Coming Home: Fight For A Legacy

Los Angeles, California | Film Feature

Documentary

Hilary Prentice

2 Campaigns | California, United States

Green Light

This campaign raised $24,832 for post-production. Follow the filmmaker to receive future updates on this project.

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On April 1st, our Nat’l Endowment for the Humanities grant for $480k was terminated by DOGE. To finish, we need your help! Our film honors our first female military aviators of WWII, who fought not just for victory, but for the very soul of this nation. Help us preserve their place in history.

About The Project

  • The Story
  • Wishlist
  • Updates
  • The Team
  • Community

Mission Statement

Our film reveals the triumphs and tragedies of America’s forgotten heroes, our female military aviators of WWII, who were erased from history and the fight for their legacy. 2025 marks the 80th anniversary of the end of WWII - this is a story of achievement, inspiration, and one that must be told!

The Story


COMING HOME: FIGHT FOR A LEGACY unveils the stories of Women Airforce Service Pilots (WASP) through powerful, character-driven narratives, and the profound impact they had on the victory of the Allies in WWII, on American aviation, and the U.S. military.

IN OUR FIGHT TO PRESERVE THEIR LEGACY!

Most Americans have never heard of the WASP, and most do not know there were Black female pilots serving at Tuskegee and across the country in the Civil Air Patrol.



2025 MARKS THE 80TH ANNIVERSARY OF WWII.

Understanding what these pilots accomplished affirms the dignity and glory of their actions, and this film seeks to give these women pilots their rightful place in the WWII historical narrative for the next generation.


CHALLENGES DON'T DEFINE US. PERSEVERANCE DOES.

Halfway through our post-production, the federal government canceled our grant from the National Endowment for the Humanities (NEH). The grant monies would have allowed us to complete the film this year in time for the 80th anniversary of the end of WWII.


We did not think we would be in the position that we now find ourselves in - but here we are. We humbly ask you for a donation of any amount.


SHARE! SHARE! SHARE!

Please share the text and image below far & wide:


HELP ME SAVE THIS FILM - which lost its grant funding to finish the film in April. 2025 marks the 80th anniversary of the end of WWII, and this film seeks to honor the American women aviators who fought, not just for victory, but for the very soul of this nation. Their contributions, so often erased, deserve to be etched into history with the recognition they so rightfully earned. Please help the filmmakers SOAR ABOVE SETBACKS by:

Donations go to their 501(c)(3) nonprofit fiscal sponsor, so check with your accountant for a tax deduction.



GIVE! GIVE! GIVE! No gift is too large or too small. We stretch every dollar to its maximum and we have to raise 80% of our Seed&Spark goal to keep the funds. Our fiscal sponsor Women Make Movies will give you a tax receipt for any gift over $250.


SUPPORT THE A CAUSE ON SOCIAL MEDIA

BY CHANGING YOUR PROFILE PIC!



READ ON FOR MORE HISTORY ABOUT THE FILM & THE FILMMAKERS



Karrell met and began interviewing WWII women pilots in the early 1990s, and her research took her across the country and across the ocean to England, where the first American women pilots flew with the ATA.


When Hollywood wasn’t interested in this subject, she teamed up with producer Hilary Prentice in 2015, and together, through multiple fundraisers, including events in Malibu, Carlsbad, Washington, D.C., and Santa Monica.


Karrell and Prentice raised monies to complete principal photography, historical and archival research, and attracted scholar Dr. Molly Merryman to the project, whose authoritative work Clipped Wings: The Rise and Fall of the Women Airforce Service Pilots of World WarII, was the first examination of the roles Congress and the media played in the demise of women pilots in the military in the 1940s and then their subsequent victories in the 1970s.



Over her many years of research, Karrell formed deep and lasting friendships with the WASP profiled in her film. When we received the NEH grant last fall, a grant large enough to take us through to the finish line, we cried tears of joy. It was not only our win, it was a win for all the WASP we had interviewed and their stories that we are telling. It was a win for our entire film family: hundreds of donors who had supported us through pre-production and production. It was a win for the years we have sacrificed and invested our time and personal monies, juggling other jobs and family commitments. We thought we were finally at the finish line.


As evidenced by the over 1 million organic impressions our social media reaches each month, both men and women from all over the globe, the world is hungry for the untold stories we will tell in our film. Coming Home: Fight for a Legacy is not only one of the last untold stories of WWII, it resonates with young audiences today. 


We plan to have a wide theatrical and streaming release, combined with an extensive community engagement effort through our impact campaign, targeting approximately 200 screenings at museums and organizations, 50 university screenings, 200 high school screenings, and 100 military organization screenings. We will also engage audiences on YouTube and TikTok and through podcasts. The film will also be used as the basis for an educational, outreach, and mentorship program that we will create with Kent State University.


Wishlist

Use the WishList to Pledge cash and Loan items - or - Make a pledge by selecting an Incentive directly.

Archival Restoration

Costs $5,000

Film reels & photographs need to be restored for best quality & to feel contemporary to young audiences.

Aerial Photography - Licensing & Production

Costs $10,000

We want the audience to appreciate how incredible these aircraft are and what it would be like to fly one!

Archival Lincesing

Costs $10,000

We are pulling archival footage and photographs from many archives that require licensing fees.

B-roll & Licensing

Costs $5,000

We use color footage as much as possible, and we plan to shoot our own b-roll as well as license footage to bring the story to life.

Cash Pledge

Costs $0

About This Team

Matia Karrell, Director and Producer of The Red Door Films, is an Oscar-nominated filmmaker and Fulbright Scholar. Karrell has been immersed in the world of women in the Military for over 25 years since she discovered her mother’s volunteer work in the Mass Women’s Defense Corps of WWII. Over years of research on the WASP, including the American female pilots who flew for England, Karrell has developed a very personal relationship with members who later became the central characters in her Coming Home documentary. Karrell made her directorial debut Cadillac Dreams, based on a true story, which was nominated for an Academy Award for Best Short Film. She later directed, co-wrote, and produced her award-winning feature-length film, Behind the Red Door, a narrative film also based on a true story. Karrell's directing credits include The West Wing and Army Wives, and documentary production work includes films such as Oscar-winning Broken Rainbow and the award-winning Making Waves: The Hidden Power of Sound in Cinema. She is a member of the Directors Guild of America, Writers Guild of America, and a Graduate Film Instructor at the Art Center College of Design, Pasadena.


Hilary Prentice, Award-winning Producer joined Director Matia Karrell in 2015 at The Red Door Films. In addition to producing Coming Home: Fight for a Legacy, Prentice assisted Karrell on both the Emmy-nominated HBO film, The Tale and award-winning animation director Fabrice Joubert's film Safety. Prentice has been in production for over 15 years, beginning with the award-winning short Heavy Lifting, and has also written, directed, and produced documentary shorts for nonprofit organizations in the Los Angeles area. 


Caitlin Dixon, Editor has edited in a variety of film and TV settings, ranging from microbudget independent documentaries and features to television pieces that have appeared on Netflix, PBS, Paramount Plus, Discovery, Oxygen, The Learning Channel, ABC, A&E, WeTV, TruTV, the Sundance Channel, and Cinemax Reel Life. Credits include Loggerheads and FLOW: For Love of Water, which premiered at the Sundance Film Festival, and Kate Nash: Underestimate the Girl, which had its international premiere at IDFA (International Documentary Film Festival, Amsterdam) and was a selection for BBC's curated documentary series, Storyville.


Doug Blush, Consulting Editor is an award-winning documentary producer and editor. Doug’s guidance and experience has helped numerous filmmakers to solve their projects’ issues, gain acceptance to film festivals, and find distribution. His credits include the Oscar-winning films: 20 Feet from Stardom, Elephant Whisperers, Period. End of Sentence, and Icarus. Other credits include The Hunting Ground, The Invisible War, Skid Row Marathon, and over 100 feature and television documentary projects.


Sharon Wood, Writer  - A longtime documentary filmmaker, Wood served as a writer on Oscar®-nominees Tell the Truth and Run: George Seldes and the American Press; and Super Chief: The Life and Legacy of Earl Warren, along with the Peabody and Columbia-Dupont award-winning The Celluloid Closet and Paragraph 175. Between 2003-11, she was producer/writer for Lucasfilm’s documentary department including Double Victory: Tuskegee Airmen at War, as well as Manifest Destiny, a series on U.S. foreign policy. Recent credits include Ai Weiwei: Yours Truly, And the Oscar Goes To… and The Battle of AmfAR for HBO. The Art of Nonfiction Movie Making, which she co-authored with Oscar® winners Jeffrey Friedman and Rob Epstein. 


Molly Merryman, Historic Research Producer -  is a documentary/ethnographic filmmaker and the Historic Research Producer on Coming Home. She is the author of Clipped Wings: The Rise and Fall of the Women Airforce Service Pilots of World War II. In addition to publications and presentations, her work includes 16 films: short form and featured length. Her feature-length documentaries have been broadcast in the United States and United Kingdom and have screened around the world.


Scholars

Beth Bailey - MA, Ph.D., Professor of Military, War, and Society Studies at University of Kansas.

Col. Beth Behn - MA, Ph.D., Executive Officer for Headquarters in the Department of the Army G-8.

Karissa Haugeberg - Ph.D., Associate Professor of History at Tulane University.

Jennifer Keene - Ph.D., Professor of History, Chapman University.

Linda K. Kerber - Professor of history, Emerita; Lecturer in the Law University of Iowa.

Richard Kohn - Professor Emeritus of History and Peace, War, and Defense, The University of North

Carolina at Chapel Hill, Durham. Chief of Air Force History and Chief Historian, U.S. Air Force.

Charissa Threat - Ph.D., Associate Professor of History at Chapman University.

Kara Vuic - MA, Ph.D., Professor of War, Conflict, and Society in Twentieth-Century America at Texas

Christian University.


Experts & Journalists

Robert Arnold - Retired in Sonoma Valley, grandson of General Hap Arnold.

Antonia Chayes - Professor at Fletcher School of Law and Diplomacy, Tufts University.

Katie Hafner - Executive Producer and host of Lost Women of Science Initiative.

Current Team

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Incentives