery, and its profound understanding of hidden grief stayed with me long after I read it.

My relationship to the story deepened years later after experiencing a pregnancy loss of my own. Returning to Why We Left during that time, I recognized the impulse it captures so precisely: the desire to detach from reality, to seek refuge in memory, and to exist in a world where beauty still blooms even in the presence of pain. The story became both mirror and anchor — a reminder of how narrative can hold us when we are otherwise unmoored.



Stacked coins the size of dinner plates circling the living room. Hibiscus flowers bloom from snowy birch trees. This film uses surreal visual elements to externalize what Maria and Manny cannot say aloud. Emotional states manifest physically. Memories bleed into the present. The environment begins to reflect the interior landscapes of grief, longing, and isolation. These moments are not symbolic abstractions, but emotional truths given form — allowing the audience to experience what the characters are feeling rather than simply observe it.



Our Team

My intention with this adaptation is to honor the emotional core of Menéndez’s story while using production design, cinematography, performance, and visual effects to bring its surreal beauty into vivid life. Every artistic choice exists in service of emotional resonance. In service of that goal we’ve assembled a team of incredibly talented and caring individuals and production partners who are all bringing something unique and critical to the film.


We’re honored Brickyard VFX, a female and artist-owned studio, who’s been at the cornerstone of Boston’s post production scene for 25 years believes in this project as much as we do. They granted Why We Left in-kind post-production services through their Film Partnership program. This is HUGE and means we can stay committed to stunning surreal imagery on an independent short film budget. 



We’re also thrilled to be partnering with Studio Lab, a New Hampshire–based creative studio pushing the boundaries of what’s possible for independent filmmaking. Their innovative Volume technology allows us to build immersive, responsive environments in-camera, making it possible to bring the film’s surreal interior worlds to life in bold and unexpected ways. This partnership is monumental for Why We Left — it means we can realize our most ambitious visual ideas while staying grounded in performance, emotion, and the realities of an independent short film budget.



In addition to our amazing production partners, Why We Left is being brought to life by a deeply collaborative team of artists who share a commitment to emotional honesty and visual storytelling. Director of Photography Matt Dorris, a longtime creative collaborator, brings an astute eye and intuitive visual language to every frame, allowing the cinematography to bloom with feeling and restraint. Production Designer Suja Ono leads the film’s world building, translating interior emotional states into grounded yet surreal physical spaces. Producers Carley Byers and Tishna Lodi guide the project with care, rigor, and generosity, shepherding the film from development through post with a focus on both creative integrity and human-centered production. Together with a full team of talented collaborators across departments, we're building a supportive, intentional environment in which this story can be told with nuance, trust, and craft.


How Will Your Contribution Help?

First — thank you. Truly. Supporting Why We Left means becoming part of the community that makes this film possible. Independent films don’t exist without audiences who believe in them early, and grassroots support like yours directly shapes what we’re able to create.


Your contribution goes toward the essentials that allow us to tell this story with care and integrity: fairly paying and feeding our crew, renting the equipment that supports our visual language, and working with deeply talented actors and collaborators. Every piece matters, and every dollar goes toward bringing this film to life in the way it deserves.


Where Are We Now? Why Fundraising?

We’ve taken this project as far as we can on our own, and now we’re stepping into the next phase: fundraising. This is the moment when possibility opens up — when the film becomes real, not just in our imaginations but on screen.

With your support, Why We Left can become the intimate, visually rich film we’ve been building toward.


What Hitting — and Exceeding — Our Goal Unlocks

If we reach our $10,000 goal:

We receive the greenlight. This is the bare minimum needed to begin — allowing us to move into production and start principal photography. It’s the moment Why We Left officially shifts from preparation into being made.


At $20,000:

We reinvest in our crew, increasing compensation for the artists whose care, time, and craft shape every frame. This ensures we can maintain a humane, sustainable set while honoring the people doing the work.


At $35,000 — what the film truly needs:

We unlock the full creative scope of Why We Left. This level of support allows us to expand our art department and surreal visual elements, ensuring the emotional interiority of the story is fully realized on screen — not compromised by budget, but supported by it.


$10K starts the film. $35K finishes it right. Our Seed&Spark goal is the starting line. Going beyond it is how we make the film we’ve envisioned from the beginning.



Why Now?

This film exists because stories about grief — especially pregnancy loss — are still too often experienced in silence. Why We Left is an invitation to acknowledge that grief, to sit with it, and to see it reflected with honesty and compassion. Making this film now feels both urgent and necessary.


What’s Next?

We are targeting picture lock in Spring 2026, followed by sound design, score, and visual effects. From there, we plan to submit to film festivals with the goal of premiering later that year.

Until then, we’d love for you to follow along at @whyweleft25 and here on Seed&Spark as we continue the journey.


I believe Why We Left is an opportunity to create a film that is both intimate and transportive — one that preserves the delicate power of the original story while inviting audiences to step inside its world and, perhaps, feel less alone in their own experiences of loss.


- Joan Cassin, Writer/Director


Thank you!

Wishlist

Use the WishList to Pledge cash and Loan items - or - Make a pledge by selecting an Incentive directly.

Locations

Costs $1,500

Place is at the heart of our character's story. We will ensure the chosen locations reflect this importance. (+$2,500 for our goal)

Behind the Lens

Costs $1,000

Help us secure a camera package that will help take our film to new levels! (+$2,000 for our goal)

Cast

Costs $2,500

With the help of our incredible casting director, we're found the perfect Manny and Maria. (+$3,500 for our goal)

Fair Wage

Costs $2,000

This project wouldn't be possible with out our AMAZING crew. We want to compensate them for their time, creativity and hard work.

Surreal Effects

Costs $1,000

Grief is processed in many ways. In this film, our characters will experience grief through both practical and visual effects. (+$2,000)

Keep Em Fed

Costs $1,000

One of the many ways we take care of our crews is by keeping them nourished. Help feed our incredible crew! (+$2,500 for our goal)

Light It Up

Costs $500

Contribute to our lighting package so we can elevate the story with visual depth and interest. Also, so you can see the actors ;) (+$1,000)

Props To You!

Costs $500

Fund the incredible practical props and set decoration designed and crafted by our wildly talented Production Designer Suja Ono! (+$3,000)

Cash Pledge

Costs $0

About This Team

Joan Cassin (Writer, Director) 

Joan Cassin is an Emmy nominated commercial & narrative director and producer based in Massachusetts. Her work combines visual poetry with grounded human storytelling, often exploring themes of identity, emotional inheritance, and the spaces between people. With a background in commercial production, Joan brings a balance of vision and pragmatism to every project. She is drawn to stories that are quietly profound, rich with subtext, and emotionally resonant.


Carley Byers (Producer)

Carley Byers is a filmmaker based in New Bedford, Massachusetts—a whale-obsessed creative hub in the SouthCoast region. She strives to produce films with unique perspectives pushing boundaries emotionally and creatively. Carley is a 2025 Stowe Producers Lab Fellow and a receipt of the Tarkovski Grant. Since graduating from Massachusetts College of Art and Design in 2021, she's worked on a wide variety of projects from short films to commercials finding her speciality in producing. Carley strives to lead projects with kindness fostering inclusive and collaborative on set environments that make for impactful storytelling from set to screen.


Tishna Lodi (Producer)

Tishna Lodi is a Massachusetts-based producer and production professional with experience spanning film, branded content, and television. At Brickyard VFX, she manages project timelines, creative resources, and client relationships, while spearheading new initiatives such as the Filmmaker Partnership Program, which awards in-kind VFX services to independent filmmakers. Her past roles include supporting talent development at Select Management Group and Executive Assistant to the Head of Production at Miramax, where she worked across film projects in development, production, and post.


In addition to her studio and agency roles, Tishna has worked extensively as a freelance Production Manager and Assistant Director on campaigns and independent films. She is a graduate of Marquette University and is pursuing her Master’s in Global Marketing Management at Boston University.


Matt Dorris (Director of Photography) 

Matt is an award winning cinematographer that started his journey crafting images on his parent's home VHS recorder. Later on, while pursuing and degree in Film Studies, he fell in deeper in love with visual mediums while experimenting with 35mm film and early digital vfx. His career then lead him to serve as a DIT on shows for Netflix, HBO, and Amazon. His time is now spent raising his children and shooting commercials and short films.


Suja Ono (Production Designer) 

Suja Ono (they/them) was born in the Pacific Northwest and studied film at Emerson College.  They have been a member of the Art Directors Guild (Local 800) since 2021 and has worked on films that have premiered at festivals such as Cannes, the Berlinale, and Sundance. Their production design work was most recently featured in the Secret Mall Apartment, produced by Jesse Eisenberg, which premiered as SXSW in 2024. 


Brian Cassin (Editor)

As a Director and Editor, Brian helps midwife creativity. He cares deeply about your baby and will deliver it as if it were his own. He's delivered spots for Showtime, television documentaries for NOVA, Discovery, Food Network, and Animal Planet. He also edited Joan Cassin's previous award winning short film REST.


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