Windswept
Los Angeles, California | Film Feature
Documentary, Teen
WINDSWEPT is a coming-of-age documentary film about growing up after your world burns down. We follow four teens from different communities who were displaced by LA's wildfires in January 2025, as they cope with extraordinary loss, all while navigating the ordinary challenges of adolescence.
Windswept
Los Angeles, California | Film Feature
Documentary, Teen
44 supporters | followers
Enter the amount you would like to pledge
$6,610
Goal: $8,000 for post-production
WINDSWEPT is a coming-of-age documentary film about growing up after your world burns down. We follow four teens from different communities who were displaced by LA's wildfires in January 2025, as they cope with extraordinary loss, all while navigating the ordinary challenges of adolescence.
- The Story
- Wishlist
- Updates
- The Team
- Community
Mission Statement
The Story
When your world burns down, how do you grow up?
WINDSWEPT is a documentary feature in which the kids are our teachers. Through the journeys of four young people from a cross-section of LA, who were each displaced by 2025 wildfires, the film explores how individuals and communities rebuild, how identity is influenced, and how issues like class, housing, education, and the environment shape the future.
While each of our teen protagonist’s pitfalls and triumphs may be unique, the lessons they learn are universal. In a time of increasingly intense and frequent natural — and man-made — disasters, the need to share their stories is urgent.

Tens of thousands of Angelenos — including the four featured teens in this film — are living in limbo. They remain displaced in a world where attention has moved on to numerous new crises: wars, economic instability, and democratic decline. Just in Los Angeles, masked immigration agents are snatching people off the streets, and the national guard has been deployed against the governor’s wishes. Another extreme wildfire season is forecast as the federal government cuts forest management and plans to abolish FEMA, the country’s top emergency management agency. Can kids envision a future in these circumstances? Can they create one?
WINDSWEPT will provide a poignant, character-driven look into how crisis affects different families, the tension between lived experience and what shows up in the headlines, and ultimately, a roadmap for resilience in the face of adversity. Our hope is that the individual stories about these kids' journeys illuminate the collective humanity — and resilience — that can emerge in a time of frequent crisis.
Given the state of the world, many disasters will happen between now and the completion of WINDSWEPT. (In fact, it would take too much space to list all the tragedies that happened while we were simply preparing this document.) This will be a timely film this year — and the following year, and the next one, and the year after that.
ABOUT US
This project is a labor of love, made possible by dedicated filmmaking pros, and co-directed by Elise Hu and Rufus Lusk, who have been collaborators since 2019.
From Elise: I have spent my career in non-fiction storytelling as a broadcast journalist and international correspondent. As an Asian American whose identity is shaped by living across two cultures, I view journalism as an act of love — trying to bridge different worlds and share what I find with others to deepen understanding of one another. This deeper, longer-form exploration of the youth perspective, through documentary, is an extension of that impulse. Success looks like finishing this film and ensuring it reaches other folks who are wondering (and maybe feeling collective guilt) about what we’re leaving behind for our kids. I believe all of us can learn from each other, and the kids have a lot to teach us.
From Rufus: In 15 years of working in production, I have entered communities I never would have, talked with people remarkably different from myself, and explored ideas far from my natural comfort zone. In a time of cultural fragmentation, this has been a special gift. Prior to this project, I had been exploring ways to tell complex stories about energy, ecology and flawed environmental policy centered around New York City. But after test shoots, it was clear my approach relied too heavily on expert testimonies. I needed an emotional way in. Then, Elise called.
On a shoot in Altadena, on Christmas Tree Lane, when it returned nearly a year after the fires.
THE TIMELINE
We are nearly finished filming with the four protagonists in the film. The youngest is in 7th grade, the oldest is about to start her senior year of high school. This campaign and your support makes possible the completion of our post-production on the film, after a year that's absolutely upended their lives — all four were displaced by fires that changed the trajectory of their lives, and their understanding of themselves.
We've shot most of the film before the one-year anniversary of the files. Then we staffed up to begin post-production — the work of turning all the gathered footage into a coherent narrative film. This campaign and your support gets us to the finish line of filming, namely, the archival work of combing through the hours and hours of footage captured by news cameras, photography crews and on social media, which will tell the story of the cataclysm. Our stretch goal is $15,000, because if we surpass our goal for this campaign, we will have the ability to staff for marketing and festivals, which will be vital to get this film to the widest audience possible.
We expect a rough cut of WINDSWEPT will be finished by fall 2026.
But it can't happen without your support. If you believe in this project, and our team, please smash that contribution button, and share it with your friends and family.
Wishlist
Use the WishList to Pledge cash and Loan items - or - Make a pledge by selecting an Incentive directly.
Archival Producer
Costs $3,200
Archival producers find, curate, and get the rights for all the news footage or old media that will enhance the final film.
Festival Submissions
Costs $800
Help fund the cost of submission fees to all the festivals we hope WINDSWEPT will screen at, to find audiences all over the world.
Final Shoot Days
Costs $4,000
Support the final days of filming with the teens before we fully wrap production.
About This Team

Rufus Lusk (Co-Director/EP): An Emmy-winning producer and director specializing in nonfiction television. He co-created and wrote the series Liquid Science (Netflix/Red Bull TV), starring GZA of the Wu-Tang Clan, which blended the iconography of hip-hop with cutting-edge scientific exploration. A creator, executive producer and director of Shade: Queens of NY, an innovative hybrid of music videos and documentary vérité that explored the complex lives of New York’s drag queens. Rufus also served as Executive Producer of Black Women Own the Conversation, earning his first Emmy for the groundbreaking series. Rufus is a co-founder of Cowboy Bear Ninja, a social-impact driven commercial and entertainment production company whose latest film credit was Hummingbirds (producer Miguel Drake-McLaughlin) in which bordertown besties make magic of one last summer together. That film won the Grand Prix in its category at the 2023 Berlinale, and was an Independent Spirit Best Documentary Award nominee.
Elise Hu (Co-Director/EP): A multiple-award winning journalist, author and writer based in Los Angeles. A former correspondent for VICE News on HBO and a longtime NPR international correspondent, she has reported inside the communities most affected by political upheaval and disasters from more than a dozen countries around the world. In 2015, she opened NPR’s first-ever Seoul bureau, responsible for coverage of both Koreas and Japan. A University of Missouri-Columbia School of Journalism alum, Elise’s work has won the national Edward R. Murrow for video, duPont Columbia and Gracie awards, among others.
Executive Producers:
Michael Melamedoff is a partner and head of development at Cowboy Bear Ninja. He directed and produced the acclaimed documentary, The Problem with Apu and won an Emmy-award for Black Women OWN The Conversation, from The Oprah Winfrey Network.
Miguel Drake-McLaughlin is a partner at Cowboy Bear Ninja. He was most recently the producer, cinematographer and co-director of Hummingbirds which won the Grand Prix in the Generation 14plus section at the 2023 Berlinale and was nominated for Best Documentary in the 2024 Independent Spirit Awards.
Editor:
Victoria Chalk, ACE is a European-Asian film editor with 20 years of post-production experience. Her recent work includes 2 episodes of the Peabody-winning PBS documentary series “Asian Americans” and "Third Act" by Tadashi Nakamura which premiered in competition at Sundance 2025. Victoria is a DOCNY 2020 40 under 40 honoree, the 2019 Karen Schmeer Editing Fellow and runs Across The Cut, an intersectional edit roster, along with 3 fellow editors.
Consulting Producer:
Alysa Nahmias is an award-winning filmmaker and founder of the Los Angeles-based production company Ajna Films. Alysa’s debut feature, Unfinished Spaces, won a 2012 Independent Spirit Award, numerous festival prizes, and is in the permanent collection at the Museum of Modern Art, New York. Alysa recently directed and produced The New Bauhaus (2019), and her producing credits include the Emmy-nominated and Sundance award-winning Unrest (2017), the documentaries What We Left Unfinished (2019), Afternoon of a Faun: Tanaquil LeClercq (2013), and the scripted feature No Light and No Land Anywhere (2016). Alysa’s films have been distributed on platforms such as Netflix, PBS, and HBO, and exhibited at festivals including Sundance, Berlinale, New York Film Festival, SxSW, and the Venice Biennale.
Cinematographers:
Sam Rosenthal: An award-winning cinematographer with deep experience in documentary and commercial content. His footage is seen on VICE, The New York Times, National Geographic, HULU and Netflix. Recent accolades include a Peabody Award for USA Today’s “States of America.”
Additional Cinematography by Sebastian Sokolowski, Zachary Rockwood, Chris Orr, and Ben Bishop
Incentives
- The Story
- Wishlist
- Updates
- The Team
- Community
Mission Statement
The Story
When your world burns down, how do you grow up?
WINDSWEPT is a documentary feature in which the kids are our teachers. Through the journeys of four young people from a cross-section of LA, who were each displaced by 2025 wildfires, the film explores how individuals and communities rebuild, how identity is influenced, and how issues like class, housing, education, and the environment shape the future.
While each of our teen protagonist’s pitfalls and triumphs may be unique, the lessons they learn are universal. In a time of increasingly intense and frequent natural — and man-made — disasters, the need to share their stories is urgent.

Tens of thousands of Angelenos — including the four featured teens in this film — are living in limbo. They remain displaced in a world where attention has moved on to numerous new crises: wars, economic instability, and democratic decline. Just in Los Angeles, masked immigration agents are snatching people off the streets, and the national guard has been deployed against the governor’s wishes. Another extreme wildfire season is forecast as the federal government cuts forest management and plans to abolish FEMA, the country’s top emergency management agency. Can kids envision a future in these circumstances? Can they create one?
WINDSWEPT will provide a poignant, character-driven look into how crisis affects different families, the tension between lived experience and what shows up in the headlines, and ultimately, a roadmap for resilience in the face of adversity. Our hope is that the individual stories about these kids' journeys illuminate the collective humanity — and resilience — that can emerge in a time of frequent crisis.
Given the state of the world, many disasters will happen between now and the completion of WINDSWEPT. (In fact, it would take too much space to list all the tragedies that happened while we were simply preparing this document.) This will be a timely film this year — and the following year, and the next one, and the year after that.
ABOUT US
This project is a labor of love, made possible by dedicated filmmaking pros, and co-directed by Elise Hu and Rufus Lusk, who have been collaborators since 2019.
From Elise: I have spent my career in non-fiction storytelling as a broadcast journalist and international correspondent. As an Asian American whose identity is shaped by living across two cultures, I view journalism as an act of love — trying to bridge different worlds and share what I find with others to deepen understanding of one another. This deeper, longer-form exploration of the youth perspective, through documentary, is an extension of that impulse. Success looks like finishing this film and ensuring it reaches other folks who are wondering (and maybe feeling collective guilt) about what we’re leaving behind for our kids. I believe all of us can learn from each other, and the kids have a lot to teach us.
From Rufus: In 15 years of working in production, I have entered communities I never would have, talked with people remarkably different from myself, and explored ideas far from my natural comfort zone. In a time of cultural fragmentation, this has been a special gift. Prior to this project, I had been exploring ways to tell complex stories about energy, ecology and flawed environmental policy centered around New York City. But after test shoots, it was clear my approach relied too heavily on expert testimonies. I needed an emotional way in. Then, Elise called.
On a shoot in Altadena, on Christmas Tree Lane, when it returned nearly a year after the fires.
THE TIMELINE
We are nearly finished filming with the four protagonists in the film. The youngest is in 7th grade, the oldest is about to start her senior year of high school. This campaign and your support makes possible the completion of our post-production on the film, after a year that's absolutely upended their lives — all four were displaced by fires that changed the trajectory of their lives, and their understanding of themselves.
We've shot most of the film before the one-year anniversary of the files. Then we staffed up to begin post-production — the work of turning all the gathered footage into a coherent narrative film. This campaign and your support gets us to the finish line of filming, namely, the archival work of combing through the hours and hours of footage captured by news cameras, photography crews and on social media, which will tell the story of the cataclysm. Our stretch goal is $15,000, because if we surpass our goal for this campaign, we will have the ability to staff for marketing and festivals, which will be vital to get this film to the widest audience possible.
We expect a rough cut of WINDSWEPT will be finished by fall 2026.
But it can't happen without your support. If you believe in this project, and our team, please smash that contribution button, and share it with your friends and family.
Wishlist
Use the WishList to Pledge cash and Loan items - or - Make a pledge by selecting an Incentive directly.
Archival Producer
Costs $3,200
Archival producers find, curate, and get the rights for all the news footage or old media that will enhance the final film.
Festival Submissions
Costs $800
Help fund the cost of submission fees to all the festivals we hope WINDSWEPT will screen at, to find audiences all over the world.
Final Shoot Days
Costs $4,000
Support the final days of filming with the teens before we fully wrap production.
About This Team

Rufus Lusk (Co-Director/EP): An Emmy-winning producer and director specializing in nonfiction television. He co-created and wrote the series Liquid Science (Netflix/Red Bull TV), starring GZA of the Wu-Tang Clan, which blended the iconography of hip-hop with cutting-edge scientific exploration. A creator, executive producer and director of Shade: Queens of NY, an innovative hybrid of music videos and documentary vérité that explored the complex lives of New York’s drag queens. Rufus also served as Executive Producer of Black Women Own the Conversation, earning his first Emmy for the groundbreaking series. Rufus is a co-founder of Cowboy Bear Ninja, a social-impact driven commercial and entertainment production company whose latest film credit was Hummingbirds (producer Miguel Drake-McLaughlin) in which bordertown besties make magic of one last summer together. That film won the Grand Prix in its category at the 2023 Berlinale, and was an Independent Spirit Best Documentary Award nominee.
Elise Hu (Co-Director/EP): A multiple-award winning journalist, author and writer based in Los Angeles. A former correspondent for VICE News on HBO and a longtime NPR international correspondent, she has reported inside the communities most affected by political upheaval and disasters from more than a dozen countries around the world. In 2015, she opened NPR’s first-ever Seoul bureau, responsible for coverage of both Koreas and Japan. A University of Missouri-Columbia School of Journalism alum, Elise’s work has won the national Edward R. Murrow for video, duPont Columbia and Gracie awards, among others.
Executive Producers:
Michael Melamedoff is a partner and head of development at Cowboy Bear Ninja. He directed and produced the acclaimed documentary, The Problem with Apu and won an Emmy-award for Black Women OWN The Conversation, from The Oprah Winfrey Network.
Miguel Drake-McLaughlin is a partner at Cowboy Bear Ninja. He was most recently the producer, cinematographer and co-director of Hummingbirds which won the Grand Prix in the Generation 14plus section at the 2023 Berlinale and was nominated for Best Documentary in the 2024 Independent Spirit Awards.
Editor:
Victoria Chalk, ACE is a European-Asian film editor with 20 years of post-production experience. Her recent work includes 2 episodes of the Peabody-winning PBS documentary series “Asian Americans” and "Third Act" by Tadashi Nakamura which premiered in competition at Sundance 2025. Victoria is a DOCNY 2020 40 under 40 honoree, the 2019 Karen Schmeer Editing Fellow and runs Across The Cut, an intersectional edit roster, along with 3 fellow editors.
Consulting Producer:
Alysa Nahmias is an award-winning filmmaker and founder of the Los Angeles-based production company Ajna Films. Alysa’s debut feature, Unfinished Spaces, won a 2012 Independent Spirit Award, numerous festival prizes, and is in the permanent collection at the Museum of Modern Art, New York. Alysa recently directed and produced The New Bauhaus (2019), and her producing credits include the Emmy-nominated and Sundance award-winning Unrest (2017), the documentaries What We Left Unfinished (2019), Afternoon of a Faun: Tanaquil LeClercq (2013), and the scripted feature No Light and No Land Anywhere (2016). Alysa’s films have been distributed on platforms such as Netflix, PBS, and HBO, and exhibited at festivals including Sundance, Berlinale, New York Film Festival, SxSW, and the Venice Biennale.
Cinematographers:
Sam Rosenthal: An award-winning cinematographer with deep experience in documentary and commercial content. His footage is seen on VICE, The New York Times, National Geographic, HULU and Netflix. Recent accolades include a Peabody Award for USA Today’s “States of America.”
Additional Cinematography by Sebastian Sokolowski, Zachary Rockwood, Chris Orr, and Ben Bishop
