Umma's Cut

Los Angeles, California | Film Short

Documentary, Family

Kaylee Kim

1 Campaigns | California, United States

09 days :06 hrs :03 mins

Until Deadline

57 supporters | followers

Enter the amount you would like to pledge

$
%

$2,865

Goal: $2,500 for production

Umma’s Cut is a tender exploration of what unfolds when someone finally gets to find their passion. Stories of middle-aged women–especially Asian American women–taking the leap into creative fields are rarely told. We want to give this story the best runway to reach the people who need it most.

Participating In

About The Project

  • The Story
  • Wishlist
  • Updates
  • The Team
  • Community

Mission Statement

For many women, your 50s are when doors close. For my mom, her 50s will be her second coming of age. Umma’s Cut is a reminder that creativity knows no bounds. For me, it’s an act of honoring my mom: recognizing the sacrifices she’s made, while celebrating her courage to begin again.

The Story


It all started with a simple request from a mother to her daughter: “Will you teach me how to edit?”


Umma’s Cut is a short documentary that follows Saehee Yoon, a spirited Korean immigrant woman in her 50s, as she embarks on her first creative journey in film editing.


In her earlier life, she followed the path expected of her—focusing on education, marriage, and family. Later, after divorce, she worked in corporate roles while raising her two daughters as a single parent. She was always the one encouraging them to explore their passions, even as her own creativity remained largely unexpressed. Now, decades later, she has asked me, her filmmaker daughter, to guide her through editing for the first time.


Instead of standing only behind her children’s aspirations, Saehee begins to step into her own creativity, revealing new dimensions of who she is and giving voice to parts of herself that have long gone unseen.


Umma’s Cut is a tender portrait of creativity arriving late in life and of a mother-daughter bond reshaped through filmmaking. 




When my mom first asked me to teach her how to edit, I laughed it off. It felt like one of those random mom requests, sweet but not something I thought would last. But the more I thought about it, the more it stayed with me. Why did she want to learn editing now, in her fifties? What was she hoping to say?


My mom has always been my first audience. Whenever I start a new project, I call her. She gets excited. She listens. She tells me I’m lucky to do what I love, and sometimes she even pitches her own creative ideas. I started to wonder if part of her wished she had been given the same chance.


This film is an attempt to slow down and ask those questions. I am not trying to interview her. I am trying to see her. The editing lessons are only the surface. Beneath them is a deeper story about creativity, motherhood, aging, and what it means to keep exploring these things.

In making Umma’s Cut, I am not just helping my mom learn how to tell a story. I am helping her tell her own.




At its core, Umma’s Cut is about more than a woman in her 50s learning to edit; it’s about what unfolds when someone who never had the chance to pursue a creative path finally takes the leap. It’s a story of motherhood, aging, sacrifice, and the courage to embrace creativity later in life. It’s an intimate portrait of my mom and all the life that is still ahead of her.


The story will unfold through experiences that draw out her creative spirit and long-hidden dreams. A family camping trip, one of her greatest joys, will serve as a setting for her to take the camera into her own hands and begin expressing herself. My sister’s perspective as a daughter will offer insight into my mom’s sacrifices, ambitions, and the possibility of pursuing dreams later in life. My grandmother will bring in a generational layer, revisiting the creative side of my mom that was never fully realized or maybe never existed growing up. Interwoven with these moments will be my mom’s own “confessionals,” recorded during her editing process, where she reflects on what she is learning and what it reveals about herself. Together, these perspectives shape a portrait of a woman not only supporting others but finally uncovering her own voice.


By grounding the film in the everyday rhythms of our family, I hope to preserve not only my mom’s voice but also her humor and imagination. I want the film to feel like stepping into our home, shaped by the best-friend-like bond we share.


Stylistically, I am drawn to films that feel observational, where meaning comes through in small everyday moments. I want this to feel like being in the room with us: imperfect, layered, and real.




The purpose of this campaign is to support the post production and distribution of our film. We want to give this story the best runway it can to reach the people who may need it the most. Your donations will allow us to get this film to the finish line and in front of the right audiences at festivals, community screenings, and beyond. This story is one that will live and die by the community that builds around it. It’s not flashy- nor do we want it to be. We believe that the intimacy of our film allows for it to be more universal. By supporting our film, you give us the opportunity to let the world see Umma shine.




This film is deeply personal to me, but I believe its impact extends far beyond my family. Stories of middle-aged women, and especially Asian American women, stepping into creative pursuits are rarely told. Too often, women of my mom’s generation put their own passions aside in service of family, work, and survival. To see someone like her, a Korean immigrant woman in her fifties, take up something as daunting and technical as editing is profoundly moving. In an era where we’ve seen an increase of attacks on and ostracization of elder asian communities, it’s imperative that we showcase their real lives and ambitions to set the narrative straight.


Umma’s Cut is a reminder that creativity isn’t bound by age, gender, or background. It challenges the idea that it’s “too late” to begin, and it affirms that the spark of curiosity and joy can be reignited at any stage of life. For me, it’s also an act of honoring my mother: recognizing the sacrifices she’s made, while celebrating her courage to try something new for herself. By sharing this story, I hope audiences see not only her journey, but also reflections of their own—proof that anyone, at any point, can choose to begin again.


Wishlist

Use the WishList to Pledge cash and Loan items - or - Make a pledge by selecting an Incentive directly.

Publicity

Costs $500

With your support, we will be able to submit to festivals and host screenings to reach audiences around the world.

Composer

Costs $1,000

With your support, we will be able to create a custom score to capture the emotion and spirit of my mom's story.

Sound Mix

Costs $1,000

With your support, we will bring on a sound mixer to enhance the ambience and natural conversations that shape the film.

Cash Pledge

Costs $0

About This Team


Kaylee Kim (Director/Editor) is a Korean-American filmmaker and editor born and raised in Los Angeles. As a graduate from Chapman University’s Dodge College of Film and Media Arts, she is dedicated to shaping raw footage into powerful, character-driven narratives. Bringing a cinematic eye and a human-centered approach to every project, her work spans short and feature-length documentaries, including Black Outside, which premiered on Prime Video and Apple TV and reached audiences worldwide. She has also collaborated with brands like Patagonia, Spotify, and Hyundai, crafting visually rich, emotionally grounded films. Most recently, By Walking, a documentary she edited, screened at the Nashville Film Festival, reflecting her continued dedication to impactful storytelling. As a documentary editor, Kaylee values collaboration and the balance between structure and discovery in the edit, pursuing projects that amplify underrepresented voices and reveal humanity in everyday moments.



Kaylen Ng (Producer) is a Singaporean-American producer and filmmaker from Southern California, with a BFA in Creative Producing from Chapman University. She was a 2022 Coca-Cola Refreshing Films finalist, a 2023 Television Academy Foundation Star Trek Command Training Program fellow, a 2024 Deutsche Bank Frieze Los Angeles Film Award fellow (Grand Jury Prize winner), and a featured filmmaker in Season 3 of Red Bull’s Establishing Shot. With roles in development and production across companies such as FilmNation Entertainment, Proximity Media, and Starz, she most recently served as a Jr. Creative Exec at Justin Simien’s Culture Machine. Kaylen’s interests lie in pulling intelligent narratives out of unexpected sectors while highlighting the experience of underrepresented communities.



Nidhi Kumar (DP) is a South Asian filmmaker from Southern California with a BFA in Film Production from Chapman University. Her film A Piece of Myself won Best Documentary at the 24th PBS KCET Fine Cut Festival of Films. Her most recent project Stay Out of the Sun was a documentary about colorism within POC communities that was a Jury Nominee for Best Documentary at the 2025 Nation Film Festival for Talented Youth and won Best Documentary at the 26th PBS KCET Fine Cut Festival of Films. Nidhi’s stories intend to give a voice to communities that are often overlooked. She currently works as an editor at a creative marketing agency.

Current Team

Supporters

Followers

Incentives