The New York Noise
New York City, New York | Film Feature
Thriller, Film-Noir
The New York Noise explores a thrilling chaotic neo-noir world. It tackles the bystander effect, apathy, and isolation, using horror to reflect on our disconnection. By supporting this film, you’re backing a story that entertains and challenges, urging us to confront the unseen forces around us.
The New York Noise
New York City, New York | Film Feature
Thriller, Film-Noir
1 Campaigns | New York, United States
Green Light
This campaign raised $14,151 for production. Follow the filmmaker to receive future updates on this project.
61 supporters | followers
Enter the amount you would like to pledge
The New York Noise explores a thrilling chaotic neo-noir world. It tackles the bystander effect, apathy, and isolation, using horror to reflect on our disconnection. By supporting this film, you’re backing a story that entertains and challenges, urging us to confront the unseen forces around us.
About The Project
- The Story
- Wishlist
- Updates
- The Team
- Community
Mission Statement
The Story
What's All The Noise About?
When a young man moves to NYC and his best friend disappears, he is pulled into a mystery that reveals a terrifying anomaly preying upon the city.
What if the only way to stop a monster was to follow the same path that led your best friend to disappear without a trace? And what if this mystery was hidden in the endless labyrinth of New York City?
The New York Noise began as a mysterious monster movie—an exploration of the bystander effect. New Yorkers are used to hearing screams in the night, seeing people in distress, yet the sheer scale of the city often leads us to look the other way. It’s not apathy, but survival; we’re conditioned to block out the noise, to protect our mental and emotional space. But what if that noise, that ignored trauma, took on a life of its own?
Rudy Martin, a quiet freshman photography student from Ohio, arrives in New York City looking for a fresh start. He quickly bonds with Ben, a reckless classmate who drags him into the city’s forgotten corners for their photography assignments. Rudy’s haunted past keeps him at arm’s length, marked by the loss of his younger brother. One night, the pair stumble upon a lost phone with a disturbing video of an other-worldly creature hidden in plain sight. Ben becomes obsessed, discovering the creature is called the "New York Noise Anomaly" (NYNA), a sinister presence woven into the fabric of the city’s soundscape.
The NYNA, or the "New York Noise Anomaly," is a creature that exists within the city’s soundscape, quietly feeding on those who are caught in its trance. The more they tune out the chaos around them, the more they are drawn into its grip, a force that works in silence and subtly devours willpower. As the film evolved, it became about more than just a monster—it became about the cosmic indifference that looms over us all. The creature is a physical manifestation of that apathy and passivity, a force too large and incomprehensible to fully grasp, much like the institutions and systems we struggle to survive within every day.
When Ben vanishes without a trace, Rudy is left adrift, drowning in grief and questions about his art, his purpose, and the city that seems indifferent to his pain. His only tether is Opal, a talented classmate invested in campus protests, but Rudy is unwilling to join her as his isolation spirals deeper. In a group grief session, he meets Seymour, an older man who claims the NYNA took his daughter. He warns Rudy the creature enthralls its victims, trapping them in a defensive trance, but Rudy, still scarred by loss, chooses to shut it all out.
Rudy must confront this cosmic force—not just the monster, but the larger system that turns the people of New York into passive observers in their own lives. The New York Noise is ultimately about how individuals and artists face down the forces of isolation, suffering, and systemic neglect, and whether it’s even possible to escape them. It's my personal reckoning with how we live in an indifferent world—and how we find meaning in the noise.
The Noisemaker
My name is James Abrams and I'm a born and raised NYC filmmaker.
I've had a strange life as a New Yorker.
I have experienced beautiful community and heart-wrenching suffering. I have always praised New York City’s ability to adapt and accept the chaos as a ring for the whole world to pass through. This city has always had my back, but I'd be lying if I said it always felt like a friend.
I've worked in the film industry for over ten years. As a freelancer, I've largely worked in the props department on exciting action and horror films like Gasoline Alley (2022), Rare Objects (2022), and Bloody Axe Wound (2024). As a freelance writer and producer I've made several short films and music videos for independent artists. My most recent short film, A Tiger in the Subway, won several awards including Best Noir, Thriller, Horror, Actor, and Original Story across various festivals including The Big Apple Film Festival, Roosevelt Island Film Festival, WILDsound Festival, and Chain Film Festival.
So, Why Now?
It goes without saying that we live in strange times. It also feels as if we've been saying so for awhile. Today's international political atmosphere imbues us all with a deep anxiety. I have always believed that New York City is on the front lines of humanity's social war, after all, how do we all live together? As such, the fear of the unknown in The New York Noise is a very deliberate response to this global insecurity. 'Young ambition versus an uncaring city' holds the benefit of being a deeply personal story, but only until you realize what factors make this city so uncaring. I and many of my colleagues recognize how hard it is living in the city. This struggle has always felt worth it, because of how rewarding this unique community can be. There aren't often straightforward answers to human issues like these, but Rudy's mission to find closure is a story I know we all need to hear right now.
What truly sets The New York Noise apart is the incredible team behind it. I’ve had the privilege of collaborating with Producer Jeremy Cohen, Director of Photography Tony Coons, and Composer Garret Reynolds in the past, but never on a project of this scale. Since meeting Jeremy at the Adirondack Film Festival in 2019, I knew we’d make a great team. His drive is unmatched, and he’s always been someone who thrives under pressure, solving problems and juggling multiple roles with unmatched passion. As an actor, Jeremy brings a grounded, intelligent presence to every performance, and I’m honored to bring his interpretation of this character to life. Garret Reynolds, our composer, and Cinematographer Tony Coon share in the excitement of tackling this unique project. Their creativity and passion for pushing technical boundaries make working with them a true privilege.
Without their commitment and vision, The New York Noise wouldn’t be the project it is today.
Behind the scenes 2024 (from left to right): Jeremy Cohen, Tony Coon, & James Abrams
Together, we’ve crafted a story about confronting the unseen forces that govern our lives. Without this team, The New York Noise could just be another thriller, but with their vision and dedication, it’s a film that asks profound questions about existence, connection, and how we choose to confront—or ignore—the forces beyond our control.
Why We Need Your Support!
Since we are planning on utilize Block Shooting, our financial needs are a little different from a traditional indie film. As you can see from our Wishlist, we are planning production for some of our winter exteriors, while also trying to set a foothold for our remaining blocks. The goal is to ensure a foundation for us to hit the ground running, both for production of this upcoming block as well as jumping into pre-production for the remainder of the film!
The Block Schedule:
The Winter Block of our feature is a collection of four days where we knock out our key exterior New York locations. We've got an amazing collection of iconic New York landmarks and spaces to cover, but need to complete photography before things start to get warm again! After we get our immediate four days of winter exteriors, we will jump into the final block of exteriors - The Spring Block!
The spring block is the last three days of exteriors we need to cover before it gets too hot. These locations include the subway and some city rooftops that we can cheat around the weather with.
With these two blocks completed all that will remain are our interiors - ten days (several of which are half days and location dependent) of intense scene work including some of our most intimate character moments and even the film's climax! We can't wait to keep all of you updated on our progress as we shoot through this film - and it all starts with the winter and spring blocks!
Our Stretch Goals
We have a clear plan for the funds we are hoping to raise through this campaign, but our work doesn't stop there! While we fund and schedule our set of exterior shooting blocks, which this campaign is directly targeting, we are also planning for our eventual shooting blocks later this year. We will have Ten Interior Shooting Days after our upcoming exterior shooting blocks. Our hope is to raise beyond the goal set in this campaign, all of which will go directly to the exciting final leg of principle photography!
Here's a rough breakdown of some additional expenses where any excess funds from this campaign will be allocated:
For Our 10 Interior Shoot Days
- Meals and Crafty - $3500 : Keeping our team well fed and happy!
- Locations - $2400 : Overhead to cover potential costs for our climax sequence in a tunnel resembling the subway tunnels in NYC, some multipurpose space rentals that we can set dec to be specific scene locations, and our slight cost through a connection to shoot a party sequence at Brooklyn's very own House of Yes!
- Equipment Rentals and Kit Fees - $2000 : The final set of costs for the limited equipment we will need to bring our locations to life!
- Art Department - $600 : The set dressing expenses we anticipate for a police precinct lobby as well as our most exciting indoor shoot day - Seymour's apartment!
- Travel - $500 : Making sure our camera team can get themselves and their gear to NYC!
The Next Steps We Ask From Our Amazing Community
Follow us on Instagram: @thenewyorknoise
Join our Campaign however you can: We hope you will consider contributing whatever amount you are able to help bring this story to life, and make sure to take advantage of our exciting incentive tiers! If you can't spare any $$, we totally understand, but please consider helping us out in other ways...
Such as:
You can help us spread the word via social media - every share has the potential to exponentially help us reach our goal! Feel free to copy and paste one of these messages to share with your networks, and thank you in advance!
"Help James Abrams (@caramel_hippo_studios) and his team support his first original feature film The New York Noise. It's a gritty New York noir all about surviving as a young artist in an uncaring and apathetic city. Don't be a bystander and join the fight against the noise by checking out their Seed and Spark: https://seedandspark.com/fund/the-new-york-noise"
or
"Are you able to support a scrappy indie feature film using the thriller genre to grapple with the bystander effect in a chaotic neo-noir setting? Check out @caramel_hippo_studios' and @jeremy_street's new film, The New York Noise, on Seed and Spark to join their campaign. Community is the only way to cut through the #noise!
https://seedandspark.com/fund/the-new-york-noise"
Thank you!
Wishlist
Use the WishList to Pledge cash and Loan items - or - Make a pledge by selecting an Incentive directly.
Zoom Lens
Costs $500
A key tool in our film style is an extremely long zoom lens; a specific part of feeling like a mouse in a maze.
Cafe Location
Costs $500
A key interior location we're seeking for the film.
Corporate Office
Costs $800
An additional key location in our film!
Cash Pledge
Costs $0
Equipment Kit Fees - Spring Block
Costs $800
The kit fee costs from our team for our spring block!
Craft Services - Spring Block
Costs $800
Feeding our team with snacks, coffee, and meals!
Crew - Spring Block
Costs $2,000
Paying our amazing talented team of below the line technicians!
Cast - Spring Block
Costs $1,000
Paying our actors in accordance with SAG-AFTRA's ULB rates.
Cast - Winter Block
Costs $1,000
Paying our actors in accordance with SAG-AFTRA's ULB rates.
Crew - Winter Block
Costs $4,000
Paying our amazing talented team of below the line technicians!
Equipment Kit Fees - Winter Block
Costs $1,500
Paying for crew kit fees and additional equipment.
Art Department
Costs $900
Paying for general art department and set decoration costs!
Craft Services - Winter Block
Costs $1,200
Feeding our team - snacks, coffee and meals !
Additional Costs
Costs $1,000
Printer costs, gas expenses, and data management!
Share this update!
About This Team
New York filmmakers Abrams and Cohen first met at the Adirondack Film Festival in 2019 and would continue to meet for coffee, exchange and workshop scripts, and collaborate on many small projects. After several festival screenings of James' most recent short film, A Tiger In the Subway, the time had arrived to bring their collaboration to a larger scale and shortly afterwards, the development of The New York Noise began.
________________________________________________________________________________________________________________
James Abrams graduated from the Rochester Institute of Technology’s School of Film and Animation in 2018 with a concentration in directing and producing and returned to NYC where he produced several music videos for independent artists as well as his own short films and screenplays. His most recent short, A Tiger in the Subway, premiered at the Big Apple Film Festival and received multiple awards from tens of other festivals including Best Actor and Best Thriller. In between his own writing and producing James freelances in the props department as a local 52 member. See James’ previous work here: https://www.caramelhippostudios.com
Jeremy Cohen is an actor, writer, and producer across both film and theater. As an actor, his work has garnered accolades at film festivals across the US including NY Cinefest, LA Independent Shorts Awards, Northeast Film Festival, and the Adirondack Film Festival. As a producer, in addition to working on a number of independent shorts and features for Epic Films, Traverse Media, Nuclear Family Films and Nicely Entertainment, he launched a mixed-media theater company called Open Variations. While producing works for the stage in NYC, he also served as the fiscal sponsor for the feature film, Gazer, which had its world premiere at the Directors’ Fortnight Sidebar of the 2024 Cannes Film Festival where it was promptly acquired by Metrograph Pictures.
For the past ten years, Tony Coon has honed his craft and filled his portfolio with examples of high-end documentary, lifestyle, commercial, and narrative cinematography. His strengths are capturing the power and intensity of the moment. He has diversified to a varied list of film genres and continues to expand his client list. Or simply put, just a pirate with a camera…
You can see Tony’s previous work here: https://tonycoonfilms.com
Powerful, unpretentious support of the story is at the heart of Garret Reynolds’ original music and sound for film, television, and video games. After earning a Masters degree in Contemporary Media Composition and Film Scoring from the Eastman School of Music, Garret moved to Los Angeles where he has composed additional music for projects including Fallout, Westworld, Tom Clancy’s Jack Ryan, Eternals, Uncharted (film), Reminiscence, The Man From Toronto, Metal Lords, Disney Nature’s Elephant, New World, and Gears 5. Garret has composed original scores for over thirty short films, documentaries, animations, and video games. See some of Garret’s previous work: http://garretreynolds.com/music
Current Team
Incentives
- The Story
- Wishlist
- Updates
- The Team
- Community
Mission Statement
The Story
What's All The Noise About?
When a young man moves to NYC and his best friend disappears, he is pulled into a mystery that reveals a terrifying anomaly preying upon the city.
What if the only way to stop a monster was to follow the same path that led your best friend to disappear without a trace? And what if this mystery was hidden in the endless labyrinth of New York City?
The New York Noise began as a mysterious monster movie—an exploration of the bystander effect. New Yorkers are used to hearing screams in the night, seeing people in distress, yet the sheer scale of the city often leads us to look the other way. It’s not apathy, but survival; we’re conditioned to block out the noise, to protect our mental and emotional space. But what if that noise, that ignored trauma, took on a life of its own?
Rudy Martin, a quiet freshman photography student from Ohio, arrives in New York City looking for a fresh start. He quickly bonds with Ben, a reckless classmate who drags him into the city’s forgotten corners for their photography assignments. Rudy’s haunted past keeps him at arm’s length, marked by the loss of his younger brother. One night, the pair stumble upon a lost phone with a disturbing video of an other-worldly creature hidden in plain sight. Ben becomes obsessed, discovering the creature is called the "New York Noise Anomaly" (NYNA), a sinister presence woven into the fabric of the city’s soundscape.
The NYNA, or the "New York Noise Anomaly," is a creature that exists within the city’s soundscape, quietly feeding on those who are caught in its trance. The more they tune out the chaos around them, the more they are drawn into its grip, a force that works in silence and subtly devours willpower. As the film evolved, it became about more than just a monster—it became about the cosmic indifference that looms over us all. The creature is a physical manifestation of that apathy and passivity, a force too large and incomprehensible to fully grasp, much like the institutions and systems we struggle to survive within every day.
When Ben vanishes without a trace, Rudy is left adrift, drowning in grief and questions about his art, his purpose, and the city that seems indifferent to his pain. His only tether is Opal, a talented classmate invested in campus protests, but Rudy is unwilling to join her as his isolation spirals deeper. In a group grief session, he meets Seymour, an older man who claims the NYNA took his daughter. He warns Rudy the creature enthralls its victims, trapping them in a defensive trance, but Rudy, still scarred by loss, chooses to shut it all out.
Rudy must confront this cosmic force—not just the monster, but the larger system that turns the people of New York into passive observers in their own lives. The New York Noise is ultimately about how individuals and artists face down the forces of isolation, suffering, and systemic neglect, and whether it’s even possible to escape them. It's my personal reckoning with how we live in an indifferent world—and how we find meaning in the noise.
The Noisemaker
My name is James Abrams and I'm a born and raised NYC filmmaker.
I've had a strange life as a New Yorker.
I have experienced beautiful community and heart-wrenching suffering. I have always praised New York City’s ability to adapt and accept the chaos as a ring for the whole world to pass through. This city has always had my back, but I'd be lying if I said it always felt like a friend.
I've worked in the film industry for over ten years. As a freelancer, I've largely worked in the props department on exciting action and horror films like Gasoline Alley (2022), Rare Objects (2022), and Bloody Axe Wound (2024). As a freelance writer and producer I've made several short films and music videos for independent artists. My most recent short film, A Tiger in the Subway, won several awards including Best Noir, Thriller, Horror, Actor, and Original Story across various festivals including The Big Apple Film Festival, Roosevelt Island Film Festival, WILDsound Festival, and Chain Film Festival.
So, Why Now?
It goes without saying that we live in strange times. It also feels as if we've been saying so for awhile. Today's international political atmosphere imbues us all with a deep anxiety. I have always believed that New York City is on the front lines of humanity's social war, after all, how do we all live together? As such, the fear of the unknown in The New York Noise is a very deliberate response to this global insecurity. 'Young ambition versus an uncaring city' holds the benefit of being a deeply personal story, but only until you realize what factors make this city so uncaring. I and many of my colleagues recognize how hard it is living in the city. This struggle has always felt worth it, because of how rewarding this unique community can be. There aren't often straightforward answers to human issues like these, but Rudy's mission to find closure is a story I know we all need to hear right now.
What truly sets The New York Noise apart is the incredible team behind it. I’ve had the privilege of collaborating with Producer Jeremy Cohen, Director of Photography Tony Coons, and Composer Garret Reynolds in the past, but never on a project of this scale. Since meeting Jeremy at the Adirondack Film Festival in 2019, I knew we’d make a great team. His drive is unmatched, and he’s always been someone who thrives under pressure, solving problems and juggling multiple roles with unmatched passion. As an actor, Jeremy brings a grounded, intelligent presence to every performance, and I’m honored to bring his interpretation of this character to life. Garret Reynolds, our composer, and Cinematographer Tony Coon share in the excitement of tackling this unique project. Their creativity and passion for pushing technical boundaries make working with them a true privilege.
Without their commitment and vision, The New York Noise wouldn’t be the project it is today.
Behind the scenes 2024 (from left to right): Jeremy Cohen, Tony Coon, & James Abrams
Together, we’ve crafted a story about confronting the unseen forces that govern our lives. Without this team, The New York Noise could just be another thriller, but with their vision and dedication, it’s a film that asks profound questions about existence, connection, and how we choose to confront—or ignore—the forces beyond our control.
Why We Need Your Support!
Since we are planning on utilize Block Shooting, our financial needs are a little different from a traditional indie film. As you can see from our Wishlist, we are planning production for some of our winter exteriors, while also trying to set a foothold for our remaining blocks. The goal is to ensure a foundation for us to hit the ground running, both for production of this upcoming block as well as jumping into pre-production for the remainder of the film!
The Block Schedule:
The Winter Block of our feature is a collection of four days where we knock out our key exterior New York locations. We've got an amazing collection of iconic New York landmarks and spaces to cover, but need to complete photography before things start to get warm again! After we get our immediate four days of winter exteriors, we will jump into the final block of exteriors - The Spring Block!
The spring block is the last three days of exteriors we need to cover before it gets too hot. These locations include the subway and some city rooftops that we can cheat around the weather with.
With these two blocks completed all that will remain are our interiors - ten days (several of which are half days and location dependent) of intense scene work including some of our most intimate character moments and even the film's climax! We can't wait to keep all of you updated on our progress as we shoot through this film - and it all starts with the winter and spring blocks!
Our Stretch Goals
We have a clear plan for the funds we are hoping to raise through this campaign, but our work doesn't stop there! While we fund and schedule our set of exterior shooting blocks, which this campaign is directly targeting, we are also planning for our eventual shooting blocks later this year. We will have Ten Interior Shooting Days after our upcoming exterior shooting blocks. Our hope is to raise beyond the goal set in this campaign, all of which will go directly to the exciting final leg of principle photography!
Here's a rough breakdown of some additional expenses where any excess funds from this campaign will be allocated:
For Our 10 Interior Shoot Days
- Meals and Crafty - $3500 : Keeping our team well fed and happy!
- Locations - $2400 : Overhead to cover potential costs for our climax sequence in a tunnel resembling the subway tunnels in NYC, some multipurpose space rentals that we can set dec to be specific scene locations, and our slight cost through a connection to shoot a party sequence at Brooklyn's very own House of Yes!
- Equipment Rentals and Kit Fees - $2000 : The final set of costs for the limited equipment we will need to bring our locations to life!
- Art Department - $600 : The set dressing expenses we anticipate for a police precinct lobby as well as our most exciting indoor shoot day - Seymour's apartment!
- Travel - $500 : Making sure our camera team can get themselves and their gear to NYC!
The Next Steps We Ask From Our Amazing Community
Follow us on Instagram: @thenewyorknoise
Join our Campaign however you can: We hope you will consider contributing whatever amount you are able to help bring this story to life, and make sure to take advantage of our exciting incentive tiers! If you can't spare any $$, we totally understand, but please consider helping us out in other ways...
Such as:
You can help us spread the word via social media - every share has the potential to exponentially help us reach our goal! Feel free to copy and paste one of these messages to share with your networks, and thank you in advance!
"Help James Abrams (@caramel_hippo_studios) and his team support his first original feature film The New York Noise. It's a gritty New York noir all about surviving as a young artist in an uncaring and apathetic city. Don't be a bystander and join the fight against the noise by checking out their Seed and Spark: https://seedandspark.com/fund/the-new-york-noise"
or
"Are you able to support a scrappy indie feature film using the thriller genre to grapple with the bystander effect in a chaotic neo-noir setting? Check out @caramel_hippo_studios' and @jeremy_street's new film, The New York Noise, on Seed and Spark to join their campaign. Community is the only way to cut through the #noise!
https://seedandspark.com/fund/the-new-york-noise"
Thank you!
Wishlist
Use the WishList to Pledge cash and Loan items - or - Make a pledge by selecting an Incentive directly.
Zoom Lens
Costs $500
A key tool in our film style is an extremely long zoom lens; a specific part of feeling like a mouse in a maze.
Cafe Location
Costs $500
A key interior location we're seeking for the film.
Corporate Office
Costs $800
An additional key location in our film!
Cash Pledge
Costs $0
Equipment Kit Fees - Spring Block
Costs $800
The kit fee costs from our team for our spring block!
Craft Services - Spring Block
Costs $800
Feeding our team with snacks, coffee, and meals!
Crew - Spring Block
Costs $2,000
Paying our amazing talented team of below the line technicians!
Cast - Spring Block
Costs $1,000
Paying our actors in accordance with SAG-AFTRA's ULB rates.
Cast - Winter Block
Costs $1,000
Paying our actors in accordance with SAG-AFTRA's ULB rates.
Crew - Winter Block
Costs $4,000
Paying our amazing talented team of below the line technicians!
Equipment Kit Fees - Winter Block
Costs $1,500
Paying for crew kit fees and additional equipment.
Art Department
Costs $900
Paying for general art department and set decoration costs!
Craft Services - Winter Block
Costs $1,200
Feeding our team - snacks, coffee and meals !
Additional Costs
Costs $1,000
Printer costs, gas expenses, and data management!
Share this update!
About This Team
New York filmmakers Abrams and Cohen first met at the Adirondack Film Festival in 2019 and would continue to meet for coffee, exchange and workshop scripts, and collaborate on many small projects. After several festival screenings of James' most recent short film, A Tiger In the Subway, the time had arrived to bring their collaboration to a larger scale and shortly afterwards, the development of The New York Noise began.
________________________________________________________________________________________________________________
James Abrams graduated from the Rochester Institute of Technology’s School of Film and Animation in 2018 with a concentration in directing and producing and returned to NYC where he produced several music videos for independent artists as well as his own short films and screenplays. His most recent short, A Tiger in the Subway, premiered at the Big Apple Film Festival and received multiple awards from tens of other festivals including Best Actor and Best Thriller. In between his own writing and producing James freelances in the props department as a local 52 member. See James’ previous work here: https://www.caramelhippostudios.com
Jeremy Cohen is an actor, writer, and producer across both film and theater. As an actor, his work has garnered accolades at film festivals across the US including NY Cinefest, LA Independent Shorts Awards, Northeast Film Festival, and the Adirondack Film Festival. As a producer, in addition to working on a number of independent shorts and features for Epic Films, Traverse Media, Nuclear Family Films and Nicely Entertainment, he launched a mixed-media theater company called Open Variations. While producing works for the stage in NYC, he also served as the fiscal sponsor for the feature film, Gazer, which had its world premiere at the Directors’ Fortnight Sidebar of the 2024 Cannes Film Festival where it was promptly acquired by Metrograph Pictures.
For the past ten years, Tony Coon has honed his craft and filled his portfolio with examples of high-end documentary, lifestyle, commercial, and narrative cinematography. His strengths are capturing the power and intensity of the moment. He has diversified to a varied list of film genres and continues to expand his client list. Or simply put, just a pirate with a camera…
You can see Tony’s previous work here: https://tonycoonfilms.com
Powerful, unpretentious support of the story is at the heart of Garret Reynolds’ original music and sound for film, television, and video games. After earning a Masters degree in Contemporary Media Composition and Film Scoring from the Eastman School of Music, Garret moved to Los Angeles where he has composed additional music for projects including Fallout, Westworld, Tom Clancy’s Jack Ryan, Eternals, Uncharted (film), Reminiscence, The Man From Toronto, Metal Lords, Disney Nature’s Elephant, New World, and Gears 5. Garret has composed original scores for over thirty short films, documentaries, animations, and video games. See some of Garret’s previous work: http://garretreynolds.com/music