SEEN
San Francisco, California | Film Feature
Thriller
SEEN is a psychological thriller about influence, projection, and the cost of being watched. When a therapist goes viral, she begins to suspect her audience is reshaping her identity in real time. In an age of parasocial intimacy, this film explores what it truly means to be seen.
SEEN
San Francisco, California | Film Feature
Thriller
1 Campaigns | California, United States
21 supporters | followers
Enter the amount you would like to pledge
$2,320
Goal: $2,000 for development
SEEN is a psychological thriller about influence, projection, and the cost of being watched. When a therapist goes viral, she begins to suspect her audience is reshaping her identity in real time. In an age of parasocial intimacy, this film explores what it truly means to be seen.
Participating In
About The Project
- The Story
- Wishlist
- Updates
- The Team
- Community
Mission Statement
The Story
SEEN
A Psychological Thriller
The Premise
Dr. Mira Lin is a respected San Francisco psychologist known for her calm precision. When a short clip of her therapy advice unexpectedly goes viral, her following grows overnight. Invitations, interviews, and opportunities flood in. For the first time, Mira feels fully seen.
But as her audience expands, something begins to shift.
Strangers repeat her words back to her with uncanny familiarity. Clients reference phrases she doesn’t remember saying. Old videos appear online with subtle changes. The version of herself her audience consumes begins to feel more stable than the woman behind it.
As admiration turns unsettling, Mira must confront a terrifying possibility: that she is no longer shaping her identity — her audience is.
Why This Story Now?
We live in an era of constant visibility.
Advice becomes content. Vulnerability becomes branding. Identity becomes negotiable.
SEEN explores the psychological cost of influence in a hyper-visible world. It asks:
What happens when you are consumed by the people who claim to see you?
Who owns your identity once it becomes public?
How do you stay intact when projection becomes currency?
Tone & Style
SEEN is a slow-burn, A24-style psychological thriller.
The horror is subtle and intimate.
It lives in repetition, silence, and the discomfort of being mirrored too precisely.
Visually, the film will lean into:
Controlled framing
Quiet interiors
Gradual tonal shifts
Minimal score
Psychological tension over spectacle
This is character-driven suspense: restrained, elegant, and unsettling.
Why Support This Project?
We are raising funds to develop SEEN into a feature-ready package, including:
- A proof-of-concept scene
- A visual mood reel
- Casting and location for teaser production
- Professional pitch deck materials
- Early development costs
Your support helps bring this story into its next phase — from concept to tangible cinematic vision.
By backing SEEN, you are supporting a multidimensional AAPI lead in a genre that rarely centers women like her — complex, controlled, and quietly unraveling.
The Vision
SEEN is a thriller about projection and performance, but it is also about survival in a world that rewards composure.
It asks what happens when the self you perform becomes the only self the world allows you to be.
And what it costs to reclaim your voice once it has been consumed.
Wishlist
Use the WishList to Pledge cash and Loan items - or - Make a pledge by selecting an Incentive directly.
Camera & Sound
Costs $800
Supports camera and sound gear to achieve the visual tone and audio quality that bring SEEN to life.
Production Design / Props
Costs $500
Supports production design and props to create the visual world of SEEN and make each scene feel intentional and real.
Editing & Post-Production
Costs $500
Covers editing and post-production to shape the story, refine pacing, and bring SEEN together with clarity and emotional impact.
Festival Submissions
Costs $200
Covers festival submission fees to help SEEN reach audiences, build momentum, and find the right home after completion.
Direct link:
Share this update!
About This Team
Gina Chin-Davis – Writer / Director
Gina Chin-Davis is a filmmaker and psychologist based in California. Her work explores identity, performance, and psychological tension through character-driven storytelling. With a background in mental health and narrative development, she is drawn to stories that examine the negotiation of self under pressure.
Kyle Lim – Producer
Kyle Lim is a filmmaker and creative collaborator who has worked with Gina on previous film projects. His experience in production and development supports SEEN’s transition from concept to proof-of-concept and feature packaging.
Nina G – Producer
Nina G is a producer with experience in independent film production and development. She brings logistical expertise and creative insight to SEEN’s development process.
Current Team
Incentives
- The Story
- Wishlist
- Updates
- The Team
- Community
Mission Statement
The Story
SEEN
A Psychological Thriller
The Premise
Dr. Mira Lin is a respected San Francisco psychologist known for her calm precision. When a short clip of her therapy advice unexpectedly goes viral, her following grows overnight. Invitations, interviews, and opportunities flood in. For the first time, Mira feels fully seen.
But as her audience expands, something begins to shift.
Strangers repeat her words back to her with uncanny familiarity. Clients reference phrases she doesn’t remember saying. Old videos appear online with subtle changes. The version of herself her audience consumes begins to feel more stable than the woman behind it.
As admiration turns unsettling, Mira must confront a terrifying possibility: that she is no longer shaping her identity — her audience is.
Why This Story Now?
We live in an era of constant visibility.
Advice becomes content. Vulnerability becomes branding. Identity becomes negotiable.
SEEN explores the psychological cost of influence in a hyper-visible world. It asks:
What happens when you are consumed by the people who claim to see you?
Who owns your identity once it becomes public?
How do you stay intact when projection becomes currency?
Tone & Style
SEEN is a slow-burn, A24-style psychological thriller.
The horror is subtle and intimate.
It lives in repetition, silence, and the discomfort of being mirrored too precisely.
Visually, the film will lean into:
Controlled framing
Quiet interiors
Gradual tonal shifts
Minimal score
Psychological tension over spectacle
This is character-driven suspense: restrained, elegant, and unsettling.
Why Support This Project?
We are raising funds to develop SEEN into a feature-ready package, including:
- A proof-of-concept scene
- A visual mood reel
- Casting and location for teaser production
- Professional pitch deck materials
- Early development costs
Your support helps bring this story into its next phase — from concept to tangible cinematic vision.
By backing SEEN, you are supporting a multidimensional AAPI lead in a genre that rarely centers women like her — complex, controlled, and quietly unraveling.
The Vision
SEEN is a thriller about projection and performance, but it is also about survival in a world that rewards composure.
It asks what happens when the self you perform becomes the only self the world allows you to be.
And what it costs to reclaim your voice once it has been consumed.
Wishlist
Use the WishList to Pledge cash and Loan items - or - Make a pledge by selecting an Incentive directly.
Camera & Sound
Costs $800
Supports camera and sound gear to achieve the visual tone and audio quality that bring SEEN to life.
Production Design / Props
Costs $500
Supports production design and props to create the visual world of SEEN and make each scene feel intentional and real.
Editing & Post-Production
Costs $500
Covers editing and post-production to shape the story, refine pacing, and bring SEEN together with clarity and emotional impact.
Festival Submissions
Costs $200
Covers festival submission fees to help SEEN reach audiences, build momentum, and find the right home after completion.
Direct link:
Share this update!
About This Team
Gina Chin-Davis – Writer / Director
Gina Chin-Davis is a filmmaker and psychologist based in California. Her work explores identity, performance, and psychological tension through character-driven storytelling. With a background in mental health and narrative development, she is drawn to stories that examine the negotiation of self under pressure.
Kyle Lim – Producer
Kyle Lim is a filmmaker and creative collaborator who has worked with Gina on previous film projects. His experience in production and development supports SEEN’s transition from concept to proof-of-concept and feature packaging.
Nina G – Producer
Nina G is a producer with experience in independent film production and development. She brings logistical expertise and creative insight to SEEN’s development process.